Marillion – Marillion.Com album cover

Marillion – Marillion.Com

Album 1999

The music gear and equipment used by the artists, producers, engineers, and more involved in the making of the 1999 album Marillion.Com.

Music from Marillion.Com

Gear Used On Marillion.Com

Explore the instruments, equipment, software, and production tools used in the making of Marillion – Marillion.Com (1999). Click more on each item to see exactly how it was used.

Studio Equipment used by Steve Rothery on Marillion.Com

Effects Processors

TC Electronic 2290 Dynamic Digital Delay

Avg price: $1,471.58

It’s not that large a palette that I tend to draw upon. There are certain sounds that I love. I use a GigRig G2 at the front end normally when I’m writing and recording, and I’ve got a selection of stompboxes at the front end, like a Prince of Tone or King of Tone, Jester Overdrive, Analog Man Mini-Chorus, Keeley tremolo, and an Electro-Harmonix POG and Pitch Fork. I like to use analog on the front end. Then it comes into the Groove Tubes Trio with a TC 2290. Within the loop of the 2290 I have other things, like the Rotosphere and an AdrenaLinn pedal, and that goes into a Lexicon reverb. And then, in the loop of the Pitcher, there are Strymon delays and reverbs. Sometimes I run both independently, which gives me a very wide spread.

Also mentioned in the 2022 guitarguitar interview. Rothery mostly retired the unit, and is instead using Free the Tone Flight Time delay pedal.

Yeah, that was the setup all the way through to - and including parts of - the marillion.com album. Some of the effects have changed, like I used a (Roland) GP-16 for a while, but it was mainly a TC 2290 delay with a DS-1 and a Roland Chorus, into a quadraverb for all of the Marillion stuff up until about 1997-98.

Effects Processors

Roland GP-16 Digital Guitar Effects Processor

Avg price: $94.34

According to the 2007 GuitarOne interview with Rothery (link missing), he used Roland GP-16 during most of the Marilion career > Then there’s my Lexicon MPX G2, which is a greatsounding unit by not very well thought-out; it has 300 presets but only 50 user presets—great idea, guys. I still have my Roland GP-16s, and I also used the Hughes & Kettner Rotosphere quite a lot, as well as the TC Electronic 2290.

Also mentioned in the 2022 guitarguitar interview.

Yeah, that was the setup all the way through to - and including parts of - the marillion.com album. Some of the effects have changed, like I used a (Roland) GP-16 for a while, but it was mainly a TC 2290 delay with a DS-1 and a Roland Chorus, into a quadraverb for all of the Marillion stuff up until about 1997-98.