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The Zoom G1x gives you a tremendous selection of effects and amp models for an incredibly low price! The G1x employs Zoom's ZFX-3 DSP chip and a 96kHz sampling rate to deliver amazingly accurate models of tube harmonics. Its 24-bit AD/DA conversion offers excellent dynamic range. The G1x provides a variety of effects categories: Comp/EFX, Drive, EQ, ZNR/Amp modeling, Modulation, Delay, and Reverb. For added flexibility, an expression pedal gives you control over effects such as flange, wah, and other effects. Loaded with 40 presets, many of which are modeled on the signature sounds of famous guitarists, the G1x will run for up to 12 hours continuously on four AA batteries and comes with an included AC adaptor.

Zoom G1x Guitar Effects Pedal at a Glance: •21 amp and stompbox models •54 high-quality effects • Built-in drum machine • Auto-chromatic guitar tuner •21 amp and stompbox models

By digitally simulating the clipping action of analog devices such as tubes and diodes, the G1x faithfully duplicates the distortion of tube amps and vintage effects. Choices range from models that made guitar history such as Fender, Marshall, and Vox to popular modern amps including Mesa Boogie, Peavey, and Diezel. An acoustic simulator is also included, so the G1x can make your electric instrument sound like an acoustic.

54 high-quality effects The G1x provides a total of eight modules with 54 effect types ranging from standard to advanced. Duplicate the historic sounds of the MXR Dynacomp, Vox Wah, or Crybaby Wah. Apply EQ in three bands. Two types of chorus add spaciousness and depth. The G1x has 5 types of reverb to simulate the acoustics of a room or concert hall. The Harmonized Pitch Shifter can play along with you - all effects are designed for real-life musical applications. Use delay and echo settings with up to 5 seconds of delay time.

Built-in drum machine The G1x offers realistic drum sounds derived from PCM samples, arranged in a variety of rhythm patterns for different musical genres. The 40 rhythm variations include steady 8-beats for rock and pop, funky 16-beats, jazzy 4-beats, shuffles for blues styles, and more. Rhythm training is easy, and a tap input lets you set tempos easily.

Auto-chromatic guitar tuner The G1x's guitar tuner can be called up instantly by pushing the 2 footswitches together. High-brightness LED indicators make the note readout easy to see on a dark stage. Mute tuning - without a sound output - is also possible.

Zoom G1x Guitar Effects Pedal Features: • Zoom ZFX-3 24-bit/96kHz digital multi-effects processor • 54 Effects types/8 Modules • 40kHz frequency response • Built-in drum machine and harmonized pitch shifter • 80 patches (40 user defined and 40 preset patches) • Built-in Expression Pedal • Operates on 4 AA batteries or included AC power adapter

The Zoom G1x gives you a tremendous selection of effects and amp models for an incredibly low price! The G1x employs Zoom's ZFX-3 DSP chip and a 96kHz sampling rate to deliver amazingly accurate models of tube harmonics. Its 24-bit AD/DA conversion offers excellent dynamic range. The G1x provides a variety of effects categories: Comp/EFX, Drive, EQ, ZNR/Amp modeling, Modulation, Delay, and Reverb. For added flexibility, an expression pedal gives you control over effects such as flange, wah, and other effects. Loaded with 40 presets, many of which are modeled on the signature sounds of famous guitarists, the G1x will run for up to 12 hours continuously on four AA batteries and comes with an included AC adaptor.

Zoom G1x Guitar Effects Pedal at a Glance:

•21 amp and stompbox models •54 high-quality effects • Built-in drum machine • Auto-chromatic guitar tuner •21 amp and stompbox models

By digitally simulating the clipping action of analog devices such as tubes and diodes, the G1x faithfully duplicates the distortion of tube amps and vintage effects. Choices range from models that made guitar history such as Fender, Marshall, and Vox to popular modern amps including Mesa Boogie, Peavey, and Diezel. An acoustic simulator is also included, so the G1x can make your electric instrument sound like an acoustic.

54 high-quality effects:

The G1x provides a total of eight modules with 54 effect types ranging from standard to advanced. Duplicate the historic sounds of the MXR Dynacomp, Vox Wah, or Crybaby Wah. Apply EQ in three bands. Two types of chorus add spaciousness and depth. The G1x has 5 types of reverb to simulate the acoustics of a room or concert hall. The Harmonized Pitch Shifter can play along with you - all effects are designed for real-life musical applications. Use delay and echo settings with up to 5 seconds of delay time.

Built-in drum machine:

The G1x offers realistic drum sounds derived from PCM samples, arranged in a variety of rhythm patterns for different musical genres. The 40 rhythm variations include steady 8-beats for rock and pop, funky 16-beats, jazzy 4-beats, shuffles for blues styles, and more. Rhythm training is easy, and a tap input lets you set tempos easily.

Auto-chromatic guitar tuner:

The G1x's guitar tuner can be called up instantly by pushing the 2 footswitches together. High-brightness LED indicators make the note readout easy to see on a dark stage. Mute tuning - without a sound output - is also possible.

Zoom G1x Guitar Effects Pedal Features:

• Zoom ZFX-3 24-bit/96kHz digital multi-effects processor • 54 Effects types/8 Modules • 40kHz frequency response • Built-in drum machine and harmonized pitch shifter • 80 patches (40 user defined and 40 preset patches) • Built-in Expression Pedal • Operates on 4 AA batteries or included AC power adapter

The Zoom G1x gives you a tremendous selection of effects and amp models for an incredibly low price! The G1x employs Zoom's ZFX-3 DSP chip and a 96kHz sampling rate to deliver amazingly accurate models of tube harmonics. Its 24-bit AD/DA conversion offers excellent dynamic range. The G1x provides a variety of effects categories: Comp/EFX, Drive, EQ, ZNR/Amp modeling, Modulation, Delay, and Reverb. For added flexibility, an expression pedal gives you control over effects such as flange, wah, and other effects. Loaded with 40 presets, many of which are modeled on the signature sounds of famous guitarists, the G1x will run for up to 12 hours continuously on four AA batteries and comes with an included AC adaptor.

