sprucebringsteen's Activity

The Storm features the 100% analog optical limiter+EQ expander+harmonic clipping circuit+boost+line buffer circuit we reverse-engineered from the original Schaffer-Vega Diversity System wireless unit used by Angus Young, David Gilmour, EVH and nearly every legendary guitarist throughout the 70s and 80s. This unique combination of studio effects reproduces the unparalleled string separation, percussive attack, copious harmonics and singing sustain heard on some of the greatest guitar tracks ever recorded!

FEATURES

GAIN knob controls our signature clipping circuit that bumps the crucial low-mid frequencies responsible for giving live instruments punch and making them stand out in the mix (think Angus Young guitar tone). BOOST knob controls a powerful pre-amp capable of delivering a whopping 31db of clean boost. This analog boost is perfect for making lead parts stand out, adding fullness to the signal going into the front end of your amplifier or pushing it into oblivion! LIMITER knob controls Ken Schaffer’s signature Opto-Isolator limiter. This optical analog circuit naturally limits the audio signal going into the pedal's circuitry (unlike the complimentary compander circuit which smooths out amplitude after the signal reaches its peak). Limiting is commonly used by mastering engineers to transparently raise overall level, without the risk of clipping and distortion generally associated with gain increases. Sensitivity of this effect may be fine tuned for different output pickups or to give your instrument an open or percussive attack. SPECIFICATIONS

100% Analog Circuitry Commercial Grade PCB Heavy Duty True Bypass Footswitch Blue LED when effect is engaged Neutrik Jacks Power Requirements: 9-12vDC (-) Power Supply - No battery Enclosure Dimensions: 4.69” D x 2.52” W x 1.57” H Made in USA

The Storm features the 100% analog optical limiter+EQ expander+harmonic clipping circuit+boost+line buffer circuit we reverse-engineered from the original Schaffer-Vega Diversity System wireless unit used by Angus Young, David Gilmour, EVH and nearly every legendary guitarist throughout the 70s and 80s. This unique combination of studio effects reproduces the unparalleled string separation, percussive attack, copious harmonics and singing sustain heard on some of the greatest guitar tracks ever recorded!

FEATURES

GAIN knob controls our signature clipping circuit that bumps the crucial low-mid frequencies responsible for giving live instruments punch and making them stand out in the mix (think Angus Young guitar tone). BOOST knob controls a powerful pre-amp capable of delivering a whopping 31db of clean boost. This analog boost is perfect for making lead parts stand out, adding fullness to the signal going into the front end of your amplifier or pushing it into oblivion! LIMITER knob controls Ken Schaffer’s signature Opto-Isolator limiter. This optical analog circuit naturally limits the audio signal going into the pedal's circuitry (unlike the complimentary compander circuit which smooths out amplitude after the signal reaches its peak). Limiting is commonly used by mastering engineers to transparently raise overall level, without the risk of clipping and distortion generally associated with gain increases. Sensitivity of this effect may be fine tuned for different output pickups or to give your instrument an open or percussive attack. SPECIFICATIONS

100% Analog Circuitry Commercial Grade PCB Heavy Duty True Bypass Footswitch Blue LED when effect is engaged Neutrik Jacks Power Requirements: 9-12vDC (-) Power Supply - No battery Enclosure Dimensions: 4.69” D x 2.52” W x 1.57” H Made in USA

The Gibson Les Paul Jumbo Flattop. This guitar was not commercially successful, selling just 139 units between 1969 and 1973; this was the only catalog appearance of this model. Later the The Gibson Les Paul Jumbo been manufacture 2003 to 2004

Like the Gibson Les Paul Personal and the Les Paul Professional it was fitted with a low impedance pickup, volume, treble, bass and decade controls. Having just one pickup, it could not operate out of phase, so this is not included, but it is otherwise substantially similar with regard circuitry and controls.

Again, as a low impedance guitar, it was designed for use with a low impedance transformer cord - or through a low impedance amplifier such as the Les Paul LP-12

Brand Gibson

Model Les Paul Jumbo

Color Natural

Year 1969 - 1973 and later 2003 to 2004

Made in United States of America

Categories Acoustic-Electric Guitars

Pickup Surface Mounted Pickup

Number of Frets 19

Number of Strings 6-string

Back Material Rosewood

Top Material Spruce

Color Family Tan

Fingerboard Material Rosewood

Neck Material Mahogany

Body Shape Dreadnought

Model Series Gibson Les Paul Jumbo

String Type Steel

Side Material Rosewood

The Gibson Les Paul Jumbo Flattop. This guitar was not commercially successful, selling just 139 units between 1969 and 1973; this was the only catalog appearance of this model. Later the The Gibson Les Paul Jumbo been manufacture 2003 to 2004

Like the Gibson Les Paul Personal and the Les Paul Professional it was fitted with a low impedance pickup, volume, treble, bass and decade controls. Having just one pickup, it could not operate out of phase, so this is not included, but it is otherwise substantially similar with regard circuitry and controls.

Again, as a low impedance guitar, it was designed for use with a low impedance transformer cord - or through a low impedance amplifier such as the Les Paul LP-12

Brand Gibson

Model Les Paul Jumbo

Color Natural

Year 1969 - 1973 and later 2003 to 2004

Made in United States of America

Categories Acoustic-Electric Guitars

Pickup Surface Mounted Pickup

Number of Frets 19

Number of Strings 6-string

Back Material Rosewood

Top Material Spruce

Color Family Tan

Fingerboard Material Rosewood

Neck Material Mahogany

Body Shape Dreadnought

Model Series Gibson Les Paul Jumbo

String Type Steel

Side Material Rosewood

Elevate your guitar's tone with the Knight Audio Technologies KAT STB, a meticulously crafted boost effects pedal designed to enhance clarity and presence in your sound. This pedal is perfect for guitarists seeking to add a clean, transparent boost to their signal chain, providing a noticeable lift without altering the original tone character. The KAT STB is engineered with high-quality components that ensure a pristine, noise-free operation, making it an essential tool for both studio and live performances.

