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What's your basic studio setup?

that's just abuse.

it just sits in there

GEAR:
  • Fender MIJ Jazzmaster JM62
  • Epiphone Dot
  • Electro-Harmonix Sovtek "Green Russian" Big Muff Pi V7C

Ok. officially not sure which reply you are asking why to....

The vocoder guitar This was because it was something I had discovered you could do with a guitar when at suitable volume, and it was not only an effect... that was passable and recognisable musically, it had a flair about it, a performance aspect that was different. It was not common to see the singer/ guitarist jump back from his mic, have the rhythm guitarist take over singing and have the singer start screaming this electronic gurgle through his chest. It was a point of difference that made our shows notable.

The screwdriver? There was not a lot of call for slide guitar in the alternative/ grunge rock scene. Certainly not enough for me to actually go out and buy another slide... couldn't be stuffed. Other guys used a beer bottle... wet glass... no thanks. The mic stand? you look like a humping dog. The screwdriver gave a better sound, the Philips head because there was less aggression at the tip than a flat blade screwdriver and less chance of actually doing any physical damage to the guitar or having the blade of the tip scrape the fretboard or glinge off of the strings. I never had to turn around and place it back on an amp. Convenience, practicality and cheap ass laziness got the job done. I got the sound I wanted, and I was the guy who screamed through guitars and played with a screwdriver....

GEAR:
  • Fender MIJ Jazzmaster JM62
  • Epiphone Dot
  • Electro-Harmonix Sovtek "Green Russian" Big Muff Pi V7C

it was the screwdriver. the vocoder was unique and talented and uniquely talented.

I believe it was discovered shortly after accidentally spitting in the face of the rhythm guitarist and after some scuffling finding myself pinned to the ground on top of my guitar being pummelled whilst continuing to yell threats and abuse at him while laughing my ass off...

GEAR:
  • Fender MIJ Jazzmaster JM62
  • Epiphone Dot
  • Electro-Harmonix Sovtek "Green Russian" Big Muff Pi V7C

that is an amazing story. honestly. swear to god.

Every oldster who makes music was once young and cool sowe have a plethora of insane stories.

The screwdriver slude is not terribly original. Sorry Terry. Its no vocoder trick. Thats1st rate as us the story about your inspiration. Just sweet.

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

Adrenaline and innovation are a wonderful combination. At the end of most shows I used to throw my guitar into the air with one hand and catch it with the other before dropping it onto the ground and leaving it howling as I walked off stage. Fairly standard practice without being too destructive. One show our bass player turned up with a brand-new secondhand bass. He played the entire set and at the end he threw it up into the air missed the catch and the bass hit the stage headstock first and shattered the headstock completely off of it. That was enough to stop me throwing guitars.

GEAR:
  • Fender MIJ Jazzmaster JM62
  • Epiphone Dot
  • Electro-Harmonix Sovtek "Green Russian" Big Muff Pi V7C

my strat is pretty beat up from all the times I threw it.... the tech doesn't always catch it or you forget you no longer have a tech and the monitor guy just gets out of the way and.... SMASH. I am lucky the headstock never broke off, but its just dinged up thank god. And there are big heel cracks but I know how to handle them... I'll never throw a guitar again though.

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

Yeah, Jim prompted me to come weigh in on this but he covered the general "ethos" so damn well & then peppered in a ton of other fun stuff I'm not even sure what to add!

I will say I know of several releases that were all done with GarageBand & a few pedals or even just a Holy Grail. Hell, to this day one of my favorite recordings in the last 15+ years was with just a low rent stereo mic. That's it. Into a ProTool rig that looks like Audacity (don't get me wrong, I love Audacity) compared to the current GarageBand.

Limitations make for creativity. Millions of options is, for me at least- usually paralyzing.

Make a record & tour the world! You got all you need my man. Seen it happen...lots.

thanks. imma link you all to the soundcloud when it's finished.

Basic set up until the formal build out are constrained by space but here's the quick once over of the current set up-

Various guitars, keyboards, and other output-jack instruments (Yep, lots of 'em)

Soundcraft 200B (with the expanded EQ/later model) w/ channels 1 & 2 permanently set up with a tube/transformer pre (Hamptone)

UA Apollo 8p Quad + Quad Satellite (Black whatever sale, fit the budget)

Analog: Otari 1/2" 8 track (tho I miss my MCI 1" 8 track everyday)

Digital: Ableton is definitely my main DAW. I also have Logic X Pro & ProTools. I head to ProTools to mix, sometimes Logic. Case by case basis.

Editors? A ton of UAD plugs, Eventide, iZotope, & like 1 maybe 2 Waves plugs. Audio Damage & Serum come to mind as well. A smattering of the usual suspects.

Handful of rack gear & 500 series stuffs- a fair amount is on my board but I got a ton I still gotta add. Oh yeah, a Tech 1200 turntable as well tho it's soon to be retired...a handful of Ableton link iPad apps.

Besides that about 20-25ish guitar pedals,bunch of mics, etc.

*Updated. Dunno why I lagged on picking up ProTools. Fixed that. ProTools is back.

y'know, I have the old diamond bundle from like 10 years ago, but I wanted the enw shit from waves so I did the mercury subscription last year. When I'm not mixing I don't pay the $150 and then I renew qwhen I need plugins. I keep considering buying the Waves satlleite processor to take the laod off my CPU so I can get more out of the subscription. Its expensve just like the UA one and waves only makes like 1 virtual instrument and its well modelled but very much voerlaps my existing hardware so tis hard to justify.

