Gear
edited Stagetec TrueMatch RMC
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High end analog-digital converter, real 32BIT resolution, 158 dB dynamics. Microphones can be connected directly, analog gain stages are not longer necessary.
24 Microphone inputs, 24 x ADAT out, 24x ADAT in, everything free interconnectable, all parameters remote controllable via USB
noise floor smaller as on every microphone no clipping possible with microphones - handles a dynamic range from –134 dBu up to 24 dBu 100% earth-free inputs with CMR of 140 dB at 50 Hz – enables microphone splitting without active splitter systems automatic synchronization on external word clock without signal drop outs latency of only 0,6 ms!! remote controllable via external PC including level metering internal routing of analog inputs to various digital outputs via PC expandable optional analog outputs available
edited Millenia HV-3D-8 Eight Channel Microphone Preamplifier
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Authentic Transparency for Unrestricted Creativity Unsurpassed ambience retrieval Transformerless design with matched hi-speed discrete transistor octet has +23 dBu input headroom: no attenuator “pads” needed Uncolored timbral accuracy at all dynamic levels Entirely balanced audio path with precision components maintains signal integrity: THD under 5 ppm (.0005%) Effortless, vividly realistic musical performance Laser-trimmed FET-based output stage has 32 dB headroom: drives 1000 foot (300 m) cable runs with ease Standard 36-step gain controls (1.5 dB per step) are stereo matched to .08 dB Ultra-clean universal power supply Gold switches Mogami Neglex OFC audio wiring Silver Teflon power wiring Welded 16 gauge steel rack chassis
Ribbon optimized DC coupled input - $100/channel Extra 10dB gain - no charge DPA 130V input - $300/channel Dante, AES or MADI digital outputs
Minimum Gain 8.5 dB Maximum Gain (1.5 dB per step, 36 steps) 65 dB (up to 75 dB on request) Frequency Response (+0 / -3 dB) sub 3 Hz to beyond 300 kHz Noise (60 dB Gain, 10 Hz - 30 kHz, Inputs common) -133 dB EIN Total Harmonic Distortion + Noise (35 dB Gain, 10 Hz - 20 kHz bandwidth, +27 dBu Out) < .001%, Typ. < .0005% (< 5 ppm) Intermodulation Distortion (50 Hz & 7 kHz) 35 dB Gain, +27 dBu Out < .0009% Phase Response (35 dB Gain, 50 Hz - 20 kHz bandwidth, +27 dBu Out) < 2 degrees deviation Common Mode Rejection Ratio (35 dB Gain, 10 Hz - 20 kHz bandwidth, 100 mV C.M.) > 65 dB, Typ > 85 dB Slew Rate (35 dB Gain, +27 dBu Out) > 25 Volts per microsecond Maximum Input Level (20 Hz - 40 kHz) +23 dBu (no attenuator pads required) Maximum Output Level (20 Hz - 40 kHz) +32 dBu Phantom Input Impedance (1 kHz) 6,750 ohms Output Impedance 24.3 Ohms (x2) DPA (B&K) Mic Powering +130 V dc max, (non-phantom) Phantom Powering +48 V dc, +/- 4 V dc Power Consumption 45 watts maximum Power Requirements 100V to 240V, 50/60 Hz Dimensions/Shipping Weight 19” W x 3.5” H x 12.5” D, 23 lbs.
edited DRAWMER 1960 STEREO COMPRESSOR / MIC PRE-AMP
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TECHNICAL SPECIFICATIONS (All measurements taken at +4dBu operating level) INPUT IMPEDANCES LINE 20KÙ MIC 150Ù to 600Ù AUX 2M2Ù MIC INPUT NOISE -128.5dB (@ +60dB gain) MAXIMUM INPUT LEVEL +20dBu OUTPUT IMPEDANCE 50 Ù MAXIMUM OUTPUT LEVEL +22dBm (balanced) BANDWIDTH <10Hz to 22KHz -1dB POWER REQUIREMENTS 230Volt or 115Volt at 50-60Hz, 38 Watts FUSE RATING 250mA for 230Volt, 500mA for 115Volt CONFORMING TO IEC 127-2 FUSE TYPE 20mm x 5mm, Class 3 Slo-Blo, 250Volt working CASE SIZE 482mm (w) x 88mm (h) x 250mm (d)
edited RME ADI-8 QS
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AD/DA Converter 24 bit/192 kHz 8 x Balanced jack I/O 4 x AES / EBU I/O 2 x ADAT I/O Word clock sync MIDI I/O Optional MADI I/O Size: 19"/ 1 U Full remote control via MIDI