Zoom G1x Guitar Effects Pedal at a Glance: 21 amp and stompbox models 54 high-quality effects Built-in drum machine Auto-chromatic guitar tuner 21 amp and stompbox models By digitally simulating the clipping action of analog devices such as tubes and diodes, the G1x faithfully duplicates the distortion of tube amps and vintage effects. Choices range from models that made guitar history such as Fender, Marshall, and Vox to popular modern amps including Mesa Boogie, Peavey, and Diezel. An acoustic simulator is also included, so the G1x can make your electric instrument sound like an acoustic.

54 high-quality effects The G1x provides a total of eight modules with 54 effect types ranging from standard to advanced. Duplicate the historic sounds of the MXR Dynacomp, Vox Wah, or Crybaby Wah. Apply EQ in three bands. Two types of chorus add spaciousness and depth. The G1x has five types of reverb to simulate the acoustics of a room or concert hall. The Harmonized Pitch Shifter can play along with you - all effects are designed for real-life musical applications. Use delay and echo settings with up to five seconds of delay time.

Built-in drum machine The G1x offers realistic drum sounds derived from PCM samples, arranged in a variety of rhythm patterns for different musical genres. The 40 rhythm variations include steady 8-beats for rock and pop, funky 16-beats, jazzy 4-beats, shuffles for blues styles, and more. Rhythm training is easy, and a tap input lets you set tempos easily.

Auto-chromatic guitar tuner The G1x's guitar tuner can be called up instantly by pushing the two footswitches together. High-brightness LED indicators make the note readout easy to see on a dark stage. Mute tuning - without a sound output - is also possible.

Zoom G1x Guitar Effects Pedal Features: Zoom ZFX-3 24-bit/96kHz digital multi-effects processor 54 Effects types/8 Modules 40kHz frequency response Built-in drum machine and harmonized pitch shifter 80 patches (40 user defined and 40 preset patches) Built-in Expression Pedal Operates on 4 AA batteries or included AC power adapter

The Zoom G1x gives you a tremendous selection of effects and amp models for an incredibly low price! The G1x employs Zoom's ZFX-3 DSP chip and a 96kHz sampling rate to deliver amazingly accurate models of tube harmonics. Its 24-bit AD/DA conversion offers excellent dynamic range. The G1x provides a variety of effects categories: Comp/EFX, Drive, EQ, ZNR/Amp modeling, Modulation, Delay, and Reverb. For added flexibility, an expression pedal gives you control over effects such as flange, wah, and other effects. Loaded with 40 presets, many of which are modeled on the signature sounds of famous guitarists, the G1x will run for up to 12 hours continuously on four AA batteries and comes with an included AC adaptor.

Zoom G1x Guitar Effects Pedal at a Glance: •21 amp and stompbox models •54 high-quality effects • Built-in drum machine • Auto-chromatic guitar tuner •21 amp and stompbox models

By digitally simulating the clipping action of analog devices such as tubes and diodes, the G1x faithfully duplicates the distortion of tube amps and vintage effects. Choices range from models that made guitar history such as Fender, Marshall, and Vox to popular modern amps including Mesa Boogie, Peavey, and Diezel. An acoustic simulator is also included, so the G1x can make your electric instrument sound like an acoustic.

54 high-quality effects The G1x provides a total of eight modules with 54 effect types ranging from standard to advanced. Duplicate the historic sounds of the MXR Dynacomp, Vox Wah, or Crybaby Wah. Apply EQ in three bands. Two types of chorus add spaciousness and depth. The G1x has 5 types of reverb to simulate the acoustics of a room or concert hall. The Harmonized Pitch Shifter can play along with you - all effects are designed for real-life musical applications. Use delay and echo settings with up to 5 seconds of delay time.

Built-in drum machine The G1x offers realistic drum sounds derived from PCM samples, arranged in a variety of rhythm patterns for different musical genres. The 40 rhythm variations include steady 8-beats for rock and pop, funky 16-beats, jazzy 4-beats, shuffles for blues styles, and more. Rhythm training is easy, and a tap input lets you set tempos easily.

Auto-chromatic guitar tuner The G1x's guitar tuner can be called up instantly by pushing the 2 footswitches together. High-brightness LED indicators make the note readout easy to see on a dark stage. Mute tuning - without a sound output - is also possible.

Zoom G1x Guitar Effects Pedal Features: • Zoom ZFX-3 24-bit/96kHz digital multi-effects processor • 54 Effects types/8 Modules • 40kHz frequency response • Built-in drum machine and harmonized pitch shifter • 80 patches (40 user defined and 40 preset patches) • Built-in Expression Pedal • Operates on 4 AA batteries or included AC power adapter

The Zoom G1x gives you a tremendous selection of effects and amp models for an incredibly low price! The G1x employs Zoom's ZFX-3 DSP chip and a 96kHz sampling rate to deliver amazingly accurate models of tube harmonics. Its 24-bit AD/DA conversion offers excellent dynamic range. The G1x provides a variety of effects categories: Comp/EFX, Drive, EQ, ZNR/Amp modeling, Modulation, Delay, and Reverb. For added flexibility, an expression pedal gives you control over effects such as flange, wah, and other effects. Loaded with 40 presets, many of which are modeled on the signature sounds of famous guitarists, the G1x will run for up to 12 hours continuously on four AA batteries and comes with an included AC adaptor.

