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One of our classics brought back from the dark world! A simple to use chorus to add a bit of lushness to your cleans, maybe some 80's to your leads. We won't tell you how to use it.

Fun Fact: The flashing of the led speeds up with the Speed control.

Angled Flat DC Split Cable, useful to power many pedals with the AD-9 Pro.

The Omnicomp is a fully featured optical compressor that combines the precision and clarity of the Apex with the presence and tone of the Monocomp. The Omnicomp is so flexible it can be used on a pedal board for live use, or in a studio for precision compression for all of your tracks.

The Omnicomp is built with an internal 30 volt regulated supply to be able to cleanly and clearly handle signals all the way up to line level. The audio path is driven by a Burr Brown op amp for superior audio performance and extremely low noise. The compression element is a vactrol--an optical element that provides musical compression that is easy dial in.

The side chain of the Omnicomp contains a gentle high pass filter that gets more steep for very low frequencies. This is tuned so that bass heavy instruments will not overly trigger the compression. Bass, guitar, drums, and vocals all work well with this compressor, with very even compression across their bandwidth.

The Omnicomp controls are: Gain - Up to 20dB of clean gain on the output to make up any volume lost due to compression Blend - A blend between your clean signal and compressed signal Ratio - Determines how much signal is shunted. Ranges from 1:1 to full limiting Attack - The amount of time it takes for compression to apply Release - The amount time it takes for compression to release Threshold - The amount of signal sent to the side chain to trigger the compression

The Omnicomp features a compression LED indicator. This indicator shows precisely the same illumination as what the vactrol receives. This means the user can dial in exactly the right amount of threshold to get the LED to consistently illuminate. This also allows the user to see precisely how the attack and release controls affect the timing of the compression. The LED indicator and optical element will be dimly illuminated at all times to keep the optical element in the active region of operation. By keeping the element in the active region, the optical device can make very fast changes, and operate consistently despite rapid changes in illumination.

Suggested starting point: Blend fully clockwise, other knobs at noon. Adjust the Threshold until the LED illuminates when you want compression to occur. Adjust the Ratio for more or less compression.

The pedal requires a DC power supply (not included). The DC supply should be a standard Boss style connector, center negative polarity. The pedal can accept 9 to 18 volts . The current draw is approximately 150 mA. There is no difference in performance when using 18V compared to 9V.

The Omnicomp uses a soft touch stomp switch to actuate a relay, providing true bypass operation.

Dimensions: 4.77" long x 2.6" wide

The user can define whether the pedal defaults to bypassed or unbypassed upon power-up. Unplug the power from the pedal, hold down the footswitch, and then apply power. This toggles the default power-up state.

If it looks like a duck, acts like a duck, and QUACKS like a duck, then it must be a duck. That's how we came up with the name for our new envelope filter. This feathery little guy is a joy to play because of its incredibly quick response to your right hand - much faster and more expressive than any other auto-wah pedal. The attack determines how quickly the filter responds to the envelope, and the decay sets how quickly the filter releases afterwards. The range controls which frequency spectrum the filter does it's magic on. Add to this relay based full-bypass switching with failsafe, and you've got one crazy little quacky beast. It is so expressive that you'll want to give up on your rocker-wah forever.

The COPI DELAY is a tribute to analog and tape delay. We’ve kept it simple and classic, it’s more ‘echo’ than ‘delay’, voicing it to the classic sound tape echoes of the 60’s. The DELAY time goes up to 450ms and down to 20ms. The REPEAT control takes your feedback from a single slap/repeat all the way to infinite repeats with self-oscillation. (Oh, and don’t forget to mess with the DELAY setting when you have the REPEAT on full).

The Apex HP70 closed ear dynamic studio headphone is designed for maximum comfort and long-term wearability. High performance low-mass neodymium magnet drivers with 40mm diaphragms deliver a completely natural response throughout the audible 10Hz to 20kHz frequency range. Rugged design makes the Apex HP70 not only an ideal choice for the studio, but also for live sound, remote recording and broadcast applications.

