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Reuss Repeater Fuzz Mk III Third generation of the best selling Reuss Repeater Fuzz pedal

Reuss Musical Instruments started ’by accident’ back in 2012, when I shared my homemade Rowland S. Howard pedal at social media. When Reuss grew into a small business, the next new pedal I wanted to make was the Repeater Fuzz. Spacemen 3 is one of my all-time favourite bands, so I wanted to create a pedal to make that sound. And that sound comes from the quartet of built-in effects of vintage 1960s Vox guitars, like the Starstream and Ultrasonic (and more).

The Repeater Fuzz Mk III contains three original 1960s circuits of the Vox guitars (fuzz into treble/bass booster into repeat percussion), very faithfully recreated, plus a powerful clean boost to compensate for the inherent volume-loss of the unmodified old circuits (the treble/bass booster and repeat percussion barely keep unity level and with both on, you want to boost the level to compensate - or just to kick ass).

Some of the old Vox guitars also had a built-in wah effect, which you’d control by a lever at the guitar’s bridge. For obvious reasons, a palm-operated wah is not useful in a guitar pedal sitting on a pedal board, so what I have done with the Repeater Fuzz Mk III, is that I made a send/return loop where you can connect a wah into the correct place in the signal chain, between the treble/bass booster and the repeat percussion effect. Now you’ve got the full line of effects of Sonic Boom of Spacemen 3’s Vox Starstream guitar – and a true ’Dreamweapon’ (Sonic Boom would modulate his sound by slowly sweeping the palm wah).

One compromise I had to make to keep the Repeater Fuzz mk III in the compact footprint, was to reduce the number of footswitches. Keep in mind, this is four effects in one small box. There’s obviously no room for four footswitches. What you have is a master bypass footswitch which turns the complete pedal on and off (regardless which individual effects is on or off). Each of the four individual effects have their own true bypass switching. The fuzz, treble/bass booster and clean boost are all assignable via toggle switches, and the idea is that you ’preset’ your sound using these. The repeat percussion effect is footswitchable, as this is the one I believe you are most likely to want to kick in and out while playing.

Pedals shipped from February 2021 features improved power supply filtering. Previous revisions of the Repeater Fuzz has been sensitive to noise from modern 'switch mode' power supplies due to the circuits' raw, true-to-vintage designs (they were designed to work with a battery only), but now we have added advanced filtering to the DC input of pedal, which should be able to filter the noise from most power supplies (still no 100 % guarantee against really crappy power supplies, though).

I am also offering the Repeat Percussion and Treble/Bass Booster as stand-alone pedals. The Reuss Copenhagen Bender (Tonebender mk 1.5 circuit) is very similar to the fuzz circuit of the Repeater Fuzz Mk. III. Repeater Fuzz features and specifications: Four effects in one compact pedal, based on the built-in effects of vintage Vox guitars (Starstream, Ultrasonic etc.) Vintage correct ’distortion’ (fuzz), ’treble/bass booster’ and repeat percussion circuits Vintage correct ’tin can’ BC108, BC109 and 2N2646 transistors Powerful, switchable clean boost circuit compensates for the inherent volume-loss of the vintage circuits All four effects can be used individually. One master bypass footswitch turns the complete pedal on and off All four effects features mechanical true bypass switching Send/return loop to connects a wah pedal (or other effect) in the correct place in the signal chain, to mimic the built-in ’palm wah’ of the old Vox guitars (wah pedal not included – use your own) Extremely high build quality. Completely handmade in the European Union No SMD parts. Only vintage-style ’through hole’ construction. High quality, textured, sparkling powder coat finish in a dark charcoal grey colour. UV printed graphics High quality Neutrik jacks Upgrade quality footswitches (good for at least 30000 stomps) Runs on a standard ’Boss-style’ 9V DC 'negative centre' guitar pedal power supply or a 9V battery Highly advanced Reuss designed power supply noise filtering circuit at the 9V DC jack Compact footprint: 11,9 x 9,4 cm (standard Hammond 1590BB size) 24 months warranty against manufacturing faults Ships in a 'reuss' box and linen draw-string bag Worldwide shipping from Denmark. Orders posted before 2:00 PM Central European Time on weekdays ships same day

SINGULARITY is your new destruction device. Please put it after every instrument you find. We call it a one knob fuzz. In fact it’s a one knob-one toggle switch-fuzz. Yep the toggle switch really impacts the sound as you choose between 3 low pass filter cut frequencies. The only knob controls the master fuzz volume.

