hashimoto's activity

edited Eagle Instrumentos CH888E12 12-String Acoustic Guitar

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Violão 12c Eagle Ch888eq Aço
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Eagle Instrumentos CH888EQ 12 String Guitar
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Eagle Instrumentos

Apr 29, 2025

edited Electronic Audio Experiments Prismatic Wall

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The Prismatic Wall by Electronic Audio Experiments is a sympathetic resonator designed to transform incoming sounds into the vibrations of an illusory array of strings.

Its metallic yet warm timbres range from the subtle harmonic aura of a third bridge to the rich chromatic beatings of a grand piano.

The simulated vibrations form a sustained spectral extension of your instrument, maintaining a tangible physicality despite their surreal overtones.

The resonances are inherently reactive: Playing in tune stimulates specific pitches, while percussive attacks excite all the strings in tandem.

Analog/digital hybrid signal processing (24 bit, variable sample rate) paired with analog filtering and emphasis, for low noise with a colorful character

High headroom analog dry path and mixer

Comprehensive digital control of every function using a 32-bit processor system that seamlessly integrates with the analog signal path.

Performance-friendly expression morphing functionality with intelligent momentary/latching behavior and adjustable rise/fall times

Full MIDI implementation (CCs and presets) for all parameters, analog and digital

16 preset slots: 3 via the front panel, the rest via MIDI

CTRL jack for MIDI, expression, and CV input

Multi-mode, assignable LFO with periodic and random waveforms

Updatable firmware via MIDI Sysex messages

Bypass switching: Electronic bypass with buffered or Trails modes.

Input impedance @ 1kHz: 1MΩ

Output impedance @ 1kHz: 1kΩ

Power: 9VDC, 2.1mm center negative barrel. Current draw is 120mA max.

We recommend a regulated, isolated power supply rated for 200mA minimum to accommodate startup surges. The DC input is protected against reverse polarity and over-voltage up to 24V. Our pedals do not accept batteries.

All Electronic Audio Experiments pedals come with a warranty tied to the original owner.

Tune: adjusts the pitch of the resonators across a four octave range

Mix: wet/dry blend

Drive: sets the signal level driving the resonator, with overload at higher settings

Damping: high frequency decay of the resonators

Decay: overall decay time of the resonators; at its upper range also adds analog feedback to create infinite drones

LFO Rate: LFO speed; modulates Tune by default

LFO Amount: LFO amplitude

Mode Button: selects between four string spacing modes: single w/ harmonic overtones, stacked neutral thirds, stacked fifths, and chromatic

Wave Button: selects the LFO waveform between periodic and random modes. Long press to access the Mod page.

Engage Footswitch: activates the pedal. Long press to toggle trails/standard bypass modes.

Aux Footswitch: the footswitch behavior depends on the Aux button setting. In Morph mode, Aux will jump between two distinct knob settings with intelligent momentary/latching behavior. In Preset mode, Aux will scroll through the first three presets.

Aux Button: determines the behavior of the Aux footswitch. Long press to access alt functions, and press again to return to the panel.
Set Bypass to true bypass, buffered bypass
Set Analog/Digital to analog, digital
Set Power to 9V, 12V, 18V
Set Effects to chorus, flanger, multi-fx, octave, phaser, tremolo

Apr 29, 2025

edited Raimundo Guitars mod 123

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The Model 123 Nylon String Guitar handcrafted by Raimundo Guitars Spain. Guitarras Raimundo has been crafting classical guitars, Flamenco guitars, MIDI guitars, and acoustic guitars since 1968.

Cover: Cedar or massive pine

Hoops and bottom: Sapelly tinted

Fretboard: Palo Santo India

Bridge: Palo Santo of India

Mast: Samanguila

Peg: Nickel plated

Scale: 650 mm.

Saddle width: 51.5 mm.

Includes padded classical guitar case with straps. Density 10 mm

Apr 28, 2025

edited Raimundo Guitars mod 130

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Raimundo mod.130
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Raimundo Guitars mod 130
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Raimundo Guitars

Apr 28, 2025

edited Raimundo Guitars 145 Flamenco

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Raimundo 145 Flamenco
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Raimundo Guitars 145 Flamenco
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Raimundo Guitars

Apr 28, 2025

edited Raimundo Guitars Concierto Model 148 Classical Guitar

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Raimundo Concierto Model 148 Classical Guitar
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Raimundo Guitars Concierto Model 148 Classical Guitar
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Raimundo Guitars

Apr 28, 2025

edited Raimundo Guitars Estudio Series Model 104B

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Raimundo Estudio Series Model 104B
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Raimundo Guitars Estudio Series Model 104B
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Raimundo Guitars

Apr 28, 2025

edited Raimundo Guitars mod 106

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Raimundo mod 106
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Raimundo Guitars mod 106
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Raimundo Guitars

Apr 28, 2025

edited FoneStar SF-2600B HiFi Turntable

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The SF-2600B by FoneStar is a HiFi Turntable Professional turntable for clubs, DJ and Hi-Fi.

Manual drive system

Precision DC servo motor with quick start and stop

Belt drive

2 speeds: 33 and 45 rpm with indicator lights

START/STOP and 33/45 microswitches

Fine speed and pitch adjustment via ± 10% sliding potentiometer

Pitch Bend "+" and "-" speed controls

Wow and fluctuation 0.25% WRMS (JIS 5521)

Signal-to-noise ratio: -55 dB (DIN 45544)

Professional "S" tonearm with slow rise and fall

332 mm diameter aluminum platter with illuminated strobe

With sliding carbon disc

Headshell with magnetic cartridge

Hi-Fi

Light above the stylus-record contact point

Sockets for remote control start-stop and forward-reverse

Socket for a second headshell

With black base and transparent cover

Features:

POWER SUPPLY: 230 V AC 15 W

DIMENSIONS: 450 x 152 x 352 mm deep

WEIGHT: 7.2 kg
Marked item as Vintage or Discontinued

Apr 28, 2025

edited Denon AVR-1306 AV Surround Receiver

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Denon AVR-1306
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Denon AVR-1306 AV Surround Receiver

Apr 28, 2025

edited Denon AVR-1306 AV Surround Receiver

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The AVR-1306 AV Surround Receiver by Denon build 2005 - 2006

Specifications

Tuning range: FM, MW

Power output: 75 watts per channel into 8Ω (stereo)

Surround output: 75W (front), 75W (center), 75W (rear)

Frequency response: 10Hz to 100kHz

Total harmonic distortion: 0.08%

Input sensitivity: 200mV (line)

Signal to noise ratio: 98dB (line)

Speaker load impedance: 6Ω to 16Ω

Digital inputs: coaxial, optical

Video Connections: composite

Dimensions: 434 x 147 x 417mm

Weight: 10.4kg
Marked item as Vintage or Discontinued

Apr 28, 2025

edited Ibanez AW40NT

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Ibanez AW40
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Ibanez AW40NT
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The Ibanez AW40NT Artwood Dreatnought with Rare Abalone Vine Inlays.

Type: Dreatnought Acoustic Guitar

Color: Natrural

20 Frets

Abalone Vine Inlays

Fretboard: Rosewood

Neck: Mahogany

Shells: Mahogany

Bottom Deck: Mahogany

Upper Deck: Spruce

Tuners: Die-Cast
Marked item as Vintage or Discontinued

Apr 28, 2025

edited Unsound Circuitry Kato Glitch Fuzz Pedal

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Unsound Circuitry Kato Fuzz Pedal
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Unsound Circuitry Kato Glitch Fuzz Pedal

Apr 24, 2025

edited Unsound Circuitry Kato Glitch Fuzz Pedal

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KATO (/ˈkɑt̪o/: loss, extinction, famine, dearth) is the most violent nine volt sound mangler in existence. It's capable of completely disemboweling your sound, yet you're able to precisely define when and how it happens. If you want to take it even further, engage the Glitch footswitch and your tone will spiral into complete glitchy madness.

The conceptualization, testing and creation of KATO was done in co-operation with the artist Felix Lybeck, known from the band Bad Sauna and his work in Radio Helsinki.

CONTROLS

Control layout is split into two sections, each affecting their corresponding Glitch or Fuzz sides of the effect.

Right footswitch is the master bypass for the entire effect.

Left footswitch is to engage or mute the Glitch function. Muting it still allows the Glitch to produce its potential trail/decay, depending on how the Drift control is set.

