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The Logan Overdrive places emphasis on touch-responsiveness as part of its versatility to work in a variety of setups. It can be deployed as a sweet sounding low- to mid-gain drive; run as a preamp with 25dB of boost; or even used to deliver a myriad of mid-centric tones, from wah-like quacks to slow-phaser-style tones – thanks to its wide mid-EQ range.

A couple of features that help the Logan Overdrive get along with bass guitars sit inside its enclosure: adjustable controls for Clean Blend and Mid-band Q adjustment. Paired with the onboard Expression input, the Logan Overdrive becomes more than just a simple dirt box for electric guitars, as it could be used as a mid-sweeping effect for basses, keyboards and drum machines alike.

Two Notes Torpedo Captor X; compact reactive load box, attenuator, miked cab simulator, IR loader and stereo expander for home, live and studio use; Play your tube amp at its sweet spot and control your volume with the attenuator; new feature to the Torpedo Captor family include a Stereo Expander (Stereo Reverb and Twin Tracker), Enhancer, Voicing, Space, Noise Gate and XLR DI outputs with 3 routing options.

Featuring a plethora of useful options, the Giygas gives you everything you’ve ever wanted in a fuzz box, along with some stuff you never knew you wanted (but deep down, you totally knew). The core of the fuzz circuit is brawny and fierce, yet with plenty of violin-like sustain and articulation on tap, and the entire thing is wrapped in a clean blend circuit. From there, the fuzz gets catapulted into a gyrator-based mids boost, and then into a tilt EQ circuit. With the blend rolled all the way back, you can use just the powerful high-headroom EQ to sculpt your clean tone. A horde of options await you under the hood, ones that will make our four-stringed friends extremely happy.

BIAS FX introduced guitarists to a whole new level of modeling realism and tone-shaping potential. Now with Positive Grid BIAS FX 2 Standard, you have more tools than ever to craft cutting-edge guitar tones. Featuring the same acclaimed modeling engine from BIAS AMP 2, BIAS FX 2 Standard delivers faithfully reproduced digital versions of classic guitar effects, and their dynamic response to your playing is amazingly nuanced. WithBIAS FX 2 Standard'sgroundbreaking Guitar Match technology, you can even tweak the core sound of your instrument in post production. Factor in more effects and cab simulations than ever, a smart recorder/looper, and much more — Positive Grid BIAS FX 2 Standard offers a ton of creative potential for guitarists of all types.

In honor of over 30,000 Dirty 30s models sold, Recording King takes the best-selling series to a new level with the Dirty 30s Deluxe Limited Edition Dreadnought.

All-solid woods for rich acoustic tone, a road-ready Fishman pickup system, and the classic Dirty 30s Dust Bowl aesthetic all combine for vintage styling and high-end sound in this go-anywhere guitar.

We’ve carefully considered every element that makes the Deluxe Dreadnought stand out from its classic mail-order counterparts.

The great-sounding x-braced solid Sitka Spruce tops are paired with solid African Mahogany backs and sides for classic acoustic tone, with a richness that supersedes the best historic catalog models.

The traditional bone nut and saddle ensure maximum resonance at every string contact point, and the ultra-thin transparent sunburst finish lets the fundamental voice of the guitar ring clearly.

Classy low-key ivory fretboard dots and the vintage Recording King headstock design deliver vintage dust bowl style. Add Fishman Sonitone electronics, and the Dirty 30s Deluxe Dreadnought is ready to plug in and play anywhere.

The Dirty 30s Deluxe Limited Edition Dreadnought is available with 1-11/16” nut width and 25.4” scale length.

The EQ2 Programmable Equalizer is the perfect companion for any musician looking to enhance or add flexibility to their tone. The availability of the full audible frequency spectrum across 10 completely customizable bands means that EQ2 is the EQ pedal not just for guitar, but for any electrifiable instrument. This allows you to move each of the 10 bands to any point on the frequency spectrum from 20 to 20,000Hz. With +/- 18 dB of boost or cut on tap for each band, bandwidth adjustments up to 10 times more narrow, flexible routing and separate stereo curves, an optional noise gate and limiter, and a deep interactive editing software, plus some shelving and high-pass frequency options, EQ2 is the ultimate Swiss-army knife for your tone.

