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Your musician pet peeves

He COULD have been playing a right handed bass strung up like a lefty. Even still, Homer Simpson was playing a lot closer to the track than the kid on Sopranos was.

I've been doing a lot of dance music lately and getting tied back into the community of nerds turning knobs (real and imaginary) in their bedrooms after basically 2 decades of absence my new pet peeve is this:

https://www.samplemagic.com/images/uploads/pages/massive-6.png

sub in any other wildly popular software synthesizer, I just picked on NI's massive because literally everyone but me and a handful of other oldsters uses it. I'm rebelling so hard against this shit that I am using piles of my hardware when I remix people's stuff even though software is easier for a lot of these jobs. Tweaking a preset is NOT the same as making your own patch, guys. If I can program a DX7 from scratch and interpret the impenetrable menus of the ESQ1, then you can handle making a unique patch from a sine wave in these easy to understand and user friendly modern synths. Stop being so lazy.

see this window? this is your friend.... you highlight new patch and click it and if you are stumped from there, read a fucking book. http://durkkooistra.com/wp-content/uploads/2010/12/load_preset.png

https://youtu.be/su9daHxMX_c?t=30s

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

FNG chiming in here.

Musicians that endlessly noodling between stanzas. You know the ones...turn a 30 second stanza and add 6 minutes of non stop jamming before the next stanza. Making a 4 min song into 12 minutes. Come on ever heard of "Phrasing" Latest culprit was a Albert Cummings show a couple of months ago.

Note: for future blues/Jam players: Have a point ...make a point! Use you inner compass and built on something with a direction in mind. I know it is hard do to do when you are high.

Is this what people want or is it ego?

When you go to a concert early and you're watch the headliner kill it but the people around you are either texting endlessly or playing crossword puzzles at the VERY FRONT. Quite disrespectful...

On another note, it's very interesting to see who goes to certain concerts, especially early. Met a few photographers, a luthier (forgot to get his website!), lots of gear enthusiasts, and a few others, so it wasn't too bad.

When people say they like a band but actually mean to say, "I like one of their songs enough to sing along to the chorus when it's on the radio".

I think you said that last year, Boom. Or something along those lines.

I hate closed minded musicians, especially folks who are otherwise talented. People who say thing like "I can't work on music without a prominent guitar in it" or "I'm not going to play rock guitar anymore now that I took a few jazz lessons."

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

Idiot me thought it'd be a good idea to use thicker strings. Damnit, now I am very uncomfortable with .08 or .09 gauge strings.

we all go through the big strings phase encouraged by players like SRV to think that thick gauges have thick tone regardless of the neck scale, wood in the guitar, pickups and signal chain... derp, brian may, billy gibbons and many others make 8 gauges (and I think in billy's case 7s) sound huge because they know their gear and are monster players in their idioms....

use the gauge of strings that holds tune well for multiple songs in adverse stage conditions and that feels effortless to play (this does not always mean less tension as too light a gauge can be tough to control when bending for those of us who don't have a super light touch)

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

True. The gauge hasn't really much of a tone change, but the reason I've stayed on .11 (and soon .12) for this long is comfort. I forgot about tone long ago... It just feels nice to have sch thick strigs that still bend pretty well.

Musicians who start out on an expensive guitar, and go years without buying anything else, but instead mooch off of those with pedals, cables, and amplifiers.

True. The gauge hasn't really much of a tone change, but the reason I've stayed on .11 (and soon .12) for this long is comfort. I forgot about tone long ago... It just feels nice to have sch thick strigs that still bend pretty well.

Buy a bass :)

A serious choice I will make sometime in the future.

Since you're here, Boom, how do you feel about "baritone guitars" or basses like te Fender Bass VI?

Baritone guitars are fine, but basses they are not. I'm not a fan of these hybrid instruments like the Bass VI, the SRC6, and the Ibanez BTB33. They never do a better job than the actually instrument, so your'e left with a mediocre instrument on two fronts versus having a great instrument on one. There are things you can do on a bass that the VI is super difficult with. Slapping is a popular technique and the tight string spacing of the VI make's it difficult to perform. Popping the highs won't generate the right tone you want either. The people that I have known that owned these types of instruments never grow the same way they would have with an actual guitar or bass. The guitar players with an SRC6 still play and write like a guitar player and cannot deviate from their style. People that pick 2 legit instruments though always add an extra spectrum to their writing and playing. If you want a pizza, get a pizza. If you want salad, get some salad. Don't buy some disgusting salad pizza.

