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This Type V1.6 Canibalismo six-string guitar will set you apart from everyone else. With its distinctive, stealth looks and feature set, this guitar is a precise, professional instrument suitable for both stage and studio work. This guitar features the Evertune® constant-tension bridge—a reliable, fully-mechanical system that keeps the guitar in tune under any circumstances. It also features Duncan Solar pickups that provide a full spectrum of tonal options, from organic clean to heavily overdriven, all with fluid sustain and maximum clarity. The Type V1.6 Canibalismo features a set-thru neck/body joint design with 25.5” scale, swamp ash body, a fast, thin, comfortable maple neck, an ebony fingerboard with 24 super-jumbo stainless steel frets and Luminlay ‘glow in the dark’ side dots for stage use. Loaded with Solar 18:1 locking tuners, graphite nut, 3-way toggle pickup switching with push-pull and full access neck. Available in blood red open pore with blood splatter finish it also includes a Solar Type V deluxe gig bag.

Goes from clean to crunchy to full-throated, meaty slabs of sustaining distortion while retaining string definition and full articulation. The three-band eq is flexible and creates a beefy, classic 70's rock voice.

The sag knob controls the optical compressor/limiter circuit to tighten up the output at clockwise or permit full, punchy, wall-shaking dynamics at counter-clockwise. You might find you're "in the pocket" with the SAG control at about noon.

The perfect companion for your digital floorboard, multi-effect or modelling head, the G212A-FR active stereo cab has it all: power, fidelity, low weight and an even lower price tag. The housing features a convenient wedge shape, letting you angle its pristine sound towards you at rehearsals or gigs. Two custom-voiced 12” speakers and dual 1” HF compression drivers reproduce every nuance of those tones you’ve spent so long crafting in your digital amp platform. And this lion has plenty of roar, too! A wall-shaking 200 Watts RMS of pure, ultra-clean sound are on tap here, with an added XLR output to send your signal direct to a PA or mixer via the built-in XLR outputs. Unleash your ideal tone!

As soon as she burst onto the scene with her 2015 single “Ocean Eyes”, it was clear that Billie Eilish is a force to be reckoned with. In the years since, she has established herself as a new kind of pop culture icon, taking the fashion and music industries by storm on her own terms. Billie’s meteoric ascent to pop stardom started with the ukulele, the first instrument she learned to play. Designed in collaboration with Billie Eilish, her Signature Ukulele is a stage-ready instrument that embodies Billie’s bold, unmistakable style. This concert ukulele is built with sapele top, back, and sides, featuring a matte black finish with Billie’s “blohsh™” symbol. It also includes a Fishman Kula preamp for those looking to plug in. Whether you’re an experienced musician or looking to pick up your first instrument, one thing is true: you can play anything on the ukulele.

The Vista Eagle model showcases a skillfully crafted top, made from attractive tone-woods that bring its unique panoramic image to life. Handmade from a combination that includes Padauk, Quilt Mahogany, Koa and Spalted Maple, each guitar is a completely unique work of art. Touting superb craftsmanship and rich, warm sound, Luna acoustics have long been sought after for their remarkable aesthetics. The Vista Series blends the world of fine art and the art of advanced acoustic guitar building. The Vista Eagle features a gloss finished, flamed maple bound, Grand Concert body with Koa back and sides for enhanced tone and projection. Precision fitted with a hand-shaped 25 scale Mahogany neck and capped with a smooth, Pearl Moon Phase inlaid Ebony fretboardthe Vista Eagles feel, playability, and stand-alone acoustic sound are nothing short of inspirational. Once plugged in, the Vista Eagle takes off in yet another sonic direction. Owing to a Fishman Presys+ (PSY-201) preamp/tuner, the Vista Eagle offers clear, strong, natural acoustic sound on stageeven when going against dense instrumentation. Whether plugged-in or not, the Vista series incredibly full tone, pristine clarity, and unique visual presence make it the ideal instrument to make your musical statement. Hardshell case included. The Vista Eagle is available in both 6-string and 12-string models.

Imagine a glistening modulated delay fused with the warm high-frequency saturation of a tape echo, then add tap tempo and easy-to-use controls—that's what we did with the Echelon Echo. Tone Report Weekly calls the Echelon "a lovely, lively pedal... a gorgeous sound all its own... Beautiful tone and traditional tap tempo option in a small, affordable package."

