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The HummingbirdFrom a company that has brought the guitar world so many great originals, the Hummingbird stands out strong and proud. Introduced in 1960 as Gibson’s first square-shouldered dreadnought, the Hummingbird arrived at the dawn of a new era in music, and was rapidly embraced by several prime movers on the scene. In the hands of everyone from Keith Richards to Gram Parsons, it quickly proved itself equally adept at folk, country and rock, and excelled at many of the crossovers genres in between that helped to set the scene for the ’60s.

Much of the Hummingbird’s appeal lies in its versatility. However you attack this flat-top, it pumps out rich, deep tones, and is equally at home thrumming out first-position chords as it is taking the spotlight for flatpicking leadlines further up the neck. Its spacious mahogany body and sweet, select Sitka spruce top are more than capable of nailing down the rhythm in the hands of a rock and roll sideman, or of accompanying the most nuanced performance under the fingers of today’s alternative singer-songwriter. Made in the image of the original, in Gibson’s acclaimed acoustic facility in Bozeman, MT, today’s Hummingbird lives up to its pedigree, bringing you all of these capabilities and more as, quite simply, one of the finest acoustic guitars available today.

The Hummingbird From a company that has brought the guitar world so many great originals, the Hummingbird stands out strong and proud. Introduced in 1960 as Gibson’s first square-shouldered dreadnought, the Hummingbird arrived at the dawn of a new era in music, and was rapidly embraced by several prime movers on the scene. In the hands of everyone from Keith Richards to Gram Parsons, it quickly proved itself equally adept at folk, country and rock, and excelled at many of the crossovers genres in between that helped to set the scene for the ’60s.

Much of the Hummingbird’s appeal lies in its versatility. However you attack this flat-top, it pumps out rich, deep tones, and is equally at home thrumming out first-position chords as it is taking the spotlight for flatpicking leadlines further up the neck. Its spacious mahogany body and sweet, select Sitka spruce top are more than capable of nailing down the rhythm in the hands of a rock and roll sideman, or of accompanying the most nuanced performance under the fingers of today’s alternative singer-songwriter. Made in the image of the original, in Gibson’s acclaimed acoustic facility in Bozeman, MT, today’s Hummingbird lives up to its pedigree, bringing you all of these capabilities and more as, quite simply, one of the finest acoustic guitars available today.

BeoLab Penta Active Loudspeakers

Manufactured: 1986 - 2000 Designer: Lone and Gideon Lindinger-Loewy Colours: Aluminium/Grey

BeoLab Penta - top quality went higher

These tall and elegant speakers were developed according to a totally new acoustic principle. They sounded just as magnificent as they looked. Because there were no parallel surfaces in the pentagonal cabinet, the design reduced the internal standing waves and reflection; it was a simple and beautifully effective way of eliminating distortion. The cabinet provided the ideal conditions for the loudspeakers. It was an acoustically 'dead' construction, with a moulded inner cabinet surrounded by a stainless steel exterior. Whatever the dimensions of your room, and regardless of the furnishings, BeoLab Penta always sounded wonderful. It also needed very little floor space; head room was all that's required!

BeoLab Penta was the top-of-the-line speaker from Bang & Olufsen. It was around from the late 'eighties to the mid-1990s and was upgraded several times. The last version of the active Penta was the Penta 3. In the late 1980's - when the Penta range was introduced - there was also a passive version, Beovox Penta. But since Bang & Olufsen decided in the 1990s just to concentrate on active speakers, these and some other models, such as the Beovox 4500 and most of the RedLine speakers, were discontinued.

Did you know that the display in Penta I and Penta II was orange and and on Penta III it turned green?

Why build amplifiers into the loudspeakers instead of keeping them separate?

Because you can reduce the size of the cabinet volume to one-third of the size of a conventional loudspeaker with the same sound capacity.

