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The Cort Drummer CRM-260 is a 1980s Korean preset rhythm machine with 8 rhythms: Trot, Waltz, Rock, Slow Rock, Disco, Cha Cha, Bossa Nova, and Rhumba. It has a foot switch input and an audio output. It runs on either a 9v battery or adapter. It was also released as the Super Sound Drummer CRM-260, AK Drummer CRM-260, and as the Conrad Electronic Drummer CRM-260.

The Cort Drummer CRM-260 is a 1980s Korean preset rhythm machine with 8 rhythms: Trot, Waltz, Rock, Slow Rock, Disco, Cha Cha, Bossa Nova, and Rhumba. It has a foot switch input and an audio output. It runs on either a 9v battery or adapter. It was also released as the Super Sound Drummer CRM-260, AK Drummer CRM-260, Conrad Electronic Drummer CRM-260, Arista SM-200, and as the Excel EX-1800.

The Whippany Electronics Rhythm Master RM-20 was made under licence in the USA by Whippany Electronics Inc., Fairfield, New Jersey, and produced between 1968 and 1974. The RM-20 and it’s counterpart, the RM-10, are the same machine except in that the RM-20 was designed to be installed in a home organ and the RM-10 was designed to be a stand-alone unit. The RM-20 model number is W1045 (7215-7942), whilst the RM-10 model number is W1032 (typical serial numbers seen 2031-9321). The RM-10 (with a 1974 list price of $140) was also marketed as the Automatic Rhythm Generator "Knicker Knocker", and the "Side-Kick-er" Automatic Rhythmer. Later Whippany-Melo-Sonic Corporation RM-10 units were manufactured in South Korea alongside the Sau Jin Rhythm Selector , a cloned model with altered styling (three red and seven white preset buttons). The RM-10 unit was encased in plastic wood-effect veneer casing, whilst the RM-20 has a mounting plate attachment for use with Hammond and several other organ brands (including Baldwin, Conn, Lowrey and Wurlitzer units - oddly companies that built their own rhythm units). Several thousand Whippany Rhythm Masters were manufactured, and some were later built into portable combo- organs (Melo-Sonic 350 and 465 models) when the company became Whippany-Melo-Sonic and moved to Franklin, New Jersey. The company lonic Industries (also New Jersey based), noted for their Performer keyboard, also advertised the Rhythm Master as the RM-10 Rhyth-Magic (1972 list price of US $99).

Patterns: 10 - Rock 2, Rock 1, Mambo, Cha-cha, Bossa Nova, Rhumba, Polka March, Western, Foxtrot, and Waltz. Different effects can be produced by selecting more than one button. Instruments: Bass Drum, Conga, Claves, Maracas, Cymbal. Controls: Front panel has On/Off and Volume Level dial, and a Tempo dial. It has 10 buttons for the presets (early models have black buttons, later Korean-made units have white). The rear panel has standard foot pedal and audio output jacks.

The Whippany Electronics Rhythm Master RM-20 was made under licence in the USA by Whippany Electronics Inc., Fairfield, New Jersey, and produced between 1968 and 1974. The RM-20 and it’s counterpart, the RM-10, are the same machine except in that the RM-20 was designed to be installed in a home organ and the RM-10 was designed to be a stand-alone unit. The RM-20 model number is W1045 (7215-7942), whilst the RM-10 model number is W1032 (typical serial numbers seen 2031-9321). The RM-10 (with a 1974 list price of $140) was also marketed as the Automatic Rhythm Generator "Knicker Knocker", and the "Side-Kick-er" Automatic Rhythmer. Later Whippany-Melo-Sonic Corporation RM-10 units were manufactured in South Korea alongside the Sau Jin Rhythm Selector, a cloned model with altered styling (three red and seven white preset buttons). The RM-10 unit was encased in plastic wood-effect veneer casing, whilst the RM-20 has a mounting plate attachment for use with Hammond and several other organ brands (including Baldwin, Conn, Lowrey and Wurlitzer units - oddly companies that built their own rhythm units). Several thousand Whippany Rhythm Masters were manufactured, and some were later built into portable combo-organs (Melo-Sonic 350 and 465 models) when the company became Whippany-Melo-Sonic and moved to Franklin, New Jersey. The company lonic Industries (also New Jersey based), noted for their Performer keyboard, also advertised the Rhythm Master as the RM-10 Rhyth-Magic (1972 list price of US $99).

Patterns: 10 - Rock 2, Rock 1, Mambo, Cha-cha, Bossa Nova, Rhumba, Polka March, Western, Foxtrot, and Waltz. Different effects can be produced by selecting more than one button. Instruments: Bass Drum, Conga, Claves, Maracas, Cymbal. Controls: Front panel has On/Off and Volume Level dial, and a Tempo dial. It has 10 buttons for the presets (early models have black buttons, later Korean-made units have white). The rear panel has standard foot pedal and audio output jacks.

The Whippany Electronics Rhythm Master RM-20 was made under licence in the USA by Whippany Electronics Inc., Fairfield, New Jersey, and produced between 1968 and 1974. The RM-20 and it’s counterpart, the RM-10, are the same machine except in that the RM-20 was designed to be installed in a home organ and the RM-10 was designed to be a stand-alone unit. The RM-20 model number is W1045 (7215-7942), whilst the RM-10 model number is W1032 (typical serial numbers seen 2031-9321). The RM-10 (with a 1974 list price of $140) was also marketed as the Automatic Rhythm Generator "Knicker Knocker", and the "Side-Kick-er" Automatic Rhythmer. Later Whippany-Melo-Sonic Corporation RM-10 units were manufactured in South Korea alongside the Sau Jin Rhythm Selector , a cloned model with altered styling (three red and seven white preset buttons). The RM-10 unit was encased in plastic wood-effect veneer casing, whilst the RM-20 has a mounting plate attachment for use with Hammond and several other organ brands (including Baldwin, Conn, Lowrey and Wurlitzer units - oddly companies that built their own rhythm units). Several thousand Whippany Rhythm Masters were manufactured, and some were later built into portable combo- organs (Melo-Sonic 350 and 465 models) when the company became Whippany-Melo-Sonic and moved to Franklin, New Jersey. The company lonic Industries (also New Jersey based), noted for their Performer keyboard, also advertised the Rhythm Master as the RM-10 Rhyth-Magic (1972 list price of US$99).

Patterns: 10 - Rock 2, Rock 1, Mambo, Cha-cha, Bossa Nova, Rhumba, Polka March, Western, Foxtrot, and Waltz. Different effects can be produced by selecting more than one button. Instruments: Bass Drum, Conga, Claves, Maracas, Cymbal. Controls: Front panel has On/Off and Volume Level dial, and a Tempo dial. It has 10 buttons for the presets (early models have black buttons, later Korean-made units have white). The rear panel has standard foot pedal and audio output jacks.

The Whippany Electronics Rhythm Master RM-20 was made under licence in the USA by Whippany Electronics Inc., Fairfield, New Jersey, and produced between 1968 and 1974. The RM-20 and it’s counterpart, the RM-10, are the same machine except in that the RM-20 was designed to be installed in a home organ and the RM-10 was designed to be a stand-alone unit. The RM-20 model number is W1045 (7215-7942), whilst the RM-10 model number is W1032 (typical serial numbers seen 2031-9321). The RM-10 (with a 1974 list price of $140) was also marketed as the Automatic Rhythm Generator "Knicker Knocker", and the "Side-Kick-er" Automatic Rhythmer. Later Whippany-Melo-Sonic Corporation RM-10 units were manufactured in South Korea alongside the Sau Jin Rhythm Selector , a cloned model with altered styling (three red and seven white preset buttons). The RM-10 unit was encased in plastic wood-effect veneer casing, whilst the RM-20 has a mounting plate attachment for use with Hammond and several other organ brands (including Baldwin, Conn, Lowrey and Wurlitzer units - oddly companies that built their own rhythm units). Several thousand Whippany Rhythm Masters were manufactured, and some were later built into portable combo- organs (Melo-Sonic 350 and 465 models) when the company became Whippany-Melo-Sonic and moved to Franklin, New Jersey. The company lonic Industries (also New Jersey based), noted for their Performer keyboard, also advertised the Rhythm Master as the RM-10 Rhyth-Magic (1972 list price of US $99).

Patterns: 10 - Rock 2, Rock 1, Mambo, Cha-cha, Bossa Nova, Rhumba, Polka March, Western, Foxtrot, and Waltz. Different effects can be produced by selecting more than one button. Instruments: Bass Drum, Conga, Claves, Maracas, Cymbal. Controls: Front panel has On/Off and Volume Level dial, and a Tempo dial. It has 10 buttons for the presets (early models have black buttons, later Korean-made units have white). The rear panel has standard foot pedal and audio output jacks.