Maximum current draw: 25 mA Imput Impedance: 1 MOhm Size: 118 x 118 x 56mm Voltage: +9V DC (negative center) Output Impedance: 1 KOhm Weight: 150gr The use of an isolated power supply is recommended for powering all Collision devices Pedals. Power supply not included. The pedal is true bypass Lifetime warranty

The SusMaryOsep by Mythos Pedals An update to the unique collaboration between Mythos Pedals and guitarist R.J. Ronquillo! The SusMaryOsep! V2 offers a wider array of tones compared to the initial release and we’re so excited for players to get their hands on this unique 3 in 1! In early 2019 R.J. and Zach began tossing ideas around to create a unique drive/echo pedals and that evolved into the SusMaryOsep! What does SusMaryOsep mean? Well it’s a common Filipino slang word that mothers yell at their children. But what is the pedal you ask? That’s a little more complicated! The V2 ditches the sliders for knobs and gives players a Silicon Treble booster, and updated Herculean circuit and the same echo as before just with controls on the face. The switching has been refined for less popping and we’ve tried our hardest to spare no expense in creating exactly what R.J. wanted.

The Treble Boost is our take on the classic germanium design just reworked for a more consistent Silicon Transistor. This gives the boost a slightly more aggressive and tighter feel and with it’s 3 way tone switch you can get those bright sounds but also a mid forward and bass heavy sound that when paired with the Overdrive circuit gives you one of the widest array of drive tones in a Mythos Pedal to date. In addition there are two internal trimmers that will allow you to change the gain range and bias of the boost if you want to do so. The Overdrive is our Herculean V2 only this time we’ve adjusted it for a more open voice. We’re relying completely on the op amp for clipping and it gives an incredible amount of headroom and amp like response to this already dynamic drive. The Echo portion is the same as before with it’s PT2399 chipset but now the controls are easily adjustable on the face with two small dots to indicate R.J.’s preferred slap setting! The large knob just adjusts the Mix. Don’t let this echo fool you, this is a musical and fun to play delay that has a vintage voice that want’s to runaway on your but never does.

Technical Specs: Silicon Treble booster with 3 way voicing switch Internal Gain and Bias Controls for the Booster Updated Herculean V2 with more open voicing Echo circuit features a PT2399 chip with approx. 450ms of delay time. Mix knob with Time and Feedback trimmers. Top Mount Jacks True Bypass Switching Top quality jacks, switches, pots, and components throughout. Enclosure size: 3.70” x 4.70” x 1.39” All Mythos Pedals operate on standard 9 volt dc power adapters. Center negative only. Mythos Pedals do not have internal 9 volt battery clips.

ESP Forest F-STD 7 S Sanskrit BKS – Black Satin Made In Japan Features: Body: Mahogany Neck: Maple Fingerboard: Ebony Construction: Neck-Thru-Body Scale: 25.5" Bridge: Gotoh Tune Matic Hardware: black Frets: 24 XJ Electronics: 1 volume control, 3-way toggle switch Color: Black Satin

AVON ROSE MORRIS Vintage 70s Jazz Bass Model 3407 Pick-Ups: Jazz Bass telecaster lipstick pickups Color: Sunburst 4-String 1970s Made in Japan

The Junipero by Zander Circuitry is an Multi-Modular Pedal Drift away into an ocean of modulation, where the waves never stop and carry you into new sonic spectrums. The Junipero is inspired by our love of post-punk, new wave, and shoegaze, and it builds on that inspiration by combining our passion for classic modulation effects with everything that makes modern pedals so usable. The result? A Pandora’s box of wobble and wooze that’ll have you weak at the knees. One that can handle subtle modulation sounds to spice up your playing, experimental tones from outer space, and everything in between.