The principle is called Active Loudspeakers, and what you get is a compact loudspeaker that can play at high volume without distortion or damage to its drive units. Furthermore, when amplifier, treble and bass units are paired for the same task, they can be tailored to compensate for each other's shortcomings. What you hear is music that sounds exactly like the instrument it originally came from.

BeoLab Penta had nine individual loudspeaker units that were accurately positioned in a vertical line to produce a sound dispersion which was so precise that reflections from the floor and ceiling were eliminated. Consequently, Penta speakers could be placed almost anywhere in a room, irrespective of its size or furnishings. The operating panel at the base of BeoLab Penta allowed for the fine tuning of the bass reproduction at three levels.

The speaker's cross section was a pentagon. The benefit of this design was that it cannot house standing waves which normally are a problem in speakers. The choice of using polished stainless steel was made to help the speaker blend into its surroundings by reflecting them. This gave the speaker the same colour as the surroundings which helped to make the speaker more of a subtle fixture,

Sound with as many facets as a diamond

The location of the speakers within the column was carefully planned to control the sound waves so that they weren't reflected by the floor and ceiling. The resulting sound quality simply beggared description.

BeoLab 150: Controlled overdrive

At the base of BeoLab Penta was the BeoLab 150 amplifier with a power output of 175 watts DIN/IEC. This could give your music a tremendous boost, both to the quality and the actual power output. It was ideal if you love partying but had a relatively small music system. Big power needs careful control - so the amplifier was equipped with Dynamic Soft Clipping system. When there was any overloading, the system softly rounded off the sound; distortion becoming a thing of the past.

Speakers that more than measure up

Top quality music systems need the best speakers available - or you're missing out. BeoLab Penta was the natural partner for Bang & Olufsen's Beosystem 5000 and Beocenter 9000, with their built in CD players. The laser-pure quality of compact disc makes heavy demands on speakers, and both these systems had extremely fine amplifiers. Using BeoLab Penta with these systems and you'd enjoy some of the best sounds in the world. You'd also appreciate handy features such as the light display at the base of the column, which indicated which music source was being used. Of course this was even more useful if you installed Beolink® to give you music all over the house.

BeoLab Penta Active Loudspeakers Product Specifications

Beolab Penta 1

Type no; year intro; last sold: 6601 1986 05-89 AUS 6605 1986 10-89 GB 6602 1986 10-89 J 6604 1986 11-89 USA 6603 1986 11-89

RMS power handling capacity 150 watts Music power handling capacity 200 watts Frequency range +4 -8 dB 40 - 20,000 Hz Power at 96 dB SPL 2.5 watts Sensitivity 92 dB

Distortion 250 - 1000 Hz 1000 Hz <0.5%

Cabinet principle: Bass reflex Woofer 4 units 13 cm Mid-range 4 units 8 cm Tweeter 2.5 Net cabinet volume: 32 litres

Power amplifier: Bass level switch Linear, +3 dB/40 Hz, +6 dB/40 Hz Sensitivity 3 dB, -3 dB, -6 dB

Power supply 6601 : 220V 6602/6605 : 240V 6603 : 120V 6604 : 100V Power frequency 50-60 Hz Power consumption Max 300 W Stand-by 2 W

Dimensions W x H x D 5-13.5 x 165 cm incl. stand Weight 24 kg

Connections: Line Phono plugs Power input 4-pin DIN spring loaded contacts

Beolab Penta 2

Type no; year intro; last sold: 6621 1989 05-92 AUS 6625 1989 09-91 GB 6622 1989 10-91 J 6624 1989 01-92 USA 6623 1989 12-91

Long-term maximum power IEC 320 watts Maximum noise power IEC 150 watts

Impedance 8 ohms

Frequency range +4/-8 dB 40 - 20,000 Hz

Power at 96 dB SPL (1m) 2.5 watts Sensitivity 1 W (1m) 92 dB Distortion 0.250 - 6 kHz <0.5% Cabinet principle: Bass Reflex Woofer: 4 units 13 cm Mid-range: 4 units 8 cm Tweeter: 2.5 cm

