Harem Scarem & Rubber – Mood Swings
The music gear and equipment used by the artists, producers, engineers, and more involved in the making of the 1993 album Mood Swings.
Music from Mood Swings
Artists on Mood Swings
Gear Used On Mood Swings
Explore the instruments, equipment, software, and production tools used in the making of Harem Scarem & Rubber – Mood Swings (1993). Click more on each item to see exactly how it was used.
Pete Lesperance
Roles:
Amplifiers used by Pete Lesperance on Mood Swings
"For the old “Mood Swings” guitar sound it was basically 2 parts. There was an amp and there was a direct sound. The direct sound was made from a ROCKTRON PRO G.A.P. and a Marshall preamp. I forget the name but it was a single space solid-state rackmount preamp. We ran both of them through Hughes & Kettner RED BOXes and then molted the sound together onto one track. And that is how the main direct part was done. The amp sound was a 50 watt Marshall head with a regular Marshall 4×12 cabinet. Quite simple. It was mostly direct. A lot of that sound was direct. As far as on the new album, I’ve been using a FRACTAL unit, they are an awesome machine. I love it. This one in particular on the record was an “ULTRA”. I now have the AXE-FX II, but the AXE-FX ULTRA is what I use for the whole “Mood Swings II” recording. It’s got everything, all the effects…It ran through a Marshall, I believe it was a 20 watt power amp into a Boogie 2×12 and it was mic’ed. I did not go direct at all this time. All the guitars were recorded with a ROYER ribbon mic through a manley VOXBOX right into Protools." Pete Lesperance
Studio Equipment used by Pete Lesperance on Mood Swings
Fractal Audio Axe-Fx Ultra Guitar Effects Processor
Avg price: $346.30
"For the old “Mood Swings” guitar sound it was basically 2 parts. There was an amp and there was a direct sound. The direct sound was made from a ROCKTRON PRO G.A.P. and a Marshall preamp. I forget the name but it was a single space solid-state rackmount preamp. We ran both of them through Hughes & Kettner RED BOXes and then molted the sound together onto one track. And that is how the main direct part was done. The amp sound was a 50 watt Marshall head with a regular Marshall 4×12 cabinet. Quite simple. It was mostly direct. A lot of that sound was direct. As far as on the new album, I’ve been using a FRACTAL unit, they are an awesome machine. I love it. This one in particular on the record was an “ULTRA”. I now have the AXE-FX II, but the AXE-FX ULTRA is what I use for the whole “Mood Swings II” recording. It’s got everything, all the effects…It ran through a Marshall, I believe it was a 20 watt power amp into a Boogie 2×12 and it was mic’ed. I did not go direct at all this time. All the guitars were recorded with a ROYER ribbon mic through a manley VOXBOX right into Protools." Pete Lesperance
Avg price: $628.20
"For the old “Mood Swings” guitar sound it was basically 2 parts. There was an amp and there was a direct sound. The direct sound was made from a ROCKTRON PRO G.A.P. and a Marshall preamp. I forget the name but it was a single space solid-state rackmount preamp. We ran both of them through Hughes & Kettner RED BOXes and then molted the sound together onto one track. And that is how the main direct part was done. The amp sound was a 50 watt Marshall head with a regular Marshall 4×12 cabinet. Quite simple. It was mostly direct. A lot of that sound was direct. As far as on the new album, I’ve been using a FRACTAL unit, they are an awesome machine. I love it. This one in particular on the record was an “ULTRA”. I now have the AXE-FX II, but the AXE-FX ULTRA is what I use for the whole “Mood Swings II” recording. It’s got everything, all the effects…It ran through a Marshall, I believe it was a 20 watt power amp into a Boogie 2×12 and it was mic’ed. I did not go direct at all this time. All the guitars were recorded with a ROYER ribbon mic through a manley VOXBOX right into Protools." Pete Lesperance
Avg price: $4,938.18
"For the old “Mood Swings” guitar sound it was basically 2 parts. There was an amp and there was a direct sound. The direct sound was made from a ROCKTRON PRO G.A.P. and a Marshall preamp. I forget the name but it was a single space solid-state rackmount preamp. We ran both of them through Hughes & Kettner RED BOXes and then molted the sound together onto one track. And that is how the main direct part was done. The amp sound was a 50 watt Marshall head with a regular Marshall 4×12 cabinet. Quite simple. It was mostly direct. A lot of that sound was direct. As far as on the new album, I’ve been using a FRACTAL unit, they are an awesome machine. I love it. This one in particular on the record was an “ULTRA”. I now have the AXE-FX II, but the AXE-FX ULTRA is what I use for the whole “Mood Swings II” recording. It’s got everything, all the effects…It ran through a Marshall, I believe it was a 20 watt power amp into a Boogie 2×12 and it was mic’ed. I did not go direct at all this time. All the guitars were recorded with a ROYER ribbon mic through a manley VOXBOX right into Protools." Pete Lesperance