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The LPD Cascade is a plate based reverb.

The four controls - Level, Decay, Pre-Delay and Tone allow you to dial in a great reverb for any occasion without becoming burdensome.

From short & bright to perpetual & dark and everything in between, the Cascade will have you swooning over it’s lush immersive sounds.

Dimensions - 4.75” x 2.75” x 2.3”

The LPD Cascade is a plate based reverb.

The four controls - Level, Decay, Pre-Delay and Tone allow you to dial in a great reverb for any occasion without becoming burdensome.

From short & bright to perpetual & dark and everything in between, the Cascade will have you swooning over it’s lush immersive sounds.

Dimensions - 4.75” x 2.75” x 2.3”

Introducing the LPD Pedals JMP79 Preamp. Inspired by Lawrence’s iconic 1979 British SL stack, this pedal brings that vintage magic straight to your rig. With its faithful emulation, you’ll feel the growl, warmth, and punch that defined an era.

Dial in your sound using the classic control layout: Preamp, Master, Bass, Middle, Treble, and Presence, just like the original. Plus, the 3-position Bright cap switch lets you tweak the high-end bite to match the needs of your gear—whether you’re chasing searing leads or thick, creamy rhythms. The JMP79 isn’t just a pedal; it’s a time machine for your tone.

Introducing the LPD Pedals JMP79 Preamp. Inspired by Lawrence’s iconic 1979 British SL stack, this pedal brings that vintage magic straight to your rig. With its faithful emulation, you’ll feel the growl, warmth, and punch that defined an era.

Dial in your sound using the classic control layout: Preamp, Master, Bass, Middle, Treble, and Presence, just like the original. Plus, the 3-position Bright cap switch lets you tweak the high-end bite to match the needs of your gear—whether you’re chasing searing leads or thick, creamy rhythms. The JMP79 isn’t just a pedal; it’s a time machine for your tone.

The Physician Overdrive is a dynamic, touch-sensitive pedal inspired by the legendary Landgraff Dynamic Overdrive. Designed to respond to your playing style, The Physician offers everything from smooth, subtle overdrive to gritty, saturated tones. Its responsive gain structure ensures a natural, organic feel, whether you’re adding warmth to your tone or pushing your amp to new levels of intensity. With intuitive controls and a versatile range, The Physician Overdrive is perfect for players seeking a powerful overdrive that enhances every nuance of their playing. It’s the cure for any tone ailment.

Experience seamless operation with soft-touch MIDI-based bypass, delivering effortless control and unmatched versatility.

Introducing the Altitude, inspired by the legendary Marshall Bluesbreaker, a farvorite among many guitarists. The Altitude builds on the classic "black-box" Bluesbreaker topology, adding a layer of tweakability that makes it incredibly versatile. Seamlessly transition from a "low gain," "transparent," non-compressed, and open tone to a classic saturated rock sound, and everything in between.

Extended Headroom: We implemented a charge pump (voltage doubler) circuit to increase the internal voltages supplied to the op amps. This results in a more dynamic, touch-responsive, and amp-like feel.

More Output: We added an extra gain stage at the end of the BB circuit to increase the output level. This allows you to push the front end of your amp, even with the Altitude at low gain settings.

Premium Parts: It’s not just about the recipe; it’s about the ingredients! We believe that the quality of components is crucial, which is why we use only the best. Our capacitors come from Wima, with their top-of-the-line MKP10 (polypropylene) for the input capacitor. Throughout the circuit, you’ll find a carefully selected mix of MKP10, FKP2, MKS4, and MKS2 capacitors. Because great sound starts with great parts.

NO electrolytic capacitors in the audio path! While many companies cut corners with electrolytic or cheap ceramic capacitors (SMT) once the value hits 1uF, we take a different approach. We exclusively use high-quality film capacitors because they simply sound better.

The Altitude is wired using screened D-501 high-end audio cable, made by Van den Hul in the Netherlands.

Comes with a stunning custom-made box, fabricated by a local company the "old school" way. With the added feature of a clean boost, the Altitude opens up a world of tonal possibilities. Whether you're after the iconic clean sounds or pushing your amp into overdrive, the Altitude delivers. Perfect for guitarists seeking both subtlety and power, this pedal is a must-have addition to any pedalboard.

The front of the Altitude presents seven controls:

Gain, Tone, Level: Standard controls for shaping the tone of the overdrive section of the pedal.

Clarity: A secondary, but more subtle tone control, for fine-tuning the high frequency response of the overdrive circuit.

CLIP - 3-way toggle switch: Changes the clipping-diode structure, with three levels of compression. Choose between 4-diodes, 6-diodes or no diodes (open), for maximum clean headroom.

Boost: Controls the boost level. With the boost at minimum, the level is unity.

EQ - 3-way toggle switch: Choose between three different eq curves for the boost. Full frequency, low-mids and high-mids.

Dive deeper into customization by unscrewing the lid to a 2-way dip-switch, allowing for meticulous tone shaping:

HIGH GAIN: Increases the minimum gain level and extends the gain range by 50%. LOWS: Boosts the low frequency response of the overdrive

BOOST:

The boost circuit is post-drive (after) and can be used independent of the main drive circuit. It’s a “clean” boost built around an op-amp and not meant to color or change your tone, but give you more of what you already got. The boost knob controls the gain of the boost circuit, from unity with the gain at minimum to an 18dB boost, with the gain knob at max. On the front you also find a three-position toggle switch labeled “EQ” which gives you three different voicings to choose from. Full frequency, low-mids and high-mids.

BUFFER:

We took inspiration from the Gravity, where both the TS and the K-circuit have buffered bypass, which means that with the pedal “off”, you have two buffers in series. We really like the buffered tone of the TS transistor-buffer followed by the K-circuits op-amp buffer.

The new buffer circuit consist of a NPN transistor input buffer with an input impedance of 510K Ohm, like a TS, followed by an op-amp output buffer stage, with an output impedance of 100 Ohm.

Because not every guitarist likes a buffer and, in some situations, true bypass is preferred, we wanted to make the buffer switchable. This is done via a dip switch found on the inside.

As an extra feature, if the pedal is set to “buffered bypass” and the power fails, it will automatically switch to "true bypass" and let signal through. This also happens if the power fails, while the pedal is engaged.

Altitude, with its meticulous design and a plethora of tonal options, promises a sonic journey like no other. Unleash your creativity and embark on an exploration of unparalleled overdrive possibilities.

Sharing the pedal design platform of Mid-Air, Altitude boasts stacked PCBs in a compact-sized Hammond 1590B3 enclosure, striking a perfect balance between the classic 1590B and 1590BB. This design choice facilitates the incorporation of an extra footswitch for a separate boost circuit, alongside 5 knobs and 2 toggle switches.

PARTS:

We use high quality components, Vishay metal film resistors, WIMA audiophile capacitors, Taiway switches and Pure-Tone jacks. Wired with Van Den Hul cable.

Dimensions 4.57 in x 3.03 in (116 mm x 77 mm) Supply current: 125 mA No battery operation Buffered or true bypass

We wanted to capture the tone and feel of the TS side from the Gravity but add a layer of functionality. So instead of making a regular single TS style pedal, we set out to create a new pedal-design-platform, with stacked PCBs, that would allow us to squeeze as much “TONE” as possible into a compact sized enclosure, and at the same time serve as a platform for future pedals.

We decided on the Hammond 1590B3, which is a size between the classic 1590B and 1590BB. This allowed us to add an extra footswitch for a separate boost circuit, besides 5 knobs and two toggle switches.

TS:

The TS circuit stays true to the OG. TS-10 and nails those classic mid pushed tones. We have of course added some features making it more versatile and appealing even to those that might not dig a classic TS.

On the front, in addition to the standard “drive”, “tone” and “level” knob, you will also find the “air” knob. This controls the cutoff frequency of the overdrive section and enables you to push the classic TS mid-hump to higher frequencies, giving you a glassier tone.

On the other end of the spectrum the “lows” toggle switch gives you two additional levels of low-end boost.

Unscrew the lid and you will find a 4-way dipswitch for further tweaking the tone of the TS side.

Clean output boost. If you primarily use the TS at a lower gain setting and always wished you had a tad extra output on tab, this is for you. Clipping: Open setting, removes the clipping diodes from the circuit. If you seek the most dynamics and least compression. Clipping: Dipswitch 3 and 4 gives you a variety of clipping diode settings. Choose between symmetrical clipping, using either 2 or 4 diodes, or two different options for a 3-diode asymmetrical clipping structure, with the higher clipping threshold on either the positive or negative half cycle. Clipping: See #3 BOOST:

The boost circuit is pre-drive and can be used independent of the main drive circuit. It’s a “clean” boost built around an op-amp and not meant to color or change your tone but give you more of what you already got. The boost knob controls the gain of the boost circuit, from unity with the gain at minimum to an 18dB boost, with the gain knob at max. On the front you also find a three-position toggle switch labeled “eq” which gives you three different voicings to choose from. Full frequency, low-mids and high-mids.

BUFFER:

Instead of just going with the buffered bypass from the TS-10, which consists of three NPN transistor buffer stages in series, we took another route. We took inspiration from the Gravity, where both the TS and the K-circuit have buffered bypass, which means that with the pedal “off”, you have two buffers in series. We really like the buffered tone of the TS transistor-buffer followed by the K-circuits op-amp buffer.