Net cabinet volume:32 litres

Power amplifier: Long-term maximum power IEC 300 watts RMS DIN 175 watts IHF 150 watts

Total harmonic distortion IHF 1.5 dB

BASS EXTENSION switch 0 dB, + 3 dB, + 6 dB INPUT LEVEL switch 0 dB, -3 dB, - 6 dB Dynamic Clipping Attenuator Automatic

Power consumption Max. 300 W Stand-by 2 W

Dimensions W x H x D 22 x 165 x 20.5cm Dimensions, stand 35.5 x 4 x 34 cm Weight 24 kg

Connections: Power Link Speaker Link

Beolab Penta 3

Type no; year intro; last sold: 6631 1991 05-2000 AUS 6635 1991 05-2000 GB 6632 1991 05-2000 J 6634 1991 05-2000 USA 6633 1991 05-2000

Dimensions W x H x D/Weight: 22 x 165 x 34cm / 12kg Cabinet finish: Stainless steel

Power consumption Typical 24 watts/stand-by < 2.5 watts Mains 6630 KOR 120V 6631 EU 230V 6632 GB 230V 6633 USA-CDN 120V 6634 J 100V 6635 AUS 240V

Maximum sound pressure level (stereo, pair) 103 dB Power amplifier modules 1 unit Long-term maximum output power per module* 281 watts Effective frequency range* 39 - 20,000 Hz Cabinet principle Bass Reflex Magnetic shielded No Woofer 4 x 13 cm Midrange 4 x 8 cm Tweeter 2.5 cm Net volume 32 litres Bass equalizer Switch 0 dB, -3 dB, +6 dB

*According to IEC 268-3 and 268-5

Connections: Power Link 2 Phono (line) 1 Speaker Link Most recent S/W 1.1

BeoLab Penta Active Loudspeakers

Manufactured: 1986 - 2000 Designer: Lone and Gideon Lindinger-Loewy Colours: Aluminium/Grey

BeoLab Penta - top quality went higher

These tall and elegant speakers were developed according to a totally new acoustic principle. They sounded just as magnificent as they looked. Because there were no parallel surfaces in the pentagonal cabinet, the design reduced the internal standing waves and reflection; it was a simple and beautifully effective way of eliminating distortion. The cabinet provided the ideal conditions for the loudspeakers. It was an acoustically 'dead' construction, with a moulded inner cabinet surrounded by a stainless steel exterior. Whatever the dimensions of your room, and regardless of the furnishings, BeoLab Penta always sounded wonderful. It also needed very little floor space; head room was all that's required!

BeoLab Penta was the top-of-the-line speaker from Bang & Olufsen. It was around from the late 'eighties to the mid-1990s and was upgraded several times. The last version of the active Penta was the Penta 3. In the late 1980's - when the Penta range was introduced - there was also a passive version, Beovox Penta. But since Bang & Olufsen decided in the 1990s just to concentrate on active speakers, these and some other models, such as the Beovox 4500 and most of the RedLine speakers, were discontinued.

Did you know that the display in Penta I and Penta II was orange and and on Penta III it turned green?

Why build amplifiers into the loudspeakers instead of keeping them separate?

Because you can reduce the size of the cabinet volume to one-third of the size of a conventional loudspeaker with the same sound capacity.

The principle is called Active Loudspeakers, and what you get is a compact loudspeaker that can play at high volume without distortion or damage to its drive units. Furthermore, when amplifier, treble and bass units are paired for the same task, they can be tailored to compensate for each other's shortcomings. What you hear is music that sounds exactly like the instrument it originally came from.

BeoLab Penta had nine individual loudspeaker units that were accurately positioned in a vertical line to produce a sound dispersion which was so precise that reflections from the floor and ceiling were eliminated. Consequently, Penta speakers could be placed almost anywhere in a room, irrespective of its size or furnishings. The operating panel at the base of BeoLab Penta allowed for the fine tuning of the bass reproduction at three levels.

