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I Write For The Site, Is There Any Articles You Guys Would Like To See

In the same vein and with tonewoods in mind, I'd be interested in rare woods, old guitars and how the CITES Treaty is currently or stands to change wood choices in the future. All the legaleeze of the ruling makes my head spin. Finding something more down to earth is what I'm seeking. You could take the topic of CITES/Tonewoods topic in many directions. From alternative woods and the delta between the woods they replace, or illegal trafficking or even requirements for traveling with a guitar that incorporates CITES restricted materials.

GEAR:
  • Fender Chris Shiflett Telecaster Deluxe Electric Guitar
  • Roland Blues Cube Stage 60W
  • Blank slot

Here are two topics I'd love to see from EquipBoard: * 5 Best Custom Guitar Cables * 5 Best Custom Guitar Strings

I definitely relied on the original "5 Best Guitar Cables" in making some early purchases. Since then I've moved on and found my favorite in Rattlesnake Cables, but there are many contenders including Sinesoid and George L's etc.

Similarly, I was a devout Ernie Ball Strings player for decades, until I found inspiration in custom wound and configures sets that I love in Stringjoy. I would still be very interested in the clinical results of formal research.

Lastly, I'll toss a 3rd idea on the topics pile with "Custom" being the operative: * 5 Best Things About Custom Things Have fun with that one. The world is your oyster pearl inlay.

~m

GEAR:
  • Fender Chris Shiflett Telecaster Deluxe Electric Guitar
  • Roland Blues Cube Stage 60W
  • Blank slot

as far as it was explained to me by Michael the 'formal' research in the equipboard roundups isn't hands on, Raucus, its a lot of statistical data and trawling oppinions on other forums usually.

I've been doing the item-by-item reviews (Elixir Nanowebs, EQD Transmisser and Novation Peak synthesizer so far). These are hands on and in-depth, but its time consuming and I cannot imagine how long it would take me to write a good, hands-on roundup ranking soemthign as simple as 9 different boutque cables and a cheapo store brand oen as a control. In my experience every cable soudns different based on its specs and neither is better or worse. Whats best is different for everyone absed on their ears and their gear. There's also a lot of hooha and snake oil involved in the fancy cable industry. Few of these guys manufacture their own cable apart from like Mosnter and Mogami. Mogami you can buy in open spools. you can also go in any electronics catalog and find cheaper coax, shielded raw cable with the same specs as Mogami silver or gold for less than the same amount of actual Mogami with no jack ends. Buying something like George L? The cable is nothing special, trust me. There's coax AV cable thats equally thin, flexible and well endowed in teh capacitance department. You're just paying for his sodlerless jacks (which I distrust for electronic reasons).

With strings I feel similarly, although there's soemthing to be said for the nanowebs I reviewed. They have more of everything sonically and its always easeir to take away sonically than to add. Unless you are a pure nickle devotee or you like dying strings? Elixir has a string for your electric these days.They also last FOREVER. Even better than the coated EB slinkies. I can't wear them out. And I DESTROY strings. I can't see any point in doing a custom string roundup. Unless they have a special core or some unique materials I can't imagine enough difference an audince member will hear it. Or even a band member. This is bedroom player stuff and these guys are marketing a lot of very similar products that offer little sonic benefit out of teh cotnext of your bedroom in an attempt to get your money. Like the guys who sell magic speaker cable to Hifi guys. I have enver once done a blind taste test with a hifi snob between their fancy, magic cables and some fucking cut up wire cat hangers and ahd them figure out whichw as which without getting red faced and guessing. I have done this... you ehar what you THINK you hear based on what you're looking at with stuff like this.

That said, if you want to try a TRUE hifi cable, try evidence audio cables. They are solid core, not rbaided. That's copletely unique. They sound completely different then traditional rbaided cables ebcause they don't rely on the skine ffect. They aren't as flexible as a normal cable but the forumulation these guys came up with flexes enough to satisfy Dave Gilmour. They're toos tiff for me, but they sound different. Totally snappy transients like you've never ehard... if thats your thing. They truly behave differently and are a ground up design.