The KAT STB features a straightforward interface that allows for intuitive control over your boost settings. With a single knob that adjusts the level of boost, it offers simplicity without sacrificing functionality. Whether you're looking to push your amp into overdrive or simply want to cut through a dense mix, this pedal delivers the power and versatility needed for diverse musical applications.

Designed with durability in mind, the KAT STB's robust enclosure and reliable footswitch ensure it can withstand the rigors of touring. Its compact size makes it an easy fit on any pedalboard, allowing you to integrate it seamlessly into your existing setup. With the KAT STB, you can experience a boost in your guitar's output that is both clear and dynamic, providing an enriching addition to your tone palette.

Key Features:

• High-quality components for pristine, noise-free operation
• Single knob control for adjusting boost level
• Transparent boost that maintains the original tone character
• Durable, tour-ready enclosure
• Compact size for easy pedalboard integration

The KAT STB unit was originally designed for Brian May for use in conjunction with his strap mounted radio transmitter system.

By design, Treble Boosters do not exhibit particularly high impedance inputs. For this reason they interact quite severely with the guitar that is feeding them. This is why the Red Special Guitar always sounds better with the Treble Booster inserted first in line.

The KAT STB was therefore designed to interface better with the radio transmitter, whilst also offering gain trim controls to match signal level, RF filtering to help reject ambient noise and on/off switching to reduce the need to constantly disconnect either the input lead or battery cover. A power-on status LED also features on the front panel.

Having built Brian a number of these units, it became apparent that they actually sound great as a stand-alone Treble Booster regardless as to whether or not they were followed by a transmitter unit. In this mode they have a number of benefits; firstly, because they are connected within a few millimeters of the guitar, the high frequency losses in the first run of cable are seriously minimized. The effect of which is to enhance the clean trebles achievable from the guitar at low volume settings. Secondly, by mounting the KAT STB on the guitar strap, you immediately have a low impedance source line driver to push the signal through the long cable to the next effect unit or amplifier, and thirdly, the unit has all the on-board RF filtering to help reduce noise picked up from stage dimmers and the like.

Physically, the unit is small and light. The front panel features the on/off switch, power status LED and level trim pot, which is accessed via a small hole in the panel. (you will need a small ‘watchmakers’ screwdriver to adjust this). Removal of this panel provides easy access to the internal PP3 battery (Provided). The rear panel provides strain relief to the incoming guitar lead (fitted with a Switchcraft right-angled jack) and output jack socket.

The KAT STB features a radically new circuit design that incorporates frequency dependent negative feedback to enhance the band-pass characteristics of the unit which is delivered by ‘state of the art’ surface-mount component technology to ensure robustness on the road.

The unit can be adjusted to provide up to 32.5dB of gain, although we set them at the factory to 31dB such that they provide a slightly higher gain structure to the TB Touring out of the box.

Sound wise, the unit can best be described as similar in cleans to a Treble Booster Touring, yet with the drive of a TB Deluxe. Wind the trim pot to max and you’ll start producing ‘Marshall’ style harmonics.

Elevate your sound with the KAT Treble Booster Plush, a must-have in the arsenal of any guitarist looking to add a touch of vintage flair to their tone. Designed with the discerning musician in mind, this pedal delivers a classic treble boost effect that cuts through the mix with clarity and precision. Its true bypass design ensures your tone remains pristine when the pedal is not engaged, while the intuitive control layout makes it easy to dial in just the right amount of boost. Ideal for both live performances and studio sessions, the Treble Booster Plush enhances your guitar’s natural sound, adding richness and sustain without altering its core character.

The KAT Treble Booster Plush is not just about the sound; it's built for reliability. The robust chassis can withstand the rigors of touring, and the high-quality components ensure consistent performance. Whether you’re pushing a tube amp into overdrive or looking to add sparkle to your clean tones, this pedal delivers with style and substance. Join the ranks of musicians who have discovered the power of a well-crafted treble booster and let your guitar sing with new life.

Key Features:

• Classic treble boost effect for enhanced clarity and presence
• True bypass design for unaltered tone when not in use
• Simple control layout for easy adjustment
• Rugged construction for durability on the road
• High-quality components for consistent performance

This is a full kit of parts that will enable an electronics beginner to build a very high quality KAT Treble Booster.

Firstly, a little info on this TB. For starters, the components provided are the best for the job in-hand. They are the same components used for the builds of many KAT TB’s and Fryer Sound TB Touring, Deluxe and Plus Treble Boosters. The circuit board has been specially designed for the kit so that the build can be easy with all components identified on the board. The case is the same powder-coated, silk-screened folded steel unit used for the TB Touring, Deluxe and Plus, so rugged, durable and yet, attractive.

Sound-wise, this TB has been developed to emulate the 1980’s era of Brian May’s tone with approximately 33dB of gain, so think Queen from the late 70’s through to the end. Think Wembley… Think Live Aid!!

So, what’s in the kit?

Well, everything you need to successfully build the TB except for a few hand tools and a battery.