Inspired by the PRS Private Stock team’s hand stained fade finishes, the SE Custom 24 Fade limited are available in 4 stunning fade colours; Amber Fade, Charcoal Blue Fade, Charcoal Cherry Fade & Charcoal Fade. This unique ltd run also features the same specs as the original iconic SE Custom 24.

Limited Edition 1pc Redwood Body Salvaged from the Smugglers Bridge in Humbolt County California. This wood was a tree for about 1,000 years, a Bridge for 100 years and now a guitar! The Pickguard is cut for TV Jones "Universal Mount" Pickups. Shown with P-90s but Filtertron and other models drop right in.

The T4 is our take on the classic 4 transistor fuzz, similar to the circuits used in the big muff and countless other variants. What sets the T4 apart is a flattened EQ curve that brings the mids back in and helps cut through the mix. It also has been softened in the gain department and is smoother than other versions of this circuit. It is a beautiful sounding fuzz while still being able to get those ferocious tones that endeared the original designs. If you’ve never dived into the world of fuzz, this could be your gateway drug.

The RockBoard MOD 4 - All-in-One Wireless System Receiver + Patchbay for Pedalboards offers an easy-to-use wireless connection between your instrument and your pedalboard, featuring digital wireless technology that delivers incredible audio quality, a simple setup procedure, and reliable use for any gigging musician. The wireless system works in the 2.4 GHz ISM band for unlimited worldwide use and offers a full 20 Hz - 20 kHz frequency range with only 5 ms of latency. The patchbay module is designed to route connections from underneath your pedalboard to its front, giving you a central access point and tidying up your connections. The A, B, C, and D TRS sockets are wiring thru-connections from the front of MOD 4 to the corresponding sockets on the back. This allows you to connect your pedals permanently underneath the board, so you only have to connect cables to and from the front of the board, instead of having to route underneath it when setting it up for a gig.

The Engine is a highly versatile and fully analog foundation preamp pedal with distinct voicing inspired by 60’s British classic amps and sounds. It covers all the classic overdriven tones on a variety of amps and can be pushed even more with our take on the classic Range(master) and a powerful EQ/Boost section.

While ESP first got started in 1975 as a small repair shop in Tokyo, it was really toward the mid ‘80s when our guitars and basses grabbed the attention of players around the world. The LTD ’87 Series are faithful recreations of this set of instruments from ESP’s 1987 catalog. Unlike the current single-cutaway Eclipse shape, the original ESP Eclipse was based on the TE archtop shape, which is the basis of the LTD Eclipse ’87. This guitar offers neck-thru-body construction with a mahogany body and three-piece maple neck. The ’87 Series Eclipse models offer a set of Seymour Duncan ’59 (neck) and JB (bridge) pickup set (with original style bobbins and a push-pull control to split the coils), and a Floyd Rose-1000 locking tremolo. Available in Black and Pearl White finishes.

While ESP first got started in 1975 as a small repair shop in Tokyo, it was really toward the mid ‘80s when our guitars and basses grabbed the attention of players around the world. The LTD ’87 Series are faithful recreations of this set of instruments from ESP’s 1987 catalog. Based on the original ESP Mirage body shape, the LTD Mirage Deluxe '87 is a bolt-on shred machine with an alder body and three-piece extra thin U-shaped maple neck being made available in Pearl Pink and Turquoise finishes. These guitars feature a Floyd Rose 1000 bridge and a pickup set that includes a Seymour Duncan Distortion TB-6 (with original style bobbins and a push-pull control to split the coils) in the bridge and a Seymour Duncan Hot Rail single coil in the neck position.