Versatility doesn’t have to come with complexity. And with the Junipero, it doesn’t. An intuitive, easy-to-use interface makes dialling in different sounds a breeze, and with five onboard presets, you can switch between your favourite settings on the fly for instant, effortless changes in direction. (Plus, it’s MIDI-compatible, with access to up to 128 presets via a MIDI controller.) To give you even more control, the CTRL knob alters a different secondary parameter, depending on the effect you’re using. One knob. Limitless potential. Every effect is tempo-controllable, with five subdivisions to choose from (quarter, eighth, dotted eighth, triplet, and sixteenth notes). In the Junipero’s bag of tricks, you’ll find: Chorus/vibrato (with detune): Voiced to replicate the analog chorus pedals that defined the ‘80s, for better or worse. The CTRL knob acts as a detune control to ramp up the intensity or create a doubling effect if used standalone. Multi-voice chorus: 4-voice chorus with a lush, intricate sound that borders on flanger territory at certain settings. The CTRL knob is a depth control for voices 3 and 4. Classic Flanger: Versatile flanger that does everything from fiiltered chorus sounds right through to Jet-plane-swooshing madness, with wide-ranging rate and depth controls that put you in the cockpit. The CTRL knob adds feedback for those intricate flanging sounds. Through-zero Flanger: The strange lovechild of a traditional flanger and a phaser, this effect brings a whole different perspective to what you think you know about flangers! The CTRL knob adds feedback for creating a more intense, vocal-like effect. Phaser: A classic 10-stage phaser that focuses on rate and depth versatility to give you the freedom to explore new frontiers. The CTRL knob acts as a feedback control that lets you create vocal phasing effects. Dual-Wave Tremolo: Variable tremolo that lets you choose the wave, rate, and depth that float your boat. The CTRL knob lets you pick the perfect blend between classic sine wave and a more percussive effect. Harmonic tremolo: It’s a classic for a reason. Amp-style harmonic tremolo that splits the high and low frequencies for instant harmonic heaven. The CTRL knob is a ‘Q’ frequency control that you can use to create vocal, auto-wah tones. Vibe-Phase Tremolo: Inspired by the true pitch vibratos used in the amps of yesteryear. This effect combines elements of pitch, phase and amplitude modulation. Perfect for recreating the notoriously hard-to-achieve sound of a rotating speaker. The CTRL knob takes care of the tremolo’s depth, to give you even more flexibility. Oh, and before we forget. The Junipero knows that two signals are better than one. It’s fully stereo, and every effect makes good use of that to split your signal in wonderfully whacky ways that’ll have you tweaking for hours. You can also pick between buffered and true bypass (assignable per preset). If all that functionality isn’t enough for you, plug in an expression pedal, decide what parameter you want to control (you can pick any of them), and get wild. You can even control the effect selection with an expression pedal, if you’re feeling brave. To tame the Junipero, there are seven controls to get to grips with: Rate: Modulation speed Depth: Modulation intensity CTRL: Secondary parameter Tone: EQ for the wet signal Level: Output volume Mix: Blend control (from 100% wet to 100% dry) 1-8: Effect selector

Plus, it has four footswitches: Engage: Turn it on and off Sub: Pick the tempo subdivision Preset: Access your favourite sounds Tap: Set the modulation speed

Not to mention: Top-mounted in/out jacks (with full stereo options) Expression pedal input MIDI input Power requirements: 9V DC (center-negative) supply Current draw: 250 mA

Dimensions: (W)180mm x (L)120mm x (H)55mm

The Junipero by Zander Circuitry is an Multi-Modular Pedal - The aqueous modulator Drift away into an ocean of modulation, where the waves never stop and carry you into new sonic spectrums. The Junipero is inspired by our love of post-punk, new wave, and shoegaze, and it builds on that inspiration by combining our passion for classic modulation effects with everything that makes modern pedals so usable. The result? A Pandora’s box of wobble and wooze that’ll have you weak at the knees. One that can handle subtle modulation sounds to spice up your playing, experimental tones from outer space, and everything in between.