Bypass and Tap Tempo combine seamlessly on a single footswitch, maintaining a compact form-factor. Cross-fading Time Change™ allows tempo changes in real-time without audio artifacts (no muting, zipper noise or pitch change).

he Neunaber Sreaphim takes the already amazing Wet Reverb effect and combines it with a beautiful shimmer to take the 'Choir Of Angels' sound to another level. If that was all this pedal did it would still be a great by but Neunaber have used their digital magic to allow you to modify your pedal in ways previously not possible.

Simple Control Scheme

Straight out of the box you can just plug this pedal in to your rig and it will immediately deliver some of the most beautiful ambient reverbs that you have ever heard. It can do subtle reverbs as well but this pedal is at its best when creating haunting yet beautiful cavernous reverbs with the angelic shimmers in the background. All of these effects are easily programmable at a moments notice using the pedals three front facing knobs.

Customize The Controls

Neunaber always want to give you more control over your pedals. No matter if this is being able to modify some settings in the pedal or completely change the control scheme Neunaber give you the extra control. With the Seraphim you can actually modify your controls to include hardware shimmer level or tune controls and you can even set things like tone and Loop Delay virtually using Neunaber's downloadable software.

More Than Just One Pedal

But since on the inside this is just the same as every other Neunaber pedal can't you just mix and match? Well, yes you can! With all Neunaber effects you can actually replace the effect in your pedal with a completely different one. Sick of the shimmer? No problem, plug it in to your computer and you can change your Seraphim in to either a Chroma Chorus, Wet Reverb or Echelon Echo. This requires the Expanse software available on the Neunaber website.

The Neunaber Sreaphim takes the already amazing Wet Reverb effect and combines it with a beautiful shimmer to take the 'Choir Of Angels' sound to another level. If that was all this pedal did it would still be a great by but Neunaber have used their digital magic to allow you to modify your pedal in ways previously not possible.

Simple Control Scheme

Straight out of the box you can just plug this pedal in to your rig and it will immediately deliver some of the most beautiful ambient reverbs that you have ever heard. It can do subtle reverbs as well but this pedal is at its best when creating haunting yet beautiful cavernous reverbs with the angelic shimmers in the background. All of these effects are easily programmable at a moments notice using the pedals three front facing knobs.

Customize The Controls

Neunaber always want to give you more control over your pedals. No matter if this is being able to modify some settings in the pedal or completely change the control scheme Neunaber give you the extra control. With the Seraphim you can actually modify your controls to include hardware shimmer level or tune controls and you can even set things like tone and Loop Delay virtually using Neunaber's downloadable software.

More Than Just One Pedal

But since on the inside this is just the same as every other Neunaber pedal can't you just mix and match? Well, yes you can! With all Neunaber effects you can actually replace the effect in your pedal with a completely different one. Sick of the shimmer? No problem, plug it in to your computer and you can change your Seraphim in to either a Chroma Chorus, Wet Reverb or Echelon Echo. This requires the Expanse software available on the Neunaber website.

he Neunaber Sreaphim takes the already amazing Wet Reverb effect and combines it with a beautiful shimmer to take the 'Choir Of Angels' sound to another level. If that was all this pedal did it would still be a great by but Neunaber have used their digital magic to allow you to modify your pedal in ways previously not possible.

Simple Control Scheme

Straight out of the box you can just plug this pedal in to your rig and it will immediately deliver some of the most beautiful ambient reverbs that you have ever heard. It can do subtle reverbs as well but this pedal is at its best when creating haunting yet beautiful cavernous reverbs with the angelic shimmers in the background. All of these effects are easily programmable at a moments notice using the pedals three front facing knobs.

Customize The Controls

Neunaber always want to give you more control over your pedals. No matter if this is being able to modify some settings in the pedal or completely change the control scheme Neunaber give you the extra control. With the Seraphim you can actually modify your controls to include hardware shimmer level or tune controls and you can even set things like tone and Loop Delay virtually using Neunaber's downloadable software.

More Than Just One Pedal

But since on the inside this is just the same as every other Neunaber pedal can't you just mix and match? Well, yes you can! With all Neunaber effects you can actually replace the effect in your pedal with a completely different one. Sick of the shimmer? No problem, plug it in to your computer and you can change your Seraphim in to either a Chroma Chorus, Wet Reverb or Echelon Echo. This requires the Expanse software available on the Neunaber website.

