Fleetwood Mac – Fleetwood Mac: Live 1975
The music gear and equipment used by the artists, producers, engineers, and more involved in the making of the 2025 album Fleetwood Mac: Live 1975.
Music from Fleetwood Mac: Live 1975
Artists on Fleetwood Mac: Live 1975
Gear Used On Fleetwood Mac: Live 1975
Explore the instruments, equipment, software, and production tools used in the making of Fleetwood Mac – Fleetwood Mac: Live 1975 (2025). Click more on each item to see exactly how it was used.
Brett Tuggle
Roles:
Keyboards and Synthesizers used by Brett Tuggle on Fleetwood Mac: Live 1975
Avg price: $197.04
In the January 1989 issue of Modern Keyboard, it is confirmed that Brett Tuggle used the Roland D-50 on many songs from David Lee Roth's "Skyscraper" album. 
Avg price: $53.74
According to the January 1989 issue of Modern Keyboard, Brett Tuggle used the Korg DW-8000 on many songs on David Lee Roth's "Skyscraper" album.
Avg price: $575.00
According to the January 1989 issue of Modern Keyboard, Brett Tuggle used the Roland MKS-20 on David Lee Roth's song "Just Like Paradise" from the "Skyscraper" album.

Studio Equipment used by Brett Tuggle on Fleetwood Mac: Live 1975
Dynacord CLS 222 Leslie Simulator
According to the January 1989 issue of Modern Keyboard, Brett Tuggle used the Dynacord CLS 222 Leslie Simulator on David Lee Roth's song "Knucklebones" from the "Skyscraper" album.
Modular Synthesizers used by Brett Tuggle on Fleetwood Mac: Live 1975
Avg price: $449.99
According to the January 1989 issue of Modern Keyboard, Brett Tuggle used the Yamaha TX816 on David Lee Roth's song "Just Like Paradise" from the Skyscraper album.
Guitars used by Jeremy Cedric Spencer on Fleetwood Mac: Live 1975
From the Description to his album 'Mona' from 2020: "Here is another collection featuring Mona, my favourite guitar beauty! Her creator, Jan Ingar Kvisler, is an excellent Norwegian luthier who specialises in wood and tone, and custom-made her for me in 2007. He, being a man of God, told me that he prayed before each session of working on her creation, that he would make no mistakes.
However, to his dismay, he made three significant blunders. The first was that he had miscalculated the length of her distinctive ebony fretboard, resulting in a shorter scale. The second was that when he was carving out the pick-up shapes on her flamed maple topped body, the router gouged out more than was required, necessitating his replacing the customary P90 plastic covers with custom-sized ones of the same maple wood. The third and crowning mistake, which resulted in me christening her ‘Mona’, is due to the varnish machine malfunctioning, resulting in a tiny pattern of cracks resembling the Mona Lisa painting.
Now you see, all the ‘mistakes’ give her character!
Ah! An encouraging ‘life-lesson’, no? For better or worse, the seeming ‘mistakes’ in our personality or physical make-up can serve to enhance our individuality!"