Versatility doesn’t have to come with complexity. And with the Junipero, it doesn’t. An intuitive, easy-to-use interface makes dialling in different sounds a breeze, and with five onboard presets, you can switch between your favourite settings on the fly for instant, effortless changes in direction. (Plus, it’s MIDI-compatible, with access to up to 128 presets via a MIDI controller.) To give you even more control, the CTRL knob alters a different secondary parameter, depending on the effect you’re using. One knob. Limitless potential. Every effect is tempo-controllable, with five subdivisions to choose from (quarter, eighth, dotted eighth, triplet, and sixteenth notes). In the Junipero’s bag of tricks, you’ll find: Chorus/vibrato (with detune): Voiced to replicate the analog chorus pedals that defined the ‘80s, for better or worse. The CTRL knob acts as a detune control to ramp up the intensity or create a doubling effect if used standalone. Multi-voice chorus: 4-voice chorus with a lush, intricate sound that borders on flanger territory at certain settings. The CTRL knob is a depth control for voices 3 and 4. Classic Flanger: Versatile flanger that does everything from fiiltered chorus sounds right through to Jet-plane-swooshing madness, with wide-ranging rate and depth controls that put you in the cockpit. The CTRL knob adds feedback for those intricate flanging sounds. Through-zero Flanger: The strange lovechild of a traditional flanger and a phaser, this effect brings a whole different perspective to what you think you know about flangers! The CTRL knob adds feedback for creating a more intense, vocal-like effect. Phaser: A classic 10-stage phaser that focuses on rate and depth versatility to give you the freedom to explore new frontiers. The CTRL knob acts as a feedback control that lets you create vocal phasing effects. Dual-Wave Tremolo: Variable tremolo that lets you choose the wave, rate, and depth that float your boat. The CTRL knob lets you pick the perfect blend between classic sine wave and a more percussive effect. Harmonic tremolo: It’s a classic for a reason. Amp-style harmonic tremolo that splits the high and low frequencies for instant harmonic heaven. The CTRL knob is a ‘Q’ frequency control that you can use to create vocal, auto-wah tones. Vibe-Phase Tremolo: Inspired by the true pitch vibratos used in the amps of yesteryear. This effect combines elements of pitch, phase and amplitude modulation. Perfect for recreating the notoriously hard-to-achieve sound of a rotating speaker. The CTRL knob takes care of the tremolo’s depth, to give you even more flexibility. Oh, and before we forget. The Junipero knows that two signals are better than one. It’s fully stereo, and every effect makes good use of that to split your signal in wonderfully whacky ways that’ll have you tweaking for hours. You can also pick between buffered and true bypass (assignable per preset). If all that functionality isn’t enough for you, plug in an expression pedal, decide what parameter you want to control (you can pick any of them), and get wild. You can even control the effect selection with an expression pedal, if you’re feeling brave. To tame the Junipero, there are seven controls to get to grips with: Rate: Modulation speed Depth: Modulation intensity CTRL: Secondary parameter Tone: EQ for the wet signal Level: Output volume Mix: Blend control (from 100% wet to 100% dry) 1-8: Effect selector

Plus, it has four footswitches: Engage: Turn it on and off Sub: Pick the tempo subdivision Preset: Access your favourite sounds Tap: Set the modulation speed

Not to mention: Top-mounted in/out jacks (with full stereo options) Expression pedal input MIDI input Power requirements: 9V DC (center-negative) supply Current draw: 250 mA

Dimensions: (W)180mm x (L)120mm x (H)55mm

The Junipero by Zander Circuitry is an Multi-Modular Pedal Drift away into an ocean of modulation, where the waves never stop and carry you into new sonic spectrums. The Junipero is inspired by our love of post-punk, new wave, and shoegaze, and it builds on that inspiration by combining our passion for classic modulation effects with everything that makes modern pedals so usable. The result? A Pandora’s box of wobble and wooze that’ll have you weak at the knees. One that can handle subtle modulation sounds to spice up your playing, experimental tones from outer space, and everything in between.

Versatility doesn’t have to come with complexity. And with the Junipero, it doesn’t. An intuitive, easy-to-use interface makes dialling in different sounds a breeze, and with five onboard presets, you can switch between your favourite settings on the fly for instant, effortless changes in direction. (Plus, it’s MIDI-compatible, with access to up to 128 presets via a MIDI controller.) To give you even more control, the CTRL knob alters a different secondary parameter, depending on the effect you’re using. One knob. Limitless potential. Every effect is tempo-controllable, with five subdivisions to choose from (quarter, eighth, dotted eighth, triplet, and sixteenth notes). In the Junipero’s bag of tricks, you’ll find: Chorus/vibrato (with detune): Voiced to replicate the analog chorus pedals that defined the ‘80s, for better or worse. The CTRL knob acts as a detune control to ramp up the intensity or create a doubling effect if used standalone. Multi-voice chorus: 4-voice chorus with a lush, intricate sound that borders on flanger territory at certain settings. The CTRL knob is a depth control for voices 3 and 4. Classic Flanger: Versatile flanger that does everything from fiiltered chorus sounds right through to Jet-plane-swooshing madness, with wide-ranging rate and depth controls that put you in the cockpit. The CTRL knob adds feedback for those intricate flanging sounds. Through-zero Flanger: The strange lovechild of a traditional flanger and a phaser, this effect brings a whole different perspective to what you think you know about flangers! The CTRL knob adds feedback for creating a more intense, vocal-like effect. Phaser: A classic 10-stage phaser that focuses on rate and depth versatility to give you the freedom to explore new frontiers. The CTRL knob acts as a feedback control that lets you create vocal phasing effects. Dual-Wave Tremolo: Variable tremolo that lets you choose the wave, rate, and depth that float your boat. The CTRL knob lets you pick the perfect blend between classic sine wave and a more percussive effect. Harmonic tremolo: It’s a classic for a reason. Amp-style harmonic tremolo that splits the high and low frequencies for instant harmonic heaven. The CTRL knob is a ‘Q’ frequency control that you can use to create vocal, auto-wah tones. Vibe-Phase Tremolo: Inspired by the true pitch vibratos used in the amps of yesteryear. This effect combines elements of pitch, phase and amplitude modulation. Perfect for recreating the notoriously hard-to-achieve sound of a rotating speaker. The CTRL knob takes care of the tremolo’s depth, to give you even more flexibility. Oh, and before we forget. The Junipero knows that two signals are better than one. It’s fully stereo, and every effect makes good use of that to split your signal in wonderfully whacky ways that’ll have you tweaking for hours. You can also pick between buffered and true bypass (assignable per preset). If all that functionality isn’t enough for you, plug in an expression pedal, decide what parameter you want to control (you can pick any of them), and get wild. You can even control the effect selection with an expression pedal, if you’re feeling brave. To tame the Junipero, there are seven controls to get to grips with: Rate: Modulation speed Depth: Modulation intensity CTRL: Secondary parameter Tone: EQ for the wet signal Level: Output volume Mix: Blend control (from 100% wet to 100% dry) 1-8: Effect selector

Plus, it has four footswitches: Engage: Turn it on and off Sub: Pick the tempo subdivision Preset: Access your favourite sounds Tap: Set the modulation speed

Not to mention: Top-mounted in/out jacks (with full stereo options) Expression pedal input MIDI input Power requirements: 9V DC (center-negative) supply Current draw: 250 mA