I have a 70s 1200 on a shelf too Zach! Used to have 2, but I never DJ so I sold one of them to a buddy... they're still worth a lot.

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

Yeah, I dunno why but I'm super suspicious of Waves stuff. I've no real reason to be. I think I got turned off by the 1 knob stuff a bit. I also know there's tons of magic in plugins with wild proprietary algorithms but I just feel weird using stuff if I don't know exactly what it's doing. Like is this gonna fuck with my phasing? Etc.

I'm working on loosening up tho. Anymore I kinda got a wicked tool for just about everything so I'm a hard sell. You'll have to advise me on fun stuff to check out sometime

I don't use the one knob stuff.... I am suspicious of the mystery controls on the signature plugins too.... I have been trying to gear myself up to try the Maroquin, Puig and Mazerati plugs but I dunno.... so far I have only sued the Butch Vig Vocal with the steampunk GUI and the Chris Lord Alge stuff that just clones specific pieces from his rig -- oh, and I sue the Puig-child Fairchild emulation as it sounds better to me than most other farichild plugins... for the msot part the waves plugs I use the most are the tried and true ones that aren't emulating a specific piece of gear like the renaissance compressor and reverb, maxxbass, L1, L2, trueverb, sometimes the crazy flange/phase one, linear phase EQ sometimes, the multiband compressor is really handy and easier to dial in than a lot of my other multis... I do often use the CLA2A because its in the ballpark and once in a blue I'll use a blue line 1176 plugin, but usually for fet compression I use the presonus eureka strip and print, a lot of times while tracking! I just commit to a heavy 1176 type squash and do that. Occassionally I do a 1073 EQ emulation or just need some simulated transformer color for style and use that.... I'll occasionally dicker around with the REDD and TGA abbey road emulations but I rarely use them for anything. They sound hyped and cool and all, but they don't fulfill a musical role making the isnturuments play together.... they're justs tylizing.

its funny, one thing I swear by is this freeware VST DBX 160 clone:

http://xclusive-audio.com/free-vst-dbx-165a-compressor-by-sixty-five/

I use this on tons of inserts because at moderate settings it responds like a 160 and its easier to use one of these versus plugging up a 3630 and running a track through another pass of AD/DA.... it has a parallel blend knob so I'm happy because generally during mixing there's a specific way I use VCA channel compressors and its gotta be parallel tog et the sound I'm after

I really like this bundle of bread and butter VSTs that are freeware: https://www.meldaproduction.com/MFreeEffectsBundle apart from their excellent comb filter that I use now as much as the old Steinberg comb? its all basic stuff, but it has wonderful host sync and stuff so you can lock everything to host tempo including dynamics processors without doing and math and the comb and pitch effects can be tuned with a piano roll inside the plugin so you can really dial in musical frequencies for filter cutoffs and stuff. The limiter is really exceptional. It responds like the L1, but it has parallel built in as wella s a complex harmonics engine that gives it a little character. I was always a fan of using L1 or L2 in parallel but its a bear in the box avoiding phase problems between the processed and unprocessed busses... anyway, I like this gadget. I also am really find of Toky Dawn Research. I sue Slick EQ like crazy and love their parallel feedback compressor. If you really know compressors this is a great plugin.... if you're used to just whacking a setting on some hardware by ear with no logic to how you dial that in? well, not for you, TDR's compressor can sound really bad, but with care it sounds hella good. I mean, I ostly use the same stuff as everyone in the box. Soundtoys echoboy gets used. Altiverb...

people on here are always asking me about plugins and stuff but I don't do anything that special. Its a mix of (often free) digital tools with super specific controls that suit my way of doing things, some good emulations of my favorite hardware and soemtiems just shit that came with the DAW. I'm not real picky unless something just isn't sounding as good as it did when I was recording it. I think maybe I use them differently than a lot of people on EB? I dunno, I am pretty sure I have a different philosophy on whena dn why I reach for a compressor or limiter and how I might employ it... and that's definitely going to cause me to use different tools than a lot of people whoa re like "its gotta be an SSL G bus compressor emulation because EVERYONE mixes into the buss compressor man! and I have to have 20 isntances of 1176 emulation on the channels because its the standard and and and..." No, I'm not like that. I want something tht will excel in that particular application and I don't care what its supposed to be like, often tis better to sue something that has no 'character' and just has really fine, control of every parameter so you can get it just right.

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

I'm ditching the formal studio for the new "Sunshine Studio" ver. 2 until fall whenever possible.

http://images.equipboard.com/uploads/gear_photo/image/4897/xl_IMG_1880.JPG

Dream setup or Blue Light Disco waiting for nightfall and the second chance at sampling the voice of darkness banging on darkness banging?

GEAR:
  • Fender MIJ Jazzmaster JM62
  • Epiphone Dot
  • Electro-Harmonix Sovtek "Green Russian" Big Muff Pi V7C

I wanted to shed the studio tan & I've been on an all hardware thing so this worked out nicely. The 4th of July bought me a bit of time on my mixing workload...I might be milking it a bit now tho. back to work tomorrow...

I had to google Blue Light Disco tho...is that really a thing?

Yes, Xaq, that's what's up right there.... although I suspect come teh Autumn its going to get dicey for outdoor electronic devices up there in the Pacific Northwest!

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp