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Here is a complete library for the whole spectrum of Electro: sick dirty Dutch Leads, aggressive Dubstep Wobbles, sub Tech-House Grooves, commercial Basslines, chilly Leads and Plucks and dirty Stabs & Synths - the whole package. With this expansion you're always prepared.

GOLDEN THROAT WILL LET YOU SING YOUR AXE OFF

Notable listings:

• https://www.ebay.com/itm/164803420665
• https://www.ebay.com/itm/184833197875 | https://reverb.com/item/39849872-ehx-golden-throat-talk-box-w-tube-x1845-used
• https://www.ebth.com/items/3737116-electro-harmonix-golden-throat-mouth-tube

GOLDEN THROAT WILL LET YOU SING YOUR AXE OFF

Notable listings:

• https://www.ebay.com/itm/164803420665
• https://www.ebay.com/itm/184833197875 | https://reverb.com/item/39849872-ehx-golden-throat-talk-box-w-tube-x1845-used?show_sold=true
• https://www.ebth.com/items/3737116-electro-harmonix-golden-throat-mouth-tube

The MEINL Sad Face Shaker adds a touch of visual humor to your next gig or recording. Built to the same specifications as our gray U.F.O. Shaker (SH21GR), but featuring a bright yellow color and sad face graphic.

The polyphonic STRING9 String Ensemble transforms a guitar into nine different string ensembles and string synthesizers while requiring zero modifications, special pickups, or MIDI implementation. It relies on the same technology powering all EHX 9 Series pedals. In a 9 Series first, the STRING9 includes the signature EHX Freeze effect on 3 of the presets to sample and hold notes and chords with infinite sustain.

A rotary switch on the STRING9 allows the player to select the sound of their choice, as follows:

• SYMPHONIC: Re-creates the sound of a large symphony orchestra and features an octave down effect on the lower range of the guitar for a full sound
• JUNE-O: Emulates the Juno® analog string synthesizer sound
• PCM: Sound of a small string section sampled by a vintage PCM keyboard producing a warm vintage string sound
• FLOPPY: Emulates the sound of an Orchestron® optical disc playback sampler, warble included
• AARP: Emulates the classic ARP Solina® string synthesizer
• CREWMAN: Emulates the Crumar Performer® analog string and brass synthesizer; Floyd in a box
• ORCH FREEZE: Orchestral sound with EHX Freeze effect
• SYNTH FREEZE: String synthesizer sound with EHX Freeze effect
• VOX FREEZE: Mellotron® choir and strings sound from the EHX MEL9 with EHX Freeze effect

The pedal is equipped with independent Effect and Dry volume controls so players can precisely tune their mix at the Effects output jack, plus a Dry output jack that always outputs the input signal at unity gain.

Controls 1 and 2 have been designed to adjust specific parameters for each of the nine programs adding usability and flexibility to each sound.

• Simulates nine string ensemble and string synthesizer sounds
• Tracks impeccably and works on guitar without mods, special pickups or MIDI implementation
• Independent Effect and Dry volume knobs let you precisely control your mix at the Effects output
• Controls 1 and 2 have been designed to adjust specific parameters for each of the nine programs
• Dry output jack outputs the input signal at unity gain
• Compact, rugged, easy to use
• Power adapter included

Note: All third-party trademarks referenced herein by Electro-Harmonix remain the property of their respective owners. Any references to such trademarks herein are simply to identify their owners’ corresponding goods and is nominative fair use under trademark law.

The EHX Pico Platform Compressor / Limiter is a powerful and versatile studio-style compressor enclosed in a pico-sized package. Borrowing from the original, the Pico Platform condenses the comp section of the full-sized Stereo Platform for those looking to fit smooth studio compression onto any pedalboard. Packed with 2 modes and Hard/Sort Knee compression options, it is a perfect fit for sculpting your dynamics with professional precision.

Use the Pico Platform compressor / limiter on any instrument for precise and powerful control of your signal’s volume and of course, extended sustain on leads. Add subtle dynamic control to level out peaks and valleys in your signal or give your sound a real squeeze for extra sustain and pop. The Pico Platform is extremely transparent with no tonal coloring, making it extremely versatile and easy to work into your existing set up.

The Pico Platform’s control set is simple yet comprehensive. Use the Sustain control to adjust the compressor ratio or limiter threshold for a subtle or extreme effect. The addition of a Blend knob allows for adding seamless sustain while preserving attack and tone. Adjust the Attack control to set when the compressor activates after a transient. Use the Mode button to choose between Compressor and Limiter modes and Soft Knee or Hard Knee compression curves for smoother or more dramatic compression styles.

