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Model Specifications - Light distress - MannMade vibrato - Medium ‘C’ (.830″) neck shape - 25.5” scale length
- 1.65″ nut width - Tempered pine body
- Tempered maple neck - Rosewood fingerboard - 9.5″-14” fingerboard radius - MOTO dot inlays - Medium Nickel/Silver frets (.047″x.095″)
- Stringjoy Signature 10-48 Strings - Novo Deluxe Padded Soft Case - Light Distress - Bridge pickup: Fralin Vintage Hot Strat - Middle pickup: Fralin Vintage Hot Strat - Neck pickup: Fralin Vintage Hot Strat

Early standalone ARP Quadra Phaser clone schematic from the late great Jurgen Haible.

Schematic 1 Schematic 2 PCB Layout Component Overlay

Early standalone ARP Quadra Phaser clone schematic from the late great Jurgen Haible. Jurgen made his schematics and PCB layouts available online, and those with the skills and tools to do so would build their own as DIY project. These were never commercially available as a finished product.

Schematics and PCB layout archived here: http://jhaible.com/legacy/additional_schemos.html

Early standalone ARP Quadra Phaser clone schematic from the late great Jurgen Haible.

[Schematic 1] http://jhaible.com/legacy/tonline_stuff/hj_qph_1.gif [Schematic 2] http://jhaible.com/legacy/tonline_stuff/hj_qph_2.gif [PCB Layout] http://jhaible.com/legacy/tonline_stuff/hj_qph_pcb.gif [Component Overlay] http://jhaible.com/legacy/tonline_stuff/hj_qph_comp.gif

Early standalone ARP Quadra Phaser clone schematic from the late great Jurgen Haible.

Schematic 1 Schematic 2 PCB Layout Component Overlay

Early standalone ARP Quadra Phaser clone schematic from the late great Jurgen Haible.

[Schematic 1] http://jhaible.com/legacy/tonline_stuff/hj_qph_1.gif [Schematic 2] http://jhaible.com/legacy/tonline_stuff/hj_qph_2.gif [PCB Layout] http://jhaible.com/legacy/tonline_stuff/hj_qph_pcb.gif [Component Overlay] http://jhaible.com/legacy/tonline_stuff/hj_qph_comp.gif

The 9090 or "TR9090" was an open source Roland TR909 clone that could be built from a project kit. The units cloned the tone circuits of the 909, but without the sequencer. All drum voices were organized into a rack module that could be triggered via midi.

The 9090 or "TR9090" was an open source Roland TR909 clone that could be built from a project kit. The units cloned the tone circuits of the 909, but without the sequencer. All drum voices were organized into a rack module that could be triggered via midi.

https://nuxx.net/wiki_archive/A/9090

The 9090 or "TR9090" was an open source Roland TR909 clone that could be built from a project kit. The units cloned the tone circuits of the 909, but without the sequencer. All drum voices were organized into a rack module that could be triggered via midi.

A hardware peripheral and accompanying software package for music creation (sampling & sequencing) for the ZX Spectrum and Amstrad home computers of the 1980s.

Immerse yourself in the world of vintage tones with the Diamond Vibrato. This versatile pedal houses all-analog bucket brigade circuitry, ensuring unrivaled sound quality. The heart of this stompbox is its high-headroom circuit with MN3007 chip, preserving your instrument's pure sound before you start crafting your own. A unique feature of this pedal is the variable chorus control, allowing you to blend your dry signal with the pitch-modulated effected sound for authentic layered tones. With the "JAZZ" switch, you can achieve a warmer, darker tonality, while the "HIGH" switch intensifies the vibrato. Furthermore, you can tweak the depth and speed of the vibrato, even while performing live or recording, thanks to its compatibility with expression pedals.

