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Gretsch Electromatic Pro Jet with Bigsby (G5236T Silver Sparkle) Overview With its chambered mahogany body with set-in mahogany neck, dual TV Jones® Designed Gretsch mini-humbuckers, and Bigsby® B50 Vibrato tailpiece, the Pro Jet definitely breaks the sound barrier! Other features include a rosewood fingerboard, anchored Adjusto-maticGäó bridge, volume and tone controls, and die cast tuners. Gretsch Electromatic Pro Jet with Bigsby Features:

TOP: Arched Laminated Maple BACK AND SIDES: Mahogany Body, 13.25" Wide, 1-7/8" Deep NECK: Mahogany, Set-In WIDTH AT NUT: 1-11/16" (43mm) FRETBOARD: Rosewood SCALE LENGTH: 24.6" (625mm) PICKUPS: 2 Gretsch Mini Humbucking Pickups PICKUP SWITCHING: 3-Position Toggle: -Position 1. Bridge Pickup -Position 2. Bridge and Neck Pickups -Position 3. Neck Pickup CONTROLS: Master Volume, Master Tone BRIDGE: Anchored Adjusto-MaticTM Bridge TAILPIECE: Bigsby® Licensed B50 Vibrato Tailpiece HARDWARE: Chrome-Plated FINISH: Gloss Urethane NO. OF FRETS: 22 MACHINE HEADS: Chrome-Plated Vintage Style Tuners UNIQUE FEATURES: -Neo Classic "Thumbnail" Inlay Position Markers, -Matching Painted Headstock, -Pearloid Gretsch and Electromatic Headstock Inlays, -White Pearloid Pickguard with Gretsch Logo, -Bound Top, -G-Arrow Knobs, -Knurled Strap Retainer Knobs, -Adjustable Truss Rod

The JekFX Chill is Tremolo and Vibe Pedal.

The Splinter from JekFx is a Signal Splitter Features In short, Splinter is a two-channel switcher/blender. You can connect two external effects to this pedal and control them — turn them on/off and mix them with each other and with the clean sound in any proportion: With this connection, you can: • mix two external effects simultaneously in any proportions with the clean guitar sound (especially useful for bassists), • switch between two external effects (and turn off both effects) in a completely passive mode, i.e. without any additional impact on the sound. There are also other options for using Splinter, for example: • mixing three different signals from different sources in the desired proportions, • turning on, off, mixing effects in the amplifier loop, • cloning a signal into three copies, • switching two guitars connected to one amplifier. • using as a buffer or phase inverter. Operating principle The pedal has two operating modes — mixing (Blend) and switching (Switch) channels. The operating mode is selected by the Switch / Blend switch. If only one of the A or B LEDs is lit, the pedal is in Switch mode. If both LEDs are lit, the pedal is in Blend mode. Switch mode, channel A is active. Switch mode, channel B is active. Blend mode, both channels are active. Switch mode

Switch mode is a mode for switching between two loops. The signal from the input goes to the send of the active channel, and the signal from the return of the active channel goes to the output. The send and return of the inactive channel are not commutated with anything. The active channel is selected by the "A/B" button. In this case, the LED of the corresponding channel lights up.

All switching works on a relay and the signal circuits are completely passive. Also, there are no electronic components (resistors, capacitors, etc.) in the signal path, so the pedal does not affect the sound in the same way as if the signal was switched using just wires. Since switching is passive in Switch mode, it works in both directions (it does not matter which side is the input and which is the output).

The Bypass button is also always available, both in Switch and Blend modes it works passively (true bypass), simply connecting the Input and Output together. Blend mode In Blend mode, the device takes the signal from the input and creates three copies of it. Two copies are sent to sends A and B. Returns A and B are mixed with each other using the "Mix" potentiometer. Before this mixing, you can invert the phase of return A using the "Phase Invert" switch. After mixing returns A and B, the signal is mixed with the original input signal using the "Blend" potentiometer. In Blend mode, the signal passes through active circuits, but the bypass is still passive (true bypass). Structural diagram of the device in Blend mode: Structural diagram of Splinter in Blend mode. Use cases 1. Switching external effects, mixing external effects with each other and with clean sound. In Switch mode: the guitar signal goes through external effect A or B (depending on the position of the "A/B" button), or directly without an effect if bypass is on. In Blend mode: the guitar signal goes through external effects A and B, the outputs from them are mixed with each other using the "Mix" knob. The result is mixed with the clean guitar sound using the "Blend" knob. The output volume is adjusted using the "Level" knob. In bypass mode, the guitar signal goes directly to the amplifier, the sends are disabled. 2. Switching amplifiers. The "A/B" button switches the amplifier to which the signal goes. 3. Controlling effects in the amplifier loop. 4. Cloning the input signal - up to three copies. In this connection scheme, the device can also be used as an active buffer. 5. Switching: guitar input of the amplifier / line input of the amplifier with an external preamp. Switching with the "A/B" button. 6. Switching two guitars connected to one amplifier. Switching with the "A/B" button. 7. Connecting different "guitar + amplifier" pairs to an external effect. Switching with the "A/B" button.