Zoom G1x Guitar Effects Pedal at a Glance: 21 amp and stompbox models 54 high-quality effects Built-in drum machine Auto-chromatic guitar tuner 21 amp and stompbox models By digitally simulating the clipping action of analog devices such as tubes and diodes, the G1x faithfully duplicates the distortion of tube amps and vintage effects. Choices range from models that made guitar history such as Fender, Marshall, and Vox to popular modern amps including Mesa Boogie, Peavey, and Diezel. An acoustic simulator is also included, so the G1x can make your electric instrument sound like an acoustic.

54 high-quality effects The G1x provides a total of eight modules with 54 effect types ranging from standard to advanced. Duplicate the historic sounds of the MXR Dynacomp, Vox Wah, or Crybaby Wah. Apply EQ in three bands. Two types of chorus add spaciousness and depth. The G1x has five types of reverb to simulate the acoustics of a room or concert hall. The Harmonized Pitch Shifter can play along with you - all effects are designed for real-life musical applications. Use delay and echo settings with up to five seconds of delay time.

Built-in drum machine The G1x offers realistic drum sounds derived from PCM samples, arranged in a variety of rhythm patterns for different musical genres. The 40 rhythm variations include steady 8-beats for rock and pop, funky 16-beats, jazzy 4-beats, shuffles for blues styles, and more. Rhythm training is easy, and a tap input lets you set tempos easily.

Auto-chromatic guitar tuner The G1x's guitar tuner can be called up instantly by pushing the two footswitches together. High-brightness LED indicators make the note readout easy to see on a dark stage. Mute tuning - without a sound output - is also possible.

Zoom G1x Guitar Effects Pedal Features: Zoom ZFX-3 24-bit/96kHz digital multi-effects processor 54 Effects types/8 Modules 40kHz frequency response Built-in drum machine and harmonized pitch shifter 80 patches (40 user defined and 40 preset patches) Built-in Expression Pedal Operates on 4 AA batteries or included AC power adapter

Dive into the world of endless tonal possibilities with the Digitech RP50, a compact multi-effects pedal that's perfect for guitarists looking to explore a wide array of sounds without breaking the bank. Whether you're crafting your signature sound or experimenting with new genres, this pedal packs a punch with its versatile range of effects and amp models. Designed with both beginners and seasoned players in mind, the RP50 offers an intuitive user interface that makes tweaking and saving presets a breeze. From the bedroom to the studio, this pedal is your gateway to sonic exploration.

Key Features:

• 40 user presets and 40 factory presets for a wide variety of tones
• A diverse selection of amp models to emulate classic and modern sounds
• Built-in drum machine with various patterns to practice and perform with
• Intuitive user interface for easy tweaking and customization
• Durable construction designed to withstand the rigors of touring

Dive into the world of endless tonal possibilities with the Digitech RP50, a compact multi-effects pedal that's perfect for guitarists looking to explore a wide array of sounds without breaking the bank. Whether you're crafting your signature sound or experimenting with new genres, this pedal packs a punch with its versatile range of effects and amp models. Designed with both beginners and seasoned players in mind, the RP50 offers an intuitive user interface that makes tweaking and saving presets a breeze. From the bedroom to the studio, this pedal is your gateway to sonic exploration.

Key Features:

• 40 user presets and 40 factory presets for a wide variety of tones
• A diverse selection of amp models to emulate classic and modern sounds
• Built-in drum machine with various patterns to practice and perform with
• Intuitive user interface for easy tweaking and customization
• Durable construction designed to withstand the rigors of touring

Dive into the world of endless tonal possibilities with the Digitech RP50, a compact multi-effects pedal that's perfect for guitarists looking to explore a wide array of sounds without breaking the bank. Whether you're crafting your signature sound or experimenting with new genres, this pedal packs a punch with its versatile range of effects and amp models. Designed with both beginners and seasoned players in mind, the RP50 offers an intuitive user interface that makes tweaking and saving presets a breeze. From the bedroom to the studio, this pedal is your gateway to sonic exploration.

Key Features:

• 40 user presets and 40 factory presets for a wide variety of tones
• A diverse selection of amp models to emulate classic and modern sounds
• Built-in drum machine with various patterns to practice and perform with
• Intuitive user interface for easy tweaking and customization
• Durable construction designed to withstand the rigors of touring

Dive into the world of endless tonal possibilities with the Digitech RP50, a compact multi-effects pedal that's perfect for guitarists looking to explore a wide array of sounds without breaking the bank. Whether you're crafting your signature sound or experimenting with new genres, this pedal packs a punch with its versatile range of effects and amp models. Designed with both beginners and seasoned players in mind, the RP50 offers an intuitive user interface that makes tweaking and saving presets a breeze. From the bedroom to the studio, this pedal is your gateway to sonic exploration.

Key Features:

• 40 user presets and 40 factory presets for a wide variety of tones
• A diverse selection of amp models to emulate classic and modern sounds
• Built-in drum machine with various patterns to practice and perform with
• Intuitive user interface for easy tweaking and customization
• Durable construction designed to withstand the rigors of touring

Elevate your recordings from good to great with the PreSonus TubePRE Microphone Preamp. Perfect for the home studio enthusiast looking to introduce the professional studio's warmth and depth into their projects, this preamp is a game-changer. The heart of the TubePRE is its 12AX7 tube, offering the classic warmth and dynamics that can only come from tube technology. Whether you're laying down vocal tracks or recording instruments, this preamp doubles as a DI box, providing the versatility and performance you need. Plus, with built-in phantom power, it's ready to support your condenser mics right out of the box. Experience the difference a quality preamp can make, without breaking the bank.

Key Features:

• 12AX7 tube delivers classic warmth and dynamic response
• Versatile performance as both a microphone preamp and DI box
• Built-in phantom power for condenser microphones
• Affordable entry into professional studio sound quality
• Compatible with a wide range of microphones and instruments

Elevate your recordings from good to great with the PreSonus TubePRE Microphone Preamp. Perfect for the home studio enthusiast looking to introduce the professional studio's warmth and depth into their projects, this preamp is a game-changer. The heart of the TubePRE is its 12AX7 tube, offering the classic warmth and dynamics that can only come from tube technology. Whether you're laying down vocal tracks or recording instruments, this preamp doubles as a DI box, providing the versatility and performance you need. Plus, with built-in phantom power, it's ready to support your condenser mics right out of the box. Experience the difference a quality preamp can make, without breaking the bank.

Key Features:

• 12AX7 tube delivers classic warmth and dynamic response
• Versatile performance as both a microphone preamp and DI box
• Built-in phantom power for condenser microphones
• Affordable entry into professional studio sound quality
• Compatible with a wide range of microphones and instruments

The A/DA Flanger is a reissue of a classic, hailing from the golden era of the '70s and '80s. This pedal is not just another flanger - it's a piece of music history brought back to life. Its magic lies in the legendary Reticon SAD1024A Bucket Brigade circuitry, making it a coveted gem among enthusiasts and collectors alike. This pedal doesn't just recreate your tone, it enhances it, giving your sound a unique character that's rich, textured, and distinctly vintage.

Key Features:

• Reticon SAD1024A Bucket Brigade circuitry
• Cast metal enclosure for durability
• Even/Odd harmonics control for tonal variety
• Manual, range, speed, enhance knobs for precise sound shaping

The A/DA Flanger is a reissue of a classic, hailing from the golden era of the '70s and '80s. This pedal is not just another flanger - it's a piece of music history brought back to life. Its magic lies in the legendary Reticon SAD1024A Bucket Brigade circuitry, making it a coveted gem among enthusiasts and collectors alike. This pedal doesn't just recreate your tone, it enhances it, giving your sound a unique character that's rich, textured, and distinctly vintage.

Key Features:

• Reticon SAD1024A Bucket Brigade circuitry
• Cast metal enclosure for durability
• Even/Odd harmonics control for tonal variety
• Manual, range, speed, enhance knobs for precise sound shaping

Pioneer SX-1000TW Solid State AM/FM Receiver (1971)

Tuning range: FM, MW

Power output: 50 watts per channel into 8Ω (stereo)

Frequency response: 20Hz to 50kHz

Total harmonic distortion: 0.5%

Damping factor: 25

Input sensitivity: 2.4mV (MM), 51mV (ceramic), 200mV (DIN), 200mV (line)

Signal to noise ratio: 80dB (MM), 90dB (line)

Speaker load impedance: 4Ω to 16Ω

Semiconductors: 4 x IC, 1 x FET, 42 x transistors, 34 x diodes

Dimensions: 405 x 137 x 350mm

Weight: 10.6kg

Pioneer SX-1000TW Solid State AM/FM Receiver (1971)

Tuning range: FM, MW

Power output: 50 watts per channel into 8Ω (stereo)

Frequency response: 20Hz to 50kHz

Total harmonic distortion: 0.5%

Damping factor: 25

Input sensitivity: 2.4mV (MM), 51mV (ceramic), 200mV (DIN), 200mV (line)

Signal to noise ratio: 80dB (MM), 90dB (line)

Speaker load impedance: 4Ω to 16Ω

Semiconductors: 4 x IC, 1 x FET, 42 x transistors, 34 x diodes

Dimensions: 405 x 137 x 350mm

Weight: 10.6kg

• FEATURES Eight control voltage outputs (-3 to +10 volts) Selectable CV output (volts per octave and Hertz per volt) Eight gate/S-trigger outputs DIN sync output Three LFOS with six waveforms 2 x 20 backlit LCD 100 user setups

• INTERFACING Eight CV outputs Eight gate/S-trigger outputs Footswitch jack (all 1/4") MIDI in, out/thru DIN sync output 9-volt AC adapter input

• DIMENSIONS 19" W x 7.5" D x 1.75" H (1U rackmount) 6 lbs.

• SUGGESTED RETAIL PRICE $599

• CONTACT Encore Electronics, 611 Laird Lane, Lafayette CA 94549. 510-2298875 (voice and fax). Email: [email protected]. Web: pwp.value.net/encore

• FEATURES • Eight control voltage outputs (-3 to +10 volts) • Selectable CV output (volts per octave and Hertz per volt) • Eight gate/S-trigger outputs • DIN sync output • Three LFOS with six waveforms • 2 x 20 backlit LCD • 100 user setups

• INTERFACING • Eight CV outputs • Eight gate/S-trigger outputs • Footswitch jack (all 1/4") • MIDI in, out/thru • DIN sync output • 9-volt AC adapter input

• DIMENSIONS • 19" W x 7.5" D x 1.75" H (1U rackmount) • 6 lbs.

• SUGGESTED RETAIL PRICE • $599

• CONTACT • Encore Electronics, 611 Laird Lane, Lafayette CA 94549. 510-2298875 (voice and fax). Email: [email protected]. Web: pwp.value.net/encore

You’ve just got to have one of these. Antares has ported their astounding Mic Modeler technology into a hardware processor. The AMM1 is a single rack space device that can change the sound of most any microphone into a stunningly close approximation of the sound of any other microphone. Don’t believe it really works? Think again, and try it out because the results are amazing. No, it’s not going to make your SM-57 sound exactly like a U87, but if you start with a good mic it can get so close it’s scary. It comes with dozens of mic models loaded, and is easily upgradable via software downloads. Now you don’t have to pay a premium price for that vintage Telefunken, or rent that obscure C12 for one session.