Features Closed Ear Dynamic Design for Maximum Isolation Ideal for Monitoring Applications Rugged Padded Headband and Soft Ear Pads Ensure Comfort 40mm Neodymium Magnet Drivers Deliver Completely Natural Sonic Reproduction with Exceptional Bass Response 4m / 13′ Curly Cable

Featuring the Throwback Scroll-Style headstock and a decadent Laminated Quilt Maple top, the Excel SS XT offers unique upgrades to our standout single-cutaway semi-hollow. With a deep single cutaway, slim C-shape neck profile, and highly wieldable 15-inch-wide body shape, the Excel SS guarantees comfort for all players. Designed to adapt across genres, the Excel SS features Seymour Duncan 59 humbuckers for massive tonal range, while its centerblock fights off feedback and yields massive sustain. Features a rosewood fingerboard, premium Jescar 47104 fretwire, and vintage-inspired Grover Imperial tuners. Available in Vintage Natural and Iced Tea Burst.

2 inch Urban Print Cotton Guitar Strap

Pedal Power X8 is an ultra-compact high current isolated international voltage power supply that delivers reliable, zero-noise performance for pedals of all types. From vintage battery-operated stompboxes to modern high current DSP effects, the innovative hybrid DC transformer design of X8 integrates exotic organic and polymer filtering with noise-free linear regulation to establish industry-leading audiophile-quality power, ensuring pedals always perform and sound their best.

Features • 8 isolated 500mA DC outputs • Powers standard battery operated and high current DSP effects • Innovative Zero Noise Hybrid DC Transformer Design • Audiophile-quality power ensures pedals sound and perform their best • Exotic organic and polymer filtering with noise-free linear regulation • Lightweight, low-profile construction • 100V-240VAC operation for international touring • Powers from included AC adapter or from a Pedal Power 3 X-LINK expansion port

Specifications Includes DC power cable kit and 3M Dual Lock for mounting Dimensions: 5.5" x 2.75" x 1" (140 x 70 x 25 mm) Weight: 8 ounces (0.25 kg)

Features • Provides one 18V and seven 9V outputs • Each output is individually regulated for maximum performance • Short circuit protection design for the individual outputs • Pedalboard-friendly size, rugged metal chassis • Includes eight power cables

Quick Specs • Power Supply: 12V DC power adapter • 9V DC outputs maximum current of 250mA per output • 18V DC output maximum current of 150 mA • Not compatible with pedals that do not work in a daisy chain configuration • Dimensions: 93.5mm x 42mm x 36mm (3.7" x 1.7" x 1.4") • Weight: 140g (4.9oz)

30" X 16" Wood Pedalboard w/ Black Nylon Carry Bag; Includes G-Bus-8 Power Supply W/ (8) 9V & (3) 18V Outputs

• 16" x 30" Pedalboard • Plywood Pedalboard Covered in Tolex • Pedalboard Comes with Carry Handle Which Slides into a Rugged Nylon Padded Carry Case • Pedalboard has access holes for cables to run below board to utilize 4 supplied mounting screws for most multi-output power supplies • Exterior pocket for cables • Face of Pedalboard covered with Velcro for attaching pedals - attachment Velcro included • Powered version comes with Gator's G-BUS-8 multi-output power supply which can power up to 11 standard stomp boxes • Includes nine (9) 24" straight end cables to power pedals, (8) - 9v & (1) - 18v

30" X 16" Wood Pedalboard w/ Black Nylon Carry Bag

• 16" x 30" Pedalboard • Plywood Pedalboard Covered in Tolex • Pedalboard Comes with Carry Handle Which Slides into a Rugged Nylon Padded Carry Case • Pedalboard has access holes for cables to run below board to utilize 4 supplied mounting screws for most multi-output power supplies • Exterior pocket for cables • Face of Pedalboard covered with Velcro for attaching pedals - attachment Velcro included

The Amnesia is carefully tweaked to bring back the vintage tone and response of three distinct analog delay units. So strap in — it’s about to get murky.

