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It takes two of theirs to do what one of ours will do. Plus you save $1745.00. That will buy you a nice Take Deck to go with it.

On top of that, our new Fourth Generation Oscillators are simply the most stable and drift free on the market.

Steiner Parker is proud to announce their newest synthesizer, a small, extremely versatile unit designed for live performance and also for studio use, called the Synthacon. The Synthacon's extreme versatility is realized through the use of switching to achieve function interconnections.

No patch cords are necessary to route signals and voltages from one area to another. This switching system makes it possible to achieve over 35 billion different sounding set ups, without ever turning a knob or depressing a key on a keyboard!!! A brief summary of the unit's major features is listed here.

WAVEFORMS: Sawtooth, triangle, square wave, pulse, sine wave, and two types of noise (white and pink). OSCILLATORS: Three Voltage Controlled Oscillators plus a White/Pink Noise Generator. CONTROLS: 26 knobs, 3 trimmers and 43 switches. SECTIONS: Ten; KBD/PWR, Sample and Hold, Trigger Generator, Dual Envelope Generator, Voltage Con trolled Amplifier,

Three Mode Filter, Noise Generator, VCO No. 1, VCO No. 2, VCO No. 3. OSCILLATOR RANGES: From less than 1/10 cycle per second (Hertz) to greater than 20,000 cycles per second. FILTER MODES: Low Pass, Band Pass, High Pass. FILTER CONTROLS: Resonance (Q), Frequency, Mode.

EXTERNAL INPUTS: Four-Through the Sample and Hold, Through the Keyboard, in parallel with the Trigger Generator, and direct to the Filter (control voltages only). FILTER: The three mode variable Q filter can be switched in or out separately for each sound source.

KEYBOARD: 4 octaves, 49 keys (shown), playable over 8 octave range by use of range switch. BACK PANEL OUTPUTS: DC Ground and all operating voltages, plus keyboard control voltages. These out puts can be used to run optional modules with the SYNTHACON, (such as sequencers, etc.) which are manufactured by STEINER-PARKER as well as many optional units manufactured by other companies (using special adapter cables). Back panel connectors are also provided to allow connection to an external sound source for amplifying the Synthacon's output as well as connections for all the external inputs.

The unit is portable and features a self oscillating filter that has a reverse polarity which makes the filter keep consistent volume as the resonance is increased.

Once again the Synthacon features the same electronics as the bigger SynthaSystem including white and pink noise with multiple modulation points. It also has a 49 key keyboard built in as well as various knobs, buttons, and, switches.

It takes two of theirs to do what one of ours will do. Plus you save $1745.00. That will buy you a nice Take Deck to go with it.

On top of that, our new Fourth Generation Oscillators are simply the most stable and drift free on the market.

200 samples made with the Make Noise Shared System Plus modular synthesizer.

An amazing, retro combo tailored to the specs of The Edge himself.

Tweaked to the discerning tastes of U2’s renowned guitarist, The Edge Deluxe is the perfect complement to his signature sound. A stalwart Fender amp user for decades, this signature model is an updated take on the classic ’57 tweed Deluxe used to craft his sonic identity on stages and in studios around the world. 

Whether played clean or crunchy, this amp produces the tone and articulation of the vintage Fender Deluxe amps that are an important part of his complex multi-amp and effects setup. Voiced to match The Edge’s desire for a simple, highly dynamic design, this 12-watt hand-wired amp features modified circuitry for tighter low end response and high-impact tone. 

Extremely dynamic, this updated circuit reacts instantly to the guitar’s output volume and your picking dynamics to unlock a wide variety of amazing clean and overdriven tones that work well with almost any style of music. 

The distinctive voice of the coveted 12” Celestion® Blue speaker, with its smooth attack, warm lows, mellow upper midrange and bell-like high end, creates richlydefined tone with highly musical compression when pushed. 

