nothin' worse than missing the train or bus to work/school... you know what else sucks? when the train is overcrowded and they make you wait for the enxt one 20 minutes later and it'll make you late, but if you get back in your car and get back on the highway you will probably be 30 minutes late and that's when you can find a free parking space!
instead of WORKING on it, try THINKING about it and sitting on your hands for 24 hours, then resume work with lots of really developed ideas of where to take it
also, that flutey part really sounds weird to me against the vocal, the cadence or something.... have a listen for yourself...
its not very funky, the whole song, is it? like the syncopation is not really happenin' even though its at a dancey tempo.... speaking of which, do you ever go out dancing ? I don't anymore (well, once in a blue), but I used to (from raves to goth clubs, mambo to salsa -- even took swing lessons with someone I dated beore Iw as married) and it was very good for my rhythm, the visual aspect of me playing in a band on stage and it was a generally good time...
sometimes when I am working on the overall 'pulse' of a song that's sequenced I will blast it loud and proud in one room and then go around the corner to another room and listen to it that way like through the walls of a nightclub (it doesn't have to be dance music, just anything over 100 BM that needs a strong drum and bass groove) and if its not making me move my feet a little I will rethink the drum and bass parts, mostly the cadences, not usually note selection
BUT ANYWAY, you might want to move some asses if you really wanna save some souls... Gospel Music has the right idea.... you wanna hear some booty shakin' music that's all about Christianity check out the EARLY Staples Singers.... super religious, super-badass.... listen to the groove -- I am convinced that if there's a good he wants to hear more music written for him like that and less hymns and such that are just too gloomy