The Airblaster from JekFX is an overdrive for Bass Guitar.

The JEKFX Squeezer Mini is Compressor and a small Version of the Squeezer 1.

The Mint from JEKFX is a Fat Saturation Pedal can be used for every Electric Instrument.

The JEKFX Eclipse is an optical Compressor, can be used for every electrical instrument , made in Russia.

The 1st Version of the Squeezer Compressor by JEKFX from Russia.

Squeezer 2 VCA compressor New dynamics and density of sound with crystal clarity and transparency The second stage of the evolution of the JEK VCA compressor. Combines the best features of the first version, but has more control over the sound. The sound quality has been improved, the design of the internal device has been thought out more carefully. At the same time, the pedal is still reliable and easy to operate. About the device Squeezer 2 has all the capabilities and all the best features of the first version. As it turned out, a set of four control knobs - Gain, Mix, Threshold, Ratio - is a close to optimal balance between simplicity and functionality, so here you can still adjust the device using only these knobs. For those who find this insufficient, by switching the toggle switch, the compressor can be switched to an advanced mode of manual attack and release adjustment. The compressor has the ability to adjust the knee (Knee), this setting is available inside the device. In addition, there is the ability to control compression with an external signal source (line or microphone level, the corresponding setting is also inside). To access the internal settings, you need to remove the pedal cover by unscrewing four screws. Compared to the first version, the sound quality has been improved - the sound has become even cleaner and more transparent, the pedal has become even quieter, power protection and smooth compression indication have been added, and higher-quality components have been selected. universal compressor for any instrument Squeezer is designed for use with a guitar or bass, but practice has shown that its scope of application can be wider. This compressor can be suitable for everything - vocals, synths, saxophone, etc. It is quite neutral, works quickly and unnoticeably. Control compression with an external signal Squeezer 2 allows you to connect an external signal source that will control the volume of your instrument. The higher the level of this signal, the quieter your instrument will be. This can be used to eliminate conflicts between two sound sources. For example, you can take a signal from a vocal microphone and then your instrument will automatically sound quieter when the vocals are playing. When an external signal is connected, all compressor settings retain their work and affect the result. Controls Threshold Compression threshold. Sets the minimum signal level to which the compressor begins to react. The extreme counterclockwise position of the knob sets the lowest level - the compressor is in the most sensitive mode. Ratio Compression ratio. Determines the strength of compression and is the ratio of the input signal level to the output signal level. From 1:1 to ∞:1. This knob has a non-linear scale, in the middle position the compression is approximately 3:1. Gain The volume of the compressed signal. The compressor works by reducing the volume of the signal exceeding the threshold level. The Gain knob is used to restore the drop in volume after the compressor has worked. After the compressed signal has been amplified, it goes to the Mix knob. Mix Mixes the clean and compressed signal. In the minimum position (fully counter-clockwise) it produces a clean signal without compression, which roughly corresponds to the bypass level. The further clockwise, the more the compressed signal is mixed with the clean signal. Attack Attack time adjustment. The counter-clockwise position of the knob corresponds to the minimum attack time. The attack time adjustment range is approximately 5 - 40 ms. Release Release time adjustment. The counter-clockwise position of the knob corresponds to the minimum release time. The release time adjustment range is approximately 30 - 800 ms. Auto / Manual Attack-Release Turns the attack/release block on/off. In the A (auto) position, the attack/release block is completely turned off, the position of the Attack and Release knobs does not affect the pedal's operation. Attack and release in this position are close to the minimum values. This mode is for those who do not like to turn the knobs. The compressor will do its job just as well as the first version. In the M (manual) position, the attack/release block is turned on, the position of the Attack and Release knobs affects the pedal's operation. This mode is for those who need more control. Knee Soft/hard knee (switch inside the pedal). The knee determines the shape of the compression bend in the threshold area.

In Hard mode, the signal is compressed immediately upon reaching the specified threshold in the proportion set by the Ratio knob. In Soft mode, the transition from clean to compressed signal is smooth. By default, it is set to Hard. Sidechain Level Switch inside the pedal. The expected level of the external signal controlling compression (Ext. Sidechain input). If a microphone is connected for external compression control (directly, without a preamp), you need to move the switch to the Mic position. For a line level (remote control, preamp, output from another pedal) - to the Line position. To connect a microphone directly to the pedal, you can use an XLR->Ja adapter Specifications

The case dimensions are 64×121 mm, the height is 55 mm (including the knobs). The pedal weighs 295 g. The current consumption is 50 mA. Power supply 9 V, plus on the outside. Battery is not provided. The power supply is not included in the delivery set. VCA chip from THAT A microcircuit from THAT Corp., a leader among VCA chip manufacturers, is used to control compression. Power protection The pedal has power protection against overvoltage and reverse polarity. If an unsuitable power supply is used, neither the pedal nor the power supply will be damaged.

Here is a minty clean 2008 San Dimas from our friends at the Charvel Custom Shop! This guitar is in wonderful condition, a true case queen that appears to be unplayed. This guitar features a bound ebony fretboard, direct mount Duncan pickups, and a recessed Floyd Rose. It has a Strat headstock that is painted to match, and the entire guitar is contrasted with black hardware. We're also digging the scalloped cutaway and the side-mount Strat jack. This one weighs 7lbs 14oz. The neck measures .800 to .870 at the 1st and 12th. It is super slinky and easy to play. Feels good under the picking hand, and simple to bend on. It has a nice biting mid-range and good top end clarity. Even though the neck is bound, the edges feel subtly rolled in which is quite comfortable. The guitar is in excellent shape and appears to have been kept in the case all these years. It basically looks factory new.

Ships in the original hardshell case and includes the COA, hang tag, trem arm, and paperwork. It also ships in the original factory shipping carton. 2008 Charvel San Dimas Specs Alder Body , Maple Neck , Ebony Fretboard , Pearl Dot Inlays , Gray Pearl Neck Binding , Stratocaster Headstock , Painted to Match Headstock, CS Logo , Schaller Tuning Machines , Black Hardware , Recessed Floyd Rose Tremolo , Locking Nut , Dual Seymour Duncan Humbuckers , Direct Mount Pickups , Volume & Tone Controls , 3-Way Toggle Switch , Side Mount Stratocaster Input Jack , Scalloped Cutaway , 25.5" Scale Length , 12-16" Compound Radius , 1.6875" Nut Width , 22 Jumbo Frets , Brand Charvel Model San Dimas Year 2008 Finish Snow White Type Electric Guitars Subcategory Double cutaway bolt on Model Series Charvel custom shop Made In United States Item Location Brooklyn, NY

The 2008 San Dimas from the Charvel Custom Shop. This guitar features a bound ebony fretboard, direct mount Duncan pickups, and a recessed Floyd Rose. It has a Strat headstock that is painted to match, and the entire guitar is contrasted with black hardware. We're also digging the scalloped cutaway and the side-mount Strat jack. This one weighs 7lbs 14oz. The neck measures .800 to .870 at the 1st and 12th. It is super slinky and easy to play. Feels good under the picking hand, and simple to bend on. It has a nice biting mid-range and good top end clarity. Even though the neck is bound, the edges feel subtly rolled in which is quite comfortable. 2008 Charvel San Dimas Specs Alder Body , Maple Neck , Ebony Fretboard , Pearl Dot Inlays , Gray Pearl Neck Binding , Stratocaster Headstock , Painted to Match Headstock, CS Logo , Schaller Tuning Machines , Black Hardware , Recessed Floyd Rose Tremolo , Locking Nut , Dual Seymour Duncan Humbuckers , Direct Mount Pickups , Volume & Tone Controls , 3-Way Toggle Switch , Side Mount Stratocaster Input Jack , Scalloped Cutaway , 25.5" Scale Length , 12-16" Compound Radius , 1.6875" Nut Width , 22 Jumbo Frets , Brand Charvel Model San Dimas Year 2008 Finish Snow White Type Electric Guitars Subcategory Double cutaway bolt on Model Series Charvel custom shop Made In United States Item Location Brooklyn, NY

Here is a minty clean 2008 San Dimas from our friends at the Charvel Custom Shop! This guitar is in wonderful condition, a true case queen that appears to be unplayed. This guitar features a bound ebony fretboard, direct mount Duncan pickups, and a recessed Floyd Rose. It has a Strat headstock that is painted to match, and the entire guitar is contrasted with black hardware. We're also digging the scalloped cutaway and the side-mount Strat jack. This one weighs 7lbs 14oz. The neck measures .800 to .870 at the 1st and 12th. It is super slinky and easy to play. Feels good under the picking hand, and simple to bend on. It has a nice biting mid-range and good top end clarity. Even though the neck is bound, the edges feel subtly rolled in which is quite comfortable. The guitar is in excellent shape and appears to have been kept in the case all these years. It basically looks factory new.