Enclosed in a wood finishing cabinet and incorporating the same DSP engine as the D6-8 Battery Powered Acoustic Amplifier, the D6-8 PRO acoustic Guitar amplifier offers a full featured programmable Digital Mixer with Effects and Color Display. Porting the same highly intuitive UI with extensive dedicated parameter control as the time D6-8 Amplifier and the StompMix X6. The 6 channels digital mixer comes with compressor, gate, mid sweepable EQ, high Pass Filter, Notch Filter, Phase reverse for each of the 4 Class-A solid-state Mic pre-amps. The D6-8 PRO acoustic Guitar amplifier allow user to stores and manages parameter settings for instant access to that perfect mix via scene changes. Backtracking or simply playing music in between sets, Bluetooth streaming make it easily done. Main mix (selectable as Direct Out) with GND lift and Aux Mix outputs allow your mix (with EQ setting) to sending to house PA or other speakers. Designed and built with Active crossover and individual amplifiers for the 8″ woofer and 1″ silkdome Tweeters resulting in pleasing sonic response for the full audio spectrum. Main mix (selectable as Direct outs), Monitor Right output and Aux Mix outputs offer extreme flexibilities to send to House PA or additional speakers. Whether if you are looking for a practice amp, a stage amp for small to medium size venues, a stage monitor for larger venues, the D6-8 PRO can meet all those needs.

This Type E1.6 Priestess Artist Series metal weapon guitar offers a comfortable, mean and sharp-looking armrest with a remarkable feature set, making it the ultimate guitar choice for Marzi Montazeri’s both stage and studio work. The reliable Floyd Rose 1000, made of hardened steel combined with an oversized block, offers increased sustain and resonance while all tremolo springs are mechanically muted. It also features Duncan Solar pickups that provide a full spectrum of tonal options, from organic clean to heavily overdriven, all with fluid sustain and maximum clarity. The Type E1.6 Priestess features a set-thru neck/body joint design with 25.5” scale, alder body, a fast, thin, comfortable maple neck, an ebony fingerboard with 24 super-jumbo stainless steel frets and Luminlay ‘glow in the dark’ side dots for stage use. Loaded with Solar 18:1 locking tuners, graphite nut, 3-way toggle pickup switching with tone push-pull for neck pickup coil cut and full access neck. Available in white matte finish, it also includes a Solar Type E deluxe gigbag.

This Type G1 “Killertone” Artist Series guitar will set you apart from everybody else. With its distinctively arch top body shape and 6 inline pointy headstock this modern looking Type G single cutaway guitar has a remarkable, precise and professional feature set making it the ultimate choice for Jason Frankhouser’s stage and “Killertone” studio work. Loaded with a Tune-O-matic string thru bridge the GC1 Killertone offers Seymour Duncan Black Winter pickups that provide merciless high-output passive humbucker tone for most frigid Black Metal, Death Metal, or any other extreme style…as brutal as the Scandinavian Winter. It has a set-thru neck/body joint design with 24.75” scale, an mahogany body with flame veneer maple top, a fast, thin, comfortable mahogany neck with satin back of neck, an ebony fingerboard with 24 super-jumbo stainless steel frets and Luminlay ‘glow in the dark’ side dots for easy stage use. Loaded with Solar 18:1 locking tuners, graphite nut and full access neck, this guitar is available in flame black gloss finish.

The Pitch Fork®+ features two independent pitch shifting engines with full control over each. Both will transpose your pitch up or down over a +/- three octave range and detune +/-99 cents. With rock solid tracking, an organic, musical tone and extensive control, it’s your ultimate harmonizer.

• Dedicated volume controls for both Shift voices and the Dry signal. • Two outputs, Main and Aux, with multiple routing options. • 10 unique factory presets plus the ability to easily save/recall 100 programs. • A Bypass footswitch that toggles between effect on and buffered bypass. In latch mode it switches between effect and bypass mode. In Momentary mode the effect is on when the FS is held down and the pedal enters bypass when it’s released. • A User footswitch that’s programmable and can be assigned to a variety of functions such as muting either Shift voice or jumping to a preset program. It features a dedicated LED. • An EXP input for EXP or CV control over a broad selection of parameters in three sub-menus: Frequency, Glissando and Volume. • An EXT input for connecting an external foot controller like EHX’s Triple Foot Controller which enables players to change modes, enter/exit sub-menus and load presets. • Eight modes, including X-MOD, which features cross-modulation that creates FM and ring mod type effects, LATCH, based on the original Pitch Fork, but with enhancements to the Momentary mode functionality.