The speaker's cross section was a pentagon. The benefit of this design was that it cannot house standing waves which normally are a problem in speakers. The choice of using polished stainless steel was made to help the speaker blend into its surroundings by reflecting them. This gave the speaker the same colour as the surroundings which helped to make the speaker more of a subtle fixture,

Sound with as many facets as a diamond

The location of the speakers within the column was carefully planned to control the sound waves so that they weren't reflected by the floor and ceiling. The resulting sound quality simply beggared description.

BeoLab 150: Controlled overdrive

At the base of BeoLab Penta was the BeoLab 150 amplifier with a power output of 175 watts DIN/IEC. This could give your music a tremendous boost, both to the quality and the actual power output. It was ideal if you love partying but had a relatively small music system. Big power needs careful control - so the amplifier was equipped with Dynamic Soft Clipping system. When there was any overloading, the system softly rounded off the sound; distortion becoming a thing of the past.

Speakers that more than measure up

Top quality music systems need the best speakers available - or you're missing out. BeoLab Penta was the natural partner for Bang & Olufsen's Beosystem 5000 and Beocenter 9000, with their built in CD players. The laser-pure quality of compact disc makes heavy demands on speakers, and both these systems had extremely fine amplifiers. Using BeoLab Penta with these systems and you'd enjoy some of the best sounds in the world. You'd also appreciate handy features such as the light display at the base of the column, which indicated which music source was being used. Of course this was even more useful if you installed Beolink® to give you music all over the house.

BeoLab Penta Active Loudspeakers Product Specifications

Beolab Penta 1

Type no; year intro; last sold: 6601 1986 05-89 AUS 6605 1986 10-89 GB 6602 1986 10-89 J 6604 1986 11-89 USA 6603 1986 11-89

RMS power handling capacity 150 watts Music power handling capacity 200 watts Frequency range +4 -8 dB 40 - 20,000 Hz Power at 96 dB SPL 2.5 watts Sensitivity 92 dB

Distortion 250 - 1000 Hz 1000 Hz <0.5%

Cabinet principle: Bass reflex Woofer 4 units 13 cm Mid-range 4 units 8 cm Tweeter 2.5 Net cabinet volume: 32 litres

Power amplifier: Bass level switch Linear, +3 dB/40 Hz, +6 dB/40 Hz Sensitivity 3 dB, -3 dB, -6 dB

Power supply 6601 : 220V 6602/6605 : 240V 6603 : 120V 6604 : 100V Power frequency 50-60 Hz Power consumption Max 300 W Stand-by 2 W

Dimensions W x H x D 5-13.5 x 165 cm incl. stand Weight 24 kg

Connections: Line Phono plugs Power input 4-pin DIN spring loaded contacts

Beolab Penta 2

Type no; year intro; last sold: 6621 1989 05-92 AUS 6625 1989 09-91 GB 6622 1989 10-91 J 6624 1989 01-92 USA 6623 1989 12-91

Long-term maximum power IEC 320 watts Maximum noise power IEC 150 watts

Impedance 8 ohms

Frequency range +4/-8 dB 40 - 20,000 Hz

Power at 96 dB SPL (1m) 2.5 watts Sensitivity 1 W (1m) 92 dB Distortion 0.250 - 6 kHz <0.5% Cabinet principle: Bass Reflex Woofer: 4 units 13 cm Mid-range: 4 units 8 cm Tweeter: 2.5 cm

Net cabinet volume:32 litres

Power amplifier: Long-term maximum power IEC 300 watts RMS DIN 175 watts IHF 150 watts

Total harmonic distortion IHF 1.5 dB

BASS EXTENSION switch 0 dB, + 3 dB, + 6 dB INPUT LEVEL switch 0 dB, -3 dB, - 6 dB Dynamic Clipping Attenuator Automatic

Power consumption Max. 300 W Stand-by 2 W

Dimensions W x H x D 22 x 165 x 20.5cm Dimensions, stand 35.5 x 4 x 34 cm Weight 24 kg