The Whippany Electronics Rhythm Master RM-20 was made under licence in the USA by Whippany Electronics Inc., Fairfield, New Jersey, and produced between 1968 and 1974. The RM-20 and it’s counterpart, the RM-10, are the same machine except in that the RM-20 was designed to be installed in a home organ and the RM-10 was designed to be a stand-alone unit. The RM-20 model number is W1045 (7215-7942), whilst the RM-10 model number is W1032 (typical serial numbers seen 2031-9321). The RM-10 (with a 1974 list price of $140) was also marketed as the Automatic Rhythm Generator "Knicker Knocker", and the "Side-Kick-er" Automatic Rhythmer. Later Whippany-Melo-Sonic Corporation RM-10 units were manufactured in South Korea alongside the Sau Jin Rhythm Selector , a cloned model with altered styling (three red and seven white preset buttons). The RM-10 unit was encased in plastic wood-effect veneer casing, whilst the RM-20 has a mounting plate attachment for use with Hammond and several other organ brands (including Baldwin, Conn, Lowrey and Wurlitzer units - oddly companies that built their own rhythm units). Several thousand Whippany Rhythm Masters were manufactured, and some were later built into portable combo- organs (Melo-Sonic 350 and 465 models) when the company became Whippany-Melo-Sonic and moved to Franklin, New Jersey. The company lonic Industries (also New Jersey based), noted for their Performer keyboard, also advertised the Rhythm Master as the RM-10 Rhyth-Magic (1972 list price of US$99).

Patterns: 10 - Rock 2, Rock 1, Mambo, Cha-cha, Bossa Nova, Rhumba, Polka March, Western, Foxtrot, and Waltz. Different effects can be produced by selecting more than one button. Instruments: Bass Drum, Conga, Claves, Maracas, Cymbal. Controls: Front panel has On/Off and Volume Level dial, and a Tempo dial. It has 10 buttons for the presets (early models have black buttons, later Korean-made units have white). The rear panel has standard foot pedal and audio output jacks.

Made in the USA in 1969 by Wurlitzer of DeKalb, Illinois. According to the patent granted in 1971, it was designed by Harold O Schwartz, Peter E Maher, and John E Holt. The unit is housed in a stylish and solidly built wooden casing. Typical serial numbers E216066, E218455 (117 V). The compact unit was designed to sit on top of an organ, has dimensions of 19 cm wide x 22 cm deep x 9 cm high, and weighs 2.8 kg. The five pattern Swingin' Rhythm could also be found built into various Wurlitzer organs, including the 4075 R (R standing for rhythm accessory). Later models such as the 950 had a restyled fifteen preset option, whilst on the 580T model there were ten preset rhythms (Waltz, Latin, Caribe, Bossa Nova, Swing, Ballad, Rock, Shuffle, 6/8 March and Polka). Controls: Five buttons for the rhythms - Waltz, Latin, Foxtrot, Teen and March. There are push-down buttons for Drum, Brush, Snare, Block and Cymbal. Two dials for Volume/Power On/Off and Tempo control, with two yellow lamps. Rear Panel: 9-pin Auxiliary input socket, along with Output and External mini jack RCA-phono type sockets.

Made in the USA in 1969 by Wurlitzer of DeKalb, Illinois. According to the patent granted in 1971, it was designed by Harold O Schwartz, Peter E Maher, and John E Holt. The unit is housed in a stylish and solidly built wooden casing. Typical serial numbers E216066, E218455 (117 V). The compact unit was designed to sit on top of an organ, has dimensions of 19 cm wide x 22 cm deep x 9 cm high, and weighs 2.8 kg. The five pattern Swingin' Rhythm could also be found built into various Wurlitzer organs, including the 4075 R (R standing for rhythm accessory). Later models such as the 950 had a restyled fifteen preset option, whilst on the 580T model there were ten preset rhythms (Waltz, Latin, Caribe, Bossa Nova, Swing, Ballad, Rock, Shuffle, 6/8 March and Polka). Controls: Five buttons for the rhythms - Waltz, Latin, Foxtrot, Teen and March. There are push-down buttons for Drum, Brush, Snare, Block and Cymbal. Two dials for Volume/Power On/Off and Tempo control, with two yellow lamps. Rear Panel: 9-pin Auxiliary input socket, along with Output and External mini jack RCA-phono type sockets.

Made in the USA in 1969 by Wurlitzer of DeKalb, Illinois. According to the patent granted in 1971, it was designed by Harold O Schwartz, Peter E Maher, and John E Holt. The unit is housed in a stylish and solidly built wooden casing. Typical serial numbers E216066, E218455 (117 V). The compact unit was designed to sit on top of an organ, has dimensions of 19 cm wide x 22 cm deep x 9 cm high, and weighs 2.8 kg. The five pattern Swingin' Rhythm could also be found built into various Wurlitzer organs, including the 4075 R (R standing for rhythm accessory). Later models such as the 950 had a restyled fifteen preset option, whilst on the 580T model there were ten preset rhythms (Waltz, Latin, Caribe, Bossa Nova, Swing, Ballad, Rock, Shuffle, 6/8 March and Polka). Controls: Five buttons for the rhythms - Waltz, Latin, Foxtrot, Teen and March. There are push-down buttons for Drum, Brush, Snare, Block and Cymbal. Two dials for Volume/Power On/Off and Tempo control, with two yellow lamps. Rear Panel: 9-pin Auxiliary input socket, along with Output and External mini jack RCA-phono type sockets.

Made in the USA in 1969 by Wurlitzer of DeKalb, Illinois. According to the patent granted in 1971, it was designed by Harold O Schwartz, Peter E Maher, and John E Holt. The unit is housed in a stylish and solidly built wooden casing. Typical serial numbers E216066, E218455 (117 V). The compact unit was designed to sit on top of an organ, has dimensions of 19 cm wide x 22 cm deep x 9 cm high, and weighs 2.8 kg. The five pattern Swingin' Rhythm could also be found built into various Wurlitzer organs, including the 4075 R (R standing for rhythm accessory). Later models such as the 950 had a restyled fifteen preset option, whilst on the 580T model there were ten preset rhythms (Waltz, Latin, Caribe, Bossa Nova, Swing, Ballad, Rock, Shuffle, 6/8 March and Polka). Controls: Five buttons for the rhythms - Waltz, Latin, Foxtrot, Teen and March. There are push-down buttons for Drum, Brush, Snare, Block and Cymbal. Two dials for Volume/Power On/Off and Tempo control, with two yellow lamps. Rear Panel: 9-pin Auxiliary input socket, along with Output and External mini jack RCA-phono type sockets.

Made in the USA in 1969 by Wurlitzer of DeKalb, Illinois. According to the patent granted in 1971, it was designed by Harold O Schwartz, Peter E Maher, and John E Holt. The unit is housed in a stylish and solidly built wooden casing. Typical serial numbers E216066, E218455 (117 V). The compact unit was designed to sit on top of an organ, has dimensions of 19 cm wide x 22 cm deep x 9 cm high, and weighs 2.8 kg. The five pattern Swingin' Rhythm could also be found built into various Wurlitzer organs, including the 4075 R (R standing for rhythm accessory). Later models such as the 950 had a restyled fifteen preset option, whilst on the 580T model there were ten preset rhythms (Waltz, Latin, Caribe, Bossa Nova, Swing, Ballad, Rock, Shuffle, 6/8 March and Polka). Controls: Five buttons for the rhythms - Waltz, Latin, Foxtrot, Teen and March. There are push-down buttons for Drum, Brush, Snare, Block and Cymbal. Two dials for Volume/Power On/Off and Tempo control, with two yellow lamps. Rear Panel: 9-pin Auxiliary input socket, along with Output and External mini jack RCA-phono type sockets.

Made in the USA in 1969 by Wurlitzer of DeKalb, Illinois. According to the patent granted in 1971, it was designed by Harold O Schwartz, Peter E Maher, and John E Holt. The unit is housed in a stylish and solidly built wooden casing. Typical serial numbers E216066, E218455 (117 V). The compact unit was designed to sit on top of an organ, has dimensions of 19 cm wide x 22 cm deep x 9 cm high, and weighs 2.8 kg. The five pattern Swingin' Rhythm could also be found built into various Wurlitzer organs, including the 4075 R (R standing for rhythm accessory). Later models such as the 950 had a restyled fifteen preset option, whilst on the 580T model there were ten preset rhythms (Waltz, Latin, Caribe, Bossa Nova, Swing, Ballad, Rock, Shuffle, 6/8 March and Polka). Controls: Five buttons for the rhythms - Waltz, Latin, Foxtrot, Teen and March. There are push-down buttons for Drum, Brush, Snare, Block and Cymbal. Two dials for Volume/Power On/Off and Tempo control, with two yellow lamps. Rear Panel: 9-pin Auxiliary input socket, along with Output and External mini jack RCA-phono type sockets.

Made in the USA in 1969 by Wurlitzer of DeKalb, Illinois. According to the patent granted in 1971, it was designed by Harold O Schwartz, Peter E Maher, and John E Holt. The unit is housed in a stylish and solidly built wooden casing. Typical serial numbers E216066, E218455 (117 V). The compact unit was designed to sit on top of an organ, has dimensions of 19 cm wide x 22 cm deep x 9 cm high, and weighs 2.8 kg. The five pattern Swingin' Rhythm could also be found built into various Wurlitzer organs, including the 4075 R (R standing for rhythm accessory). Later models such as the 950 had a restyled fifteen preset option, whilst on the 580T model there were ten preset rhythms (Waltz, Latin, Caribe, Bossa Nova, Swing, Ballad, Rock, Shuffle, 6/8 March and Polka). Controls: Five buttons for the rhythms - Waltz, Latin, Foxtrot, Teen and March. There are push-down buttons for Drum, Brush, Snare, Block and Cymbal. Two dials for Volume/Power On/Off and Tempo control, with two yellow lamps. Rear Panel: 9-pin Auxiliary input socket, along with Output and External mini jack RCA-phono type sockets.

The Cort Drummer CRM-260 is a 1980s Korean preset rhythm machine with 8 rhythms: Trot, Waltz, Rock, Slow Rock, Disco, Cha Cha, Bossa Nova, and Rhumba. It has a foot switch input and an audio output. It runs on either a 9v battery or adapter. It was also released as the Super Sound Drummer CRM-260 and as the AK Drummer CRM-260.

The Cort Drummer CRM-260 is a 1980s Korean preset rhythm machine with 8 rhythms: Trot, Waltz, Rock, Slow Rock, Disco, Cha Cha, Bossa Nova, and Rhumba. It has a foot switch input and an audio output. It runs on either a 9v battery or adapter. It was also released as the Super Sound Drummer CRM-260, AK Drummer CRM-260, and as the Conrad Electronic Drummer CRM-260.

Coron DS-8 Clone by Ladik

This is a clone of the Japanese Coron DS-8 Percussion & Drum Synthe originally released in the early 1980s.

This is a pure analog drum synth with some extras. Coron DS-8 Clone (= DC-861, = Synare Sensor, = Toyo Gakki DS4, = Ishibashi Bias BS-2 and many others…)

It features: 3 Color Noise Sources, Hold/Trigger button for continuous sound, Triangle and Square LFO waveshapes, Power and LFO speed LED

Built by Ladik, inspired by the Marc Bareille schematic (Pappareil Synth Labs, France).

Coron DS-8 with some improvements: Anodized aluminium housing, CNC engraved labeling, darkened (stained) lacquered oak wood sides with nice wood pattern. Built like a tank.

Sound is triggered by clicking the front panel or by an external drum pad or external audio signal. Trigger button = continuous sound (you can use it as dub siren). Great for sampling or live performance or you can trigger it with an analog sequencer/synth or use it with a modular (trig/gate in and CV in if you want to change the tune from external sequencer/synth/modular). You can connect an external drum pad into the Trig In connector for live drumming. Or connect the individual output from your drum machine to Coron´s Trig In and “replace” the internal sound with Coron´s pure analog sound.

Connectors jack 1/4″ (6,3mm): Trig IN, CV IN, audio OUT (unbalanced). Powered by DC 12-15V wall adapter (2,1/5,5mm, positive center) – the unit is protected from wrong polarity. Attached adapter can work virtually everywhere in the world (100-240V/50-60Hz) but you may need a simple “travel” adapter to accomodate the shape of your wall outlet. Dimensions: cca 19x13x8cm (7,5x5x3 inches).

OEM (Original Equipment Manufacturer) is the Coron DC-861 DS-8 Percussion & Drum Synthe, but many pedals were also labeled under different brands such as ; • Asama DS-30 Drum Synth • Asama DS-8 Drum Synce • Bias BS-2 Drum Percussion • Cortez D-3 Pro-Rhythm Mini Synth • JHS DX-5 Pro-Rhythm Mini Synth • KMD 8021 Drum Exciter • Sanox 72SX Percussion Synthe II ◦ Marc Bareille's DS-8 Drum Synth Clone (DIY clone)

Coron DS-8 Clone by Ladik

This is a clone of the Japanese Coron DS-8 Percussion & Drum Synthe originally released in the early 1980s.

This is a pure analog drum synth with some extras. Coron DS-8 Clone (= DC-861, = Synare Sensor, = Toyo Gakki DS4, = Ishibashi Bias BS-2 and many others…)

It features: 3 Color Noise Sources, Hold/Trigger button for continuous sound, Triangle and Square LFO waveshapes, Power and LFO speed LED

Built by Ladik, inspired by the Marc Bareille schematic (Pappareil Synth Labs, France).

Coron DS-8 with some improvements: Anodized aluminium housing, CNC engraved labeling, darkened (stained) lacquered oak wood sides with nice wood pattern. Built like a tank.

Sound is triggered by clicking the front panel or by an external drum pad or external audio signal. Trigger button = continuous sound (you can use it as dub siren). Great for sampling or live performance or you can trigger it with an analog sequencer/synth or use it with a modular (trig/gate in and CV in if you want to change the tune from external sequencer/synth/modular). You can connect an external drum pad into the Trig In connector for live drumming. Or connect the individual output from your drum machine to Coron´s Trig In and “replace” the internal sound with Coron´s pure analog sound.

Connectors jack 1/4″ (6,3mm): Trig IN, CV IN, audio OUT (unbalanced). Powered by DC 12-15V wall adapter (2,1/5,5mm, positive center) – the unit is protected from wrong polarity. Attached adapter can work virtually everywhere in the world (100-240V/50-60Hz) but you may need a simple “travel” adapter to accomodate the shape of your wall outlet. Dimensions: cca 19x13x8cm (7,5x5x3 inches).

OEM (Original Equipment Manufacturer) is the Coron DC-861 DS-8 Percussion & Drum Synthe, but many pedals were also labeled under different brands such as ; • Asama DS-30 Drum Synth • Asama DS-8 Drum Synce • Bias BS-2 Drum Percussion • Cortez D-3 Pro-Rhythm Mini Synth • JHS DX-5 Pro-Rhythm Mini Synth • KMD 8021 Drum Exciter • Sanox 72SX Percussion Synthe II ◦ Marc Bareille's DS-8 Drum Synth Clone (DIY clone)

Coron DS-8 Clone by Ladik

This is a clone of the Japanese Coron DS-8 Percussion & Drum Synthe originally released in the early 1980s.

This is a pure analog drum synth with some extras. Coron DS-8 Clone (= DC-861, = Synare Sensor, = Toyo Gakki DS4, = Ishibashi Bias BS-2 and many others…)

It features: 3 Color Noise Sources, Hold/Trigger button for continuous sound, Triangle and Square LFO waveshapes, Power and LFO speed LED

Built by Ladik, inspired by the Marc Bareille schematic (Pappareil Synth Labs, France).

Coron DS-8 with some improvements: Anodized aluminium housing, CNC engraved labeling, darkened (stained) lacquered oak wood sides with nice wood pattern. Built like a tank.

Sound is triggered by clicking the front panel or by an external drum pad or external audio signal. Trigger button = continuous sound (you can use it as dub siren). Great for sampling or live performance or you can trigger it with an analog sequencer/synth or use it with a modular (trig/gate in and CV in if you want to change the tune from external sequencer/synth/modular). You can connect an external drum pad into the Trig In connector for live drumming. Or connect the individual output from your drum machine to Coron´s Trig In and “replace” the internal sound with Coron´s pure analog sound.

Connectors jack 1/4″ (6,3mm): Trig IN, CV IN, audio OUT (unbalanced). Powered by DC 12-15V wall adapter (2,1/5,5mm, positive center) – the unit is protected from wrong polarity. Attached adapter can work virtually everywhere in the world (100-240V/50-60Hz) but you may need a simple “travel” adapter to accomodate the shape of your wall outlet. Dimensions: cca 19x13x8cm (7,5x5x3 inches).

Coron DS-8 Clone by Ladik

This is a clone of the Japanese Coron DS-8 Percussion & Drum Synthe originally released in the early 1980s.

This is a pure analog drum synth with some extras. Coron DS-8 Clone (= DC-861, = Synare Sensor, = Toyo Gakki DS4, = Ishibashi Bias BS-2 and many others…)

It features: 3 Color Noise Sources, Hold/Trigger button for continuous sound, Triangle and Square LFO waveshapes, Power and LFO speed LED

Built by Ladik, inspired by the Marc Bareille schematic (Pappareil Synth Labs, France).