Dimensions: (W)180mm x (L)120mm x (H)55mm

The Lux Plus 15W Tube Amps by The Strange Audio Electronics Vintage American design, brought to the modern studio and stage. From big bold cleans and touch-sensitive compression, to dynamic overdrive, all the way to fuzzed-out tweedy distortion, the Lux Plus offers a huge range of vintage tube flavor. Plays well with pedals, especially with gain and boost effects, and doesn't loose fidelity with reverbs and delays. No-compromise build quality with high-end components, custom transformers, and a sleek retro-futuristic cab.
These amps are made by hand in pre-ordered batches. Pre-orders for the Lux Plus will be announced, $800 required to being build. Specifications: 15 watt Push-Pull Class AB amplifier based on classic American circuits. Cathode-biased 6V6GT output section, 5Y3 rectified. 12AY7 preamp and 12AX7 phase inverter. Bright and Normal preamp channels, with a shared tone control. High and Low inputs on each channel. Cleaner/Meaner switch for three different voicing options, from clean and crisp, touch-sensitive dynamics, to hot and in-your-face. Evidence Audio patch cable included for jumping channels together for hotter, more harmonically complex tones. Custom Soursound power and output transformer. Jupiter bypass caps. Solid core cloth-covered wiring Hand wired on custom garolite turret board. Evidence Audio shielded connections and speaker cables. Custom "Offset" cab made with 13-ply void-free Baltic Birch. Weber Legacy 12" Speaker 6 distinctive finish options: Macchiato (charcoal tweed tolex/ tan cane cloth), Retro (blonde tolex/star pattern printed cloth) Cloudy Sky (white tolex/painted clouds printed cloth) Blackout (blackened tuna tolex/black cloth) Nordic Spring (British Racing Green tolex/floral printed cloth) Vintage Red (red garnet tolex/star pattern printed cloth) Dimensions: 20”W x 16”H x 12”D, 42lbs

Small Mixer for Pedalboards 3-Way effect mixer Metal housing Internal status LED under the mains socket Volume control for each input 3 Mono inputs 6.3 mm jack 1 Mono output 1/4" jack Input Impedance: 1 MOhm Analog Dry Path Power supply with optional 9 - 18V DC adapter (not included) 2.1 mm x 5.5 mm, Centre negative Polarity: (-) inside Power consumption: 60 mA Dimensions (L x W x H) 66 mm x 112 mm x 38 mm Weight: 250 g Made in the USA

The Chorus-Tremolo Monoblock Pedal can create fantastic sounds for electric guitar, showing more richness for the prolonged sound, and it must be mentioned that its sounds belongs to Modulation, getting much more wild when play with Fuzz Effect. Even if you add a Delay Effect, the sounds would be also very psychedelic, directly becoming the JIMI status. In a word, the Psychedelic Rock perfectly interprets the symbolic Chorus/Tremolo Effects of the late 1960s. Dimensions: 112mm (D) x 60mm (W) X 45mm (H). weight: 350g.

The Chorus-Tremolo Monoblock Pedal can create fantastic sounds for electric guitar, showing more richness for the prolonged sound, and it must be mentioned that its sounds belongs to Modulation, getting much more wild when play with Fuzz Effect. Even if you add a Delay Effect, the sounds would be also very psychedelic, directly becoming the JIMI status. In a word, the Psychedelic Rock perfectly interprets the symbolic Chorus/Tremolo Effects of the late 1960s. Dimensions: 112mm (D) x 60mm (W) X 45mm (H). Input / output. 6.3mm mono jack input. 6.3mm mono jack output. Power supply, 9V adapter (not included) color: purple Material: aluminum alloy size: 11.3 x 6.5 x 3.5 cm SPEED: Button to adjust the speed LEVEL: Button to adjust stronger weight: 350g.

The Chorus-Tremolo Monoblock Pedal can create fantastic sounds for electric guitar, showing more richness for the prolonged sound, and it must be mentioned that its sounds belongs to Modulation, getting much more wild when play with Fuzz Effect. Even if you add a Delay Effect, the sounds would be also very psychedelic, directly becoming the JIMI status. In a word, the Psychedelic Rock perfectly interprets the symbolic Chorus/Tremolo Effects of the late 1960s. Dimensions: 112mm (D) x 60mm (W) X 45mm (H). weight: 350g.