You’ve just got to have one of these. Antares has ported their astounding Mic Modeler technology into a hardware processor. The AMM1 is a single rack space device that can change the sound of most any microphone into a stunningly close approximation of the sound of any other microphone. Don’t believe it really works? Think again, and try it out because the results are amazing. No, it’s not going to make your SM-57 sound exactly like a U87, but if you start with a good mic it can get so close it’s scary. It comes with dozens of mic models loaded, and is easily upgradable via software downloads. Now you don’t have to pay a premium price for that vintage Telefunken, or rent that obscure AKG C 12 for one session.

You’ve just got to have one of these. Antares has ported their astounding Mic Modeler technology into a hardware processor. The AMM1 is a single rack space device that can change the sound of most any microphone into a stunningly close approximation of the sound of any other microphone. Don’t believe it really works? Think again, and try it out because the results are amazing. No, it’s not going to make your SM-57 sound exactly like a U87, but if you start with a good mic it can get so close it’s scary. It comes with dozens of mic models loaded, and is easily upgradable via software downloads. Now you don’t have to pay a premium price for that vintage Telefunken, or rent that obscure C12 for one session.

• FEATURES Eight control voltage outputs (-3 to +10 volts) Selectable CV output (volts per octave and Hertz per volt) Eight gate/S-trigger outputs DIN sync output Three LFOS with six waveforms 2 x 20 backlit LCD 100 user setups

• INTERFACING Eight CV outputs Eight gate/S-trigger outputs Footswitch jack (all 1/4") MIDI in, out/thru DIN sync output 9-volt AC adapter input

• DIMENSIONS 19" W x 7.5" D x 1.75" H (1U rackmount) 6 lbs.

• SUGGESTED RETAIL PRICE $599

• CONTACT Encore Electronics, 611 Laird Lane, Lafayette CA 94549. 510-2298875 (voice and fax). Email: [email protected]. Web: pwp.value.net/encore

• FEATURES Eight control voltage outputs (-3 to +10 volts) Selectable CV output (volts per octave and Hertz per volt) Eight gate/S-trigger outputs DIN sync output Three LFOS with six waveforms 2 x 20 backlit LCD 100 user setups

• INTERFACING Eight CV outputs Eight gate/S-trigger outputs Footswitch jack (all 1/4") MIDI in, out/thru DIN sync output 9-volt AC adapter input

• DIMENSIONS 19" W x 7.5" D x 1.75" H (1U rackmount) 6 lbs.

• SUGGESTED RETAIL PRICE $599

• CONTACT Encore Electronics, 611 Laird Lane, Lafayette CA 94549. 510-2298875 (voice and fax). Email: [email protected]. Web: pwp.value.net/encore

• FEATURES Eight control voltage outputs (-3 to +10 volts) Selectable CV output (volts per octave and Hertz per volt) Eight gate/S-trigger outputs DIN sync output Three LFOS with six waveforms 2 x 20 backlit LCD 100 user setups

• INTERFACING Eight CV outputs Eight gate/S-trigger outputs Footswitch jack (all 1/4") MIDI in, out/thru DIN sync output 9-volt AC adapter input

• DIMENSIONS 19" W x 7.5" D x 1.75" H (1U rackmount) 6 lbs.

• SUGGESTED RETAIL PRICE $599

• CONTACT Encore Electronics, 611 Laird Lane, Lafayette CA 94549. 510-2298875 (voice and fax). Email: [email protected]. Web: pwp.value.net/encore

Pioneer SX-1000TW Solid State AM/FM Receiver (1971)

Tuning range: FM, MW

Power output: 50 watts per channel into 8Ω (stereo)

Frequency response: 20Hz to 50kHz

Total harmonic distortion: 0.5%

Damping factor: 25

Input sensitivity: 2.4mV (MM), 51mV (ceramic), 200mV (DIN), 200mV (line)

Signal to noise ratio: 80dB (MM), 90dB (line)

Speaker load impedance: 4Ω to 16Ω

Semiconductors: 4 x IC, 1 x FET, 42 x transistors, 34 x diodes

Dimensions: 405 x 137 x 350mm

Weight: 10.6kg

There is a lot of power and functionality contained within this deceptively small 6hp module. It features both the Glide and the Noise generator circuitry from the vintage Model D synthesiser.

The MiniMod glide uses a discrete dual fet circuit which includes a hold function that can gate the glide effect. Glide is only active when the Hold CV input is high, so if the hold input is connected to the gate output of a Midi/CV convertor then the glide will be active only while the key is actually depressed, emulating the exact behaviour of the original Model D synthesiser.

We have also increased the versatility of the module by adding Glide Up only and Glide Down only modes in addition to the standard Glide Up & Down mode of the original circuit.

The Noise Generator is completely separate from the Glide circuitry. There are three outputs offering White Noise, Pink Noise and Red Noise. The noise source itself is all analogue and uses a specially selected transistor in avalanche mode which is amplified and filtered by discrete transistor based circuitry.

FEATURES

6HP

• Glide + Noise Eurorack Module featuring both the Glide and Noise Generator circuitry from the Moog Model D Synthesizer

• Discrete Dual FET Circuit in Glide circuitry (Includes a hold function that can gate the glide effect)

• Glide is only active when the Hold CV input is high (If the hold input is connected to the gate output of a MIDI/CV convertor then the glide will be active only while the key is actually depressed, emulating the exact behavior of the original Model D synthesizer)

• Glide Up only and Glide Down only modes in addition to the standard Glide Up & Down mode of the original circuit

• Glide Speed Control: Controls the slew speed of the glide effect (Turning CW slows down the Glide/Slew rate, asymmetric operation like Model D – glides up considerably faster than it glides down emulated to perfection!)