The new buffer circuit consist of a NPN transistor input buffer with an input impedance of 510K Ohm, like a TS, followed by an op-amp output buffer stage, with an output impedance of 100 Ohm.

Because not every guitarist likes a buffer and, in some situations, true bypass is preferred, we wanted to make the buffer switchable. This is done via a dip switch found on the inside. As an extra feature, if the pedal is set to “buffered bypass” and the power fails, it will automatically switch to true bypass and let signal through. This will also happen if the power fails, while the pedal is engaged.

PARTS:

We use high quality components, Vishay metal film resistors, WIMA audiophile capacitors, Taiway switches and Pure-Tone jacks.

Dimensions 4.57 in x 3.03 in (116 mm x 77 mm) Supply current: 100 mA No battery operation Buffered or true bypass

Crafted on the foundation of the renowned Timmeh topology, Skyline introduces an elevated level of tweakability, ensuring an exceptionally versatile pedal that seamlessly transitions from a "low gain," "transparent," non-compressed, and open tone to a classic saturated, mid-pushed TS style overdrive, and everything in between. With the added feature of a clean boost, Skyline offers a myriad of tones to explore.

Premium Parts: It’s not just about the recipe; it’s about the ingredients! We believe that the quality of components is crucial, which is why we use only the best. Our capacitors come from Wima, with their top-of-the-line MKP10 (polypropylene) for the input capacitor. Throughout the circuit, you’ll find a carefully selected mix of MKP10, FKP2, MKS4, and MKS2 capacitors. Because great sound starts with great parts.

NO electrolytic capacitors in the audio path! While many companies cut corners with electrolytic or cheap ceramic capacitors (SMT) once the value hits 1uF, we take a different approach. We exclusively use high-quality film capacitors because they simply sound better.

The Altitude is wired using screened D-501 high-end audio cable, made by Van den Hul in the Netherlands.

Sharing the pedal design platform of Mid-Air, Skyline boasts stacked PCBs in a compact-sized Hammond 1590B3 enclosure, striking a perfect balance between the classic 1590B and 1590BB. This design choice facilitates the incorporation of an extra footswitch for a separate boost circuit, alongside 5 knobs, 1 mini pot, and 1 toggle switch.

The Overdrive section of Skyline presents a host of controls:

Gain, Tone, Level: Standard controls for shaping your overdriven sound.

LOWS: Regulate the low-frequency response of the gain/clipping stage across the entire sweep.

SAT Mini Potentiometer: Adjust the high-frequency response of the overdrive section, enhancing clarity and introducing grit and saturation as you turn it clockwise.

Dive deeper into customization by unscrewing the lid to reveal a 3-way and a 2-way dipswitch, allowing for meticulous tone shaping:

HIGHS: Works in conjunction with the tone knob, altering the high-cut parameter for the tone control.

CLIPPING: Dipswitch 2 and 3 offer a range of clipping diode settings, providing options for symmetrical clipping with 2 or 4 diodes, as well as asymmetrical clipping with 3 or 5 diodes.

LOWS: Alters the low-frequency cut-off parameter of the LOWS knob on the front panel.

MIDS: Adds a mid-hump to the frequency response, delving into Tubescreamer territory.

BOOST:

The boost circuit is pre-drive and can be used independent of the main drive circuit. It’s a “clean” boost built around an op-amp and not meant to color or change your tone but give you more of what you already got. The boost knob controls the gain of the boost circuit, from unity with the gain at minimum to an 18dB boost, with the gain knob at max. On the front you also find a three-position toggle switch labeled “eq” which gives you three different voicings to choose from. Full frequency, low-mids and high-mids.

BUFFER:

We took inspiration from the Gravity, where both the TS and the K-circuit have buffered bypass, which means that with the pedal “off”, you have two buffers in series. We really like the buffered tone of the TS transistor-buffer followed by the K-circuits op-amp buffer.

The new buffer circuit consist of a NPN transistor input buffer with an input impedance of 510K Ohm, like a TS, followed by an op-amp output buffer stage, with an output impedance of 100 Ohm.

Because not every guitarist likes a buffer and, in some situations, true bypass is preferred, we wanted to make the buffer switchable. This is done via a dip switch found on the inside. As an extra feature, if the pedal is set to “buffered bypass” and the power fails, it will automatically switch to true bypass and let signal through. This will also happen if the power fails, while the pedal is engaged.

Skyline, with its meticulous design and a plethora of tonal options, promises a sonic journey like no other. Unleash your creativity and embark on an exploration of unparalleled overdrive possibilities.

PARTS:

We use high quality components, Vishay metal film resistors, WIMA audiophile capacitors, Taiway switches and Pure-Tone jacks. Wired with Van Den Hul cable.

Dimensions 4.57 in x 3.03 in (116 mm x 77 mm) Supply current: 100 mA No battery operation Buffered or true bypass