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Pathways brings tremolo and reverb together in one compact pedal designed to feel great the moment you plug in. From spring reverb twang and classic amp tremolo to wider, more spacious textures, Pathways delivers sounds players reach for again and again - organic, musical, and easy to dial in.

The Architect of Reality is a dual channel preamp pedal with the ability to mix the low and high gain channel together in the AOR mode for more tone tweaking ability with both channels on independent footswitches. It’s powered internally at 36v+ (9v boss style used) for more headroom and amp-like sensitivity.

The control panel on the Architect of Reality follows the same layout as most modern amps with and overall Presence, Bass, Mid and Treble, but for build cost and durability the pull boosts (of that 80’s classic amp) for each EQ band have been placed on toggle switches. In the first channel you control the Master Volume and Preamp Gain with a heavy crunch and rock feel like your favorite Heavy Rock classics with the feel of a familiar British build amp. Engaging the 2nd channel on the pedal pulls the AOR channel on the original amp and gives you the option of blending its gain with the first Preamp Gain for an over-the-top beast that can be tight for Thrash and Heavy Metal to the darker side of gain and sitting in the Doom and Stoner Metal territory

Hand made in Texas Kemet and Nichicon HQ capacitors Black Powder coat with a Gold Mist overlay UV printed enclosure 9v+ power (36v+ internally)

We are excited to inform you we have teamed up with Dave Davidson to bring back the Eidolon! A pedal offered by our friends at Dunable Guitars and originally designed by John at Electronic Audio Experiments this is a creation from the mind of Dave Davidson of the band Revocation, one of the most insanely talented guitar players in the game right now. He came up with the idea in creating a true “desert island” pedal by bringing together a beautiful digital delay, reverb, and a clean boost to help solve the issue of multiple pedals used for solos and even those looking to add more texture to their tone either clean or overdriven.

The Little Acid Fuzz is an exact build of the 70's One knob OpAmp fuzz known as the Little Big Muff.

Yes there has been a few of these, but over time the circuit has been altered even from EHX so we decided to trace out an original 70’s OpAmp and bring it back to its glory. The original has been used by countless musicians for its unrelenting and somewhat gitchy tone but players want to shelf their originals in favor for something more reliable.

Also with the V2 we included a Tone Bypass switch for more heft and power along with the Mids control for some true fuzz worship.

There's an internal trimmer for the tone control to make sure you can get the most out of this despite being just a few knobs on the outside.

The Big Fuzz from Frost Giant Electronics is a Muff style pedal that is a recreation of the 1970’s V1 Triangle, but tighter part standards and top grade components.

Based off the Big Muff Page V1 67#1 Triangle schematic using Ceramic and Carbon Capacitors, Metal Film Resistors and NPN 2N3904 Transistors Transistors.

Frost Giant's tribute to the classic "Civil War" Big Muff.

Recreation of the 1991 V7 Civil War, but tighter part standards and top grade components. Based off the Big M*ff Page V7 Civil War Second Edition schematic using Mylar and Ceramic Capacitors, Metal Film Resistors and NPN BC548B Transistors.

This model uses a mixture of Mylar and Ceramic Capacitors to help recreate the same tone and feel of the original Civil War.

Recreation of the 1991 V7 Civil War, but tighter part standards and top grade components. Based off the Big M*ff Page V7 Civil War Second Edition schematic using Mylar and Ceramic Capacitors, Metal Film Resistors and NPN BC548B Transistors.

This model uses a mixture of Mylar and Ceramic Capacitors to help recreate the same tone and feel of the original Civil War.

Frost Giant's tribute to the classic "Civil War" Big Muff.

Recreation of the 1991 V7 Civil War, but tighter part standards and top grade components. Based off the Big M*ff Page V7 Civil War Second Edition schematic using Mylar and Ceramic Capacitors, Metal Film Resistors and NPN BC548B Transistors.

This model uses a mixture of Mylar and Ceramic Capacitors to help recreate the same tone and feel of the original Civil War.

The Sound City SC20 tube combo is the perfectly executed gigging and recording amplifier. The SC20s compact size and uncomplicated control set belies its expansive tonal range and versatility. Within its classic, understated exterior lies an ultra-versatile sonic platform that delivers pedal friendly performance as easily as it does dynamic plug and play expression.