Controls:

TIME - adjust the delay time from 10ms to 900ms.

REPEAT - controls the feedback of the delay.

MOD - Adds a luscious modulation to the delay. At 12 o’clock there is no modulation. Clockwise adds a slow chorus and counter-clockwise adds a fast vibrato.

MIX - Controls the blend between fully dry (clean) and fully wet (repeat only) echo sound. 12 o’clock is an equal mix of clean and echo.

*Hint: The Mod knob works even when the delay time turned all the way down, allowing the Amnesia to function as an analog-flavored chorus pedal.

Mode Toggle:

MN3005 - Warm repeats with excellent fidelity and mild “bucket loss” where each of the delay repeats becomes a bit softer and more diffuse.

SAD4096 - A very distinct tone where longer delay times have a pronounced distortion character. [This mode will sound like a spaceship a bit sooner than the others.]

MN3208 - Audibly darker tone with soft and super murky repeats. Perfect for ambient pads and washes if you use your volume knob right.

Power Supply:

The Amnesia requires a 9V DC power supply with a 2.1mm pin, center negative. The Amnesia is not designed to be powered on supplies higher than 9V and does not use a battery. The Amnesia should work fine on a multi-pedal "daisy chain" connector, but if you encounter excessive noise or hum try a separate power supply. The Amnesia requires approx. 60mA.

The Classic Vibe '60s Jazzmaster is a faithful and striking homage to the iconic Fender favorite, producing undeniable Jazzmaster tone, courtesy of its dual Fender-Designed alnico single-coil pickups. Player-friendly features include a slim and comfortable "C"-shaped neck profile with an easy-playing 9.5"-radius fingerboard and narrow-tall frets, a vintage-style tremolo system for expressive string bending effects, and a floating bridge with barrel saddles. This throwback Squier model also features 1960s inspired headstock markings, nickel-plated hardware and a slick vintage-tinted gloss neck finish for an old-school aesthetic.

30" X 16" Wood Pedalboard w/ Black Nylon Carry Bag

• Plywood Pedalboard Covered in Tolex • Pedalboard Comes with Carry Handle Which Slides into a Rugged Nylon Padded Carry Case • Pedalboard has access holes for cables to run below board to utilize 4 supplied mounting screws for most multi-output power supplies • Exterior pocket for cables • Face of Pedalboard covered with Velcro for attaching pedals

30" X 16" Wood Pedalboard w/ Black Nylon Carry Bag; Includes G-Bus-8 Power Supply W/ (8) 9V & (3) 18V Outputs

• 16" x 30" Pedalboard • Plywood Pedalboard Covered in Tolex • Pedalboard Comes with Carry Handle Which Slides into a Rugged Nylon Padded Carry Case • Pedalboard has access holes for cables to run below board to utilize 4 supplied mounting screws for most multi-output power supplies • Exterior pocket for cables • Face of Pedalboard covered with Velcro for attaching pedals - attachment Velcro included • Powered version comes with Gator's G-BUS-8 multi-output power supply which can power up to 11 standard stomp boxes • Includes nine (9) 24" straight end cables to power pedals, (8) - 9v & (1) - 18v

The Acoustic Master Series AM Mini delivers maximum tone and clarity in a deceptively compact design. Built for multiple applications, the AM Mini acts not only as a personal monitor for live stages, but also the perfect compact all-in-one PA solution for the solo musician.

Two discrete input channels, one tailored for acoustic guitar and the other for vocals use simple and effective controls to ensure quick and easy setup for performance. The XLR balanced DI output allows the same blend of instrument and vocal to be sent to an additional powered speaker or to the Front-of-House PA for larger audiences.

