lucio_alexandre

I use 2 of them. First with distortion boost and second with overdrive properly.

It has a two voices. One with mor high. But its follish in mediuns.

It's my first pedal in the signal chain.

Its essential in the signal chain of my guitar setup.

It is a wildcard for two different signals in your setup, with different volume. The bad side is the button that receives the strength of the foot which is fragile.

With seven equalization bands, it is a key addition to your signal chain. I use it as my first pedal in the clean signal chain, correcting unwanted frequencies in the beginning. If you don't care about design, it's super cheap and rare.

Wet the characteristic 80's chorus sound and signal well.

Uso no loop de efeitos do meu amplificador transistorizado. Prático pequeno e funcional. A contrapartida que o volume de saída é um knob giratório pequeno demais.

If you don't need time tap and need a very good delay. This is the best cost-effective choice.

There are no volume controls per channel. You can have the guitar string signal split or added to ABY.

It's my wah-wah pedal and some modulations. Analog knobs and precise expression pedal. In contrast, distortions and overdrives are bad for a more professional sound and the recording memory for samples is small.

60w transitorized amplifier, with two 10 '' speakers, with clean and dirty channel, with spring reverb. Has output for external or in-line boxes, in addition to effects loop. Low, medium and high equalizer. Speak loud and very serious. I compensate the midrange with the equalizer in the effects loop.

Very good for various types and setups of guitar and types of user.

Very good for various types and setups of guitar and types of user.

Very good, stable source of noise. It is a little big to allocate on the pedalboard. But depending on the project it looks great in the setup.

Body guitar in maple cedar of about 20 years, neck in maple and rosewood fingerboard. With stainless steel frets and licensed floyd rose. Customizing the capitation and electrical, once well regulated, the playability and sound are formidable.

It is not mahogany. But it is massive with basswood and with full arm. I replaced the nut with a bone one and put on Gotoh dies. It is worth changing the bridge pickup. The frets are nickel and a little too low for a les paul. You don't lose anything to any epiphone.

The equalizer is not so good and the frets create teeth quickly. But the mahogany body and the 0.11 string sound is sensational.

I use it in my super stratus with standard tuning.

I use 0.11 on my les paul with tuning half step down.