Michael Bublé – Crazy Love
The music gear and equipment used by the artists, producers, engineers, and more involved in the making of the 2009 album Crazy Love.
Music from Crazy Love
Artists on Crazy Love
Gear Used On Crazy Love
Explore the instruments, equipment, software, and production tools used in the making of Michael Bublé – Crazy Love (2009). Click more on each item to see exactly how it was used.
Michael Bublé
Roles:
Software Plugins and VSTs used by Michael Bublé on Crazy Love
Avid Massenburg DesignWorks MDW Hi-Res Parametric EQ 3.0 Plugin
"The Session of 'You're Nobody Till Somebody Loves You', consisted of about 46 tracks. I mixed the whole album in Los Angeles, at Capitol Studio B on the old Neve 8068 there. It's a fabulous studio with a wonderful sound. I ended up so pleased with all my mixes on Crazy Love. They're all fat and well-defined-sounding, with incredible punch. I did a few things in Pro Tools, just a compressor here and there to get things to sound tight and to have more control, and I used the George Massenburg EQ plug-in to clean up some vocal proximity [low-frequency boost] and straighten out some other things. Michael sang some of the vocals in Vancouver and some in LA, and I needed to match these. But everything else in the mixes was done on the desk and with outboard."
— Humberto Gatica, producer of Bublé's "You're Nobody Till Somebody Loves You" and "Stardust"
Crazy Love was released in 2009, predating version 5.0 and Universal Audio's Massenberg EQ by five years. This means that Gatica used the Avid 3.0 plug-in.
Studio Equipment used by Michael Bublé on Crazy Love
"The Session of 'You're Nobody Till Somebody Loves You', consisted of about 46 tracks. I mixed the whole album in Los Angeles, at Capitol Studio B on the old Neve 8068 there. It's a fabulous studio with a wonderful sound. I ended up so pleased with all my mixes on Crazy Love. They're all fat and well-defined-sounding, with incredible punch. I did a few things in Pro Tools, just a compressor here and there to get things to sound tight and to have more control, and I used the George Massenburg EQ plug-in to clean up some vocal proximity [low-frequency boost] and straighten out some other things. Michael sang some of the vocals in Vancouver and some in LA, and I needed to match these. But everything else in the mixes was done on the desk and with outboard."
— Humberto Gatica, producer of Bublé's "You're Nobody Till Somebody Loves You" and "Stardust"