Specs:

Power @ min. impedance (Watts) - 65 Speaker Configuration - LF (Size / Power) - 6.5-inch Speaker Configuration - HF (Size / Power) - 1-inch Soft Dome Inputs - 2 Channel 1 - Inputs - 1/4-inch Unbalanced Channel 1 - Controls - Gain, Bass, Mid, Treble, Anti-Feedback Notch, Reverb, Chorus Channel 2 - Inputs - XLR Balanced Channel 2 - Controls - Gain, Tone, Reverb Master Volume Control Line Out (type / configuration) - XLR Balanced LED Indicators - Power, Ch. 1 Clip, Ch. 2 Clip Other Features - 1/8-inch Stereo Aux Input Dimensions (DWH, inches) - 15.3 x 9.4 x 11.8 Dimensions (DWH, cm) - 39 x 24 x 30 Weight (lbs / kg) - 14.5 / 6.6

Features • Solid state wide diaphragm microphone • Three selectable polar patterns (Omni-Directional, Cardioid & Figure-8) • Wide dynamic range • Handles high SPL • -10db Pad and low-frequency roll-off switches • Machined brass body with durable anodized scratch resistant finish • Deluxe shockmount & moulded carry case included

Specifications Type: Wide Diaphragm Condenser Frequency Response: 20Hz - 20kHz Sensitivity: -36dB (15mV/Pa) Impedance: less than 200 ohms Equivalent Noise Level: less than 17dB S/N: 76+ dB Max SPL: 130dB Power Requirement: 9V - 48V Phantom Power Controls: Pattern Select / LF Roll-off / Pad Dimensions: 2 x 6.5 in / 5 x 165 mm Weight: 16.6 oz / 470 g

The new Zeta MK-II is a fine tuned variation of the classic SuperDrive platform. Stripped down with an uncomplicated no frills interface, the Zeta offers everything from light overdrive to warm, medium bodied saturation. The Zeta's low gain tuning has its own distinct "greasy" character and just the right amount of snarl. Its tailored mid-range presence and a focused tone sweep deliver a sound that is sweet throughout. In addition to these features, the Zeta also has JFET based preamp that offers a hint of sag and subtle compression that giving it just the right amount of push-pull feel. The new MK-II version features an added Body contour toggle allowing for a slight increase or reduction in bass frequencies at higher gain settings.

Features:

• Exceptionally Warm Sounding FET Design • Smooth Frequency Response • Cardioid, Omnidirectional and Figure-8 Polar Patterns • Two Position Pad & Two Position High Pass Filter Switches • 34mm Gold Sputtered Diaphragm • Wide Dynamic Range with Low Noise Floor • Secure Cradle Mount and Hard Case Included

Specifications:

Type: Multi-pattern Condenser Microphone Capsule: 34mm Diaphragm Side Address Polar Pattern: Cardioid, Figure-8, Omnidirectional Frequency Response: 20Hz to 20kHz Max SPL: 132dB S/N Ratio: 78dB Sensitivity: -37dB (+/-2dB) Self Noise: 16dB A Impedance: 150 ohms Recommended Load Impedance: 1000 ohms Power Requirement: 48v Phantom Power Dimensions: 2.2" x 6.6" (57mm x 168.5mm)

Designed to complement the new AC15CH & AC30CH heads, the V212C delivers the classic VOX sound through two trusty Celestion G12M Greenback speakers. The V212C is also a great addition to the AC30 Custom combo when you need more volume and stage presence.

Features:

2 x 12" Celestion G12M Greenback Speakers; 16 Ohms

Open back construction; Classic VOX styling

Specs:

Speaker: Celestion G12M Greenback 12" (8Ω) x 2 Input Jack: INPUT Dimensions W x D x H (mm): 705 x 266 x 571 / 27.76" x 10.47" x 22.48" Weight: 22.5 kg / 49.61 lbs.

30" X 16" Wood Pedalboard w/ Black Nylon Carry Bag

• Plywood Pedalboard Covered in Tolex • Pedalboard Comes with Carry Handle Which Slides into a Rugged Nylon Padded Carry Case • Pedalboard has access holes for cables to run below board to utilize 4 supplied mounting screws for most multi-output power supplies • Exterior pocket for cables • Face of Pedalboard covered with Velcro for attaching pedals