Coron DS-8 with some improvements: Anodized aluminium housing, CNC engraved labeling, darkened (stained) lacquered oak wood sides with nice wood pattern. Built like a tank.

Sound is triggered by clicking the front panel or by an external drum pad or external audio signal. Trigger button = continuous sound (you can use it as dub siren). Great for sampling or live performance or you can trigger it with an analog sequencer/synth or use it with a modular (trig/gate in and CV in if you want to change the tune from external sequencer/synth/modular). You can connect an external drum pad into the Trig In connector for live drumming. Or connect the individual output from your drum machine to Coron´s Trig In and “replace” the internal sound with Coron´s pure analog sound.

Connectors jack 1/4″ (6,3mm): Trig IN, CV IN, audio OUT (unbalanced). Powered by DC 12-15V wall adapter (2,1/5,5mm, positive center) – the unit is protected from wrong polarity. Attached adapter can work virtually everywhere in the world (100-240V/50-60Hz) but you may need a simple “travel” adapter to accomodate the shape of your wall outlet. Dimensions: cca 19x13x8cm (7,5x5x3 inches).

OEM (Original Equipment Manufacturer) is the Coron DC-861 DS-8 Percussion & Drum Synthe, but many pedals were also labeled under different brands such as ; • Asama DS-30 Drum Synth • Asama DS-8 Drum Synce • Bias BS-2 Drum Percussion • Cortez D-3 Pro-Rhythm Mini Synth • JHS DX-5 Pro-Rhythm Mini Synth • KMD 8021 Drum Exciter • Sanox 72SX Percussion Synthe II ◦ Marc Bareille's DS-8 Drum Synth Clone (DIY clone)

The Coron DC-861 DS-8 Drum & Percussion Synthe is a Japanese drum synthesizer unit to be attached to a drum kit's snare drum to enhance the player's kit with modern sounds of it's time. The unit contains one VCO and a Noise Generator that generates white or pink noise and can be mixed with the Balance Control.

The Oscillator features a sweepable range with a dedicated knob. There is an Envelope that offers Decay only and an LFO with Rate intensity. The unit is triggering by snare hits but could also be triggered from other vibrations or from a foot switch or audio source, Some of the units are labelled as Drum & Percussion Synthe not Drum & Percussion Synth.

Knob function description :

Volume: controls the output volume

Sensitivity: controls the sensitivity of the module (the threshold at which it is triggered)

Rate: controls the speed/rate of the LFO wave that controls the pitch

Decay: controls the length of the sound

Mode: controls the depth of the LFO wave that controls the pitch

VCO: controls the pitch of the Oscillator

Sweep: controls the range in which the oscillator sweeps

Noise: adds pink or white noise

Intensity: LFO rate intensity

Balance: controls the mix between the Noise and the Oscillator

OEM (Original Equipment Manufacturer) is the Coron DC-861 DS-8 Percussion & Drum Synthe, but many pedals were also labeled under different brands such as ;   • Asama DS-30 Drum Synth   • Asama DS-8 Drum Synce   • Bias BS-2 Drum Percussion   • Cortez D-3 Pro-Rhythm Mini Synth   • JHS DX-5 Pro-Rhythm Mini Synth   • KMD 8021 Drum Exciter   • Sanox 72SX Percussion Synthe II   ◦ Marc Bareille's DS-8 Drum Synth Clone (DIY clone) • Ladik Coron DS-8 Clone (DIY clone)

The Coron DC-861 DS-8 Drum & Percussion Synthe is a Japanese drum synthesizer unit to be attached to a drum kit's snare drum to enhance the player's kit with modern sounds of it's time. The unit contains one VCO and a Noise Generator that generates white or pink noise and can be mixed with the Balance Control.

The Oscillator features a sweepable range with a dedicated knob. There is an Envelope that offers Decay only and an LFO with Rate intensity. The unit is triggering by snare hits but could also be triggered from other vibrations or from a foot switch or audio source. Some of the units are labelled as Drum & Percussion Synth not Drum & Percussion Synthe.

Knob function description :

Volume: controls the output volume

Sensitivity: controls the sensitivity of the module (the threshold at which it is triggered)

Rate: controls the speed/rate of the LFO wave that controls the pitch

Decay: controls the length of the sound

Mode: controls the depth of the LFO wave that controls the pitch

VCO: controls the pitch of the Oscillator

Sweep: controls the range in which the oscillator sweeps

Noise: adds pink or white noise

Intensity: LFO rate intensity

Balance: controls the mix between the Noise and the Oscillator

OEM (Original Equipment Manufacturer) is the Coron DC-861 DS-8 Percussion & Drum Synthe, but many pedals were also labeled under different brands such as ;   • Asama DS-30 Drum Synth   • Asama DS-8 Drum Synce   • Bias BS-2 Drum Percussion   • Cortez D-3 Pro-Rhythm Mini Synth   • JHS DX-5 Pro-Rhythm Mini Synth   • KMD 8021 Drum Exciter   • Sanox 72SX Percussion Synthe II   ◦ Marc Bareille's DS-8 Drum Synth Clone (DIY clone) • Ladik Coron DS-8 Clone (DIY clone)

The Coron DC-861 DS-8 Drum & Percussion Synthe is a Japanese drum synthesizer unit to be attached to a drum kit's snare drum to enhance the player's kit with modern sounds of it's time. The unit contains one VCO and a Noise Generator that generates white or pink noise and can be mixed with the Balance Control.

The Oscillator features a sweepable range with a dedicated knob. There is an Envelope that offers Decay only and an LFO with Rate intensity. The unit is triggering by snare hits but could also be triggered from other vibrations or from a foot switch or audio source, Some of the units are labelled as Drum & Percussion Synthe not Drum & Percussion Synth.

Knob function description :

Volume: controls the output volume

Sensitivity: controls the sensitivity of the module (the threshold at which it is triggered)

Rate: controls the speed/rate of the LFO wave that controls the pitch

Decay: controls the length of the sound

Mode: controls the depth of the LFO wave that controls the pitch

VCO: controls the pitch of the Oscillator

Sweep: controls the range in which the oscillator sweeps

Noise: adds pink or white noise

Intensity: LFO rate intensity

Balance: controls the mix between the Noise and the Oscillator

OEM (Original Equipment Manufacturer) is the Coron DC-861 DS-8 Percussion & Drum Synthe, but many pedals were also labeled under different brands such as ;   • Asama DS-30 Drum Synth   • Asama DS-8 Drum Synce   • Bias BS-2 Drum Percussion   • Cortez D-3 Pro-Rhythm Mini Synth   • JHS DX-5 Pro-Rhythm Mini Synth   • KMD 8021 Drum Exciter   • Sanox 72SX Percussion Synthe II   ◦ Marc Bareille's DS-8 Drum Synth Clone (DIY clone) • Ladik Coron DS-8 Clone (DIY Clone)

The Coron DC-861 DS-8 Drum & Percussion Synthe is a Japanese drum synthesizer unit to be attached to a drum kit's snare drum to enhance the player's kit with modern sounds of it's time. The unit contains one VCO and a Noise Generator that generates white or pink noise and can be mixed with the Balance Control.

The Oscillator features a sweepable range with a dedicated knob. There is an Envelope that offers Decay only and an LFO with Rate intensity. The unit is triggering by snare hits but could also be triggered from other vibrations or from a foot switch or audio source, Some of the units are labelled as Drum & Percussion Synthe not Drum & Percussion Synth.

Knob function description :

Volume: controls the output volume

Sensitivity: controls the sensitivity of the module (the threshold at which it is triggered)

Rate: controls the speed/rate of the LFO wave that controls the pitch

Decay: controls the length of the sound

Mode: controls the depth of the LFO wave that controls the pitch

VCO: controls the pitch of the Oscillator

Sweep: controls the range in which the oscillator sweeps

Noise: adds pink or white noise

Intensity: LFO rate intensity

Balance: controls the mix between the Noise and the Oscillator

OEM (Original Equipment Manufacturer) is the Coron DC-861 DS-8 Percussion & Drum Synthe, but many pedals were also labeled under different brands such as ;   • Asama DS-30 Drum Synth   • Asama DS-8 Drum Synce   • Bias BS-2 Drum Percussion   • Cortez D-3 Pro-Rhythm Mini Synth   • JHS DX-5 Pro-Rhythm Mini Synth   • KMD 8021 Drum Exciter   • Sanox 72SX Percussion Synthe II   ◦ Marc Bareille's DS-8 Drum Synth Clone (DIY clone) • Ladik Coron DS-8 Clone (DIY clone)

The Coron DC-861 DS-8 Drum & Percussion Synthe is a Japanese drum synthesizer unit to be attached to a drum kit's snare drum to enhance the player's kit with modern sounds of it's time. The unit contains one VCO and a Noise Generator that generates white or pink noise and can be mixed with the Balance Control.

The Oscillator features a sweepable range with a dedicated knob. There is an Envelope that offers Decay only and an LFO with Rate intensity. The unit is triggering by snare hits but could also be triggered from other vibrations or from a foot switch or audio source, Some of the units are labelled as Drum & Percussion Synthe not Drum & Percussion Synth.

Knob function description :

Volume: controls the output volume

Sensitivity: controls the sensitivity of the module (the threshold at which it is triggered)

Rate: controls the speed/rate of the LFO wave that controls the pitch

Decay: controls the length of the sound

Mode: controls the depth of the LFO wave that controls the pitch

VCO: controls the pitch of the Oscillator

Sweep: controls the range in which the oscillator sweeps

Noise: adds pink or white noise

Intensity: LFO rate intensity

Balance: controls the mix between the Noise and the Oscillator

OEM (Original Equipment Manufacturer) is the Coron DC-861 DS-8 Percussion & Drum Synthe, but many pedals were also labeled under different brands such as ;   • Asama DS-30 Drum Synth   • Asama DS-8 Drum Synce   • Bias BS-2 Drum Percussion   • Cortez D-3 Pro-Rhythm Mini Synth   • JHS DX-5 Pro-Rhythm Mini Synth   • KMD 8021 Drum Exciter   • Sanox 72SX Percussion Synthe II   ◦ Marc Bareille's DS-8 Drum Synth Clone (DIY clone) • *Ladik Coron DS-8 Clone * (DIY Clone)

The Coron DC-861 DS-8 Drum & Percussion Synthe is a Japanese drum synthesizer unit to be attached to a drum kit's snare drum to enhance the player's kit with modern sounds of it's time. The unit contains one VCO and a Noise Generator that generates white or pink noise and can be mixed with the Balance Control.

The Oscillator features a sweepable range with a dedicated knob. There is an Envelope that offers Decay only and an LFO with Rate intensity. The unit is triggering by snare hits but could also be triggered from other vibrations or from a foot switch or audio source, Some of the units are labelled as Drum & Percussion Synthe not Drum & Percussion Synth.

Knob function description :

Volume: controls the output volume

Sensitivity: controls the sensitivity of the module (the threshold at which it is triggered)

Rate: controls the speed/rate of the LFO wave that controls the pitch

Decay: controls the length of the sound

Mode: controls the depth of the LFO wave that controls the pitch

VCO: controls the pitch of the Oscillator

Sweep: controls the range in which the oscillator sweeps

Noise: adds pink or white noise

Intensity: LFO rate intensity

Balance: controls the mix between the Noise and the Oscillator

OEM (Original Equipment Manufacturer) is the Coron DC-861 DS-8 Percussion & Drum Synthe, but many pedals were also labeled under different brands such as ;   • Asama DS-30 Drum Synth   • Asama DS-8 Drum Synce   • Bias BS-2 Drum Percussion   • Cortez D-3 Pro-Rhythm Mini Synth   • JHS DX-5 Pro-Rhythm Mini Synth   • KMD 8021 Drum Exciter   • Sanox 72SX Percussion Synthe II   ◦ Marc Bareille's DS-8 Drum Synth Clone (DIY clone) • Ladik Coron DS-8 Clone (DIY Clone)

The Coron DC-861 DS-8 Drum & Percussion Synthe is a Japanese drum synthesizer unit to be attached to a drum kit's snare drum to enhance the player's kit with modern sounds of it's time. The unit contains one VCO and a Noise Generator that generates white or pink noise and mixed with the Balance Control giving the instrument.

The Oscillator features a sweepable range with a dedicated knob. There is an Envelope that offers Decay only and an LFO with Rate intensity. The unit is triggering by snare hits but could also be triggered from other vibrations or from a foot switch or audio source, Some of the units are labelled as Drum & Percussion Synthe not Drum & Percussion Synth.

Knob function description :

Volume: controls the output volume

Sensitivity: controls the sensitivity of the module (the threshold at which it is triggered)

Rate: controls the speed/rate of the LFO wave that controls the pitch

Decay: controls the length of the sound

Mode: controls the depth of the LFO wave that controls the pitch

VCO: controls the pitch of the Oscillator

Sweep: controls the range in which the oscillator sweeps

Noise: adds pink or white noise

Intensity: LFO rate intensity

Balance: controls the mix between the Noise and the Oscillator

OEM (Original Equipment Manufacturer) is the Coron DC-861 DS-8 Percussion & Drum Synthe, but many pedals were also labeled under different brands such as ;   • Asama DS-30 Drum Synth   • Asama DS-8 Drum Synce   • Bias BS-2 Drum Percussion   • Cortez D-3 Pro-Rhythm Mini Synth   • JHS DX-5 Pro-Rhythm Mini Synth   • KMD 8021 Drum Exciter   • Sanox 72SX Percussion Synthe II   ◦ Marc Bareille's DS-8 Drum Synth Clone (DIY clone) • *Ladik Coron DS-8 Clone * (DIY Clone)

The Coron DC-861 DS-8 Drum & Percussion Synthe is a Japanese drum synthesizer unit to be attached to a drum kit's snare drum to enhance the player's kit with modern sounds of it's time. The unit contains one VCO and a Noise Generator that generates white or pink noise and can be mixed with the Balance Control.

The Oscillator features a sweepable range with a dedicated knob. There is an Envelope that offers Decay only and an LFO with Rate intensity. The unit is triggering by snare hits but could also be triggered from other vibrations or from a foot switch or audio source, Some of the units are labelled as Drum & Percussion Synthe not Drum & Percussion Synth.

Knob function description :

Volume: controls the output volume

Sensitivity: controls the sensitivity of the module (the threshold at which it is triggered)

Rate: controls the speed/rate of the LFO wave that controls the pitch

Decay: controls the length of the sound

Mode: controls the depth of the LFO wave that controls the pitch

VCO: controls the pitch of the Oscillator

Sweep: controls the range in which the oscillator sweeps

Noise: adds pink or white noise

Intensity: LFO rate intensity

Balance: controls the mix between the Noise and the Oscillator

OEM (Original Equipment Manufacturer) is the Coron DC-861 DS-8 Percussion & Drum Synthe, but many pedals were also labeled under different brands such as ;   • Asama DS-30 Drum Synth   • Asama DS-8 Drum Synce   • Bias BS-2 Drum Percussion   • Cortez D-3 Pro-Rhythm Mini Synth   • JHS DX-5 Pro-Rhythm Mini Synth   • KMD 8021 Drum Exciter   • Sanox 72SX Percussion Synthe II   ◦ Marc Bareille's DS-8 Drum Synth Clone (DIY clone) • *Ladik Coron DS-8 Clone * (DIY Clone)

The Coron DC-861 DS-8 Drum & Percussion Synthe is a Japanese drum synthesizer unit to be attached to a drum kit's snare drum to enhance the player's kit with modern sounds of it's time. The unit contains one VCO and a Noise Generator that generates white or pink noise and mixed with the Balance Control giving the instrument.

The Oscillator features a sweepable range with a dedicated knob. There is an Envelope that offers Decay only and an LFO with Rate intensity. The unit is triggering by snare hits but could also be triggered from other vibrations or from a foot switch or audio source, Some of the units are labelled as Drum & Percussion Synthe not Drum & Percussion Synth.

Knob function description :

Volume: controls the output volume

Sensitivity: controls the sensitivity of the module (the threshold at which it is triggered)

Rate: controls the speed/rate of the LFO wave that controls the pitch

Decay: controls the length of the sound

Mode: controls the depth of the LFO wave that controls the pitch

VCO: controls the pitch of the Oscillator

Sweep: controls the range in which the oscillator sweeps

Noise: adds pink or white noise

Intensity: LFO rate intensity

Balance: controls the mix between the Noise and the Oscillator

OEM (Original Equipment Manufacturer) is the Coron DC-861 DS-8 Percussion & Drum Synthe, but many pedals were also labeled under different brands such as ;   • Asama DS-30 Drum Synth   • Asama DS-8 Drum Synce   • Bias BS-2 Drum Percussion   • Cortez D-3 Pro-Rhythm Mini Synth   • JHS DX-5 Pro-Rhythm Mini Synth   • KMD 8021 Drum Exciter   • Sanox 72SX Percussion Synthe II   ◦ Marc Bareille's DS-8 Drum Synth Clone (DIY clone) • *Ladik Coron DS-8 Clone * (DIY Clone)

Coron DS-8 Clone by Ladik

This is a clone of the Japanese Coron DS-8 Percussion & Drum Synthe originally released in the early 1980s.

This is a pure analog drum synth with some extras. Coron DS-8 Clone (= DC-861, = Synare Sensor, = Toyo Gakki DS4, = Ishibashi Bias BS-2 and many others…)

It features: 3 Color Noise Sources, Hold/Trigger button for continuous sound, Triangle and Square LFO waveshapes, Power and LFO speed LED

Built by Ladik, inspired by the Marc Bareille schematic (Pappareil Synth Labs, France).

Coron DS-8 with some improvements: Anodized aluminium housing, CNC engraved labeling, darkened (stained) lacquered oak wood sides with nice wood pattern. Built like a tank.

Sound is triggered by clicking the front panel or by an external drum pad or external audio signal. Trigger button = continuous sound (you can use it as dub siren). Great for sampling or live performance or you can trigger it with an analog sequencer/synth or use it with a modular (trig/gate in and CV in if you want change tune from external sequencer/synth/modular). You can connect an external drum pad into the Trig In connector for live drumming. Or connect the individual output from your drum machine to Coron´s Trig In and “replace” the internal sound with Coron´s pure analog sound.

Connectors jack 1/4″ (6,3mm): Trig IN, CV IN, audio OUT (unbalanced). Powered by DC 12-15V wall adapter (2,1/5,5mm, positive center) – the unit is protected from wrong polarity. Attached adapter can work virtually everywhere in the world (100-240V/50-60Hz) but you may need a simple “travel” adapter to accomodate the shape of your wall outlet. Dimensions: cca 19x13x8cm (7,5x5x3 inches).

Coron DS-8 Clone by Ladik

This is a clone of the Japanese Coron DS-8 Percussion & Drum Synthe originally released in the early 1980s.

This is a pure analog drum synth with some extras. Coron DS-8 Clone (= DC-861, = Synare Sensor, = Toyo Gakki DS4, = Ishibashi Bias BS-2 and many others…)

It features: 3 Color Noise Sources, Hold/Trigger button for continuous sound, Triangle and Square LFO waveshapes, Power and LFO speed LED

Built by Ladik, inspired by the Marc Bareille schematic (Pappareil Synth Labs, France).

Coron DS-8 with some improvements: Anodized aluminium housing, CNC engraved labeling, darkened (stained) lacquered oak wood sides with nice wood pattern. Built like a tank.

Sound is triggered by clicking the front panel or by an external drum pad or external audio signal. Trigger button = continuous sound (you can use it as dub siren). Great for sampling or live performance or you can trigger it with an analog sequencer/synth or use it with a modular (trig/gate in and CV in if you want to change the tune from external sequencer/synth/modular). You can connect an external drum pad into the Trig In connector for live drumming. Or connect the individual output from your drum machine to Coron´s Trig In and “replace” the internal sound with Coron´s pure analog sound.

Connectors jack 1/4″ (6,3mm): Trig IN, CV IN, audio OUT (unbalanced). Powered by DC 12-15V wall adapter (2,1/5,5mm, positive center) – the unit is protected from wrong polarity. Attached adapter can work virtually everywhere in the world (100-240V/50-60Hz) but you may need a simple “travel” adapter to accomodate the shape of your wall outlet. Dimensions: cca 19x13x8cm (7,5x5x3 inches).

Coron DS-8 Clone by Ladik

This is a clone of the Japanese Coron DS-8 Percussion & Drum Synthe originally released in the early 1980s.

This is a pure analog drum synth with some extras. Coron DS-8 Clone (= DC-861, = Synare Sensor, = Toyo Gakki DS4, = Ishibashi Bias BS-2 and many others…)

It features: 3 Color Noise Sources Hold/Trigger button for continuous sound Triangle and Square LFO waveshapes Power and LFO speed LED

Built by Ladik, inspired by the Marc Bareille schematic (Pappareil Synth Labs, France).

Coron DS-8 with some improvements: Anodized aluminium housing, CNC engraved labeling, darkened (stained) lacquered oak wood sides with nice wood pattern. Built like a tank.

Sound is triggered by clicking the front panel or by an external drum pad or external audio signal. Trigger button = continuous sound (you can use it as dub siren). Great for sampling or live performance or you can trigger it with an analog sequencer/synth or use it with a modular (trig/gate in and CV in if you want change tune from external sequencer/synth/modular). You can connect an external drum pad into the Trig In connector for live drumming. Or connect the individual output from your drum machine to Coron´s Trig In and “replace” the internal sound with Coron´s pure analog sound.

Connectors jack 1/4″ (6,3mm): Trig IN, CV IN, audio OUT (unbalanced). Powered by DC 12-15V wall adapter (2,1/5,5mm, positive center) – the unit is protected from wrong polarity. Attached adapter can work virtually everywhere in the world (100-240V/50-60Hz) but you may need a simple “travel” adapter to accomodate the shape of your wall outlet. Dimensions: cca 19x13x8cm (7,5x5x3 inches).

Coron DS-8 Clone by Ladik

This is a clone of the Japanese Coron DS-8 Percussion & Drum Synthe originally released in the early 1980s.

This is a pure analog drum synth with some extras. Coron DS-8 Clone (= DC-861, = Synare Sensor, = Toyo Gakki DS4, = Ishibashi Bias BS-2 and many others…)

It features: 3 Color Noise Sources, Hold/Trigger button for continuous sound, Triangle and Square LFO waveshapes, Power and LFO speed LED

Built by Ladik, inspired by the Marc Bareille schematic (Pappareil Synth Labs, France).

Coron DS-8 with some improvements: Anodized aluminium housing, CNC engraved labeling, darkened (stained) lacquered oak wood sides with nice wood pattern. Built like a tank.

Sound is triggered by clicking the front panel or by an external drum pad or external audio signal. Trigger button = continuous sound (you can use it as dub siren). Great for sampling or live performance or you can trigger it with an analog sequencer/synth or use it with a modular (trig/gate in and CV in if you want change tune from external sequencer/synth/modular). You can connect an external drum pad into the Trig In connector for live drumming. Or connect the individual output from your drum machine to Coron´s Trig In and “replace” the internal sound with Coron´s pure analog sound.

Connectors jack 1/4″ (6,3mm): Trig IN, CV IN, audio OUT (unbalanced). Powered by DC 12-15V wall adapter (2,1/5,5mm, positive center) – the unit is protected from wrong polarity. Attached adapter can work virtually everywhere in the world (100-240V/50-60Hz) but you may need a simple “travel” adapter to accomodate the shape of your wall outlet. Dimensions: cca 19x13x8cm (7,5x5x3 inches).

Coron DS-8 Clone by Ladik

This is a clone of the Japanese Coron DS-8 Percussion & Drum Synthe originally released in the early 1980s.

This is a pure analog drum synth with some extras. Coron DS-8 Clone (= DC-861, = Synare Sensor, = Toyo Gakki DS4, = Ishibashi Bias BS-2 and many others…)

It features: 3 Color Noise Sources Hold/Trigger button for continuous sound Triangle and Square LFO waveshapes Power and LFO speed LED

Built by Ladik, inspired by the Marc Bareille schematic (Pappareil Synth Labs, France).

Coron DS-8 with some improvements: Anodized aluminium housing, CNC engraved labeling, darkened (stained) lacquered oak wood sides with nice wood pattern. Built like a tank.

Sound is triggered by clicking the front panel or by an external drum pad or external audio signal. Trigger button = continuous sound (you can use it as dub siren). Great for sampling or live performance or you can trigger it with an analog sequencer/synth or use it with a modular (trig/gate in and CV in if you want change tune from external sequencer/synth/modular). You can connect an external drum pad into the Trig In connector for live drumming. Or connect the individual output from your drum machine to Coron´s Trig In and “replace” the internal sound with Coron´s pure analog sound.

Connectors jack 1/4″ (6,3mm): Trig IN, CV IN, audio OUT (unbalanced). Powered by DC 12-15V wall adapter (2,1/5,5mm, positive center) – the unit is protected from wrong polarity. Attached adapter can work virtually everywhere in the world (100-240V/50-60Hz) but you may need a simple “travel” adapter to accomodate the shape of your wall outlet. Dimensions: cca 19x13x8cm (7,5x5x3 inches).

