daryl_skinner's Activity

The VR1 ribbon microphone marks a new era in ribbon technology. Whereas most ribbon microphones have a dark, muted high-frequency response, the VR1 utilizes a clever mechanical device to achieve nearly full-range frequency response that extends well beyond that of most other ribbon microphones, approaching nearly 20kHz. This provides an extended level of top- end detail, so the result includes not only the distinctly natural low-end and midrange that most ribbons provide, but also minimal loss in high frequency content. Guitar and brass tones retain their “edge”, cymbals still sound rich and full, and a supremely natural sound is achieved from top to bottom.

Additionally, the VR1 can handle very high sound pressure levels and thus can be utilized for applications not normally considered for most ribbon microphones, including loud brass, drums, and electric guitar cabinets, both in the studio and on stage.

The VR1 is a passive ribbon, so it does not require phantom power – though it is “phantom- protected”, so it will not be damaged by accidental application of phantom power. Given its lower output, it is ideally suited for loud sources such as electric guitars, drum overheads, and brass.

sE Electronics Voodoo VR1 Passive Ribbon Microphone Features:

• High-quality and affordable passive ribbon microphone
• Competes with high-end mics at a lower price
• Full-frequency response is magic on detailed sources
• Designed by company founder Siwei Zou
• Polar Pattern: Figure 8
• Max SPL for 0.5% THD@1000Hz: 135dB
• Phantom power protection
• Rugged design can be used virtually anywhere
• Ruler-flat frequency response from 20Hz to 18kHz +/- 2dB

Specially designed for instruments, the TT1’s capsule, combined with a double mesh grille, is intended for the recording and sound reproduction of strings, woodwinds, wind instruments, guitars and percussions, both on stage and in the studio.

An accurate, well-balanced mic with high output. The TT1 Pro Instruments is also remarkably effective at picking up the amps (with guitars, etc.)

Replacement for Vox and Marshall ceramic 10’s.

10″, 30oz ceramic magnet, 1-1/4″ voice coil, ribbed cone. Bright, chimey, later/smooth breakup, aggressive, articulate.

Classic Vox Tone with ceramic punch. 12″, 40oz Ceramic magnet, 1-3/4″ voice coil, ribbed cone.

Detailed high end that doesn’t get hard or harsh at high volumes, aggressive, big low end, more headroom than the AlNiCo version.

As with all Weber speakers, the higher the power rating, the warmer and smoother the speaker. The 15 watt is aggressive, bright, with a strong midrange crang. At the other end, the 100 watt is warm, smooth, yet is detailed and clear with very good definition. The 75 and 100 watt models use very high temperature voice coils that are the same weight and mass as the lower power voice coils. That assures good attack and a broad frequency response due to the low weight and mass of the voice coil assembly.

Also available with Weber’s Hemp cone, which is a smoother, darker tone, with less attack (great for taming treble).

The Programmable MIDI 12 Looper allows 12 loops to be switched at the same time as sending out MIDI commands.

100 Presets are available! Allowing you to save 100 different combinations of pedals and MIDI commands.

Control 3 separate MIDI pedals per preset, all on different MIDI channels.

Each preset contains the following:

• Any combination of the 12 loops
• Up to 3 different MIDI commands (Program Change and/or Control Change)
• The MIDI Channel that each command above is sent on, can be programmed (MIDI Channels: 0-15)

The 3 digit display indicates the bank and preset that the pedal is in.

Features:

• 100 Presets (arranged in 10 banks of presets - 2 of the switches are for bank changes)
• 12 Loops
• Ability to send 3 different MIDI commands per preset (The MIDI channel of each one can be programmed).
• 3 digit display for programming and to display active bank and preset.
• Silent Switches (with Smooth clickless action)
• The LEDs can be set to display either the active preset or the active loops.
• True Bypass Circuitary
• Suitable for Live use
• Diecast Aluminium Enclosure (340x125x50mm)
• 300mA current consumption
• 3 Year Warranty

Types of MIDI command

Each preset can send up to 3 MIDI commands, which can either be Program Change Commands (PC) or Control Change commands (CC). The number of each type of command that is sent can be selected, for example, 3 PC commands could be sent, or 1 PC command and 2 CC commands. The individual MIDI Channel that each command is sent on can be programmed.

The MIDI output can also be disabled if you want to use the pedal as a standard Programmable 12 Looper.

Multi-bank Mode

100 Presets are available, arranged in 10 banks of 10 presets. Switches 1 and 2 (the right two switches) are for changing banks.

The pedal can also be put into single bank mode, where all 12 switches are used for accessing presets.

Programmable vs On/Off Mode

Each switch can either be set to Programmable or On/Off mode. In programmable mode, the previously active switches disengage when a new switch is pressed. In On/Off mode, the previously active switches stay on when a new switch is pressed, allowing you to add to existing effects. Holding a switch down for longer than 5 seconds will toggle between modes - the corresponding switch will flash 8 times to indicate the mode has been changed.

Master Bypass

Re-press the active switch to bypass all loops (In programmable mode)

FX Loop Option

Selecting the FX Loop option above allows some of the loops to be routed through the FX Loop in your amp. This option adds two extra sockets to the pedal allowing it to be connected to the FX Loop Send and FX Loop Receive sockets on your amp.

Go big or go home. This is an unusual first for mini stompbox specialists Tone City – they've created a standard sized pedal! That means more awesome tonal options to explore and all with a very tempting price tag...

The Aviator is a luxuriously rich, engulfing flanger capable of some extremely unique tones. If you're on the lookout for something a little different in the world of modulation, this could be it.

Sound

Flanger was the original experimental effect prior to the invention of guitar pedals. It adds lush movement to your dry tone, injecting it with sweeping open-and-close filters. The Aviator features four diverse controls, with the width and speed dials adding new dimensions to the tone whether they're set low or fully cranked. The regen dial is an unusual setting that determines the very vocal pronounciation of modulated sweeps.

Key Features

• Experimental, unique modulated effect
• Works great in any setup
• True bypass
• Controls: Speed, Time, Width, Regen
• Powered by 9V

Looking for a rugged active volume pedal that preserves your tone yet doesn't crowd your pedalboard? The Saturnworks active volume pedal provides volume control and signal buffering in a compact affordable package.

Passive volume pedals can roll off high end signal as you turn decrease the volume. The Saturnworks active volume pedal has a built-in buffer combined with a 25k audio taper pot to preserve the high-end by buffering your signal. This pedal is perfect for use at the end of your signal chain to both control the overall level and to buffer the signal between the pedalboard and the amp.

Long cable runs result in a loss of high-end signal. This pedal's buffer prevents this loss, keeping your highs sparkly and clear. Our buffers have an input impedance of 1M and an output impedance of <100 ohms.

Looking for a rugged active volume pedal that preserves your tone? The Saturnworks active volume pedal provides volume control and signal buffering in an affordable package.

Passive volume pedals can roll off high end signal as you turn decrease the volume. The Saturnworks active volume pedal has a built-in buffer combined with a 25k audio taper pot to preserve the high-end by buffering your signal. This pedal is perfect for use at the end of your signal chain to both control the overall level and to buffer the signal between the pedalboard and the amp.

Long cable runs result in a loss of high-end signal. This pedal's buffer prevents this loss, keeping your highs sparkly and clear. Our buffers have an input impedance of 1M and an output impedance of <100 ohms.

Looking for a rugged active volume pedal that preserves your tone yet doesn't crowd your pedalboard? The Saturnworks active volume pedal provides volume control and signal buffering in a compact affordable package.

Passive volume pedals can roll off high end signal as you turn decrease the volume. The Saturnworks active volume pedal has a built-in buffer combined with a 25k audio taper pot to preserve the high-end by buffering your signal. This pedal is perfect for use at the end of your signal chain to both control the overall level and to buffer the signal between the pedalboard and the amp.

Long cable runs result in a loss of high-end signal. This pedal's buffer prevents this loss, keeping your highs sparkly and clear. Our buffers have an input impedance of 1M and an output impedance of <100 ohms.

I wanted to make hum-cancelling versions of my replacement Ric® Pickups and after working on many designs I just found the final sound was moving too far away from what makes Rickenbacker® guitars unique. So I simply went back to the drawing board and designed these, a dual hidden Alnico blade design based on each of my Ric® Single Coil rang.

Essentially a hum-cancelling version of my Low '57 - slightly fatter, crunchier than its single coil equivalent but still with that classic bright jangle.

With my replacement Ric® style hum-cancelling pickups, the coils are asymmetrically wound which helps more dynamics with a richer clarity & string definition. A rich, clear, hum-cancelling version of my Low '57.

Beyerdynamic is one of few microphone manufacturers worldwide that still produce ribbon microphones. One of the finest examples of their work is the legendary M 130. This unique double-ribbon microphone's element has superb transient response, creating a highly detailed sound with unequalled accuracy and transparency.

Beyerdynamic M 130 Double Ribbon Microphone at a Glance:

• Figure-8 microphone with clear, uncolored sound
• Ideal for Mid-Side recording when used with a cardioid microphone
• Outstanding for ambience recording

Figure-8 microphone with clear, uncolored sound

The Beyerdynamic M 130's bi-directional figure-8 polar pattern effectively suppresses unwanted interference from the sides. The M 130's balanced, uncolored sound can handle a wide variety of applications including background vocals overheads, toms, and more.

Ideal for Mid-Side recording

When used in conjunction with the hypercardioid M 160, the M 130 is ideal for creating an authentic stereo image through the use of the M-S (Mid-Side) technique. The M 130 delivers excellent M-S results when recording or broadcasting a true stereo image.

Outstanding for ambience recording

The M 130's rugged design handles the demands of remote recording/broadcast sessions as easily as in-studio use. Used by itself, the M 130 allows the recording of background audience noise and concert hall "ambience" without unwanted resonances. In the studio the M 130 is effective with backing vocal groups, percussion and mounted toms. The M 130's crisply articulated, uncolored sound is well-suited to such demanding audiophile applications as digital and direct-to-disc recording.

Beyerdynamic M 130 dual Ribbon Microphone Features:

• Transducer type: Dynamic dual ribbon
• Operating principle: Pressure gradient
• Frequency response 40Hz-18kHz
• Polar pattern: Figure-8
• Consistent figure-8 polar pattern throughout frequency response
• Superb transient response
• Characteristically warm and natural sound

Beyerdynamic is one of few microphone manufacturers worldwide that still produce ribbon microphones. One of the finest examples of their work is the legendary M130. This unique double-ribbon microphone's element has superb transient response, creating a highly detailed sound with unequalled accuracy and transparency.

Beyerdynamic M130 Double Ribbon Microphone at a Glance:

• Figure-8 microphone with clear, uncolored sound
• Ideal for Mid-Side recording when used with a cardioid microphone
• Outstanding for ambience recording

Figure-8 microphone with clear, uncolored sound

The Beyerdynamic M130's bi-directional figure-8 polar pattern effectively suppresses unwanted interference from the sides. The M130's balanced, uncolored sound can handle a wide variety of applications including background vocals overheads, toms, and more.

Ideal for Mid-Side recording

When used in conjunction with the hypercardioid M160, the M130 is ideal for creating an authentic stereo image through the use of the M-S (Mid-Side) technique. The M130 delivers excellent M-S results when recording or broadcasting a true stereo image.

Outstanding for ambience recording

The M130's rugged design handles the demands of remote recording/broadcast sessions as easily as in-studio use. Used by itself, the M130 allows the recording of background audience noise and concert hall "ambience" without unwanted resonances. In the studio the M130 is effective with backing vocal groups, percussion and mounted toms. The M130's crisply articulated, uncolored sound is well-suited to such demanding audiophile applications as digital and direct-to-disc recording.

Beyerdynamic M130 dual Ribbon Microphone Features:

• Transducer type: Dynamic dual ribbon
• Operating principle: Pressure gradient
• Frequency response 40Hz-18kHz
• Polar pattern: Figure-8
• Consistent figure-8 polar pattern throughout frequency response
• Superb transient response
• Characteristically warm and natural sound

Beyerdynamic is one of few microphone manufacturers worldwide that still produce ribbon microphones. One of the finest examples of their work is the legendary M 130. This unique double-ribbon microphone's element has superb transient response, creating a highly detailed sound with unequalled accuracy and transparency.

Beyerdynamic M 130 Double Ribbon Microphone at a Glance:

• Figure-8 microphone with clear, uncolored sound
• Ideal for Mid-Side recording when used with a cardioid microphone
• Outstanding for ambience recording

** Figure-8 microphone with clear, uncolored sound** The Beyerdynamic M 130's bi-directional figure-8 polar pattern effectively suppresses unwanted interference from the sides. The M 130's balanced, uncolored sound can handle a wide variety of applications including background vocals overheads, toms, and more.

Ideal for Mid-Side recording When used in conjunction with the hypercardioid M 160, the M 130 is ideal for creating an authentic stereo image through the use of the M-S (Mid-Side) technique. The M 130 delivers excellent M-S results when recording or broadcasting a true stereo image.

Outstanding for ambience recording The M 130's rugged design handles the demands of remote recording/broadcast sessions as easily as in-studio use. Used by itself, the M 130 allows the recording of background audience noise and concert hall "ambience" without unwanted resonances. In the studio the M 130 is effective with backing vocal groups, percussion and mounted toms. The M 130's crisply articulated, uncolored sound is well-suited to such demanding audiophile applications as digital and direct-to-disc recording.

Beyerdynamic M 130 dual Ribbon Microphone Features:

• Transducer type: Dynamic dual ribbon
• Operating principle: Pressure gradient
• Frequency response 40Hz-18kHz
• Polar pattern: Figure-8
• Consistent figure-8 polar pattern throughout frequency response
• Superb transient response
• Characteristically warm and natural sound

Beyerdynamic is one of few microphone manufacturers worldwide that still produce ribbon microphones. One of the finest examples of their work is the legendary M 130. This unique double-ribbon microphone's element has superb transient response, creating a highly detailed sound with unequalled accuracy and transparency.

Beyerdynamic M 130 Double Ribbon Microphone at a Glance:

• Figure-8 microphone with clear, uncolored sound
• Ideal for Mid-Side recording when used with a cardioid microphone
• Outstanding for ambience recording

Figure-8 microphone with clear, uncolored sound

The Beyerdynamic M 130's bi-directional figure-8 polar pattern effectively suppresses unwanted interference from the sides. The M 130's balanced, uncolored sound can handle a wide variety of applications including background vocals overheads, toms, and more.

Ideal for Mid-Side recording

When used in conjunction with the hypercardioid M 160, the M 130 is ideal for creating an authentic stereo image through the use of the M-S (Mid-Side) technique. The M 130 delivers excellent M-S results when recording or broadcasting a true stereo image.

Outstanding for ambience recording

The M 130's rugged design handles the demands of remote recording/broadcast sessions as easily as in-studio use. Used by itself, the M 130 allows the recording of background audience noise and concert hall "ambience" without unwanted resonances. In the studio the M 130 is effective with backing vocal groups, percussion and mounted toms. The M 130's crisply articulated, uncolored sound is well-suited to such demanding audiophile applications as digital and direct-to-disc recording.

Beyerdynamic M 130 dual Ribbon Microphone Features:

• Transducer type: Dynamic dual ribbon
• Operating principle: Pressure gradient
• Frequency response 40Hz-18kHz
• Polar pattern: Figure-8
• Consistent figure-8 polar pattern throughout frequency response
• Superb transient response
• Characteristically warm and natural sound

Beyerdynamic is one of few microphone manufacturers worldwide that still produce ribbon microphones. One of the finest examples of their work is the legendary M 130. This unique double-ribbon microphone's element has superb transient response, creating a highly detailed sound with unequalled accuracy and transparency.

**Beyerdynamic M 130 Double Ribbon Microphone at a Glance:

• Figure-8 microphone with clear, uncolored sound
• Ideal for Mid-Side recording when used with a cardioid microphone
• Outstanding for ambience recording

** Figure-8 microphone with clear, uncolored sound The Beyerdynamic M 130's bi-directional figure-8 polar pattern effectively suppresses unwanted interference from the sides. The M 130's balanced, uncolored sound can handle a wide variety of applications including background vocals overheads, toms, and more.

**Ideal for Mid-Side recording When used in conjunction with the hypercardioid M 160, the M 130 is ideal for creating an authentic stereo image through the use of the M-S (Mid-Side) technique. The M 130 delivers excellent M-S results when recording or broadcasting a true stereo image.

**Outstanding for ambience recording The M 130's rugged design handles the demands of remote recording/broadcast sessions as easily as in-studio use. Used by itself, the M 130 allows the recording of background audience noise and concert hall "ambience" without unwanted resonances. In the studio the M 130 is effective with backing vocal groups, percussion and mounted toms. The M 130's crisply articulated, uncolored sound is well-suited to such demanding audiophile applications as digital and direct-to-disc recording.

**Beyerdynamic M 130 dual Ribbon Microphone Features:

• Transducer type: Dynamic dual ribbon
• Operating principle: Pressure gradient
• Frequency response 40Hz-18kHz
• Polar pattern: Figure-8
• Consistent figure-8 polar pattern throughout frequency response
• Superb transient response
• Characteristically warm and natural sound

Beyerdynamic is one of few microphone manufacturers worldwide that still produce ribbon microphones. One of the finest examples of their work is the legendary M 130. This unique double-ribbon microphone's element has superb transient response, creating a highly detailed sound with unequalled accuracy and transparency.

Beyerdynamic M 130 Double Ribbon Microphone at a Glance:

• Figure-8 microphone with clear, uncolored sound
• Ideal for Mid-Side recording when used with a cardioid microphone
• Outstanding for ambience recording

** Figure-8 microphone with clear, uncolored sound** The Beyerdynamic M 130's bi-directional figure-8 polar pattern effectively suppresses unwanted interference from the sides. The M 130's balanced, uncolored sound can handle a wide variety of applications including background vocals overheads, toms, and more.

Ideal for Mid-Side recording When used in conjunction with the hypercardioid M 160, the M 130 is ideal for creating an authentic stereo image through the use of the M-S (Mid-Side) technique. The M 130 delivers excellent M-S results when recording or broadcasting a true stereo image.

Outstanding for ambience recording The M 130's rugged design handles the demands of remote recording/broadcast sessions as easily as in-studio use. Used by itself, the M 130 allows the recording of background audience noise and concert hall "ambience" without unwanted resonances. In the studio the M 130 is effective with backing vocal groups, percussion and mounted toms. The M 130's crisply articulated, uncolored sound is well-suited to such demanding audiophile applications as digital and direct-to-disc recording.

Beyerdynamic M 130 dual Ribbon Microphone Features:

• Transducer type: Dynamic dual ribbon
• Operating principle: Pressure gradient
• Frequency response 40Hz-18kHz
• Polar pattern: Figure-8
• Consistent figure-8 polar pattern throughout frequency response
• Superb transient response
• Characteristically warm and natural sound

Beyerdynamic is one of few microphone manufacturers worldwide that still produce ribbon microphones. One of the finest examples of their work is the legendary M 130. This unique double-ribbon microphone's element has superb transient response, creating a highly detailed sound with unequalled accuracy and transparency.

boldBeyerdynamic M 130 Double Ribbon Microphone at a Glance:

• Figure-8 microphone with clear, uncolored sound
• Ideal for Mid-Side recording when used with a cardioid microphone
• Outstanding for ambience recording
• Figure-8 microphone with clear, uncolored sound

The Beyerdynamic M 130's bi-directional figure-8 polar pattern effectively suppresses unwanted interference from the sides. The M 130's balanced, uncolored sound can handle a wide variety of applications including background vocals overheads, toms, and more.

Ideal for Mid-Side recording When used in conjunction with the hypercardioid M 160, the M 130 is ideal for creating an authentic stereo image through the use of the M-S (Mid-Side) technique. The M 130 delivers excellent M-S results when recording or broadcasting a true stereo image.

Outstanding for ambience recording The M 130's rugged design handles the demands of remote recording/broadcast sessions as easily as in-studio use. Used by itself, the M 130 allows the recording of background audience noise and concert hall "ambience" without unwanted resonances. In the studio the M 130 is effective with backing vocal groups, percussion and mounted toms. The M 130's crisply articulated, uncolored sound is well-suited to such demanding audiophile applications as digital and direct-to-disc recording.

Beyerdynamic M 130 dual Ribbon Microphone Features:

• Transducer type: Dynamic dual ribbon
• Operating principle: Pressure gradient
• Frequency response 40Hz-18kHz
• Polar pattern: Figure-8
• Consistent figure-8 polar pattern throughout frequency response
• Superb transient response
• Characteristically warm and natural sound

Beyerdynamic is one of few microphone manufacturers worldwide that still produce ribbon microphones. One of the finest examples of their work is the legendary M 130. This unique double-ribbon microphone's element has superb transient response, creating a highly detailed sound with unequalled accuracy and transparency.

**Beyerdynamic M 130 Double Ribbon Microphone at a Glance:

• Figure-8 microphone with clear, uncolored sound
• Ideal for Mid-Side recording when used with a cardioid microphone
• Outstanding for ambience recording

** Figure-8 microphone with clear, uncolored sound The Beyerdynamic M 130's bi-directional figure-8 polar pattern effectively suppresses unwanted interference from the sides. The M 130's balanced, uncolored sound can handle a wide variety of applications including background vocals overheads, toms, and more.

**Ideal for Mid-Side recording When used in conjunction with the hypercardioid M 160, the M 130 is ideal for creating an authentic stereo image through the use of the M-S (Mid-Side) technique. The M 130 delivers excellent M-S results when recording or broadcasting a true stereo image.

**Outstanding for ambience recording The M 130's rugged design handles the demands of remote recording/broadcast sessions as easily as in-studio use. Used by itself, the M 130 allows the recording of background audience noise and concert hall "ambience" without unwanted resonances. In the studio the M 130 is effective with backing vocal groups, percussion and mounted toms. The M 130's crisply articulated, uncolored sound is well-suited to such demanding audiophile applications as digital and direct-to-disc recording.

**Beyerdynamic M 130 dual Ribbon Microphone Features:

• Transducer type: Dynamic dual ribbon
• Operating principle: Pressure gradient
• Frequency response 40Hz-18kHz
• Polar pattern: Figure-8
• Consistent figure-8 polar pattern throughout frequency response
• Superb transient response
• Characteristically warm and natural sound

Beyerdynamic is one of few microphone manufacturers worldwide that still produce ribbon microphones. One of the finest examples of their work is the legendary M 130. This unique double-ribbon microphone's element has superb transient response, creating a highly detailed sound with unequalled accuracy and transparency.

boldBeyerdynamic M 130 Double Ribbon Microphone at a Glance:bold

• Figure-8 microphone with clear, uncolored sound
• Ideal for Mid-Side recording when used with a cardioid microphone
• Outstanding for ambience recording
• Figure-8 microphone with clear, uncolored sound

The Beyerdynamic M 130's bi-directional figure-8 polar pattern effectively suppresses unwanted interference from the sides. The M 130's balanced, uncolored sound can handle a wide variety of applications including background vocals overheads, toms, and more.

Ideal for Mid-Side recording When used in conjunction with the hypercardioid M 160, the M 130 is ideal for creating an authentic stereo image through the use of the M-S (Mid-Side) technique. The M 130 delivers excellent M-S results when recording or broadcasting a true stereo image.

Outstanding for ambience recording The M 130's rugged design handles the demands of remote recording/broadcast sessions as easily as in-studio use. Used by itself, the M 130 allows the recording of background audience noise and concert hall "ambience" without unwanted resonances. In the studio the M 130 is effective with backing vocal groups, percussion and mounted toms. The M 130's crisply articulated, uncolored sound is well-suited to such demanding audiophile applications as digital and direct-to-disc recording.

Beyerdynamic M 130 dual Ribbon Microphone Features: * Transducer type: Dynamic dual ribbon * Operating principle: Pressure gradient * Frequency response 40Hz-18kHz * Polar pattern: Figure-8 * Consistent figure-8 polar pattern throughout frequency response * Superb transient response * Characteristically warm and natural sound

Beyerdynamic is one of few microphone manufacturers worldwide that still produce ribbon microphones. One of the finest examples of their work is the legendary M 130. This unique double-ribbon microphone's element has superb transient response, creating a highly detailed sound with unequalled accuracy and transparency.

boldBeyerdynamic M 130 Double Ribbon Microphone at a Glance:

• Figure-8 microphone with clear, uncolored sound
• Ideal for Mid-Side recording when used with a cardioid microphone
• Outstanding for ambience recording
• Figure-8 microphone with clear, uncolored sound

The Beyerdynamic M 130's bi-directional figure-8 polar pattern effectively suppresses unwanted interference from the sides. The M 130's balanced, uncolored sound can handle a wide variety of applications including background vocals overheads, toms, and more.

Ideal for Mid-Side recording When used in conjunction with the hypercardioid M 160, the M 130 is ideal for creating an authentic stereo image through the use of the M-S (Mid-Side) technique. The M 130 delivers excellent M-S results when recording or broadcasting a true stereo image.

Outstanding for ambience recording The M 130's rugged design handles the demands of remote recording/broadcast sessions as easily as in-studio use. Used by itself, the M 130 allows the recording of background audience noise and concert hall "ambience" without unwanted resonances. In the studio the M 130 is effective with backing vocal groups, percussion and mounted toms. The M 130's crisply articulated, uncolored sound is well-suited to such demanding audiophile applications as digital and direct-to-disc recording.

Beyerdynamic M 130 dual Ribbon Microphone Features:

• Transducer type: Dynamic dual ribbon
• Operating principle: Pressure gradient
• Frequency response 40Hz-18kHz
• Polar pattern: Figure-8
• Consistent figure-8 polar pattern throughout frequency response
• Superb transient response
• Characteristically warm and natural sound

Beyerdynamic is one of few microphone manufacturers worldwide that still produce ribbon microphones. One of the finest examples of their work is the legendary M 130. This unique double-ribbon microphone's element has superb transient response, creating a highly detailed sound with unequalled accuracy and transparency.

boldBeyerdynamic M 130 Double Ribbon Microphone at a Glance:bold

• Figure-8 microphone with clear, uncolored sound
• Ideal for Mid-Side recording when used with a cardioid microphone
• Outstanding for ambience recording
• Figure-8 microphone with clear, uncolored sound

The Beyerdynamic M 130's bi-directional figure-8 polar pattern effectively suppresses unwanted interference from the sides. The M 130's balanced, uncolored sound can handle a wide variety of applications including background vocals overheads, toms, and more.

Ideal for Mid-Side recording When used in conjunction with the hypercardioid M 160, the M 130 is ideal for creating an authentic stereo image through the use of the M-S (Mid-Side) technique. The M 130 delivers excellent M-S results when recording or broadcasting a true stereo image.

Outstanding for ambience recording The M 130's rugged design handles the demands of remote recording/broadcast sessions as easily as in-studio use. Used by itself, the M 130 allows the recording of background audience noise and concert hall "ambience" without unwanted resonances. In the studio the M 130 is effective with backing vocal groups, percussion and mounted toms. The M 130's crisply articulated, uncolored sound is well-suited to such demanding audiophile applications as digital and direct-to-disc recording.

Beyerdynamic M 130 dual Ribbon Microphone Features: * Transducer type: Dynamic dual ribbon * Operating principle: Pressure gradient * Frequency response 40Hz-18kHz * Polar pattern: Figure-8 * Consistent figure-8 polar pattern throughout frequency response * Superb transient response * Characteristically warm and natural sound

Marshall JMP Super Lead 100-Watt amp head

*The photo attributed to this entry is the original Marshall JMP MKII Super Lead 100-Watt, and NOT the Marshall JMP MKII Super Lead 100-Watt. There is another model in the database for the MkII model.

Marshall JMP Super Lead 100-Watt amp head

*The photo attributed to this entry is the original Marshall JMP Super Lead 100-Watt, and NOT the Marshall JMP MKII Super Lead 100-Watt. There is another model in the database for the MkII model.

The Lewitt MTP 440 DM is an exceptionally versatile, precision-engineered cardioid dynamic microphone ideally suited for upscale live sound and studio recording applications. Featuring a high-performance capsule that delivers a remarkably bright and lively sound, the MTP 440 is perfect for miking drums, percussion instruments, brasses, woodwinds, and vocals.

The MTP 440’s cardioid pattern ensures perfect off-axis rejection and exceptionally high gain before feedback. Unwanted reflections or background noise are effectively suppressed. High-quality components and rugged construction make it a number one choice for touring professionals and artists around the globe.

APPLICATIONS:

• Drums and Percussion - snare, hi-hat
• Instrument amps
• Wind instruments - brass and woodwinds

FEATURES:

• Tailored frequency response for instrument applications
• Highly consistent cardioid polar pattern for minimum off-axis coloration
• High gain before feedback
• Easily withstands high sound pressure levels
• Rock-solid full-metal, die-cast body for rough daily touring routine
• Minimally effected by varying load impedance
• Corrosion-resistant gold-plated 3-pin XLR output connector
• Comes in a cardboard box with foam layers; includes MTP 40 MCs shock mount and DTP 40 lb artificial leather bag

4-watt 1-channel All-tube 1x10" Guitar Combo Amplifier with Custom Celestion Speaker

For years, Malekko has been synonymous with the best quality BBD delays available. Today the evolution continues with the EKKO 616 MKII, a full featured yet compact delay with external modulation controls, an optional buffer, internal level pot and 650ms of pure analog bliss!

Not content to leave well enough alone, we decided to go through every aspect of our acclaimed EKKO 616 to see how it could be improved upon. Every detail was scrutinized, data sheets compared, parts swapped, and hours of listening followed before we were satisfied. These resulting hand picked components of the highest quality are used to achieve what we consider the nicest sounding, most musical analog delay pedal we’ve made!

The E616 MKII’s specially voiced repeats allow a larger bandwidth to pass than most traditional analog delays. Turn the mix pot all the way up and the repeats will be slightly louder than unity with the dry signal. The regeneration pot will take you from a simple slapback to a nice gentle decay of a few repeats then all the way to taking off into outer space with just a turn of the pot! Engage the modulation button and the EKKO 616 MKII takes on a whole new personality, from subtle chorusing or beautiful vibrato to way way beyond. Choose between true bypass or buffered bypass. The EKKO 616 MKII’s revised buffer circuit is smooth and transparent, even with many pedals on your board. Tired of annoying volume drops? An internal trimpot (labeled “gain”) will allow you to set the EKKO 616 MKII’s level to your specific setup.

The EKKO 616 MKII features these updates:

• The modulation range has been massaged to allow much finer tuning for a more balanced overall effect
• The MIX pot now allows louder effect levels
• Improved buffering circuit resulting in flat response and allows hotter inputs, which makes it great for keyboard or outboard use!
• Redesigned protection circuit for enhanced component safety

These changes add up to a cleaner, richer, sweeter, more flexible and musical analog delay. Even the EKKO 616 can appreciate that! AND at the same low price! Awesome!

At Malekko, we are constantly looking at ways to improve our products. We enhanced our EKKO 616 using the highest quality components to provide you the ultimate expression of our vision. Enjoy. Well, I say, enjoy.

Current draw is 50mA and operates on a 9V battery or optional 9VDC neg tip regulated power supply.

EKKO 616 MKII NOTES:

If your 616 has a green board inside, you have an EKKO 616.

If your 616 has a blue board inside, you have an EKKO 616 MKII.

BYPASS CIRCUIT:

The bypass circuit is only active when the effect is off. Choosing buffered will light the LED; true is LED off. If you have the buffered bypass circuit on and the LED goes out when you engage the effect, the pedal is working correctly.

DELAY TIME FIDELITY:

We calibrated the 616 MKII to allow for longer delay times than the original 616. In any analog delay, its longest time settings result in lower fidelity and may even generate odd sound artifacts. Positioning the TIME pot to roughly 3 o’clock will approximate the original 616’s longest delay time and its fidelity.