Connections: Power Link Speaker Link

Beolab Penta 3

Type no; year intro; last sold: 6631 1991 05-2000 AUS 6635 1991 05-2000 GB 6632 1991 05-2000 J 6634 1991 05-2000 USA 6633 1991 05-2000

Dimensions W x H x D/Weight: 22 x 165 x 34cm / 12kg Cabinet finish: Stainless steel

Power consumption Typical 24 watts/stand-by < 2.5 watts Mains 6630 KOR 120V 6631 EU 230V 6632 GB 230V 6633 USA-CDN 120V 6634 J 100V 6635 AUS 240V

Maximum sound pressure level (stereo, pair) 103 dB Power amplifier modules 1 unit Long-term maximum output power per module* 281 watts Effective frequency range* 39 - 20,000 Hz Cabinet principle Bass Reflex Magnetic shielded No Woofer 4 x 13 cm Midrange 4 x 8 cm Tweeter 2.5 cm Net volume 32 litres Bass equalizer Switch 0 dB, -3 dB, +6 dB

*According to IEC 268-3 and 268-5

Connections: Power Link 2 Phono (line) 1 Speaker Link Most recent S/W 1.1

Source: https://www.beoworld.org/prod_details.asp?pid=808

Beolab 3000 Active Loudspeakers

Manufactured: 1988 - 1992 Designer: Gideon Lindinger-Lowy Colours: Polished Steel with Blue or Grey Fabric

Quality loudspeakers provide well-modulated sound expression, and at the same time a visual personality that also commands attention. Bang & Olufsen's BeoLab 3000 and Beovox 3000 loudspeakers had both the voice and the looks for a leading, acoustic role. Because of their thin shape, they became known as Panel loudspeakers.

Panel loudspeakers were one of the most exciting examples of how Bang & Olufsen united advanced technology and stunning design to achieve totally new effects. They didn't look like high specification loudspeakers,, but their sound gave them away. Even at full volume they kept the total sound picture in perfect balance.

The elegant, flat loudspeakers were designed to be hung on the wall. And with their calm surfaces of blue or grey fabric coupled with beautiful, polished steel they looked like works of art presented in their own right. The idea of the panel speakers was based upon an advanced, acoustic principle that uses the wall as an active part of the sound reproduction, without causing the wall itself to vibrate.

They were available with or without amplifier and display showing which source was playing, at what volume, and which track number on a CD or tape you were listening to.

With display and amplifier the panel, speakers were called BeoLab 3000. Without, they were known as Beovox 3000.

The options depended on which Bang & Olufsen sound system was connected. You obtained maximum utilisation from Beosystems 6500, 4500, 3500 and Beocenters 9500 and 8500.

Why build amplifiers into the loudspeakers instead of keeping them separate?

Because you can reduce the size of the cabinet volume to one-third of the size of a conventional loudspeaker with the same sound capacity.

The principle is called Active Loudspeakers, and what you get is a compact loudspeaker that can play at high volume without distortion or damage to its drive units. Furthermore, when amplifier, treble and bass units are paired for the same task, they can be tailored to compensate for each other's shortcomings. What you hear is music that sounds exactly like the instrument it originally came from.

Mounting Options

Wall mounting brackets were supplied with this model. No other mounting solution wall offered.

Bang & Olufsen's preferred supplier for brackets and stands, STBbrackets, have made a range of solutions specifically for this model. Distributed throughout the World by the Bang & Olufsen store network, the STB options add to the diversity of mounting options and positions available.

»Wall Mounting Brackets

Wall Bracket for BeoVox & BeoLab flat panel speaker range

WB3000 has been introduced to meet a growing demand to mount Bang & Olufsen flat panel speakers to the wall. The bracket (sold as a pair) is a faithful reproduction of the original which was supplied with the speakers. These beautiful speakers can now be installed on to the wall, where they are a genuine and authentic Bang & Olufsen statement.