Ships in the original hardshell case and includes the COA, hang tag, trem arm, and paperwork. It also ships in the original factory shipping carton. 2008 Charvel San Dimas Specs Alder Body , Maple Neck , Ebony Fretboard , Pearl Dot Inlays , Gray Pearl Neck Binding , Stratocaster Headstock , Painted to Match Headstock, CS Logo , Schaller Tuning Machines , Black Hardware , Recessed Floyd Rose Tremolo , Locking Nut , Dual Seymour Duncan Humbuckers , Direct Mount Pickups , Volume & Tone Controls , 3-Way Toggle Switch , Side Mount Stratocaster Input Jack , Scalloped Cutaway , 25.5" Scale Length , 12-16" Compound Radius , 1.6875" Nut Width , 22 Jumbo Frets , Brand Charvel Model San Dimas Year 2008 Finish Snow White Type Electric Guitars Subcategory Double cutaway bolt on Model Series Charvel custom shop Made In United States Item Location Brooklyn, NY

The Fernandes MY115 Kiyoshi is the signature guitar of Kiyoshi from Hide a popular Band in Japan during 1990's. The Kiyoshi (Media Youth) model developed from MY95S launched in 1997 and finishing production as the MY-Custom S in 2003, and Kiyoshi was, and still is, a very successful musician in Japan and amongst fans of Japanese modern music. He used this model of guitar in his collaboration with Hide.

The body is maple and mahogany, the neck is maple with a nice rosewood board - flat (14") and thin for those virtuosos, and nicely balanced for long stints on stage. The double octave neck feels good at the top and the bottom. The pick-ups are top drawer Fernandes - a VH402 at the bridge and a CD-100F with the sustainer at the neck. The bridge is a Wilkinson VS100 and in perfect condition. Like many of the signature models, the pick-ups are key to the design, and they don't bother with tone controls, so a single volume pot only. The 3 way toggle governs the pick-ups in classic 3-way fashion, and the 2 miniswitches control the sustainer circuit. The farther unit swiches the unit on and off, and the nearer 3 way switch governs the effect - a dynamic setting which responds to your picking strength; a setting that forces through a sustained note and the third setting that forces through an octave above the note you play. It weighs 3.73kg (8lbs 4oz)

The California was available in 2 or 3 pickup configuration. Main colors were White or Redburst as shown below, but have also been spotted in canary yellow and sonic blue. They all sported the rather unique woodgrain pickguard which looked like a 1950's kitchen table top. It was also available in a Bass version

The California was available in 2 or 3 pickup configuration. Main colors were White or Redburst as shown below, but have also been spotted in canary yellow and sonic blue. They all sported the rather unique woodgrain pickguard which looked like a 1950's kitchen table top. It was also available in a Bass version

The washy, spellbinding sound of a phaser pedal can add depth and intrigue to any guitar part. Think Eddie Van Halen, Tom Morello, Mike Einziger, or any '90s guitarist in an alt-rock shoegaze band! And if you want a small, flexible phaser pedal that won't break the bank, then the Landlord FX Dutch Courage is probably the best option that you should consider! Vintage & Modern Modes

Offering two distinct phaser modes via an easy-to-access toggle switch, the Landlord FX Dutch Courage already goes beyond many existing phaser pedals that cost twice the price or even more. The Vintage mode achieves a warm, old-school sound akin to an iconic '70s phaser unit, while the Modern setting provides a more contemporary, full-bodied tone with greater dimension. Easy To Add To Your Setup

The Landlord FX Dutch Courage's ultra-compact footprint makes it easy to fit the stompbox into any vacant crevice on your pedalboard! And while it doesn't take batteries, its 9V power requirements and low current draw allow you to power the Dutch Courage from practically any standard pedal PSU. Specifications

Bypass: True Bypass Controls: Speed Modes: Vintage, Modern Input Impedance: 470k Ohms Output Impedance: 10k Ohms Current Draw: 13mA Power Supply: 9V DC (Centre Negative) Dimensions: 95mm (D) x 45mm (W) 48mm (H) Weight: 240g