Garfield Electronics Mini Doc

For $595, Mini Doc simultaneously co-ordinates timing for Roland, Oberheim, Sequential Circuits, Linn, Korg, Moog, E-mu, Synclavier, Fairlight, Simmons, PPG Wave, MXR, and anybody else who speaks their timing code languages. Mini Doc is simple. Select a master unit, and get it's clock output to the Mini Doc front panel input. Plug in, and all 7 Mini Doc timing outputs will be active at the same time! Each output has enough “sock" to drive 4 units. Can't remember which output language your master “speaks"? No problem. Mini Doc has a complete list of who goes where and who gets what right on the top! After Mini Doc cures your timing troubles, he still has some strong medicine left! Mini Doc outputs a RUN-STOP signal. You won't have to reset by hand. Mini Doc has TWO arpeggiator clock circuits, with independent controls for clock rate and trigger waveform polarity. Reverse the polarity to “offset" the selected clock rate by 1/2 its value to get syncopation without reprogramming! Mini Doc has everything right where you want it. All inputs and outputs are front panel and Mini Doc mounts in a standard 19" EIA rack. Mini Doc uses standard cables and plugs, 5 pin DIN and standard phone jacks. You won't need custom cables. Mini Doc is not a MIDI device and has no MIDI capabilities.

Input ppq: 12, 24, 48, 96 Output ppq: 12, 24, 48, 64, 96, 384

Arpeggiator Output 1: Trigger Waveform Polarity: Normal or Reverse Trigger Rate: 1, 1T, 2, 2T, 4, 4T, 8, 8T, 16, 16T, 32

Arpeggiator Output 2: Trigger Waveform Polarity: Normal or Reverse Trigger Rate: 1, 1T, 2, 2T, 4, 4T, 8, 8T, 16, 16T, 32

Garfield Electronics Mini Doc

For $595, Mini Doc simultaneously co-ordinates timing for Roland, Oberheim, Sequential Circuits, Linn, Korg, Moog, E-mu, Synclavier, Fairlight, Simmons, PPG Wave, MXR, and anybody else who speaks their timing code languages. Mini Doc is simple. Select a master unit, and get it's clock output to the Mini Doc front panel input. Plug in, and all 7 Mini Doc timing outputs will be active at the same time! Each output has enough “sock" to drive 4 units. Can't remember which output language your master “speaks"? No problem. Mini Doc has a complete list of who goes where and who gets what right on the top! After Mini Doc cures your timing troubles, he still has some strong medicine left! Mini Doc outputs a RUN-STOP signal. You won't have to reset by hand. Mini Doc has TWO arpeggiator clock circuits, with independent controls for clock rate and trigger waveform polarity. Reverse the polarity to “offset" the selected clock rate by 1/2 its value to get syncopation without reprogramming! Mini Doc has everything right where you want it. All inputs and outputs are front panel and Mini Doc mounts in a standard 19" EIA rack. Mini Doc uses standard cables and plugs, 5 pin DIN and standard phone jacks. You won't need custom cables. Mini Doc is not a MIDI device and has no MIDI capabilities.

Input ppq: 12, 24, 48, 96 Output ppq: 12, 24, 48, 64, 96, 384

Arpeggiator Output 1: Trigger Waveform Polarity: Normal or Reverse. Trigger Rate: 1, 1T, 2, 2T, 4, 4T, 8, 8T, 16, 16T, 32

Arpeggiator Output 2: Trigger Waveform Polarity: Normal or Reverse. Trigger Rate: 1, 1T, 2, 2T, 4, 4T, 8, 8T, 16, 16T, 32

Garfield Electronics Mini Doc

For $595, Mini Doc simultaneously co-ordinates timing for Roland, Oberheim, Sequential Circuits, Linn, Korg, Moog, E-mu, Synclavier, Fairlight, Simmons, PPG Wave, MXR, and anybody else who speaks their timing code languages. Mini Doc is simple. Select a master unit, and get it's clock output to the Mini Doc front panel input. Plug in, and all 7 Mini Doc timing outputs will be active at the same time! Each output has enough “sock" to drive 4 units. Can't remember which output language your master “speaks"? No problem. Mini Doc has a complete list of who goes where and who gets what right on the top! After Mini Doc cures your timing troubles, he still has some strong medicine left! Mini Doc outputs a RUN-STOP signal. You won't have to reset by hand. Mini Doc has TWO arpeggiator clock circuits, with independent controls for clock rate and trigger waveform polarity. Reverse the polarity to “offset" the selected clock rate by 1/2 its value to get syncopation without reprogramming! Mini Doc has everything right where you want it. All inputs and outputs are front panel and Mini Doc mounts in a standard 19" EIA rack. Mini Doc uses standard cables and plugs, 5 pin DIN and standard phone jacks. You won't need custom cables. Mini Doc is not a MIDI device and has no MIDI capabilities.

Input ppq: 12, 24, 48, 96 Output ppq: 12, 24, 48, 64, 96, 384

Arpeggiator Output 1: Trigger Waveform Polarity: Normal or Reverse Trigger Rate: 1, 1T, 2, 2T, 4, 4T, 8, 8T, 16, 16T, 32

Arpeggiator Output 2: Trigger Waveform Polarity: Normal or Reverse Trigger Rate: 1, 1T, 2, 2T, 4, 4T, 8, 8T, 16, 16T, 32

Garfield Electronics Mini Doc

For $595, Mini Doc simultaneously co-ordinates timing for Roland, Oberheim, Sequential Circuits, Linn, Korg, Moog, E-mu, Synclavier, Fairlight, Simmons, PPG Wave, MXR, and anybody else who speaks their timing code languages. Mini Doc is simple. Select a master unit, and get it's clock output to the Mini Doc front panel input. Plug in, and all 7 Mini Doc timing outputs will be active at the same time! Each output has enough “sock" to drive 4 units. Can't remember which output language your master “speaks"? No problem. Mini Doc has a complete list of who goes where and who gets what right on the top! After Mini Doc cures your timing troubles, he still has some strong medicine left! Mini Doc outputs a RUN-STOP signal. You won't have to reset by hand. Mini Doc has TWO arpeggiator clock circuits, with independent controls for clock rate and trigger waveform polarity. Reverse the polarity to “offset" the selected clock rate by 1/2 its value to get syncopation without reprogramming! Mini Doc has everything right where you want it. All inputs and outputs are front panel and Mini Doc mounts in a standard 19" EIA rack. Mini Doc uses standard cables and plugs, 5 pin DIN and standard phone jacks. You won't need custom cables. Mini Doc is not a MIDI device and has no MIDI capabilities.

Input ppq: 12, 24, 48, 96 Output ppq: 12, 24, 48, 64, 96, 384

Arpeggiator Output 1: Trigger Waveform Polarity: Normal or Reverse Trigger Rate: 1, 1T, 2, 2T, 4, 4T, 8, 8T, 16, 16T, 32

Arpeggiator Output 2: Trigger Waveform Polarity: Normal or Reverse Trigger Rate: 1, 1T, 2, 2T, 4, 4T, 8, 8T, 16, 16T, 32

Garfield Electronics Mini Doc

For $595, Mini Doc simultaneously co-ordinates timing for Roland, Oberheim, **Sequential Circuits, Linn, Korg, Moog, E-mu, Synclavier, Fairlight, Simmons, PPG Wave, MXR, and anybody else who speaks their timing code languages. Mini Doc is simple. Select a master unit, and get it's clock output to the Mini Doc front panel input. Plug in, and all 7 Mini Doc timing outputs will be active at the same time! Each output has enough “sock" to drive 4 units. Can't remember which output language your master “speaks"? No problem. Mini Doc has a complete list of who goes where and who gets what right on the top! After Mini Doc cures your timing troubles, he still has some strong medicine left! Mini Doc outputs a RUN-STOP signal. You won't have to reset by hand. Mini Doc has TWO arpeggiator clock circuits, with independent controls for clock rate and trigger waveform polarity. Reverse the polarity to “offset" the selected clock rate by 1/2 its value to get syncopation without reprogramming! Mini Doc has everything right where you want it. All inputs and outputs are front panel and Mini Doc mounts in a standard 19" EIA rack. Mini Doc uses standard cables and plugs, 5 pin DIN and standard phone jacks. You won't need custom cables. Mini Doc is not a MIDI device and has no MIDI capabilities.

Input ppq: 12, 24, 48, 96 Output ppq: 12, 24, 48, 64, 96, 384

Arpeggiator Output 1: Trigger Waveform Polarity: Normal or Reverse Trigger Rate: 1, 1T, 2, 2T, 4, 4T, 8, 8T, 16, 16T, 32

Arpeggiator Output 2: Trigger Waveform Polarity: Normal or Reverse Trigger Rate: 1, 1T, 2, 2T, 4, 4T, 8, 8T, 16, 16T, 32

Garfield Electronics Mini Doc

For $595, Mini Doc simultaneously co-ordinates timing for Roland, Oberheim, Sequential Circuits, Linn, Korg, Moog, E-mu, Synclavier, Fairlight, Simmons, PPG Wave, MXR, and anybody else who speaks their timing code languages. Mini Doc is simple. Select a master unit, and get it's clock output to the Mini Doc front panel input. Plug in, and all 7 Mini Doc timing outputs will be active at the same time! Each output has enough “sock" to drive 4 units. Can't remember which output language your master “speaks"? No problem. Mini Doc has a complete list of who goes where and who gets what right on the top! After Mini Doc cures your timing troubles, he still has some strong medicine left! Mini Doc outputs a RUN-STOP signal. You won't have to reset by hand. Mini Doc has TWO arpeggiator clock circuits, with independent controls for clock rate and trigger waveform polarity. Reverse the polarity to “offset" the selected clock rate by 1/2 its value to get syncopation without reprogramming! Mini Doc has everything right where you want it. All inputs and outputs are front panel and Mini Doc mounts in a standard 19" EIA rack. Mini Doc uses standard cables and plugs, 5 pin DIN and standard phone jacks. You won't need custom cables. Mini Doc is not a MIDI device and has no MIDI capabilities.

