Pedro Macedo Camacho – Pedro Macedo Camacho: Requiem Inês de Castro
The music gear and equipment used by the artists, producers, engineers, and more involved in the making of the 2018 album Pedro Macedo Camacho: Requiem Inês de Castro.
Music from Pedro Macedo Camacho: Requiem Inês de Castro
Gear Used On Pedro Macedo Camacho: Requiem Inês de Castro
Explore the instruments, equipment, software, and production tools used in the making of Pedro Macedo Camacho – Pedro Macedo Camacho: Requiem Inês de Castro (2018). Click more on each item to see exactly how it was used.
Pedro Macedo Camacho
Roles:
Software Plugins and VSTs used by Pedro Macedo Camacho on Pedro Macedo Camacho: Requiem Inês de Castro
Avg price: $65.20
How did you discover Sonnox plug ins?
It was word-of-mouth about the overall quality of Sonnox.
I tried many limiters from other high-end plug-in developers but none of them worked as I wanted.
When I used the Oxford Limiter for the first time I was completely blown away. Now it's my go-to limiter for orchestral music (even when I consider hardware options). Not only does it increase the perceived loudness more than other limiters, more importantly, it does not change the timbre or colour of the sound. That is crucial for orchestral music.
How do you use Sonnox plug-ins in your work?
I use Sonnox plug-ins exclusively on the mix and master bus of every orchestral project I mix. I believe that a great orchestral recording starts with perfect microphone placement, and a great performance from the players. After that you just need a little EQ and some limiting. I use Oxford EQs throughout the mix, and the Oxford Limiter on the final bus. There is something about Sonnox plug-ins that just makes it easier for me to get the sound I am looking for. I think the best example of my most recent work would be the recording of the latest performances of my Requiem Inês de Castro. The Oxford Limiter acts so beautifully it almost sounds as if no limiter was used at all, which to me is the highest compliment.
