Casiopea – FULL COLORS
The music gear and equipment used by the artists, producers, engineers, and more involved in the making of the 2006 album FULL COLORS.
Music from FULL COLORS
Artists on FULL COLORS
Gear Used On FULL COLORS
Explore the instruments, equipment, software, and production tools used in the making of Casiopea – FULL COLORS (2006). Click more on each item to see exactly how it was used.
Issei Noro
Roles:
Studio Equipment used by Issei Noro on FULL COLORS
A noroism Instagram archive post about Issei Noro’s 1991 Full Colors-era equipment describes a complex stereo rack setup using a mixing desk, with multiple effects loops routed back to a main line mixer. The Yamaha MV802 is shown as the central mixer in the signal diagram, feeding both the PA and the stage monitoring system.
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A noroism Instagram post about Issei Noro’s October 1987 post-Platinum setup lists a Yamaha D-1500 digital delay routed through the Yamaha PSE-40A / ESY101 system. The unit also appears again in the 1991 Full Colors-era rack diagram.
Amplifiers used by Issei Noro on FULL COLORS
A noroism Instagram archive post documenting Issei Noro’s 1991 Full Colors-era equipment identifies the Technical Design CGC90 as a compressor/drive unit and describes it as one of the most important pieces of his guitar sound from around 1990 until roughly 1997–1999.
Effects Pedals used by Issei Noro on FULL COLORS
Ibanez LS10 Dual Loop Selector
Avg price: $106.25
A noroism Instagram archive post about Issei Noro’s 1991 Full Colors-era equipment states that he apparently used an Ibanez LS-10 to switch between electric guitar and acoustic guitar signal paths. The same post shows a complex stereo rack setup using a main line mixer and multiple effects loops.
Avg price: $48.98
An Instagram post documenting Issei Noro’s 1991 Full Colors-era signal diagram shows a Boss TU-12 Chromatic Tuner connected from the Yamaha PG1 effect/send path.
Cables used by Issei Noro on FULL COLORS
A noroism Instagram archive post documenting Issei Noro’s 1991 Full Colors-era equipment shows the Yamaha WXY-10R wireless receiver feeding the guitar signal into the rack system. The same wireless receiver family also appears in Noro’s mid-to-late 1980s live setup documentation.
Live Setup Accessories used by Issei Noro on FULL COLORS
A noroism Instagram archive post documenting Issei Noro’s 1991 Full Colors-era equipment shows the Yamaha PD2500 power amplifier receiving the stereo output from the rack mixer and driving Yamaha stage speaker cabinets as part of his Full Colors-era live guitar system.
Studio Monitors used by Issei Noro on FULL COLORS
A noroism Instagram archive post documenting Issei Noro’s 1991 Full Colors-era equipment shows Yamaha S-2115-series speaker cabinets as part of his stage monitoring / amplification system. These cabinets appear connected to the Yamaha power amplifier section of his rack-based guitar setup.