• Glide ON/OFF Switch (It is NOT a bypass switch, its function is the same as turning the Glide Speed full CCW)

• Glide Mode 3-Way Select Switch: Selects the Glide Mode (Center Position: Glide is active on both rising and falling input voltages, UP Position: Glide effect is only active on rising input voltages and will drop instantly and track falling input voltages, DOWN Position: Module will glide down at the rate set on by the Glide Speed Control but will rise instantly and track rising input voltages

• Hold CV Input: Gate Control Voltage (+2V to +10V) applied to this input turns on the Glide effect (If gate voltage is zero/low then “Hold” mode is active and the Glide Output is held at the last voltage received irrespective of changes to the Glide CV Input)

• Glide CV Input: ±10V (however only positive voltages 0-6V are processed, negative voltages are ignored and voltages between +6V and +10V are limited to +6V)

• Glide CV Output: Output range of 0 to +6V and an impedance of approximately 500 Ohms

• Red Noise Output: Commonly used as a random control voltage rather than an audio signal

• White Noise Output: Generated using a specially selected transistor in avalanche mode and using the exact circuitry from the Model D

• Pink Noise Output: Generated using the same discrete transistor circuitry as the Model D

There is a lot of power and functionality contained within this deceptively small 6hp module. It features both the Glide and the Noise generator circuitry from the vintage Model D synthesiser.

The MiniMod glide uses a discrete dual fet circuit which includes a hold function that can gate the glide effect. Glide is only active when the Hold CV input is high, so if the hold input is connected to the gate output of a Midi/CV convertor then the glide will be active only while the key is actually depressed, emulating the exact behaviour of the original Model D synthesiser.

We have also increased the versatility of the module by adding Glide Up only and Glide Down only modes in addition to the standard Glide Up & Down mode of the original circuit.

The Noise Generator is completely separate from the Glide circuitry. There are three outputs offering White Noise, Pink Noise and Red Noise. The noise source itself is all analogue and uses a specially selected transistor in avalanche mode which is amplified and filtered by discrete transistor based circuitry.

FEATURES

6HP

• Glide + Noise Eurorack Module featuring both the Glide and Noise Generator circuitry from the Moog Model D Synthesizer
• Discrete Dual FET Circuit in Glide circuitry (Includes a hold function that can gate the glide effect)
• Glide is only active when the Hold CV input is high (If the hold input is connected to the gate output of a MIDI/CV convertor then the glide will be active only while the key is actually depressed, emulating the exact behavior of the original Model D synthesizer)
• Glide Up only and Glide Down only modes in addition to the standard Glide Up & Down mode of the original circuit
• Glide Speed Control: Controls the slew speed of the glide effect (Turning CW slows down the Glide/Slew rate, asymmetric operation like Model D – glides up considerably faster than it glides down emulated to perfection!)
• Glide ON/OFF Switch (It is NOT a bypass switch, its function is the same as turning the Glide Speed full CCW)
• Glide Mode 3-Way Select Switch: Selects the Glide Mode (Center Position: Glide is active on both rising and falling input voltages, UP Position: Glide effect is only active on rising input voltages and will drop instantly and track falling input voltages, DOWN Position: Module will glide down at the rate set on by the Glide Speed Control but will rise instantly and track rising input voltages
• Hold CV Input: Gate Control Voltage (+2V to +10V) applied to this input turns on the Glide effect (If gate voltage is zero/low then “Hold” mode is active and the Glide Output is held at the last voltage received irrespective of changes to the Glide CV Input)
• Glide CV Input: ±10V (however only positive voltages 0-6V are processed, negative voltages are ignored and voltages between +6V and +10V are limited to +6V)
• Glide CV Output: Output range of 0 to +6V and an impedance of approximately 500 Ohms
• Red Noise Output: Commonly used as a random control voltage rather than an audio signal
• White Noise Output: Generated using a specially selected transistor in avalanche mode and using the exact circuitry from the Model D
• Pink Noise Output: Generated using the same discrete transistor circuitry as the Model D

There is a lot of power and functionality contained within this deceptively small 6hp module. It features both the Glide and the Noise generator circuitry from the vintage Model D synthesiser.

The MiniMod glide uses a discrete dual fet circuit which includes a hold function that can gate the glide effect. Glide is only active when the Hold CV input is high, so if the hold input is connected to the gate output of a Midi/CV convertor then the glide will be active only while the key is actually depressed, emulating the exact behaviour of the original Model D synthesiser.

We have also increased the versatility of the module by adding Glide Up only and Glide Down only modes in addition to the standard Glide Up & Down mode of the original circuit.

The Noise Generator is completely separate from the Glide circuitry. There are three outputs offering White Noise, Pink Noise and Red Noise. The noise source itself is all analogue and uses a specially selected transistor in avalanche mode which is amplified and filtered by discrete transistor based circuitry.