Key Features:

• All-analog bucket brigade circuitry
• High-headroom circuit with MN3007 chip
• Variable chorus control for blending dry and effected sounds
• "JAZZ" switch for warmer, darker tonality
• "HIGH" switch for intensifying the vibrato
• Continuous controls for depth and speed
• Compatible with expression pedals for live adjustments

Immerse yourself in the world of vintage tones with the Diamond Vibrato. This versatile pedal houses all-analog bucket brigade circuitry, ensuring unrivaled sound quality. The heart of this stompbox is its high-headroom circuit with MN3007 chip, preserving your instrument's pure sound before you start crafting your own. A unique feature of this pedal is the variable chorus control, allowing you to blend your dry signal with the pitch-modulated effected sound for authentic layered tones. With the "JAZZ" switch, you can achieve a warmer, darker tonality, while the "HIGH" switch intensifies the vibrato. Furthermore, you can tweak the depth and speed of the vibrato, even while performing live or recording, thanks to its compatibility with expression pedals.

Key Features:

• All-analog bucket brigade circuitry
• High-headroom circuit with MN3007 chip
• Variable chorus control for blending dry and effected sounds
• "JAZZ" switch for warmer, darker tonality
• "HIGH" switch for intensifying the vibrato
• Continuous controls for depth and speed
• Compatible with expression pedals for live adjustments

The Diamond Vibrato started back in late 2006 with a simple yet ambitious idea: crafting an analog, true-pitch Vibrato pedal built around the revered MN3007 bucket brigade device... It promptly became one of the world's most coveted and sought-after Vibrato pedals.

Now, nearly two decades later, the Diamond Vibrato is not only back—it’s better than ever. The latest and greatest version of the Vibrato incorporates decades-worth of end-user feedback, better tech, maximum efficiency, modern features, a meticulous redesign for enhanced player experience and the signature Diamond quality that made the OG Vibrato great.

Gibson reportedly produced only 400 of these as part of their Gibson's 'Guitar of the Week' series in 2007, an SG-3 featuring three single coil blade pickups.

Made in USA.

Rare 4-string version of the Schecter Hellcat produced in limited quantities in the 90s, 00s, and possibly later. USA factory, possibly special-order-only.

The Focal Alpha 65 is a versatile studio monitor with quality components and design. It serves beautifully in a variety of capacities, performing just as well with instrumental music as with electronic music. This model comprises a 6.5" (16.5cm) woofer/ midrange speaker with a Polyglass cone loaded in a large laminar port associated witha 70W amplifier and a 1" (25mm) aluminum inverted dome tweeter (35W amplifier). Alpha 65 has a frequency response of 40Hz to 22kHz (+/- 3dB).

The Polyglass cone makes for a rigid response that won't be overwhelmed by prominent bass signals such as those present in contemporary electronic dance music, and yet, it inhibits unwanted, messy artifacts sometimes associated with those types of signals. These speakers are very smooth and a joy to listenb to and mix on. Pleasanrness of sound can sometimes have as an adjunct a tendency to bury distortion and harsh, overly present signals, but that is not the case with the Focal Alpha 65. Despite the overall warmth and richness of the speakers, they provide all of the detail, for good or ill, that you need in critical listening.

They are excellent for cinema, podcast EQ and cleanup, and any other imaginable audio application as well as their most common use, instrumental or electronic music. If you are seeking a low-profile pair of high quality monitors, consider the Focal Alpha 65.

The Focal Alpha 65 is a versatile studio monitor with quality components and design. It serves beautifully in a variety of capacities, performing just as well with instrumental music as with electronic music. This model comprises a 6.5" (16.5cm) woofer/ midrange speaker with a Polyglass cone loaded in a large laminar port associated witha 70W amplifier and a 1" (25mm) aluminum inverted dome tweeter (35W amplifier). Alpha 65 has a frequency response of 40Hz to 22kHz (+/- 3dB).

The Polyglass cone makes for a rigid response that won't be overwhelmed by prominent bass signals such as those present in contemporary electronic dance music, and yet, it inhibits unwanted, messy artifacts sometimes associated with those types of signals. These speakers are very smooth and a joy to listenb to and mix on. Pleasanrness of sound can sometimes have as an adjunct a tendency to bury distortion and harsh, overly present signals, but that is not the case with the Focal Alpha 65. Despite the overall warmth and richness of the speakers, they provide all of the detail, for good or ill, that you need in critical listening.

They are excellent for cinema, podcast EQ and cleanup, and any other imaginable audio application as well as their most common use, instrumental or electronic music. If you are seeking a low-profile pair of high quality monitors, consider the Focal Alpha 65.