Input ppq: 12, 24, 48, 96 Output ppq: 12, 24, 48, 64, 96, 384

Arpeggiator Output 1: Trigger Waveform Polarity: Normal or Reverse Trigger Rate: 1, 1T, 2, 2T, 4, 4T, 8, 8T, 16, 16T, 32

Arpeggiator Output 2: Trigger Waveform Polarity: Normal or Reverse Trigger Rate: 1, 1T, 2, 2T, 4, 4T, 8, 8T, 16, 16T, 32

Garfield Electronics Mini Doc

For $595, Mini Doc simultaneously co-ordinates timing for Roland, Oberheim, **Sequential Circuits, Linn, Korg, Moog, E-mu, Synclavier, Fairlight, Simmons, PPG Wave, MXR, and anybody else who speaks their timing code languages. Mini Doc is simple. Select a master unit, and get it's clock output to the Mini Doc front panel input. Plug in, and all 7 Mini Doc timing outputs will be active at the same time! Each output has enough “sock" to drive 4 units. Can't remember which output language your master “speaks"? No problem. Mini Doc has a complete list of who goes where and who gets what right on the top! After Mini Doc cures your timing troubles, he still has some strong medicine left! Mini Doc outputs a RUN-STOP signal. You won't have to reset by hand. Mini Doc has TWO arpeggiator clock circuits, with independent controls for clock rate and trigger waveform polarity. Reverse the polarity to “offset" the selected clock rate by 1/2 its value to get syncopation without reprogramming! Mini Doc has everything right where you want it. All inputs and outputs are front panel and Mini Doc mounts in a standard 19" EIA rack. Mini Doc uses standard cables and plugs, 5 pin DIN and standard phone jacks. You won't need custom cables. Mini Doc is not a MIDI device and has no MIDI capabilities.

Input ppq: 12, 24, 48, 96 Output ppq: 12, 24, 48, 64, 96, 384

Arpeggiator Output 1: Trigger Waveform Polarity: Normal or Reverse Trigger Rate: 1, 1T, 2, 2T, 4, 4T, 8, 8T, 16, 16T, 32

Arpeggiator Output 2: Trigger Waveform Polarity: Normal or Reverse Trigger Rate: 1, 1T, 2, 2T, 4, 4T, 8, 8T, 16, 16T, 32

Built from instructions contained in an article by Electronics And Music Maker magazine, April 1983.

The Syntom II can be triggered by an external trigger pulse or by hitting the internal pad. Powered by standard, center negative 9V supply (not included).

Built from instructions contained in an article by Electronics And Music Maker magazine, April 1983.

The Syntom II can be triggered by an external trigger pulse or by hitting the internal pad. Powered by standard, center negative 9V supply (not included).

The Cort Drummer CRM-260 is a 1980s Korean preset rhythm machine with 8 rhythms: Trot, Waltz, Rock , Slow Rock, Disco, Cha Cha, Bossa Nova, and Rhumba. It has a foot switch input and an audio output. It runs on either a 9v battery or adapter. It was also released as the Super Sound Drummer CRM-260 and as the AK Drummer CRM-260.

The Cort Drummer CRM-260 is a 1980s Korean preset rhythm machine with 8 rhythms: Trot, Waltz, Rock, Slow Rock, Disco, Cha Cha, Bossa Nova, and Rhumba. It has a foot switch input and an audio output. It runs on either a 9v battery or adapter. It was also released as the Super Sound Drummer CRM-260 and as the AK Drummer CRM-260.

The PAiA Drummer Boy 7701K is a preset drum machine manufactured as a home build kit produced by PAiA Electronics in the mid 1970s. It contains 11 different rhythms: Waltz, Vienna Waltz, Jazz Waltz, Polka, Fox Trot, Samba, Bossa Nova, Funk, Cha Cha, Rhumba, and Tango. More than one of the rhythm switches can be used at a time to produce unusual beats.
Operating either of switches S14, S15, and S16 removes the snare and substitutes the wood block, clave, or conga, respectively. However, neither of the switches takes precedence over the others. The conga-bass switch (S17) allows the substitution of a conga for the bass on any beat except the downbeat, where the bass drum is permanent. At the same time that the conga-bass switch substitutes the conga for the bass in a pattern, it also substitutes for the conga either the clave or wood block as selected by S18.

The PAiA Drummer Boy 7701K is a preset drum machine manufactured as a home build kit by PAiA Electronics in the mid 1970s. It contains 11 different rhythms: Waltz, Vienna Waltz, Jazz Waltz, Polka, Fox Trot, Samba, Bossa Nova, Funk, Cha Cha, Rhumba, and Tango. More than one of the rhythm switches can be used at a time to produce unusual beats.
Operating either of switches S14, S15, and S16 removes the snare and substitutes the wood block, clave, or conga, respectively. However, neither of the switches takes precedence over the others. The conga-bass switch (S17) allows the substitution of a conga for the bass on any beat except the downbeat, where the bass drum is permanent. At the same time that the conga-bass switch substitutes the conga for the bass in a pattern, it also substitutes for the conga either the clave or wood block as selected by S18.

The PAiA Drummer Boy 7701K is a preset drum machine manufactured as a home build kit produced by PAiA Electronics in the mid 1970s. It contains 11 different rhythms: Waltz, Vienna Waltz, Jazz Waltz, Polka, Fox Trot, Samba, Bossa Nova, Funk, Cha Cha, Rhumba, and Tango. More than one of the rhythm switches can be used at a time to produce unusual beats.
Operating either of switches S14, S15, and S16 removes the snare and substitutes the wood block, clave, or conga, respectively. However, neither of the switches takes precedence over the others. The conga-bass switch (S17) allows the substitution of a conga for the bass on any beat except the downbeat, where the bass drum is permanent. At the same time that the conga-bass switch substitutes the conga for the bass *in a pattern, it also substitutes for the *conga either the clave or wood block as selected by S18.

The PAiA Drummer Boy 7701K is a preset drum machine manufactured as a home build kit produced by PAiA Electronics in the mid 1970s. It contains 11 different rhythms: Waltz, Vienna Waltz, Jazz Waltz, Polka, Fox Trot, Samba, Bossa Nova, Funk, Cha Cha, Rhumba, and Tango. More than one of the rhythm switches can be used at a time to produce unusual beats.
Operating either of switches S14, S15, and S16 removes the snare and substitutes the wood block, clave, or conga, respectively. However, neither of the switches takes precedence over the others. The conga-bass switch (S17) allows the substitution of a conga for the bass on any beat except the downbeat, where the bass drum is permanent. At the same time that the conga-bass switch substitutes the conga for the bass in a pattern, it also substitutes for the conga either the clave or wood block as selected by S18.

The PAiA Drummer Boy 7701K is a preset drum machine manufactured as a home build kit produced by PAiA Electronics in the mid 1970s. It contains 11 different rhythms: Waltz, Vienna Waltz, Jazz Waltz, Polka, Fox Trot, Samba, Bossa Nova, Funk, Cha Cha, Rhumba, and Tango. More than one of the rhythm switches can be used at a time to produce unusual beats.
Operating either of switches S14, S15, and S16 removes the snare and substitutes the wood block, clave, or conga, respectively. However, neither of the switches takes precedence over the others. The conga-bass switch (S17) allows the substitution of a conga for the bass on any beat except the downbeat, where the bass drum is permanent. At the same time that the conga-bass switch substitutes the conga for the bass *in a pattern, it also substitutes for the *conga either the clave or wood block as selected by S18.

The Cort Drummer CRM-260 is a 1980s Korean preset rhythm machine with 8 rhythms: Trot, Waltz, Rock , Slow Rock, Disco, Cha Cha, Bossa Nova, and Rhumba. It has a foot switch input and an audio output. It runs on either a 9v battery or adapter. It was also released as the Super Sound Drummer CRM-260 and as the AK Drummer CRM-260.