FEATURES

6HP

• Glide + Noise Eurorack Module featuring both the Glide and Noise Generator circuitry from the Moog Model D Synthesizer
• Discrete Dual FET Circuit in Glide circuitry (Includes a hold function that can gate the glide effect)
• Glide is only active when the Hold CV input is high (If the hold input is connected to the gate output of a MIDI/CV convertor then the glide will be active only while the key is actually depressed, emulating the exact behavior of the original Model D synthesizer)
• Glide Up only and Glide Down only modes in addition to the standard Glide Up & Down mode of the original circuit
• Glide Speed Control: Controls the slew speed of the glide effect (Turning CW slows down the Glide/Slew rate, asymmetric operation like Model D – glides up considerably faster than it glides down emulated to perfection!)
• Glide ON/OFF Switch (It is NOT a bypass switch, its function is the same as turning the Glide Speed full CCW)
• Glide Mode 3-Way Select Switch: Selects the Glide Mode (Center Position: Glide is active on both rising and falling input voltages, UP Position: Glide effect is only active on rising input voltages and will drop instantly and track falling input voltages, DOWN Position: Module will glide down at the rate set on by the Glide Speed Control but will rise instantly and track rising input voltages
• Hold CV Input: Gate Control Voltage (+2V to +10V) applied to this input turns on the Glide effect (If gate voltage is zero/low then “Hold” mode is active and the Glide Output is held at the last voltage received irrespective of changes to the Glide CV Input)
• Glide CV Input: ±10V (however only positive voltages 0-6V are processed, negative voltages are ignored and voltages between +6V and +10V are limited to +6V)
• Glide CV Output: Output range of 0 to +6V and an impedance of approximately 500 Ohms
• Red Noise Output: Commonly used as a random control voltage rather than an audio signal
• White Noise Output: Generated using a specially selected transistor in avalanche mode and using the exact circuitry from the Model D
• Pink Noise Output: Generated using the same discrete transistor circuitry as the Model D

There is a lot of power and functionality contained within this deceptively small 6hp module. It features both the Glide and the Noise generator circuitry from the vintage Model D synthesiser.

The MiniMod glide uses a discrete dual fet circuit which includes a hold function that can gate the glide effect. Glide is only active when the Hold CV input is high, so if the hold input is connected to the gate output of a Midi/CV convertor then the glide will be active only while the key is actually depressed, emulating the exact behaviour of the original Model D synthesiser.

We have also increased the versatility of the module by adding Glide Up only and Glide Down only modes in addition to the standard Glide Up & Down mode of the original circuit.

The Noise Generator is completely separate from the Glide circuitry. There are three outputs offering White Noise, Pink Noise and Red Noise. The noise source itself is all analogue and uses a specially selected transistor in avalanche mode which is amplified and filtered by discrete transistor based circuitry.

FEATURES

6HP

• Glide + Noise Eurorack Module featuring both the Glide and Noise Generator circuitry from the Moog Model D Synthesizer

• Discrete Dual FET Circuit in Glide circuitry (Includes a hold function that can gate the glide effect)

• Glide is only active when the Hold CV input is high (If the hold input is connected to the gate output of a MIDI/CV convertor then the glide will be active only while the key is actually depressed, emulating the exact behavior of the original Model D synthesizer)

• Glide Up only and Glide Down only modes in addition to the standard Glide Up & Down mode of the original circuit

• Glide Speed Control: Controls the slew speed of the glide effect (Turning CW slows down the Glide/Slew rate, asymmetric operation like Model D – glides up considerably faster than it glides down emulated to perfection!)

• Glide ON/OFF Switch (It is NOT a bypass switch, its function is the same as turning the Glide Speed full CCW)

• Glide Mode 3-Way Select Switch: Selects the Glide Mode (Center Position: Glide is active on both rising and falling input voltages, UP Position: Glide effect is only active on rising input voltages and will drop instantly and track falling input voltages, DOWN Position: Module will glide down at the rate set on by the Glide Speed Control but will rise instantly and track rising input voltages

• Hold CV Input: Gate Control Voltage (+2V to +10V) applied to this input turns on the Glide effect (If gate voltage is zero/low then “Hold” mode is active and the Glide Output is held at the last voltage received irrespective of changes to the Glide CV Input)

• Glide CV Input: ±10V (however only positive voltages 0-6V are processed, negative voltages are ignored and voltages between +6V and +10V are limited to +6V)

• Glide CV Output: Output range of 0 to +6V and an impedance of approximately 500 Ohms

• Red Noise Output: Commonly used as a random control voltage rather than an audio signal

• White Noise Output: Generated using a specially selected transistor in avalanche mode and using the exact circuitry from the Model D

• Pink Noise Output: Generated using the same discrete transistor circuitry as the Model D

There is a lot of power and functionality contained within this deceptively small 6hp module. It features both the Glide and the Noise generator circuitry from the vintage Model D synthesiser.

The MiniMod glide uses a discrete dual fet circuit which includes a hold function that can gate the glide effect. Glide is only active when the Hold CV input is high, so if the hold input is connected to the gate output of a Midi/CV convertor then the glide will be active only while the key is actually depressed, emulating the exact behaviour of the original Model D synthesiser.

We have also increased the versatility of the module by adding Glide Up only and Glide Down only modes in addition to the standard Glide Up & Down mode of the original circuit.

The Noise Generator is completely separate from the Glide circuitry. There are three outputs offering White Noise, Pink Noise and Red Noise. The noise source itself is all analogue and uses a specially selected transistor in avalanche mode which is amplified and filtered by discrete transistor based circuitry.

FEATURES

6HP

• Glide + Noise Eurorack Module featuring both the Glide and Noise Generator circuitry from the Moog Model D Synthesizer
• Discrete Dual FET Circuit in Glide circuitry (Includes a hold function that can gate the glide effect)
• Glide is only active when the Hold CV input is high (If the hold input is connected to the gate output of a MIDI/CV convertor then the glide will be active only while the key is actually depressed, emulating the exact behavior of the original Model D synthesizer)
• Glide Up only and Glide Down only modes in addition to the standard Glide Up & Down mode of the original circuit
• Glide Speed Control: Controls the slew speed of the glide effect (Turning CW slows down the Glide/Slew rate, asymmetric operation like Model D – glides up considerably faster than it glides down emulated to perfection!)
• Glide ON/OFF Switch (It is NOT a bypass switch, its function is the same as turning the Glide Speed full CCW)
• Glide Mode 3-Way Select Switch: Selects the Glide Mode (Center Position: Glide is active on both rising and falling input voltages, UP Position: Glide effect is only active on rising input voltages and will drop instantly and track falling input voltages, DOWN Position: Module will glide down at the rate set on by the Glide Speed Control but will rise instantly and track rising input voltages
• Hold CV Input: Gate Control Voltage (+2V to +10V) applied to this input turns on the Glide effect (If gate voltage is zero/low then “Hold” mode is active and the Glide Output is held at the last voltage received irrespective of changes to the Glide CV Input)
• Glide CV Input: ±10V (however only positive voltages 0-6V are processed, negative voltages are ignored and voltages between +6V and +10V are limited to +6V)
• Glide CV Output: Output range of 0 to +6V and an impedance of approximately 500 Ohms
• Red Noise Output: Commonly used as a random control voltage rather than an audio signal
• White Noise Output: Generated using a specially selected transistor in avalanche mode and using the exact circuitry from the Model D
• Pink Noise Output: Generated using the same discrete transistor circuitry as the Model D

