Miles Davis – Walkin' (Remastered 2025)
The music gear and equipment used by the artists, producers, engineers, and more involved in the making of the 1957 album Walkin' (Remastered 2025).
Music from Walkin' (Remastered 2025)
Artists on Walkin' (Remastered 2025)
-
Roles:
Groups:
Miles Davis Sextet Charlie Parker Quintet Miles Davis Quartet Artists United Against Apartheid Miles Davis Quintet Charlie Parker Septet Miles Davis +19 Miles Davis Septet The Miles Davis / Tadd Dameron Quintet Miles Davis & Marcus Miller Miles Davis and his Orchestra Miles Davis & John Coltrane Lee Konitz & Miles Davis Charlie Parker & Miles Davis Miles Davis and the Lighthouse All-Stars Miles Davis, Stan Getz, Lee Konitz Miles Davis (solo) Miles Davis All Stars Miles Davis Group Miles Davis Nonet
Gear Used On Walkin' (Remastered 2025)
Explore the instruments, equipment, software, and production tools used in the making of Miles Davis – Walkin' (Remastered 2025) (1957). Click more on each item to see exactly how it was used.
Miles Davis
Roles:
Microphones used by Miles Davis on Walkin' (Remastered 2025)
Avg price: $16,111.00
"[Producer Rudy] Van Gelder was one of the first Americans, let alone engineers, to acquire the German Neumann U-47 condenser microphone when it became available in 1949. Van Gelder sought to bring a more intimate sound to small jazz groups. This required placing a microphone closer to the instrument in order to capture the subtleties that traditional recording techniques missed. When Van Gelder initially used the U-47 microphone, he found the sound was easily distorted and unusable. However, a friend of Van Gelder’s, Rein Narma, was able to reconfigure the circuitry of the U-47, making it ideal for close range recording. The result was a detailed, warm sound that many would imitate but few would master. The difference in sound is quite clear when comparing albums Davis recorded with and without Van Gelder.
"Half Nelson" from Davis’ “Miles Davis All Stars” was recorded in 1947 at Harry Smith Studios in New York City. Davis’ talent is undeniable, his vocabulary is progressive, his temperament is wholly his own but—he sounds far away. Davis’ voice exists in the mid range of the mix, and is overshadowed by the shimmer of Max Roach’s ride cymbal and the high end of John Lewis’ piano overtones.
The sound heard on "Solar" from Davis’ album “Walkin’,” recorded in 1955 with Van Gelder, is markedly different: his voice is at the front of the mix, his subtle inflections are captured perfectly. The once intangible details of his playing style are captured, thanks in no small part to a modified U-47 and of course, Van Gelder’s mastery."