For players who are more keen on presenting themselves with gothic, dark presence. Covered in matte black with accented red and gold paint that is only applied on the wood grains of a beautiful ash top to exude an organic vibe, this stunning guitar is also equipped with matching colored EMG® RetroActive Super77 humbuckers that have been tested and proven by the existing KX300 models to be an excellent match for the Mahogany body.

The new R7 Reverb mini-pedal has seven digital reverb effects in its compact enclosure: Room, Hall, Church, Cave, Plate, Spring and Mod. Each of the available reverbs is linked to its own LED on the side of the R7 pedal, so it is fairly simple to see what you are doing on a darkened stage. No menus, no fuss.

The selected reverb algorithm can be tailored to your own taste using the high and low cut controls. You can then go into deeper tweaking of each effect with Decay and Pre-Delay controls. You also have the option to let the reverb end naturally after switching off the effect, using the handy trail-on feature.

The Baritone Cabronita Telecaster® brings the Tele® another step beyond its 1950s roots and into a Paranormal realm. Featuring dual Fender-Designed alnico single-coil soapbar pickups and Cabronita Tele styling, this baritone model is the perfect companion to accompany any player into uncharted territory. Further player-friendly callouts include a string-through-body bridge for solid string stability, a slim “C”-shape neck profile for easy playability and a gloss neck finish for a slick feel.

The Paranormal Jazz Bass® ’54 turns fiction into reality, combining the easy playability and tonal versatility of the J Bass® with the classic looks of its older sibling, the Precision Bass® (around 1954, the P Bass® transitioned from a slab body to a contoured body). This bass is easy to play thanks to its “C”-shaped neck profile and narrow 1.5” nut width and offers out-of-this-world tone courtesy of its dual Fender-Designed alnico single-coil pickups. Further refinements include a vintage-style bridge and tuning machines, dual concentric volume and tone controls, and a sprawling ’50s-style pickguard that transports the Jazz Bass back in time.

The Paranormal Super-Sonic™ is stranger than fiction with its reverse body shape and headstock, producing massive tone courtesy of its dual Squier Atomic humbucking pickups. The Super-Sonic is lightning fast with its “C”-shape neck profile and narrow 1.5” nut width, and also features a vintage-style tremolo for expressive string bending effects. With its otherworldly looks, transcendent playability and earth-shattering tone, this model will transport any player into a Paranormal realm.

The Paranormal Cyclone® combines details from several iconic Fender models to create a whirlwind that is greater than the sum of its parts. With a small offset body shape borrowed from the Mustang®, pickups and vintage-style tremolo from a Stratocaster®, and controls from a Jaguar®, this guitar delivers standout style and versatile tone perfect for any musical genre. Further player-friendly callouts include a 24.75” scale length and slim “C”-shape neck profile for easy playability and a gloss neck finish for a slick feel.

The Paranormal Offset Telecaster® is the quintessential mashup of Fender features, combining the components of the iconic Tele® with the comfort and style of the Jazzmaster® offset body shape. With its dual Fender-Designed alnico single-coil pickups and string-through-body bridge design, this guitar’s versatile voice will sing with sustain. Other callouts include a slim “C”-shape neck profile, a gloss neck finish for a slick feel, and chrome hardware that is sure to catch the spotlight.

Originally introduced by Fender in 1998, the Toronado® became a fresh face in the crowd of offset-style guitars with its unique curves and crushing tone. The Paranormal Toronado delivers several player-friendly features including a slim “C” shaped neck with a slick gloss finish, a string-through-body bridge for solid string stability, individual volume and tone controls for a wide range of tonal variety, and an easy-playing 24.75” scale length. With its otherworldly looks, transcendent playability and earth-shattering tone, this model will transport any player into a Paranormal realm.

An all-round rock axe with killer tones and playability, this guitar surges onto the scene in a satin Silver Burst finish. Both body and Modern C-profile neck are crafted from mahogany, while the lush roasted jatoba fretboard houses 22 medium jumbo frets to give you plenty of space to take flight during your perfect solo. Twin Roswell humbuckers give you warm yet detailed cleans on the neck pickup, ready to deliver plenty of growl through a cranked tube amp. Now flip over to the lead channel for searing lead tones! The fabulous Silver Burst finish and matching black hardware on this model look, well, pretty incredible: it's a confident look worthy of a bona fide rock god!