Beolab 3000 Active Loudspeakers Product Specifications

Market Type Intro. year Last sold 6711 1988 08-92 AUS 6715 1988 05-91 GB 6712 1988 10-91 J 6714 1988 03-92 USA 6713 1988 03-92

Speaker Dimensions W x H x D/Weight 45 x 54 x 8 cm/9 kg Long-term maximum input power 90 watts Maximum noise power 45 watts Impedance 8 ohms Frequency range +4 -8 dB 75 - 20,000 Hz Power at 94 dB SPL 5 watts Sensitivity 1 W 87 dB Cabinet principle Bass reflex Woofer 5" - 12 cm Tweeter 1" - 2.5 cm Crossover frequency 3500 Hz Net volume 5.4 litres Power amplifier Long-term maximum output power 90 watts Harmonic distortion THD <0.1% 55 watts 20 - 20,000 Hz Frequency range +0 -1 dB 40 - 20,000 Hz Stand-by function Automatic or manual ON-OFF Power supply 220 (100-120-240) volts Power consumption Max. 130 watts Stand-by 2.6 watts

Connections Power Link
Speaker Link
Phono

Most recent S/W 1.1

Source: https://www.beoworld.org/prod_details.asp?pid=810

BeoLab Penta Active Loudspeakers

Manufactured: 1986 - 2000 Designer: Lone and Gideon Lindinger-Loewy Colours: Aluminium/Grey

BeoLab Penta - top quality went higher

These tall and elegant speakers were developed according to a totally new acoustic principle. They sounded just as magnificent as they looked. Because there were no parallel surfaces in the pentagonal cabinet, the design reduced the internal standing waves and reflection; it was a simple and beautifully effective way of eliminating distortion. The cabinet provided the ideal conditions for the loudspeakers. It was an acoustically 'dead' construction, with a moulded inner cabinet surrounded by a stainless steel exterior. Whatever the dimensions of your room, and regardless of the furnishings, BeoLab Penta always sounded wonderful. It also needed very little floor space; head room was all that's required!

BeoLab Penta was the top-of-the-line speaker from Bang & Olufsen. It was around from the late 'eighties to the mid-1990s and was upgraded several times. The last version of the active Penta was the Penta 3. In the late 1980's - when the Penta range was introduced - there was also a passive version, Beovox Penta. But since Bang & Olufsen decided in the 1990s just to concentrate on active speakers, these and some other models, such as the Beovox 4500 and most of the RedLine speakers, were discontinued.

Did you know that the display in Penta I and Penta II was orange and and on Penta III it turned green?

Why build amplifiers into the loudspeakers instead of keeping them separate?

Because you can reduce the size of the cabinet volume to one-third of the size of a conventional loudspeaker with the same sound capacity.

The principle is called Active Loudspeakers, and what you get is a compact loudspeaker that can play at high volume without distortion or damage to its drive units. Furthermore, when amplifier, treble and bass units are paired for the same task, they can be tailored to compensate for each other's shortcomings. What you hear is music that sounds exactly like the instrument it originally came from.

BeoLab Penta had nine individual loudspeaker units that were accurately positioned in a vertical line to produce a sound dispersion which was so precise that reflections from the floor and ceiling were eliminated. Consequently, Penta speakers could be placed almost anywhere in a room, irrespective of its size or furnishings. The operating panel at the base of BeoLab Penta allowed for the fine tuning of the bass reproduction at three levels.

The speaker's cross section was a pentagon. The benefit of this design was that it cannot house standing waves which normally are a problem in speakers. The choice of using polished stainless steel was made to help the speaker blend into its surroundings by reflecting them. This gave the speaker the same colour as the surroundings which helped to make the speaker more of a subtle fixture,

Sound with as many facets as a diamond

The location of the speakers within the column was carefully planned to control the sound waves so that they weren't reflected by the floor and ceiling. The resulting sound quality simply beggared description.

BeoLab 150: Controlled overdrive

At the base of BeoLab Penta was the BeoLab 150 amplifier with a power output of 175 watts DIN/IEC. This could give your music a tremendous boost, both to the quality and the actual power output. It was ideal if you love partying but had a relatively small music system. Big power needs careful control - so the amplifier was equipped with Dynamic Soft Clipping system. When there was any overloading, the system softly rounded off the sound; distortion becoming a thing of the past.

Speakers that more than measure up

Top quality music systems need the best speakers available - or you're missing out. BeoLab Penta was the natural partner for Bang & Olufsen's Beosystem 5000 and Beocenter 9000, with their built in CD players. The laser-pure quality of compact disc makes heavy demands on speakers, and both these systems had extremely fine amplifiers. Using BeoLab Penta with these systems and you'd enjoy some of the best sounds in the world. You'd also appreciate handy features such as the light display at the base of the column, which indicated which music source was being used. Of course this was even more useful if you installed Beolink® to give you music all over the house.

BeoLab Penta Active Loudspeakers Product Specifications

Beolab Penta 1

Type no; year intro; last sold: 6601 1986 05-89 AUS 6605 1986 10-89 GB 6602 1986 10-89 J 6604 1986 11-89 USA 6603 1986 11-89

RMS power handling capacity 150 watts Music power handling capacity 200 watts Frequency range +4 -8 dB 40 - 20,000 Hz Power at 96 dB SPL 2.5 watts Sensitivity 92 dB

Distortion 250 - 1000 Hz 1000 Hz <0.5%

Cabinet principle: Bass reflex Woofer 4 units 13 cm Mid-range 4 units 8 cm Tweeter 2.5 Net cabinet volume: 32 litres

Power amplifier: Bass level switch Linear, +3 dB/40 Hz, +6 dB/40 Hz Sensitivity 3 dB, -3 dB, -6 dB

Power supply 6601 : 220V 6602/6605 : 240V 6603 : 120V 6604 : 100V Power frequency 50-60 Hz Power consumption Max 300 W Stand-by 2 W

Dimensions W x H x D 5-13.5 x 165 cm incl. stand Weight 24 kg

Connections: Line Phono plugs Power input 4-pin DIN spring loaded contacts

Beolab Penta 2

Type no; year intro; last sold: 6621 1989 05-92 AUS 6625 1989 09-91 GB 6622 1989 10-91 J 6624 1989 01-92 USA 6623 1989 12-91

Long-term maximum power IEC 320 watts Maximum noise power IEC 150 watts

Impedance 8 ohms

Frequency range +4/-8 dB 40 - 20,000 Hz

Power at 96 dB SPL (1m) 2.5 watts Sensitivity 1 W (1m) 92 dB Distortion 0.250 - 6 kHz <0.5% Cabinet principle: Bass Reflex Woofer: 4 units 13 cm Mid-range: 4 units 8 cm Tweeter: 2.5 cm

Net cabinet volume:32 litres

Power amplifier: Long-term maximum power IEC 300 watts RMS DIN 175 watts IHF 150 watts

Total harmonic distortion IHF 1.5 dB

BASS EXTENSION switch 0 dB, + 3 dB, + 6 dB INPUT LEVEL switch 0 dB, -3 dB, - 6 dB Dynamic Clipping Attenuator Automatic

Power consumption Max. 300 W Stand-by 2 W

Dimensions W x H x D 22 x 165 x 20.5cm Dimensions, stand 35.5 x 4 x 34 cm Weight 24 kg

Connections: Power Link Speaker Link

Beolab Penta 3

Type no; year intro; last sold: 6631 1991 05-2000 AUS 6635 1991 05-2000 GB 6632 1991 05-2000 J 6634 1991 05-2000 USA 6633 1991 05-2000

Dimensions W x H x D/Weight: 22 x 165 x 34cm / 12kg Cabinet finish: Stainless steel

Power consumption Typical 24 watts/stand-by < 2.5 watts Mains 6630 KOR 120V 6631 EU 230V 6632 GB 230V 6633 USA-CDN 120V 6634 J 100V 6635 AUS 240V

Maximum sound pressure level (stereo, pair) 103 dB Power amplifier modules 1 unit Long-term maximum output power per module* 281 watts Effective frequency range* 39 - 20,000 Hz Cabinet principle Bass Reflex Magnetic shielded No Woofer 4 x 13 cm Midrange 4 x 8 cm Tweeter 2.5 cm Net volume 32 litres Bass equalizer Switch 0 dB, -3 dB, +6 dB

*According to IEC 268-3 and 268-5

Connections: Power Link 2 Phono (line) 1 Speaker Link Most recent S/W 1.1

Mono Volume Pedal

Ideal for guitars

It is not without reason that the pedals of the Lead Foot series are among the bestsellers at Thomann. A more inexpensive guitar volume pedal is difficult to find. Nonetheless, the Lead Foot LFV is well-made and the plastic pedal can really withstand a great deal. People who need a volume pedal - but simply don't want to spend too much money on one - can't go wrong with this one.

Highly robust design High-quality sockets Made in Europe

Capo D-Style capo A / E D-style One-handed operation Extra light Robust spring mechanism For curved fingerboard, acoustic / electric guitars

Handmade in Germany.

The famous 500/1 Violin Bass in a stunning green/pink/blue/red/yellow/black finish.

A great choice if you don't want traditional sunburst! It is built using the classic components that make the sound of the Violin bass unique, a fully hollow body, set in neck and a cantilevered fingerboard. It will deliver that deep bottom end so famous since the 1960s and only found on a true Höfner bass. Fitted with flatwound strings specifically designed for Höfner short scale 30" bass guitars you can plug in and straightaway achieve that retro sound.

Being hollow bodied it is very lightweight, yet well balanced and is perfect for long playing sessions late into the night without back and shoulder strain.

It comes in a luxury Höfner case.

Gold Label instruments are small runs or even single pieces with special finishes, colours or components. They are specially prepared and finished by our master luthiers in the workshops of Höfner in Hagenau, Germany. Each piece comes with a Gold Label certificate of authenticity.

Details Handmade in Germany.

The famous 500/1 Violin Bass in stunning rosewood with a matt finish.

The sides, back and top are matt finish rosewood and the neck is natural. Two toaster pick ups are fitted in the neck and middle positions.

A great choice if you don't want traditional sunburst! It is built using the classic components that make the sound of the Violin bass unique, a fully hollow body, set in neck and a cantilevered fingerboard. It will deliver that deep bottom end so famous since the 1960s and only found on a true Höfner bass. Fitted with flatwound strings specifically designed for Höfner short scale 30" bass guitars you can plug in and straightaway achieve that retro sound.

Being hollow bodied it is very lightweight, yet well balanced and is perfect for long playing sessions late into the night without back and shoulder strain.

It comes in a luxury Höfner case.

Gold Label instruments are small runs or even single pieces with special finishes, colours or components. They are specially prepared and finished by our master luthiers in the workshops of Höfner in Hagenau, Germany. Each piece comes with a Gold Label certificate of authenticity.

The famous 500/1 Violin Bass in red with a matt finish.

The sides, back, neck and top are matt finish red. Two toaster pick ups are fitted in the neck and middle positions.

A great choice if you don't want traditional sunburst! It is built using the classic components that make the sound of the Violin bass unique, a fully hollow body, set in neck and a cantilevered fingerboard. It will deliver that deep bottom end so famous since the 1960s and only found on a true Höfner bass. Fitted with flatwound strings specifically designed for Höfner short scale 30" bass guitars you can plug in and straightaway achieve that retro sound.

Being hollow bodied it is very lightweight, yet well balanced and is perfect for long playing sessions late into the night without back and shoulder strain.

It comes in a luxury Höfner case.

Gold Label instruments are small runs or even single pieces with special finishes, colours or components. They are specially prepared and finished by our master luthiers in the workshops of Höfner in Hagenau, Germany. Each piece comes with a Gold Label certificate of authenticity.