There are certain bass brands I like more because they have signature tones that aren't replicated. Spectors for example all have a distinct growl, more so than Warwick/Framus even, that you can identify in records. For my ears, it's the most recognizable sounding bass on cd's due to the growl coming in hard on the lower frequencies and the higher ones being really clean and bell-like. They also are one of the few companies that nail what a low B should feel and sound like. I'm not a fan of Fenders however, I do recognize their ability to replicate the tones of other brands with the help of pedals. Rickenbackers I feel sound too thin. Dean's are weak instruments and always lose tone tests against ESP's and such. Ibanez basses are lightweight, inexpensive, and have their own toneprint as well but it's not as strong as Spector for ID reasons. Ibanezes have missing mids to my ears and the $200 ones sound a lot like their $2,000 ones.

If you were in the market for a bass that you wouldn't grow out of, I would tell you to buy a Spector Legend 5 string. They are very decent instruments as they are with the 35" scale, highly sculpted front and back bodies, and a neck that is thick front to back but thin side to side, which should feel somewhat like a Gibson/Peavey/ESP style of 6 string neck. When you do want to improve upon it, upgrade the pickups and/or preamp and the nut, then you're done. Bass runs $800 brand new which means you can have a hotrod of a bass for under $1,200. Now that I am playing with mine with different sound techs, the Spector is EVERY technicians favorite sounding bass and they say dialing it into their boards is easier than the other locals' basses.

2 words to contradict this: Glenn Campbell

https://youtu.be/4qoymGCDYzU

but I guess his bass VI/baritone playing that sat so well between the guitar and bass players in his band is the exception that proves the rule...

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

A five-stringer, eh? Honestly, staying with one instrument that I won't tire of doesn't sound like me. The feeling of outgrowing a guitar is pretty amazing (starting to begin with my acoustic) and I can't imagine staying just with one instrument. The Spector does look nice and, if I were able to tell the difference in sound between all of them, I'd probably tell you if I liked the sound.

Fenders... a Jaguar bass. Or maybe Epiphone's EB-3. Or or-

http://45p7l247kwsi1nr7kr3p2hig.wpengine.netdna-cdn.com/uploads/2015/11/daexsdbassbb-1-1-278x900.png

If only... Too bad I won't be playing bass anytime soon. Still, very helpful advice. Thank you, Boom.

"I have a Gibson Les Paul. I'm a good guitarist!!!!!!!!!!!!!!!!!!!111111!1!1!!!" - can't play "Live Forever" solo correctly.

I agree with you 100% As much as I love my Bass VI its not a bass guitar. I think its best used as a separate sort of instrument. Like Robert Smith from The Cure uses it for lead lines more or less. The Cocteau Twins tune their Bass VI slightly different and sort of play off of each others playing. It seems to work well for them. I will say that the octave lower tuning seems to compliment the guitar IMO. I've never tried recording is strictly as a bass guitar. Maybe with the right amp/cabinet and some tweaking you could pull it off. But I think if you want bass use a bass! Grab a Music Man or Fender P bass. Ive never played a Spector. Ill see if I can find one the next time Im in a guitar shop and give it a go. Check out how well this Fender Bass Vi compliments the guitar in the song .

https://youtu.be/ZDKjPhCdxGg

people who can't read but try to play western music... I don't mean you need to site read like a session musician, but if you look at a piece of music on a page you should have a general idea what it sounds like after a few minutes...

I am just sick of dealing with people who have the mechanics down but cannot read... even close friends. It takes FOREVER to get something across to them, even if you have a nice tidy demo and I no longer have the free time to hold every player's hand until they are ready to jump in and make a part their own.

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

I've been there man. Having to tell people what to play and show them how to play it. And they NEVER had any input to offer about writing. It slowly but surely becomes a pain in the arse. Hell, At one point I was haveing to be everyones guitar tech because they couldnt (or wouldnt) tune their guitars correctly or change out strings. SO I jumped ship.

oh my god, I was my band's tech! guitar/bass setups, amp maintenance, making cables between shows.... and I ahd a tech and a roadie at that time, but tneither were up to the bg jobs so I just grudgingly put my axe down and got my tools out....

the worst is when you are writing 90% of the music, arranging everything, teching AND losing 75% of income to 4 way split with guys who are taking a cut of not only tour revenue BUT ALSO hold copyrights and publishing on amterial they contributed no more than 2 notes to, and those were in the arrangement and not technically part of the actual copyright!

lesson learned, being egalitarian only encourages people to mooch

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp