Perry Farrell

" After years (35 or so) of using my effects unit to create live vocal loops, and vocal enhancements- w the help of Dustin Mosley I am doing the things today onstage that I used to dream about. U-he Colour Copy (delay) Apple Mainstage (host software) Dj Tech Tools Twister (knobs) —PF "

"I had an old unit that was an Ibanez DM 1000. It allows you to use a knob. Once I had the loop established, I would use the knob as if it were a fretless instrument. I don’t click it into anything; it’s a sweep. I start to sing and use the loop. I solo the loop. There are two solos going on — a guitar solo and a vocal solo that is a loop." Perry Farrell

Farrell can be seen playing an Ovation Tornado in this photo.

"Perry sang thru an SM7 and that was put thru his own vocal delay box..." producer Dave Jerden ('Nothing's Shocking', 'Ritual De Lo Habitual')

"Q: We hear you’ve got a pair of RNDIs on tour with you – how are you using them?

A: I’ve got the first one on Perry [Farrell]’s vocal delay, which is absolutely essential for a Jane’s Addiction show; he doesn’t sing without it. It warms up the signal, makes it clear – it’s awesome. I haven’t used anything like it" - Jamie Wellwarth, FOH Engineer

You can see Perry playing a 12 string 1966 Gibson Firebird V-12 in the Mt. Baldy performance, along with many shows on the 1991 Lollapalooza tour.

Perry can be seen using Shure SM-58 live multiple times throughout his career

Farrell can be seen playing a 12-String Gibson Firebird in this live performance of "Three Days" by Jane's Addiction.

In this photo, Perry Farrell is seen using a Shure U2 SM58 microphone.