The Cult – Love Removal Machine
The music gear and equipment used by the artists, producers, engineers, and more involved in the making of the 1987 single Love Removal Machine.
Music from Love Removal Machine
Artists on Love Removal Machine
Gear Used On Love Removal Machine
Explore the instruments, equipment, software, and production tools used in the making of The Cult – Love Removal Machine (1987). Click more on each item to see exactly how it was used.
Billy Duffy
Roles:
Guitars used by Billy Duffy on Love Removal Machine
Semi-Hollowbody Electric Guitars
Avg price: $3,557.16
“Around 1984 I decided that I wanted to get another single cutaway White Falcon like the ‘Sanctuary one as I loved the way it felt. Unfortunately at that time I couldn’t find one let alone afford one and I came across a Country Club that had the same feel. So, I traded the Double Cutaway Stereo Falcon for it. Originally it was a natural wood finish so I got it painted in London by a guy called Roger Giffin who was a guitar customizer under Kew Bridge. Instead of white I decided to get it painted black because I wanted to create my own ‘Black Falcon’ as I just thought it would look cool. The black guitar, white guitar ‘flim flam’ in the ‘Love Removal Machine’ video were the ‘Sanctuary’ Falcon and this Country Club. I don’t think I ever played live with it with the wood front though. I think I invented the Black Falcon before Gretsch did! When I got it painted by Roger Giffin, the paint that he used was supposed to be black but sometimes if you paint a guitar and there’s too much moisture in the air ‘clouding’ can happen. The finish got a bit cloudy like a milky black, almost with a green tinge to it. But in fact that’s what happens to some vintage black guitars anyway so more out of luck that good planning the Country Club became a black guitar with a vintage finish. Something else that happened was that in December 1989 we were on tour in Canada and it was extremely cold. This guitar was in a truck with the ‘Sanctuary’ Falcon and the paint lacquer finish on both of them cracked. But, it was in a very attractive 1950s way, which made both the guitars look kind of sexy and more vintage than they really are. It was a fortunate accident! So combining the clouding paint effect and the cracked lacquer I ended up with a guitar that almost looked like it had been antiqued.
Later on, as I usually do, I changed out the pick ups at the bridge as for a hotter one which was a TV Jones. In the 1990s or 2000s I swapped out the tremolo arm for a White Falcon one that Fat Rick from New Kings Road Vintage Guitar Emporium found for me. For a long time it became my backup live guitar to the ‘Sanctuary’ Falcon but was never my primary guitar. I just had it there in case I broke a string on the regular Falcon but I never did as the ‘Sanctuary’ one was so reliable that I never needed my spare. One final piece of trivia on this guitar is that in the 1980s Roddy Frame of Aztec Camera rented it to use in a video. He saw it in when I was having some work done on it and he asked to use it so I let him as I thought he was a nice guy and cool. It still is a very pretty looking guitar and one of my favorites.”