A real powerhouse module that takes up only 12 HP of rack space. It can generate random and pseudo random control voltages, staircase waveforms, deliberate aliasing of audio signals, portamento type effects, adjustable audio range noise and has many other uses too.

It can be switched between Sample & Hold or Track & Hold modes, and the unique “Restrict” control affects the way the hold output changes with respect to the current input level and previously held output level. With the control fully off the unit behaves just like any other S/H, but at fully clockwise the output is restricted to move by only a small amount after each new sample. The output will still have the same range as the input, but will need more hold commands to get there. This versatile Sample and Hold circuit was designed by Tony Allgood, and is built under licence from Oakley Sound.

The Sample Hold & Slew module also includes a very well featured Slew generator, which includes a Gated Slew function. It can be used independently or chained with the S&H module. Slew mode can be switched between Linear or Exponential Slew types. There is a Gate input, so that the Slew on/off can be switched using an External CV (Gated Slew), and also the Slew control logic can be reversed by a toggle switch that doubles as a manual Slew on / off switch . In addition, it has slew up only, slew down only or slew up and down modes, which are selected with a three-way toggle switch. An indicator LED lights when Slew is active

There is also an inbuilt analogue Noise generator, which is normalised to the input of the Sample and Hold section, and there are both regular and clipped Noise outputs – the Clipped Noise is particularly useful with the sample and hold section, as it is weighted to produce higher random voltages. Both Noise outputs are fed through an internal “Noise Colour” control – at centre position it allows the noise through unfiltered, turning the control anti-clockwise introduces low pass filtering of the Noise, and rotating it clockwise introduces high pass filtering. The Noise source itself is based on an analoguebandgap shunt regulator configured in avalanche mode, and it generates white noise with a gradual roll off above 8kHz. It is a little “grainier” in character than the noise from our MiniMod Glide & Noise module (which uses a reverse biased transistor as a noise source), so is a useful compliment to this module as it does not generate exactly the same sounding Noise

Lastly, it includes a wide range clock generator with a rate LED. The range is from one cycle every thirty seconds to around 2 kHz and the clock output is normalised to the Clock Input of the S&H section. It also has a Clock Out jack so that it can be externally patched to other Eurorack modules.

Dimensions: 12HP wide, 26mm Deep Current draw: 55mA Positive, 40mA Negative

The Yamaha P-125A digital piano offers a user-friendly, approachable instrument everyone can play. Beginner and intermediate players will find the touch and tone perfect for their burgeoning repertoire, while more advanced players will enjoy the gig-ready portability. The Pure CF Sound Engine faithfully reproduces the tone of a meticulously sampled, acclaimed Yamaha 9' CFIIIS concert grand piano, allowing for incredibly dynamic and expressive playing.

The String Resonance feature even recreates the sympathetic sounds of other strings resonating, just like the behavior of acoustic pianos, while Damper Resonance DSP recreates the sound of the inside of a grand piano when the dampers are off the strings. Key-off samples deliver the delicate change in sound the instant the damper falls back to the string. The P-125A also allows MIDI connectivity to your USB-equipped computer or iOS device and Sound Boost adds some EQ and volume for enhanced projection.

• 88-key digital piano with genuine playing feel
• Pure CF Sound Engine delivers Yamaha 9' CFIIIS concert grand piano tone
• String resonance provides sympathetic resonance of other strings, just like an acoustic piano
• Damper Resonance DSP emulates the sound inside a grand piano with the dampers off
• Provides MIDI connectivity for USB and iOS devices
• Offers convenient portability for gigging

Overview The Kalamazoo Model 2 is a small, practice tube amp that features one 10 inch speaker with Volume, Tremolo, Tone Control and 2 Instrument Inputs. Years of Production: 1965 - 1967.

Overview The Kalamazoo Model 2 is a small, practice tube amp that features one 10 inch speaker with Volume, Tremolo, Tone Control and 2 Instrument Inputs. Years of Production: 1965 - 1967. Tubes: 1 X 12AX7 Pre-amp, 1 X 12AX7 Tremolo Oscillator Power: 1 X EL84 Bias: Cathode Bias Rectifier: 1 X 6X4

Overview The Kalamazoo Model 2 is a small, practice tube amp that features one 10 inch speaker with Volume, Tremolo, Tone Control and 2 Instrument Inputs. Years of Production: 1965 - 1967.

Overview The Kalamazoo Model 2 is a small, practice tube amp that features one 10 inch speaker with Volume, Tremolo, Tone Control and 2 Instrument Inputs. Years of Production: 1965 - 1967.

Overview The Kalamazoo Model 2 is a small, practice tube amp that features one 10 inch speaker with Volume, Tremolo, Tone control and 2 Instrument Inputs. Years of Production: 1965 - 1967.

Overview The Kalamazoo Model 2 is a small, practice tube amp that features one 10 inch speaker with Volume, Tremolo, Tone Control and 2 Instrument Inputs. Years of Production: 1965 - 1967.