A bass for the pros designed by the pros. The EP4 Select is a blend of the two Select Series bass models (E4 select and EP select) with the added feature of the most diverse bass pickup to date; the Fishman Fluence PRF BS4 NB1. Swamp Ash body, burled poplar top with a walnut center. 5 piece maple walnut neck with a 5 bolt construction already bring all the natural tones a bass could have. To top it off the Fishman Fluence PRF BS4 offers a split mode as well as a P or J mode with 3 voice options for each. Classic, scooped, and funk. In other words if you play bass, it doesn't matter what style you play this bass is the professional choice for you.

BIG EAR pedals is proud to announce the launch of its first digital multi-effect pedal, ALBIE, an ambient modulator. The ALBIE pedal, inspired by their close friend and collaborator, Joe McCaffrey (of the band Nightmare of You), has eight different settings specifically built and curated to cover the jangly, shimmering, modulated sounds associated with the New Wave & Post Punk music of the ‘70s & ‘80s.

ALBIE has two knobs, “Effect” and “Blend.” The “Effect” knob allows the user to change between eight different pedal-chains or “stacks” of effects (the LEDs light up with the corresponding effect). The “Blend” knob mixes the chosen effect setting into the clean-tone of the guitar, making this pedal especially perfect for those with option-paralysis.

The clicking momentary footswitch operates like a standard footswitch, but when held down provides a secondary setting for each “effect.” These extra settings are called the “Neil Modes”—named after Neil Graham of Dr. Scientist who programmed the digital code for ALBIE, as well as designed these secondary settings.

Bow-wow-waka, bow-wow-waka-waka-waka… come wit’ it now! Phrases like that, as performed on Rage Against the Machine’s “Bulls on Parade,” demonstrate how Tom Morello’s use of the wah-wah pedal pushed — and continues to push — boundaries. Tom’s signature Dunlop TBM95 wah pedal is a spot-on sonic re-creation of the early-‘80s GCB95 Cry Baby he deployed on Rage’s classic albums. The TBM95 Tom Morello Signature Cry Baby boasts an aggressive, modern sound that — as we’ve discovered here at Sweetwater — is tailor-made for punctuating hard-hitting riffs and spawning crushing grooves. Boasting a custom finish adorned with Tom’s favorite quotations, the Dunlop TBM95 is not only a top-shelf wah-wah pedal, it’s a must-have for RATM fans.

Tap into the sound of two blistering guitar amplifiers with a single pedal, with the MXR FOD Drive. MXR carefully analyzed two heavily-modded guitar amplifiers — one optimized for heavily-scooped high-gain tones, the other for extreme midrange punch. The result was an epic wall of guitar tone, and the FOD Drive packs that tone into a convenient stompbox. Each "amp" has its own gain and volume controls — tweak them individually, then balance them with the blend control just like you would on a mixing board. A global tone control allows you to fine-tune the result to perfection. If you want to supercharge your guitar tone with the sound of a dual-amp rig, but want to keep things simple, you need to check out the MXR FOD Drive pedal.

Pocket GT introduces a fun new way to practice, jam, and get better every day. Combining premium BOSS guitar tones with integrated YouTube learning, this pocket-size amp/effects processor pairs with your smartphone or tablet to create the ultimate go-everywhere lesson studio. Watch YouTube content in the companion BOSS Tone Studio app and create song lists, set loop markers, and more. Access deep editing tools to emulate the tones of famous players or craft new sounds all your own. And with automatic user memory switching, you can change up sounds as a YouTube video plays! Adding in other great features like Bluetooth music streaming, USB audio interface capability, and more, Pocket GT is a must-have companion that no guitar player should be without.

Create vast soundscapes with just a few notes from your instrument. Apply mind-bending pitch and harmonic manipulation to your reverb tails, with synth-like filter sweeps. Enter a world of new sounds that blow away the boundaries of what is possible with reverb. With pioneers and adventurous sonic explorers in mind we created a reverb pedal that can go where none have gone before.

FET-based Distortion Guitar Effect Pedal with Volume and Tone Knobs, Active Mid-frequency Preamp, and Drive and Push Controls

JHS Pedals is proud to release the Paul Gilbert signature distortion "PG-14!” This is a new and unique distortion pedal specifically designed to Paul's specifications. At the heart of the circuit is a FET based distortion engine that emulates the touch, feel, and the response of a pushed tube amplifier.