The Tetrazzi Organus was the precursor to Ciat-Lonbarde's current Tetrax. The Tetrazzi is a four voice "organ" with a sound that ranges from string-like to noisy breath-like sounds. It is an extremely expressive and gestural instrument, something to continually interact with and explore. I've had it for 15 years now, and I still find new subtlies every time I play it. Play and control: Each voice is controlled by pressure on a touch sensitive "barre" - the four strips of wood that make up the top surface of the instrument. Pressure on Each barre opens and closes an envelope for each voice as well as controlling the stereo pan of the voice, pressure on the barre triggering the rise of its envelope and leftward pan of the voice, release of pressure on the barre triggering the release of its envelope and rigtward pan of the voice. The barres are very sensitive for exceptionally expressive playing. The central pitch of each barre is set by pressing the four buttons at the front of the instrument. Tapping a button sets the pitch of it's barre to the current pitch of a cluster of oscillators in a feedback loop, pressing each button in succession will result in a random but related series of pitches for each voice. there are four finger wheels, two on each side of the instrument that interactively effect both pitch and waveform of the four voices. the voices themselves range from almost sub-bass to above audio range, depending on the current settings of all of the controls. Each barre also has several brass screw touchpoints with which you can control intermodulation between the four voices. Modifications: on the tetrazzi's circuit board are several points where optional capacitors or resistors can be added to change it's four voices. Instead of adding fixed values to these points, I've connected them to the pins of a DB-25 connector so that parts can be swapped out externally if desired. Components can be insreted into the corresponding holes in the connector loosely (which can make for intermittent changes since they are not soldered in) or they can be soldered into a corresponding DB-25 connector to create a cartridge of sorts for more stable connections. No additional parts or DB-25 connectors are included, you will need to obtain these yourself and experiment! This Tetrazzi was assembled by me from a kit from Ciat-Lonbarde. the PCB was pre-assembled and tested by them, and the final assembly, finish, and modification was done by myself. The barres are made of Yew, and the body is made of various other woods. All of the wood components are finished with tung oil. The audio output is a single stereo 1/4 jack Power is either by 9v battery or 12v DC 200ma tip positive 2.5mm plug wall wart (not included)

Humbucker for Stratocaster® The Jailhouse Rail II is a true 4-Wire humbucker in single-coil format. The pickup has been through a complete redesign and redevelopment since the original version. In this incarnation, IronGear have achieved a brilliantly balanced combination of excellent noise rejection, brilliant clarity that retains the essential character of a Strat® pickup, and gutsy output that can really get your tone cooking! The pickup is supplied with a choice of black, cream, parchment or white covers, but can also be installed with the cover removed if preferred (see pics').

Specification & Product Details Pole Spacing: N/A Baseplate Material: Custom Etched Fibre DC Resistance: Bridge = 12kOhm, Middle = 11kOhm, Neck = 11kOhm Dimensions: Length: 84 mm x Width: 23 mm x Height: 24 mm (including base) Options: Black, Cream, Parchment or White Covers. Recommended Components: 500kOhm Pots, .022µF Tone Capacitor(s) Format: Humbucker (Single Coil Size for Stratocaster®) Conductors: 4-Wire Magnet Type: Y30 Ceramic Bar Coil Wire: 45 AWG enamel Included: Supplied complete with screws and springs

Customer Feedback for the IronGear Jailhouse Rail II "I just finished rebuilding an old guitar for a friend with most parts coming from Axetec. It now has a Hammer Head in the bridge and Jailhouse Rail II's in the middle and neck positions. Wow. For the price I wasn't expecting a lot, and originally planned these as a stop gap before getting some Seymour Duncans or DiMarzios. But now, my friend has no plans of getting other pickups. These are amazing pickups. Hit so far above their price range. The Jailhouse Rail II in neck and middle are beautiful and articulate in clean and can be great in low tone or have a nice chime with high tone. No hum or buzz, even on my dirtiest channel there was no buzz or hum. And in high gain are brilliant! Great for lead and you can get a nice drive sound for riffing! The Hammer Head pickup in the bridge is a thing of beauty! Nice and articulate cleans with loads of versatility when playing with the volume and tone. Driven sound is AMAZING! 80's rock style gain is just fantastic, so much definition and full sound. Then in high gain modern metal just melts your face for days! Both me and the friend who's guitar it went in were blown away! GREAT for grunge, rock, hard rock and metal, and the clean is fantastic and versatile as well. IronGear pickups aren't just great pickups for an affordable price, they are just great pickups! 10/10 will be buying more of these!” - Ross Parfitt, Australia (28/11/16) "Got the Jailhouse Rail II to replace a railed pickup that cost more than twice the price. What a difference, absolutely brilliant and goes well with the Seymour Duncan stacks in middle and neck. I reckon I'll be replacing the Duncan's with Texas Locos in the near future though." - Alistair Reese. St Peter's Broadstairs, Thanet Kent (14/2/17)