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

The question was not "Is there any EASY articles...". I can give suggestions all day long, but I will leave the writing to you and the crew. Though I do hope you're having fun regardless. Considering custom strings; nickel or otherwise, I ultimately landed on customs because it beat the heck out of buying double packs to hand assemble a mix of guages: one and done with a tone I love. As for cables, I understand what you're saying with solid core being stiff and also a stiff hit to the wallet, but I'll check into Evidence. I personally, am not a fan of solderless so George L's are out for me. I will say this about custom builders, the crews running what tend to be small shops treat customers like rockstars... even those for whom, playing out means playing in a dingy, cold garage. Respect! ~m

GEAR:
  • Fender Chris Shiflett Telecaster Deluxe Electric Guitar
  • Roland Blues Cube Stage 60W
  • Blank slot

I'm sorry if I came off so negative. I am just a total cable sceptic for anything but low impedance mic or line level signals, and even in that recording domain I find that its not always critical, especially for something like electric guitar mics that will likely need quite a bit of high and low apss in a complicated mix to remove musically ennescasarry info that might pull it to far forward and also obscure cymbaks and vocal details. Do I care if I lose a smidge of high end details and transient data to capcitance? not in that isntance, its actually making my job easier to use a cheap XLR on the microphone in front of the speaker. Its the reason a lofi mic like the sm57 remains the go-to electric guitar microphone for so many people. But I digress.

On the custom/small company front? Sure, I have had great experiences with all these little builders, I've had endorsements back when iw as a pro (fat lotta good my endorsement did those guys, but free stuff is free stuff) and I lvoe the little guys. I DO enjoy the personalized service. But a roundup sounds difficult with soemthing like strings becausewith older, more advanced players the reasons to go custom are SO varied. When iw as doing a custom small string co endorsement Iw anted free strings as well as soemthing SUPER reinforced. I'm not a hard player but with van touring in the witner the strigns are more prone to uenxpected breakage even when new because they're in and out of different temperatures and humidities all the time. Before going custom i was soldering my ball ends to secure that critical juncture on my ernies. I wound up getting a small company that's not around anymore to basically do that for me. they were sturdy but i went back toe rnies in the studio, no joke. They intonated more consistently pack to pack. On the other hand, you want a crazy mixed set to suit your tension needs as a player (been there with a gretsch, it played and sounded best with a hybrid gauge flatwound set, basically 11 gauge flat EAD, 10 gauge plain G and B and an 11 gauge plain E)... another guy wants a different core shape on his wound strings or wants soemthing between a flat and round wound but doesn't like GHS burnished nickels.... I'm not sure how I would rate the different options for soemthing like this. I'm really not, but if you can suggest some criteria I would certainly consider doing an in-depth article in 2018 as long as I'm not asked to evaluate more than 4 or 5 small string makers at a time.

I don't know if Mason would be interested in udnertaking soemthing like this.... to do it right we would need to choose the top field of bespoke string makers, settle on strings that are similar from each manufacturer, decide evaluation criteria, settle on a nice, universal test rig and then maybe allow extra credit points for how custom you can get with these companies... there's gonna be some recording and spectrographing/scoping involved and I would probably have one of my guitar playing friends come in as a control to support or contradict my impressions of each set... I would probably also do some research on tehse companies and their manufacturing. I know for a fact that a lot of upscale companies just rent manufacturing space from the big boys who produce their strings to spec under contract. I would be curious who is actually making strings in their home shop and who is developing specs and contracting out...

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

No worries. I've been in here long enough to be well aware of the passion in your pursuits. You're the pro who know's his shit. I'm just the hobbiest who digs all the gears. Given the difficulty of reviewing the gear, would a retrospective on builders in the realm of feasible? ~m

GEAR:
  • Fender Chris Shiflett Telecaster Deluxe Electric Guitar
  • Roland Blues Cube Stage 60W
  • Blank slot