This circuitry allows the player to have the dynamics and tone of loud stadium level amplifier at low/moderate volume levels.

ALL THE MIDS CONTROL! A second unique and essential feature of the design is that an active mid-frequency preamp is located at the front of the FET distortion circuitry. This design feature gives the user a vast sweep of tonal possibilities with any amp or guitar combination.

The PG-14 is an end-all pedal for adding the ultimate dirt channel to your amplifier. A bonus feature is that it gives you all of Paul Gilbert's talent, decades of experience, and countless years of practice! Just hit the footswitch!

Many acoustic players have integrated body tapping into their repertoires to expand the percussive possibilities of their performances. For solo performers, this can add a new level of excitement and dynamism, and, in an ensemble, it can complement the groove laid down by your band’s rhythm section. Until now, players have relied mostly on their acoustic-instrument’s standard pickup to amplify their body taps, which can be a bit of compromise, lacking fullness and resonance. To give body tapping the rich sound it deserves, Fishman has developed the PowerTap Earth body sensor and Soundhole Pickup.

With the warm, transparent sound of Fishman’s renowned Rare Earth Humbucker as its sonic foundation, the PowerTap Earth boasts incredible sensitivity and responsiveness, and it installs easily in any acoustic guitar. For flexibility, the PowerTap earth splits the soundhole and tap pickup signals, which gives you the ability to blend the outputs in mono or run them separately using a stereo cable. That means you can affect them individually — for instance adding a rhythmic delay to the tap while soaking your acoustic in reverb. Acoustic guitarists at Sweetwater are big fans of the body tapping technique, so they’re hyped to tap into the PowerTap Earth’s creative potential — and we’re sure you will be too!

Many acoustic players have integrated body tapping into their repertoires to expand the percussive possibilities of their performances. For solo performers, this can add a new level of excitement and dynamism, and, in an ensemble, it can complement the groove laid down by your band’s rhythm section. Until now, players have relied mostly on their acoustic-instrument’s standard pickup to amplify their body taps, which can be a bit of compromise, lacking fullness and resonance. To give body tapping the rich sound it deserves, Fishman has developed the PowerTap Earth body sensor and Soundhole Pickup.

With the warm, transparent sound of Fishman’s renowned Rare Earth Humbucker as its sonic foundation, the PowerTap Earth boasts incredible sensitivity and responsiveness, and it installs easily in any acoustic guitar. For flexibility, the PowerTap earth splits the soundhole and tap pickup signals, which gives you the ability to blend the outputs in mono or run them separately using a stereo cable. That means you can affect them individually — for instance adding a rhythmic delay to the tap while soaking your acoustic in reverb. Acoustic guitarists at Sweetwater are big fans of the body tapping technique, so they’re hyped to tap into the PowerTap Earth’s creative potential — and we’re sure you will be too!

This pedal provides a huge, responsive range of gritty and textured tones that enhance the sound of your rig while preserving its fundamental character—and in an MXR mini housing, this pedal will free up some serious pedalboard space. This pedal can be powered by a Dunlop ECB003 9-volt adapter, or the DC Brick™, Iso-Brick™, and Mini Iso-Brick™ power supplies (not included). The MXR Timmy Overdrive provides a huge range of gritty, textured tones that enhance your rig’s sound while preserving its fundamental voice—and in an MXR mini housing, it’ll free up serious pedalboard space. The pedal’s based on a design from veteran pedal builder Paul Cochrane that’s widely celebrated among high level pros, from first-call Nashville player Kenny Greenberg to first-call L.A. player Lyle Workman to rockstar Brad Whitford. When Paul decided to bring his pedal to a wider audience, he chose to work with the MXR design team. “It’s an honor to work with MXR,” Paul says. “My first ever pedal was a Phase 90.”

Thanks to Paul’s inventive implementation of clipping options and tone controls, the Timmy Overdrive is a dream come true for working guitar players. The Clip switch provides three different clipping styles for a multitude of scenarios, whether you need a big, bold always-on sound with a ton of headroom to slam the front end of your amp, a more compressed and saturated sound for fat chords, or anything in between. The Bass and Treble controls offer further refinement in two key ways. First, they’re cut-only, keeping your signal’s character intact while making it super easy to dial in a clean boost. Second, Paul wired the Bass control to affect your pre-OD signal so that you can your maintain low end at lower Gain settings and the Treble control to affect your post-OD signal so that you can adjust the top end to keep dirty settings smooth and musical.

Finally, the MXR design team worked with Paul to select an op-amp that perfectly complements his expertly crafted design. They chose the LF353, a component well-respected by Dunlop engineers for providing high output, high gain, and hi-fi signal delivery. The resulting MXR Timmy Overdrive is a professional-grade must-have for players who want sweet, harmonic breakup that responds to playing dynamics and maintains a rig’s personality at a fraction of the standard pedal size.

Back by popular demand and reimagined for the first time since its debut, the Excel Style B Throwback is a slimmed down non-cutaway archtop and time machine to the Jazz Age. A slim-C neck profile, shallow upper bout depth, and 25-inch scale length make the Style B Throwback a notably comfortable archtop while still maintaining robust acoustic tone. Old-school details and Throwback Collection appointments—including the scroll-style headstock designed by John D'Angelico in the 30s—make the Style B a visual stunner. Available in Vintage Natural and Viola.

A vintage spin on our flagship model, the Excel EXL-1 Throwback embodies the legacy of fine archtops. A 17-inch-wide, 3-inch-deep body emanates warm, woody archtop tone propelled by a single floating Seymour Duncan Johnny Smith mini-humbucker. And visually—it's hard to look away. Old-school full-fret mother-of-pearl fingerboard inlays on an ebony fingerboard lead to a scroll-style headstock designed by John D'Angelico in the 30s, while a satin ebony pickguard meets a spruce top featuring multi-bound Throwback f-holes. Available in Vintage Natural and Viola.

The guitar that set the standard for the travel guitar market, the enduringly popular Baby Taylor makes a great musical companion. Portable, playable and affordable, the Baby features a solid spruce top and yields impressive volume and tone for its compact, three-quarter-size scale. It’s the perfect travel mate, it’s a great choice for kids taking lessons, and artists from Lindsey Buckingham to Bono to Taylor Swift have used one for songwriting, recording and performing. With its unique dimensions and tonal personality, players have used it in other creative ways, from high-stringing it to setting it up to play lap slide to adding a capo to evoke mandolin-like sounds. The Baby includes a Taylor gig bag for easy portability.

This addition to the popular GS Mini family features layered walnut back and sides paired with a solid Sitka spruce top. Like its other Mini siblings, our modern-day parlor guitar has wowed the world with its fun-size appeal, packing a grown-up guitar voice into a scaled-down form that fits perfectly into everyday life. As active or relaxed as you want to be, having a Mini on hand is like having your songwriting muse on instant demand. And for beginners, it makes an acoustic guitar feel super-approachable. The Mini ships with a durable, lightweight hard bag, allowing you to take it anywhere. An onboard Taylor ES-B pickup/preamp also enables you to plug in and make your voice heard. It features a built-in tuner, low-battery indicator, and tone and volume controls.

This upgraded 200 Series Grand Auditorium delivers the clarity and balance that makes our best-selling body shape a hit with guitarists from all genres and styles. The narrow-waisted, inviting frame sits comfortably in your lap while seated, while a slightly narrower nut width of 1-11/16” makes it easy to fret chords and notes, even for beginners. Tonally, layered rosewood back and sides pair beautifully with a solid Sitka spruce top for room-filling projection and a versatile sonic profile that performs beautifully across musical settings. This upgraded Plus model features black binding and a full-body gloss finish, along with a Venetian cutaway, 4mm Dot inlays, and ES2 electronics for plug-and-play amplified sound. It ships in a new Aerocase™ designed for lightweight, sturdy protection for your guitar wherever you take it.

With its layered Indian rosewood back and sides and solid Sitka spruce top, this 200 Series Dreadnought offers all the power and punch of its traditionalist body shape with the inimitable Taylor twist of clarity and balance. The larger body generates plenty of low-end warmth and projection, while the solid top brings articulation and a crisp high end that make it a good choice for all styles of music, whether you’re practicing at home or building your career as a musician. Upgraded appointments for this Plus model include black binding, a glossy finish, and Taylor nickel tuners. It ships with ES2 electronics and a Venetian cutaway in a new Aerocase™ designed to deliver lightweight damage protection when you transport your guitar.

Our distinctive 200 Series Deluxe category is loaded with high-end performance appeal. The Grand Auditorium 214ce-K DLX features beautiful layered koa back and sides, a solid Sitka spruce top, a full-gloss body, white binding, Small Diamond fretboard inlays, Venetian cutaway, Taylor Expression System 2 electronics, and a Taylor standard hardshell case.