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Dial the gain right round and you are in fuzz territory! great for big way of sound Marshall vibe - or just a boost.... the one drive pedal that has always stayed on my board
I have a Cherry late '66 / early '67 version with the chrome dog ear P90's and trapeze tail piece. Fully Hollow, a beast that you have to tame if playing with gain. The guitar is alive!! such fun to play and neck is warm and full, Bridge has a great brightness that cuts.....
this is a little thicker and more present sounding than the '65 Blackface - it packs a punch, I play it on 4-5 on the volume, with a Fender guitar its clean, dig in and it opens right up. I love this amp - Just think Ryan Adams..... great studio amp and a small gigging machine
Mine is in Desert Sand, and has a Nocaster big neck with a rosewood board! high quality players Tele, Solid bridge, very stable and a great workhorse
Neck Profile stunning, 4 way blade switch - genius, In-Series position, very useful! Bridge and trem are great, no sloppiness, very sensitive and controllable. This guitar cuts! but also the most versatile Jag I've come across
It's all about the Seth Lover Wide Range Pickups - not as thick and Muddy as PAF's, plenty of bite....for those who think Les Paul's are a little too 'Slash'......a great guitar
22 watts - manageable and won't break your back, a classic Fender amp, you can do pretty much anything with this and the right pedals. wind the amp up to half way and it really opens up - clean, but dynamic. Reverb is lush and the classic Fender Spring - Vibrato is always fun. I wouldn't be without a Deluxe Reverb....ever
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