Drift sets the speed and accuracy of the signal tracking of the Glitch effect. On higher settings muting your chords or notes will result in a digital sounding divebomb.

Depth sets the amount of lows in the Glitch effect. When dimed it will produce a hefty sonic boost and when dialed back it's more like a lingering overtone for your sound.

Amok/Drone switch allows you to choose between two different glitch flavors. Like their titles suggest, one is more like a drone and the other is all over the place.

Kill control does many things. First it turns your tone from a thick crushing fuzz into a splattery octavey distortion. Finally when dimed it will, like the title suggests, kill your signal for a duration that is dependant on the intensity of your playing and how Gain and Sens controls are set.

Gain sets the amount of input signal amplification for the Fuzz effect.

Sens(itivity) is an input pad type control that enables the Fuzz effect to accept wide spectrum of signal levels coming from different types of pickups or pedal chains. Turn it counter-clockwise to commodate a hot humbucker or turn it clockwise if you have lower amplitude signal going into the device, like a single coil pickup for example.

Separate Fuzz and Glitch volume controls are on the top left of the layout. This allows for using either Fuzz or Glitch sides solo or in parallel.

Kato does not include any internal controls.

TECHNICAL STUFF

Dimensions: 120mm x 145mm x 60mm.

All top jacks.

True bypass.

2.1mm 9V DC negative center power connection. Overvoltage will kill the unit.

Current draw 30mA.

Input and output impedances meet the modern standards.

Built with authentic high quality components.

Made in Finland
Set Bypass to true bypass
Set Analog/Digital to analog
Set Power to 9V

Apr 24, 2025

edited Malaise Forever Customs Golden Guillotine

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Malaise Forever Customs

Apr 22, 2025

edited Spooky Circuits Wee-Bird Reeverb

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Set Analog/Digital to analog

Apr 22, 2025

edited Spooky Circuits Wee-Bird Reeverb

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The Wee-Bird by Spooky Circuits is a lush experimental multi mode REVERB with a GERMANIUM gain stage. It can sound warm and lofi, pretty and huge, and it can also scream like you never thought a reverb could

The Wee-Bird is a workhorse utility reverb pedal for non traditional reverb sounds.

The Wee-Bird was meant to be used as an intuitive exploration device. no menus, no presets... one knob does one thing.

it makes weird, beautiful, horrible sounds... but is straight forward enough to play live without worrying about making sure settings are perfect and aren’t gonna run away.

Colors: Cream or Raw Metal
Set Bypass to true bypass
Set Analog/Digital to hybrid
Set Mono/Stereo to mono
Set Power to 9V

Apr 22, 2025

edited Normal Devices Decay Cascade Distortion and Reverb Pedal

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The Decay Cascade is a Distortion and Reverb Pedal build by Normal Devices.....

.....that blends cascading analog amplification stages with deeply textured reverb layers to create everything from lo-fi echoes to total signal disintegration. Inspired by the classic sound of running reverb into distortion, this pedal takes things further with more blending and layering possibilities, allowing for both subtle ambiance and sonic destruction in a single unit.

With a reverb time of up to 20 seconds, the Decay Cascade lets you shape everything from a light, atmospheric bounce to saturated, droning swells. The reverb mix is then sent to a versatile drive circuit featuring a voltage sag gate, adding an extra layer of crackling, deteriorating grit. A preamp stage, inspired by 1960s test amplifiers, injects a raw boost of gain, while an optional low-pass filter allows for further tone sculpting.

The interactive controls make it easy to fine-tune your preferred level of decay, drive, and noise, from dusty vintage ambiance to the sound of an amp dying in real-time. Whether you're crafting broken textures, sputtering fuzz, or eerie, degraded reverb artifacts, the Decay Cascade delivers an array of organic, chaotic soundscapes-all while ensuring your output remains under control with a master volume knob.

Perfect for experimental musicians, noise artists, and anyone looking to push the boundaries of reverb and distortion, this pedal offers sonic depth and unpredictable character in a compact, intuitive format.

tastefully gritty lo-fi echo, Spitty, dying battery overdrive or fuzz , Layers of distorted and clean reverb , A 78 record found buried in the woods "Something’s not right" , Harsh-ambient signal obliteration

Controls

MODE Reverb models:

Hall with slow pitch drift. Dark and woozy.

Spring with very long decay. Bright, full, and textural.

Lofi bucket brigade echo. Primitive and bouncy.

LEVEL Set a reverb balance between 100% wet and dry signal.

DECAY Set the reverb time from a short reflection to long drones.

DRIVE A distortion channel that the reverb mix goes through in series before being mixed in parallel. Ranges from light overdrive to high gain.

SAG Voltage starve the distortion circuit to produce a gated fuzz effect.

MIX Create a layered mix of the original clean/reverb mix and the drive channel.

AMP Preamp setting (top to bottom)

Neutral amplification stage.

High gain boost with a low pass filter. Very loud and murky with gated “dust” trails.

High gain boost with no filter. Extremely loud and harsh with gated “dust” trails.

Volume. Output. Loudness. Unquiet.

Especially suited for broken sounds with gated and dusty reverb artifacts. The drive, preamp and sag settings are quite interactive, with plenty of options for fine-tuning.

Specifications:

Dimensions: 145mm x 120mm x 39mm

Input: 1/4" TS Mono Audio

Output: 1/4" TS Mono Audio

Power Requirement: 9V DC, Center-Negative, 2
After:
The Decay Cascade is a Distortion and Reverb Pedal build by Normal Devices.....

.....that blends cascading analog amplification stages with deeply textured reverb layers to create everything from lo-fi echoes to total signal disintegration. Inspired by the classic sound of running reverb into distortion, this pedal takes things further with more blending and layering possibilities, allowing for both subtle ambiance and sonic destruction in a single unit.

With a reverb time of up to 20 seconds, the Decay Cascade lets you shape everything from a light, atmospheric bounce to saturated, droning swells. The reverb mix is then sent to a versatile drive circuit featuring a voltage sag gate, adding an extra layer of crackling, deteriorating grit. A preamp stage, inspired by 1960s test amplifiers, injects a raw boost of gain, while an optional low-pass filter allows for further tone sculpting.

The interactive controls make it easy to fine-tune your preferred level of decay, drive, and noise, from dusty vintage ambiance to the sound of an amp dying in real-time. Whether you're crafting broken textures, sputtering fuzz, or eerie, degraded reverb artifacts, the Decay Cascade delivers an array of organic, chaotic soundscapes-all while ensuring your output remains under control with a master volume knob.

Perfect for experimental musicians, noise artists, and anyone looking to push the boundaries of reverb and distortion, this pedal offers sonic depth and unpredictable character in a compact, intuitive format.

tastefully gritty lo-fi echo, Spitty, dying battery overdrive or fuzz , Layers of distorted and clean reverb , A 78 record found buried in the woods "Something’s not right" , Harsh-ambient signal obliteration

Controls

MODE Reverb models:

Hall with slow pitch drift. Dark and woozy.

Spring with very long decay. Bright, full, and textural.

Lofi bucket brigade echo. Primitive and bouncy.

LEVEL Set a reverb balance between 100% wet and dry signal.

DECAY Set the reverb time from a short reflection to long drones.

DRIVE A distortion channel that the reverb mix goes through in series before being mixed in parallel. Ranges from light overdrive to high gain.

SAG Voltage starve the distortion circuit to produce a gated fuzz effect.

MIX Create a layered mix of the original clean/reverb mix and the drive channel.

AMP Preamp setting (top to bottom)

Neutral amplification stage.

High gain boost with a low pass filter. Very loud and murky with gated “dust” trails.

High gain boost with no filter. Extremely loud and harsh with gated “dust” trails.

Volume. Output. Loudness. Unquiet.

Especially suited for broken sounds with gated and dusty reverb artifacts. The drive, preamp and sag settings are quite interactive, with plenty of options for fine-tuning.

Specifications:

Dimensions: 145mm x 120mm x 39mm

Input: 1/4" TS Mono Audio

Output: 1/4" TS Mono Audio

Power Requirement: 9V DC, Center-Negative, 2

Made in Canada

Apr 22, 2025

edited Normal Devices Decay Cascade Distortion and Reverb Pedal

Improved item category.

Set Bypass to true bypass
Set Analog/Digital to hybrid

Apr 22, 2025

edited Normal Devices Decay Cascade Distortion and Reverb Pedal

Added brand. Added item description. Improved item image. Improved item category.