Gibson is proud to collaborate with Frank Hannon, guitarist, songwriter, and co-founder of the multi-platinum band Tesla, to build a highly customized signature Dove model. Frank used his 70s era Gibson Dove to write and record numerous hit songs, including the celebrated ballad “Love Song.” This new Love Dove is filled with love, power, and performance, just like Frank’s lyrical, vocal, and musical prowess. Custom features include a Thermally Aged Sitka spruce top married to maple back and sides, allowing for supreme response and resonance, a 70s era Dove bridge with scalloped wings, decorated with mother-of-pearl wing inlays, and the highly desirable Dove pick guard, featuring hand engraved and painted details. Each commemorated with a signed inside label by Frank Hannon and custom Love engraved truss cover.

Ibanez's AE2912 12-string blends rich appointments with smart performance features to create a visually and tonally compelling instrument. Its comfortably sculpted AE-series body is built from warm, lightweight okoume and constructed using Standard X-M top bracing and a dovetail neck/body joint to engender rich sustain up the entirety of the instrument. The AE2912's Comfort Grip nyatoh wood neck with rounded-edge katalox fingerboard plays great and looks stunning in its full-length vine inlay. Meanwhile, onboard Ibanez electronics — an AP11 magnetic pickup and custom Ibanez preamp — endow this guitar with gigworthy tone for wherever you play out.

Quality tonewoods, rich appointments, and premium electronics give the Ibanez AE325 acoustic-electric a look and tone that demand to be experienced in person. Its comfortably sculpted AE-series body is constructed from solid Sitka spruce on gorgeously flamed okoume to form a memorable one-two audio-visual punch. Standard X-M top bracing and a dovetail neck/body joint maximize tone and sustain. And a rock-solid 5-piece Comfort Grip neck of pau ferro and African mahogany, mated with a beautifully inlaid rounded-edge Macassar ebony fingerboard, create a strong impression in the hand and onstage. One of the AE325's standout features is its two-way pickup system with mono and stereo outs. The AP11 magnetic pickup and T-Bar undersaddle pickup, each with its own volume control, deliver a wide range of tonal capabilities for live performance and recording applications. A bone nut and saddle, 18:1 die-cast tuners, and a bound soundhole with abalone/wood rosette round out this impressively priced premium acoustic.

The Luminator is a touch capacitance switch with Triple Pull Triple Throw action for endless possibilities.

With a simple intentional touch, the Luminator LED changes from Blue to Red to let you know the Luminator Switch Board has been activated.

When activated three independent switches change their status to redirect your analog signal. Switches 1 & 2 operate like a standard DPDT P/P Pot with each switch sharing its own single common to toggle between its normally open and normally closed contacts. Switch 3 has independent normally open and normally closed contacts for even more possibilities!

With the Luminator you can not only spilt pickups, but split pickups and simultaneously change a potentiometer and capacitor values. Engage a mid boost circuit while removing the tone pot circuit and putting pickups in series. All at once! Simply use as a kill switch. It's all up to you. The capabilities of the Luminator are endless!

The all-tube Boogie® BASS 400+ was a modern-day classic used by the world’s most talented bassists for over two decades. From Paul McCartney to Mark King, Stanley Clark to Jack Blades and Michael Anthony, the 400+ crossed borders and musical genres to take center-stage behind true Icons during its 20-year build cycle.

Today it’s our award-winning Subway® Series taking names with accurate Tone, warmth and portability in the Class D realm. The evolutionary step forward beckons to combine these two distinctive preamps and create a powerful, portable way to feature their unique personalities in one package. The Subway® TT-800™ answers that call!

Created by luthiers Jason Smith and Dennis Galuszka, this chambered Stratocaster fashions a highly sought after piece of Tamo ash – paired to a highly figured maple neck.