Michael Brecker

In 1985-86 he works on the conception of a metal tenor mouthpiece. He creates some resin’s prototypes and flies back to New York. There he meets players like David Liebman, Michael Brecker, Billy and Glen Drewes, Steve Slagle, Gary Smulian, Ralph Lalama, Dick Oats and shows them the results of his work. During the same period, he meets contemporary music French flautist Pierre-Yves Artaud, researcher at the French institute “Ircam”. He’s invited to present his work on the flute head-joint for a Jean-Pierre Rampal master class at Artaud’s conservatory in Boulogne-Billancourt (Paris).

Dave Guardala Michael Brecker Mark I Tenor mouthpiece

Guardala Mouthpiece without ligature, cap and leatherbag: silverplated ... This mouthpiece combinates the “ Florida “ sound with the Modern Design of the Guardala Mouthpieces. ... MB (M.Brecker Mark I) (available only Handmade and LIMITED): This model is the exact replica of the mouthpiece that Michael Brecker used

Another reference: https://www.saxophone.org/museum/mouthpieces/model/244

Michael Brecker is known to use Dave Guardala #2 Tenor Sax Reeds, as detailed on Angelfire. He pairs these reeds with his Guardala Brecker Model setup and Tenor Mark VI saxophone (serial number 86,XXX).

Michael Brecker On LaVoz Reeds

D'Addario Woodwinds Published on Feb 11, 2009 Michael Brecker On LaVoz Reeds