With 20 plus-watts of ultra-responsive power driving a custom 12” Sound City Power Speaker, you'll find yourself in command of the legendary Sound City dynamics that helped launch the big-sound revolution in 1967. The SC20s sparking tonal palette comes courtesy of a matched pair of Mullard 6V6 power tubes, producing a rich natural sustain, topped off with the instantly recognizable tube-driven Accutronics reverb.

Cranking up the volume pushes the power tubes into blissfull overdrive. Simply stated, you’ll find the full-bodied performance of the Sound City SC20 tube combo to be without peer, regardless of size and power.

Meet the Sound City Master One Hundred amplifier - a one-hundred watt beast with a massive sonic footprint at any volume!

The One Hundred’s dynamic range delivers a "whomp" and "snap" that will breathe new life into your playing style. From the first note, the inspiring tone will bring you back to the nuanced and muscular vintage sounds of countless classic recordings, without the need to run the amp at insanely high volume levels. These amps are musical tools of deep expression, bringing the best out of the player and their instrument.

The One Hundred also excels as a power house foundation for your pedals and effects. Whether straight-in or with your pedal board, the Sound City Master One Hundred is the ultimate sonic platform.

The legendary amp for legends in the making.

Specs 100 Watts Control Panel: Input 1 (Low sensitivity, Normal) Input 2 (High sensitivity, Normal) Input 3 (Low sensitivity, Brilliant) Input 4 (High sensitivity, Brilliant) Normal Volume Brilliant Volume Master Volume Treble, Middle, Bass, Presence Power Tubes: V5-V8 Mullard EL34 Matched Quad Preamp Tubes: V1 - 12AX7 Tung-Sol V2, V3 - 12AX7A Ruby Selected V4 - 12AT7 Ruby Selected Speaker outputs: 4Ω, 8Ω, 16Ω Size: W 25-3/4" x H 11-1/2" x D 10-1/4" (65 cm x 29 cm x 26 cm) Weight: 44 lbs (20 kg)

Recreation of the late 90’s V7C Black Russian, this is an exact build of the V7C but tighter part standards and top grade components. Based off the Big M*ff Page V7C Black Russian schematic using Ceramic Capacitors for all, Metal Film Resistors and NPN BC548C Transistors.

One of the main differences the Black Russian differs from others is most of them used only ceramic capacitors. We made sure to build it to spec and feel like we hit the mark exactly with this one.

Introducing the Frost Giant Special Run Big Fuzz Pedal in Green – a limited edition masterpiece that takes your tone on an otherworldly journey. Crafted with precision and passion, this pedal is more than just an effect – it's a sonic experience.

Unleash the Arctic Fury: Dive into a sea of colossal fuzz with the Frost Giant Special Run. Designed to capture the essence of a raging snowstorm, this pedal blankets your sound in a thick layer of icy distortion. From warm, vintage fuzz to a roaring blizzard of sonic mayhem, the Frost Giant delivers a spectrum of tones that will send shivers down your spine.

Handcrafted Excellence: This isn't just a pedal – it's a work of art. Meticulously handcrafted, each Frost Giant Special Run is a testament to quality and attention to detail. Housed in a striking Green finish, it not only stands out on your pedalboard but also demands attention with its unique aesthetics.

Unleash the frosty fury and elevate your tone to new heights with the Frost Giant Special Run Big Fuzz Pedal in Green. Don't miss out – secure your limited edition piece today and embark on a sonic journey like never before.

Recreation of the late 90’s V7C Black Russian, this is an exact build of the V7C but tighter part standards and top grade components. Based off the Big M*ff Page V7C Black Russian schematic using Ceramic Capacitors for all, Metal Film Resistors and NPN BC548C Transistors.

One of the main differences the Black Russian differs from others is most of them used only ceramic capacitors. We made sure to build it to spec and feel like we hit the mark exactly with this one.

Recreation of the late 90’s V7C Black Russian, this is an exact build of the V7C but tighter part standards and top grade components. Based off the Big M*ff Page V7C Black Russian schematic using Ceramic Capacitors for all, Metal Film Resistors and NPN BC548C Transistors.

One of the main differences the Black Russian differs from others is most of them used only ceramic capacitors. We made sure to build it to spec and feel like we hit the mark exactly with this one.