As you’d expected from an amp with his signature logo on the front, The Edge Amp is extremely pedal-friendly, taking tone shapers of any type with ease, so you can use it as the foundation of your own sound. An exciting take on the classic Fender tweed formula, The Edge Deluxe is the perfect paintbrush to create your sonic landscape

An amazing, retro combo tailored to the specs of The Edge himself.

Tweaked to the discerning tastes of U2’s renowned guitarist, The Edge Deluxe is the perfect complement to his signature sound. A stalwart Fender amp user for decades, this signature model is an updated take on the classic ’57 tweed Deluxe used to craft his sonic identity on stages and in studios around the world. 

Whether played clean or crunchy, this amp produces the tone and articulation of the vintage Fender Deluxe amps that are an important part of his complex multi-amp and effects setup. Voiced to match The Edge’s desire for a simple, highly dynamic design, this 12-watt hand-wired amp features modified circuitry for tighter low end response and high-impact tone. 

Extremely dynamic, this updated circuit reacts instantly to the guitar’s output volume and your picking dynamics to unlock a wide variety of amazing clean and overdriven tones that work well with almost any style of music. 

The distinctive voice of the coveted 12” Celestion® Blue speaker, with its smooth attack, warm lows, mellow upper midrange and bell-like high end, creates richlydefined tone with highly musical compression when pushed. 

As you’d expected from an amp with his signature logo on the front, The Edge Amp is extremely pedal-friendly, taking tone shapers of any type with ease, so you can use it as the foundation of your own sound. An exciting take on the classic Fender tweed formula, The Edge Deluxe is the perfect paintbrush to create your sonic landscape

This is a detailed replica of the original 1965 Burns Buzzaround pedal that to many is the HOLY GRAIL OF EFFECTS.

The Buzzaround is a unique fuzz which utilised 3 x NKT213 transistors and for the first time offered a timbre control which gives different dimension to your fuzz tone. The Buzzaround also came in a unique wedge shaped casing with controls on the front. This added to the pedals uniqueness. and was most famously used by Robert Fripp.

FORMULA B BEAT BOX It is a very special pedal, extreme traits in its being acid and bright without compromise, but it is definitely a type of fuzz that will appeal to all those who are more attracted to radical leads and ungainly.

We decided to make it available for the many fans who have difficulty accessing to original or a unit that are unperforming silicon reissue.

The Beat Box is a fuzz granite with original germanium n.o.s. transistor more dynamic of the Maestro fuzz tone (which is a direct evolution), and it can make the happiness of many garage rock band or who are looking for some best '60 fuzz sound.

DC9volt standard ( that pedal is daisychainable by inside negative ground circuit )

foot swirch true bypass

metal enclosure '60 style

A version of the WEM Rush Pep Box which was manufactured during 1966-1967.

I borrowed a very rare original unit from Tim Felton (Broadcast/Seeland) to confirm the circuit and the component values for this pedal.

Quite a full on treble heavy 1960s Garage fuzz sound, with more subtle tones as you turn the 'Pep' down.

I would describe the sound as having the rasp of a Maestro FZ-1 and the sustain of a Tone Bender MK1, but overall a more synthy sound than both.

Uses 2 BC107 Silicon NPN transistors like the original.

An output capacitor 'Tone' control or capacitor switch can be added to the circuit if you want more versatility. With this the bottom end can be increased.

Cases are powdercoated by Bournes, with the labelling screenprinted by Missionprint, both local Birmingham based firms.

The Silicon Pep Box PCB was designed by Stu Castledine and professionally manufactured in the UK.

Available NOW, NEW design for 2019 - £120 plus shipping.

CONTACT EMAIL - info at ghosteffects.co.uk

The Compact Series WEM PEP BOX is a scaled-down replica of the original unit designed by Pepe Rush for WEM around 1965. This pedal was most famously used by John Lennon at Abbey Road studios during the Revolver Session and can be seen on many photographs from the period. The pedal features 2 Germanium ACY41 Transistors as per the original unit with Effect and Level controls as per the original.