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truc2 is a multi-effect plug-in with 4 different effect modules and two automated XY pads to modulate their levels and parameters.

It is designed to add variation and movement, anywhere along the scale of subtle to overkill and is suitable for any material. The 4 effect modules are DIRT, GRAIN, RING and DELAY. The first XY pad modulates the volume/mix level of each module, whilst the second XY pad modulates any 4 of the 15 automatable parameters. Both XY pads can be moved manually and additionally automated with a variety of LFO shapes, speeds and depths.

DIRT – 18 flavours of distortion, 3 types of degrading and a resonant state-variable filter. GRAIN – Tempo-sync Granulising with 6 envelope shapes and pitch/size/rate randomisation. RING – Ring modulation with LFO, 14 tones, 11 LFO waveforms, vol and pan modulation. DELAY – Tempo-sync delay with reverse, ping-pong and resonant LP filter. 2 XY pads with simultaneous manual and automatic modulation. Modulate the effect module overall volume or wet/dry mix level. Modulate any 4 from 15 of the parameters in the 4 effect modules. Tempo-sync LFO for each XY pad axis, with 16 waveforms and adjustable depth and phase. Dragable XY pucks for manual modulation, even when automated by LFO. Graphical representation of XY and parameter modulation to see at a glance what is automated. 120 presets. bonus truc2 mini plug-in.

plastique is a 2 oscillator subtractive synth, using the 31 waveforms from the Casio HT-700 and some enhancements to the original.

It does lofi 80s sounds but also so much more, with a configurable filter (up to 16 poles), a pitch envelope for percussion, an arp, tempo sync delay & LFO, chorus and some lofi instability.

31 Waveforms from the Casio HT-700 2 Oscs with sync and octave / semitone detune Configurable Resonant Low Pass filter (2-16 poles with cut-off spread) Volume and Pitch envelopes Tempo sync LFO with 10 waveforms and note-on sync to modulate filter and pitch Tempo sync Arp with 6 modes and adjustable octave range, note length Tempo sync Delay Adjustable Chorus Lofi options include reduction in quality, distortion and pitch drift 64 presets from Tim Conrardy, Ouroboros & Sink

FMMF is a 4 operator FM synthesizer.

2 primary aims: Make FM synthesis as accessible and user-friendly as possible. Use multi-stage envelopes and LFOs to make give lots of movement and modulation.

4 Operator FM Synthesis instrument with 17 FM algorithms 11 different waveforms per operator, with note sync option 7 Multi-segment Envelopes (up to 32 stages) for amp, pitch and effects modulation 3 LFO’s for pitch and effects modulation All envelopes can be free or tempo-sync, each stage can have it’s own contour Envelopes can have user defined sustain and repeat points with flexible locking and zeroing options LFO’s can be free or tempo sync, with 20 waveforms and phase & note sync options Each LFO has it’s own ADSR envelope Arpeggiator with 6 modes and adjustable tempo-sync, note length and octave range Resonant low pass filter with key and velocity tracking, can be modulated by envelopes or LFOs Distortion effect with 18 flavours, can be modulated by envelopes or LFOs Delay with comb delay option, size, feedback and damping, modulated by envelope or LFO Harmonics can be adjusted from 1 to 256, with limit on frequency beyond Nyquist Polyphony adjustable from 1 to 16 voices Portamento time 64 presets by brian botkiller covering many styles

basic 65 is a monophonic synth, inspired by the classic 80s home computer, the Commodore 64 and its legendary SID chip. Building on the waveforms and signal path of this famous chip, basic 65 adds further features and options to take things a step further.

The double arpeggiator allows complex versions of that retro 8-bit game sound and the modulation options inspire experimentation via the mod envelope and 2 comprehensive LFOs. Pulse width modulation, ring modulation and oscillator detune/sync are key ingredients in the signature sound. Throw in some pitch drift, bit drift, a sprinkle of dirt and randomisation and you have a wide range of lofi, chiptune, retro-tastic sounds at your disposal.

This version is the update to the popular basic 64, redesigned from scratch, with many improvements, new features and all new presets. basic 65 was co-developed with sink, who also made the amazing presets.

Monophonic synth in VST format for Windows based hosts. 3 oscillators with pulse, saw, triangle and noise waveforms. Pulse width can be modulated by envelope or both LFOs. Each oscillator can be sync’d to another and/or ring modulated by another. Each oscillator has its own ADSR envelope and can be routed to filter individually. Resonant filter with low pass, high pass, band pass and notch modes. 2 tempo-sync Arpeggiators in series for complex arp sounds. Arp tempo, range and note length can be adjusted. Modulation envelope can control pulse width and pitch of individual oscillators as well as filter and dirt. 2 tempo-sync LFOs with wide range of waveforms, including random. Both LFOs can control pulse width and pitch of individual oscillators. One LFO also controls filter and dirt, the other can modulate the depth and speed of the first LFO. Envelopes are non-linear and can be retriggered from zero or smoothed on each new note. Pitch drift models instability with variable depth and frequency. Options for 4, 6, 8, 12 or 16 bit audio with randomising feature. Developed with SE 1.1, so no problems with multiple instances. 128 presets by sink covering arps, leads, bass, drums and lofi sounds.

Dirty Harry is an unashamedly DIY lofi synth based on the samples of two homemade, lofi noisemakers, the Atari Punk Console and the BugBrand WOM.

Dirty Harry offers 20 unique waveforms in all their mono/monophonic glory. For extra grit the oscillators can be sync‟d or ring modulated. Fidelity can be lowered further still with reduction in sample quality, distortion and a unique „bad contact‟ emulation. 2 tempo sync LFOs allow modulation of filter, pitch and contact, with one LFO modulating the depth and frequency of the other. There are envelopes for volume, pitch and filter, with different contours and pitch options. Throw in an arpeggiator, pitch drift and portamento and you can see that whilst it may be lofi in sound, it doesn't lack for sound design features.

20 unique waveforms sampled from homemade lofi synths, the Atari Punk Console and the BugBrand WOM. 3 oscillators, syncable to osc1 and ring modulatable with each other. Each osc can be routed to the filter independently. 2 tempo sync LFOs with many waveforms, can modulate filter cutoff, each osc pitch and the contact depth and wet level. LFO 2 can modulate the depth and speed of LFO 1. 2 envelopes for volume, filter or pitch, with various contours and options to modulate up/down. Tempo sync arpeggiator. Dodgy contact emulation. Pitch instability. Low quality, dirty, lo-fi options. 16 dirt types. 3 flavours of lofi. Arp octave control. 103 presets across Lead, Bass, Arp, Fx, Drone and Basic categories. Updated to SE 1.1, eliminating multi-instance problems on multi-core CPUs.

ClipStar is a soft clipper effect plugin, designed to prevent peaks in a subtler way than hard clipping, increase loudness and add pleasing saturation.

Where ClipStar differs from other clippers is that it can leave the low frequencies untouched, where distortion is more evident, and allow a greater boost in gain without noticeably degrading the signal. You can use ClipStar for peak protection, for loudness gain or for sympathetic distortion depending on your mood and the phase of the moon.

Vintage style soft clipper with low frequency bypass and comprehensive metering. In gain & Out gain adjustable to +/- 30 dB. Soft clip limit can be set from 0 to -30 dB. Low frequency bypass cut off from 0 to 1000 Hz. Low frequency gain can be adjusted from +/- 30 dB. Subtle colouring from a home-made blend of harmonics, saturation and noise. Optional hard limiting on final output. Metering covers stereo input, output and gain reduction. All meters show actual and peak levels. Adjustable peak meter hold time. Double-click knob resets.

#free

Acon Digital Multiply is a free and versatile chorus effect with a unique twist. Each simulated voice is processed with a phase randomizing filter so that unpleasant comb filter effects are avoided. The effect can be used to simulate the effect of several performers playing the same tones simultaneously, to widen the spatial image or to create special effects for sound design. Multiply can simulate up to 6 additional voices and both the pitch and the loudness of the voices can be modulated. There is also an integrated equalizer consisting of low cut, low shelf, high shelf and high cut filters that can be applied to the effect signal. An integrated pre-delay section makes it possible to create modulated and diffuse echo effects.

HY-SEQ16 is an analog style step sequencer.

16 step sequencer units. Scalable plugin window. Preset manager. Undo/redo. Value randomizer.

HY-MPS free is a block base sequencer.

There are 3 step sequencer blocks which produces midi note events. Playback chain order of seq blocks will be controlled by block chainer. Block chainer is a 16 step sequencer which controls chain order of seq blocks.

You can make midi sequence with combining these seq blocks. Also running direction and step size of each seq block can be set independently. Each seq block represents a quarter note and step size represents divide factor, so if you set step size 4, each step becomes 16th note.

This series is based on the ANALOG87 series which features a set of 6 high quality analog-style VST and AU effects for Windows and MacOS. Instead of just providing a limited demo of the ANALOG87 series, eaReckon would like to offer fully working free plugins using the same engine.

These plugins are not only easy to use, they sound good too. Even though some of the controls of the ANALOG 87 versions have been stripped out, you will find they will have a useful place in your virtual rack.

Drumatic 3 is a virtual analog drum synthesizer.

All sounds are 100% synthetic and allow an enormous flexibility and variation. Sounds are: Bassdrum, Snaredrum, Handclap, 2 Toms, Hihats and a Rimshot / Bell.

Graphical envelopes for amplitude and modulation. Load / save presets for single sounds. Simple but effective effect section for each sound with distortion and bitcrusher and a filter. 6 Stereo outputs, assignable for each sound. All parameters can be automated (midi-CC not yet supported).

The IQ-Series Reverb combines the most innovative convolution technology with the “retro” features of classic reverb processors from the golden age.

Excellent sounding reverbs and clever editing tools like positioner, modulation and vintage gate make depth processing in the mix easier than ever before. The included impulse response (IR) library contains hardware reverb devices, real rooms and new, layered reverb combinations. You can import existing IRs and edit them – the IQ-Series Reverb can handle all resolutions and works in true stereo.

The IQ-Series Reverb’s centerpiece is the intuitive 3D display. All reverb processing steps are displayed here. You can change the length of the IRs, adjust the envelope curve. You can even process the different frequency ranges of the reverb differently. Gated or reverse reverbs are just a mouse click away.

The modulation section breaths life into any impulse response. The positioner is the perfect tool to place signals in a 3D space.

Impressive audio quality, previously unheard reverb textures and groundbreaking options combined with easy operation make the IQ-Series Reverb an indespensable tool for your mixes and masters.

Features:

convolution reverb with groundbreaking editing capabilities easy to use, clear interface intuitive 3D GUI reverb time can be adjusted for 3 frequency ranges cut- & vintage gated reverb reverse reverb modulation for vibrant reverb textures positioning of sound sources in a virtual space (positioner) true stereo capabilities extensive IR and preset library (vintage & high-end studio gear, “real” spaces, layered reverb combinations) create user reverbs import third party impulse responses and libraries scalable plugin window size “set as default” preset supports all common sample rates PC and Mac, 32- and 64-bit DAWs

Sonigen modular gives you the freedom and flexibility of classic modular synthesis with high quality sound and efficient cpu usage.

Fully modular with as many modules and patch cables as you want. A fast and intuitive user interface. Layout is mostly automatic, cables indicate signal flow, and our (unique as far as I know) dynamic input handling reduces the need for extra mixer modules, and also reduces screen wastage from unused input terminals / knobs. Modular voice and modular output effect processing both cleanly integrated in one window. Everything is processed at full sample rate, there is no lower "control" rate. This means pretty much anything can be plugged into anything else. It also means higher quality modulation control and processing. Just in time (JIT) assembly. The audio engine is written entirely in assembler, it is dynamically assembled and optimised in real time with no interruption in the audio processing. This allows a whole class of optimizations that cant be done with pre-compiled binaries.

Deducktion is a subtractive synthesizer.

2 oscillators with saw, square, triangle and noise waveforms with 'supersaw' detune, PWM and square/triangle sub-oscillator options. 1 resonant multi-mode filter with lowpass, highpass, bandpass, bandstop and peaking options. 3 envelopes, 4 LFOs and a 12-slot modulation matrix for a wide range of modulation possibilities. Built-in delay, chorus and reverb effects. MIDI CC control of parameters and modulation sources allowing full interaction with hardware controllers. Customisable GUI themes.

The Prodigious synthesizer is based around the design of a famous synthesizer of the past.

Enhanced with a few extras that perfectly complements its original vintage character. The concept is rather simple, two oscillators that can be self modulated by a third non audio oscillator (FM synthesis capability..) one fat 24db lowpass filter with self oscillation capabilities (and with the possibility of being modulated by the second oscillator, flexibility increased), dedicated envelopes for filter and volume countour, a powerful and flexible arpegiator for those moments where the fingers are simply not that fast (just kidding..), a chorus effect section with three distinctively rich chorus modes (to ticken up things a bit) and to finalize a delay unit to bring out those spacey sounds to the front. It is fully midi automatable too...

The Prodigious Synthesiser is also fully packed with 128 factory presets that really shows some if its power. Basses, Leads, Pads, Strings, Keys, Arpegiated and something in the between its all there for you to try.

GTG Synths ST 2008 is a synth for fast and easy creation of moving textures, lush pads, chords and electronic effect sounds.

Beyerdynamic Virtual Studio was developed by us especially for reference monitoring purposes. In cooperation with ITA Aachen (Institut für Technische Akustik) and the famous Aachener Kunstkopf the sound engineers of beyerdynamic have created "acoustic photos" of different loudspeaker systems in different rooms. For this purpose, a sinusoidal signal was sent through each individual loudspeaker and picked up again through the artificial head in the ideal listening position.

With this method, not only the loudspeaker system and the spatiality are taken into account, but also how the sound waves break from different angles at the head of the listener (Head Related Transfer Function). This creates an acoustic image of the loudspeaker systems in their actual surroundings. The impulse responses calculated from this form the basis of the software.

The bVS plug-in is loaded into the mastering section of the music software as the last effect. With the help of impulse responses, bVS calculates via the so-called convolution principle how an audio track or signal sounds on the corresponding loudspeaker in the respective environment and from the ideal position.

Vintage King USA calls it “The Mercedes of VCA Compressors”.

The original hardware Vertigo VSC-2 Quad Discrete Compressor built its reputation largely on the four, custom hand built, discrete “1979” VCAs used in its design. The plugin version of the VSC-2 captures every nuance of the hardware version and puts it right into your digital audio workstation.

Quad Discrete VCA Compressor The VSC-2 is Vertigo’s first plugin release, made in close cooperation with Brainworx, and based upon Vertigo’s “Big Impact Design”. The VSC-2 plugin captures all the fine nuances of this $6,00m0 flagship VCA compressor.

Although the VSC-2 was developed as a Stereo Bus Compressor, each channel provides a complete set of controls that also allows the VSC-2 to function as a dual mono device in recording and mix situations.

Plus you get a mono version for mixing situations, of course.

Other unique and innovative features lie beneath the bonnet, such as the ratio, which increases with amplitude in “Soft” mode. In this mode, the ratio positively corresponds to increasing input level, “tip toeing” in smoothly.

FM-Four recreates 4 operators FM synthesis with some improvements like the well known YAMAHA OPL/OPL2 chipsets.

FM-Four can produce wide range of timbres that are rich in harmonics.

8 FM Algorithms. 4 operators with coarse and fine tuning. 8 waveforms per operator (Sinus, Half-sinus, Abs-sinus, Quarter-sinus, Square, Triangle, Half-triangle, Abs-triangle). Multimode LFO synced with BPM and with Random mode. 4 filters. 8 stage envelope generator for multimode modulator. Distortion. Internal chorus. Internal 10 bands equalizer. Easy control with pop-up menus. 64 factory presets. Built-in preset manager with ability to patch name editing. VST automation. Full MIDI Learning.

Contralogic Productions Feldspar FX is a multi-effects unit.

Ring mod. Filter. Echo. Reverb. Pattern Envelope. 2 LFOs. Modulation matrix.

Contralogic Productions Feldspar is a tempo-based modulation synth.

16 LFO waveform shapes. 18 Ring modulator algorithms. Tempo-synced delay with high and low pass filters in the feedback path. Simulated oscillator pitch instability for vintage analog style sounds.

Phuturetone Philteroid is a dual filter effect, suitable for use on various type of rhythmic sounds (i.e. drums, bass, synth, guitar).

Beside pure filter work, Philteroid is also capable of FM, AM and saturation, and can transform plain sound to one with unique character and interesting texture.

Various filter types, from basic (LP, BP, HP, BR) to uncommon ones, can be obtained with filter type blend control and parallel/serial routing of filters. Filters can be synced in eleven predefined harmonic offsets between filter frequencies and modulated internally by audio signal (FM), ADSR envelope, envelope follower, LFO; or trough external input.

Philteroid is also armed with various amplitude modulation sources and can be used as envelope sharper, expander, noise gate, ring modulator.

2 resonant filters with filter type mix controls (LP/BP/HP/Notch/All-Pass), input overdrive and serial/parallel output routing blend control. Frequency Modulators: FM, ADSR envelope, envelope follower, external audio, LFO, MIDI (key tracking). Amplitude Modulators: AM, ADSR envelope, AR envelope, envelope follower, external audio, LFO. I/Os: 12 assignable input/output slots for internal and external routing of audio/CV and MIDI signals. Controls: Automation of all UI controls (except I/O slots) is possible. Double-click reset function. Patches: 128 blank user patches. Patch initialize and patch randomize functions.

Phuturetone Phutura is a virtual synthesizer inspired by 80's hardware synth Alpha Juno, best known for the Hoover sound.

Its edgy and futuristic feel makes it perfect choice for Lead and Chord Stab type of sounds, suitable for use in dark & energetic styles of music, i.e.: Techno, Rave, Drum&Bass, Electro, Hardstyle, Dubstep.

Polyphony: 8 Voices (+ 8 release reserve). Oscillators: 3 Oscillators (Sawtooth, Pulse and Sub, with 4-6 subtypes each) and White Noise Waveform. Filters: Non-resonant High Pass Filter (4 modes) and Resonant Low Pass Filter. Modulators: LFO, ADSR Envelope, Pitch Bender, Mod Wheel and Key Tracking. Effects: Chorus. MIDI: Automation of all interface controls is possible. Patches: 128 Patches (80 presets in Hoover, Bass, Lead, Pad, Polyphonic, Synth & Sound FX categories; and 48 blank User Patches). System: Windows with 32-bit host.

BlauKraut Engineering Charlatan is a polyphonic subtractive synthesizer with focus on sound quality and easy usability.

It comes with a flexible, yet not overwhelming feature set which encourages artists to start tweaking instead of just relying on presets. Inspite of it's simplicity, Charlatan's architecture is flexible enough to create both classic sounds and rather experimental noises. While making no compromise about sound quality, the sound engine has been highly optimized for efficient CPU usage making Charlatan well suited as a "bread and butter" synth even in projects with a large number of plugin instances.

2 oscillators with shape modulation. Oscillator hard synchronization and ring modulation. Unison mode with upto 7 voices and stereo spread. Stereo noise generator. 2 ADSR envelope generators. LFO with host tempo synchronization. 3 filter types modeled after classic analog hardware: 4-pole (24 db/oct) and 2-pole (12 db/oct) lowpass, bandpass. 3 voice modes: Monophonic, Monophonic Legato and 8-voice Polyphonic. Ultra-low CPU usage.

TC Works Spark FX Machine is a Multi-FX processor and Synth Generator for PC and Mac-based VST Systems, complete with 21 TC-quality FX & Synthesis Plug-Ins.

FX and synths can be loaded into a matrix, the matrix size can be changed according to your requirements, from 1x1 to 10x10 you can create any size for your processing.

Create your own effects or synthesizers by mixing the supplied Plug-Ins any any of your other VST Plug-Ins in series, parallel or both at the same time.

MATRIX PLUG-INS:

The matrix size is adjustable from 1x1 to 10x10. FXmachine (for VST FX-Plug-Ins). FXmachine Instrument (for VST FX- and Instrument-Plug-Ins).

EFFECTS:

Reverb (featuring the renowned Native Reverb Algorithm). Resonance Filter (with Envelope Follower). FuzzSat (Analog Distortion Emulation). Grainalizer (Modulated Downsampling Delay). Touch Wah (Wah Pedal with MIDI control). Tape Delay (Delay with LO-FI effect).

TOOLS:

1 and 3 Band EQ Plug-In (Parametric, Low Shelve, Hi Shelve, Notch Filter). Cut Filter. BandPass Filter. Correlator. Accurate Metering and Clipping Counter. Dithering.

DYNAMIC PROCESSORS

Compressor (Part of TC Native CL. Vintage Compression using SoftSat (Part of TC Native CL). Limiter (Part of TC Native CL). MaxIt (Maximizer Plug-In). Expander. Multiband Processing using all of the above.

SYNTHESIS:

These Synth-building blocks can be combined freely with other VST instuments and FX to build new sound generators:

TCO - Oscillator (monophonic virtual analog Dual Oscillator). TCF - Filter (24, 18, 12 dB filter with resonance). TCA - Amplifier (amplitude envelope generator with SoftSat). TCSeq - Step Sequencer (16 steps, receives MIDI clock). TCK - Virtual Keyboard (for fast control).

The URS Classic Console Strip Pro v2.0 is our ultimate multi console in the box channel strip solution. You the engineer create your dream console choosing your favorite algorithms from the Input Stage, Compressor and EQ selections.

Two Plug-ins included The URS Strip Pro includes the super DSP efficient URS Strip version. We call the URS Classic Console Strip the "Easy Eight". The URS Classic Console Strip's eight knobs map perfectly to the Command 8, Digi002, ProjectMix I/O, ProControl, HUI and other popular controllers allowing for quick adjustments on individual tracks. The eight knobs map to Page table 1 and all other functions map to Page table 2.

The M1 Active 520 is the third generation of the acclaimed Alesis M1 Active Series. The M1 Active 520 offers incredible bass and midrange definition and flat frequency response from its high-precision driver and professionally crafted crossover.

With a bold new look, redesigned driver, bass density control and EQ, this affordable, high-precision active reference monitor delivers superb sonic clarity.

Ragnarok is a software reincarnation of an existing, custom build (and therefore one of a kind) hardware analog synthesizer from 1980.

Ragnarok is basically a standard architecture VA-synthesizer, consisting of an oscillator section running into a dynamically controlled filter that is followed by an envelope-controlled amplifier or output section. It has some additional sound-shaping options by means of an overdrive on the filter output and an additional 7-band static filter (also known as a Graphic EQ).

Up to 64 voices polyphony including portamento. Unique 3+1 band-limited oscillator bank - up to four oscillators per voice. Additional white noise generator. Multi-pole filter (6–12–18–24 dB/Oct low-pass or high-pass) with resonance. Two envelopes (ADSR or AD) with exponential slopes. Low frequency oscillator. Built-in Overdrive effect and 7 band graphic equalizer. Cool repeat/pseudo arpeggiator functionality. Double precision audio processing. All parameters can be controlled by MIDI controllers. Plug-in comes in 32-bit and 64-bit versions. Fully compatible with SM Pro Audio's V-Machine.