• Studio-style compressor / limiter to precisely tune dynamics
• Compressor and Limiter modes for a wide range or compression styles
• Selectable Hard Knee / Soft Knee compression curves
• Sustain adjusts Compressor ratio or Limiter threshold
• Attacks adjusts attack time
• Blend adjusts dry/wet ratio
• Volume control overall output level
• Power adapter included

EHX’s smallest and most powerful compact Polyphonic Octave Generator yet. The Pico POG takes the streamlined simplicity of the Micro and Nano POGs and fits it all into an ultra-compact chassis and adds a powerful tone control. The tightest octave effect now fits on the tightest of pedalboards.

The EHX Pico POG features a lighting fast feel that will track every note and chord you play with precision. Dial in Sub Octave to add stumble rumble or monstrous thunder. Add Octave Up for ethereal air or max it out to shred into another galaxy. Perfectly blend 3-voice tones for fat synthy madness. The 3 mode Tone control lets you tailor your sound to fit into any pocket no matter how massive or small.

Controls on the Pico POG include dedicated volumes knobs for the SUB OCTAVE, OCTAVE UP, and DRY voices. These three controls act as a mixer for infinite possible voice mixes. The TONE knob features three modes controlled by the FILTER button. In Tone Mode, the knob acts as a tilt-EQ with a flat frequency response in the center, more treble and less bass as you turn the knob clockwise, and less treble and more bass as you turn the knob counterclockwise. In this mode, the EQ is applied to all 3 voices. In Low Pass Filter mode, the knob cuts highs in the Sub and Octave Up voices, while High Pass Filter mode cuts lows in the Sub and Octave Up Voices.

• Lightning-fast tracking with perfectly precise octave tones
• 3 volume knobs control level of SUB OCTAVE, OCTAVE UP, and DRY tones
• TONE knob with 3 filter modes
• Tone Mode applied tilt-EQ to all output
• Low Pass Mode applies a resonant low pass filter, which allows low frequencies to pass while cutting higher frequencies of the Sub and Octave Up voices
• High Pass Mode applies a high pass filter, which allows high frequencies to pass while cutting lower frequencies of the Sub and Octave Up voices
• Power adapter included

With its take on the cult-classic, chainsaw distortion pedal, the EHX Hell Melter takes distortion to its extremes. The Hell Melter features expanded controls and tonal capabilities, allowing the already in-your-face sound of the pedal to broaden by switching to more open clipping options and boosting the internal voltage for increased headroom, less compression, and more attack.

Originally designed as the ultimate in high-gain tone, this world-famous distortion circuit is known for the death metal sounds of Sweden’s Entombed and the shoegaze wash of My Bloody Valentine. It’s even found a home in the rig of David Gilmour!

The EHX Hell Melter’s expanded control set includes Gain and Level controls, and a powerful active EQ featuring with parametric mids for improved versatility. The Dry level control allows for blending your input signal for improved low-end when used with a bass or even blending in other distorted tones.

Boost Footswitch engages an input gain boost and volume boost which is internally adjustable. The Normal/Burn switch toggles between the classic chainsaw sound and the more open clipping option.

• Classic Heavy Metal circuit with expanded controls
• Increased overall output volume
• Active EQ controls expansion with parametric MIDS control
• Noise gate and dry level control
• NORMAL and BURN modes
• Footswitchable boost section
• Independent distortion and level knobs
• 9V power supply included

The Electronic Audio Experiments Hypersleep is a solid-state analog reverberator. It evokes the immediate acoustic reflections of metal and tile, with a gritty timbre and a ringing, fluttering decay—forgoing epic atmospherics in favor of liminality.

At the heart of the Hypersleep is the unusual and obsolete MN3011 bucket brigade device. Unlike other BBDs with one input and one output, the MN3011 uses an array of staggered delay outputs to produce a smeared-out echo. Feeding this echo back upon itself produces a reverberant texture. The reverb length can be modulated via the onboard LFO for atypical chorus and vibrato effects, or the haunting sound of a room changing size in real time. As always, careful signal conditioning ensures that Hypersleep is friendly to any instrument or line level signal source.

Electrical Specifications

Bypass: Electronic switching with FET-input op amp bypass buffer

Input impedance @ 1Khz: 1MΩ

Output impedance @ 1Khz: <1kΩ

Power: 9VDC, 2.1mm center negative barrel. The current draw is 60mA.

We recommend a regulated, isolated power supply rated for 100mA minimum. The DC input is protected against reverse polarity and over-voltage up to 24V. Our pedals do not accept batteries.

Controls

• Level: overall effect level, gracefully overloads at higher settings
• Space: delay time of the BBD, simultaneously controlling six taps on a single delay line
• Mix: blend of clean and effected signals, from full dry to full wet
• Feedback: increases the decay time of the reverb; will self-oscillate at extreme settings
• Rate: modulation rate, from imperceptibly slow to nearly audio rates
• Depth: modulation depth, from subtle vibrato to warped pitch bending