Revised item description. Show revisions
Before:
After:
The Decay Cascade is a Distortion and Reverb Pedal build by Normal Devices.....

.....that blends cascading analog amplification stages with deeply textured reverb layers to create everything from lo-fi echoes to total signal disintegration. Inspired by the classic sound of running reverb into distortion, this pedal takes things further with more blending and layering possibilities, allowing for both subtle ambiance and sonic destruction in a single unit.

With a reverb time of up to 20 seconds, the Decay Cascade lets you shape everything from a light, atmospheric bounce to saturated, droning swells. The reverb mix is then sent to a versatile drive circuit featuring a voltage sag gate, adding an extra layer of crackling, deteriorating grit. A preamp stage, inspired by 1960s test amplifiers, injects a raw boost of gain, while an optional low-pass filter allows for further tone sculpting.

The interactive controls make it easy to fine-tune your preferred level of decay, drive, and noise, from dusty vintage ambiance to the sound of an amp dying in real-time. Whether you're crafting broken textures, sputtering fuzz, or eerie, degraded reverb artifacts, the Decay Cascade delivers an array of organic, chaotic soundscapes-all while ensuring your output remains under control with a master volume knob.

Perfect for experimental musicians, noise artists, and anyone looking to push the boundaries of reverb and distortion, this pedal offers sonic depth and unpredictable character in a compact, intuitive format.

tastefully gritty lo-fi echo, Spitty, dying battery overdrive or fuzz , Layers of distorted and clean reverb , A 78 record found buried in the woods "Something’s not right" , Harsh-ambient signal obliteration

Controls

MODE Reverb models:

Hall with slow pitch drift. Dark and woozy.

Spring with very long decay. Bright, full, and textural.

Lofi bucket brigade echo. Primitive and bouncy.

LEVEL Set a reverb balance between 100% wet and dry signal.

DECAY Set the reverb time from a short reflection to long drones.

DRIVE A distortion channel that the reverb mix goes through in series before being mixed in parallel. Ranges from light overdrive to high gain.

SAG Voltage starve the distortion circuit to produce a gated fuzz effect.

MIX Create a layered mix of the original clean/reverb mix and the drive channel.

AMP Preamp setting (top to bottom)

Neutral amplification stage.

High gain boost with a low pass filter. Very loud and murky with gated “dust” trails.

High gain boost with no filter. Extremely loud and harsh with gated “dust” trails.

Volume. Output. Loudness. Unquiet.

Especially suited for broken sounds with gated and dusty reverb artifacts. The drive, preamp and sag settings are quite interactive, with plenty of options for fine-tuning.

Specifications:

Dimensions: 145mm x 120mm x 39mm

Input: 1/4" TS Mono Audio

Output: 1/4" TS Mono Audio

Power Requirement: 9V DC, Center-Negative, 2
Set Power to 9V
Set Effects to distortion, reverb

Apr 22, 2025

edited Dynacord Echocord Super S65 Tape Echo

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The Echocord Super S65 Tape Maschine by Dynacord made in Germany.

The Echocord Super S65 is a vintage Tape Echo Maschine build in the 60ties.

After:
The Echocord Super S65 Tape Maschine by Dynacord made in Germany.

The Echocord Super S65 is a vintage Tape Echo Maschine build in the 60ties.

There are two motor speeds for shorter/longer delay times

Three heads to choose from

6 delay options in total

In addition, the reverb setting creates a halo-type effect that sounds lovely with guitar , but is also very useable in the mix.

This machine sounds great with a variety of sources: guitar, synths, keys, vocals or as a mix effect.

It's capable of distortion when pushed.

The design featuring 5 ECC83 valves and one ECC82

High Quality Build.

Apr 22, 2025

edited Dynacord Echocord Super S65 Tape Echo

Marked as Vintage or Discontinued. Improved item image. Added item description. Added brand.

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After:
The Echocord Super S65 Tape Maschine by Dynacord made in Germany.

The Echocord Super S65 is a vintage Tape Echo Maschine build in the 60ties.
Marked item as Vintage or Discontinued

Apr 22, 2025

edited Dynacord Rhythm Stick

Added brand.