jeffreymmviii's Activity

Fracture is a FREE buffer effect geared toward creating robotic artifacts and musical malfunctions.

Convex is a multi-effects processor designed to facilitate the creation of contorted artifacts, syncopated patterns and skewed digital textures.

Glitch is an audio effect plugin for Windows (VST), Mac (VST and AU) and Linux (VST), available in both 32-bit and 64-bit formats. Featuring a new and improved sequencer which can play multiple effects simultaneously, with the ability to trigger unique scenes from every note on your keyboard, Glitch can be as gentle or as brutal as you like.

Sequencer Each program consists of 128 scenes that can be triggered via MIDI notes. Each scene has its own unique sequencer pattern, timing, and effect settings, allowing you to create tons of unique variations for every moment in your song, all ready to go at the press of a key!

Multi-lane sequencer allows many effects to be played simultaneously, to create interesting layered sounds.

Improved sequencer timing controls to better match your groove and song structure.

Intuitive pattern editor with drag'n'drop. Draw, erase, resize, split and join blocks with ease.

Effects A collection of cheeky little effect modules designed to slice, dice, chop, screw, twist, turn and mangle your sounds into radical new forms.

Tempo-synced effects can easily be dialled in to precise musical timings such as 16th notes, 8th note triplets, and so on.

Filter, mix, pan and volume controls on each module, to help shape and fine-tune the output.

Randomize, Mutate, Glitch! Randomize and Mutate functions can be found at almost every level. Mutate a single effect to get slightly different parameter variations, or instantly Randomize everything in the entire scene to create unexpected, chaotic and inspiring results!

A simple user interface which doesn’t rely on “learning” a static noise profile. Fully automatable. Low CPU usage so it can be used on many tracks. Works in the time domain with zero latency. Doesn’t simply react to the raw input signal but tracks how the noise is evolving in each band. No musical noise (no FFT) at the cost of larger frequency bands and thus shines better at moderate reduction : don’t overcook! No crossovers and no phase shift when there is no reduction, in a similar way to a dynamic EQ. Stereo link control.

A free analyzer/signal generator plugin to analyse the frequency and phase responses of any plugin (or hardware).

This plugin started as a developer tool but has been simplified so that it doesn't require a complicated setup to work. Just sandwich the effect(s) you want to analyse between TWO instances, the first one set as the signal generator and the second one as the analyzer. Then set the latency if needed, That's it! It also features a "group" system that enables to compare two analysis in real-time.

It's particularly useful as a learning tool to see what classic EQs are doing for example.

Air Shelf is a plugin designed to shape your (very) high end, mostly above 10kHz. Use the Boost knob to get more highs, and the Tame knob to keep high frequency transients under control.

Features Boost : A 1st order high shelf centred at 20kHz, fully decramped up to 21kHz, with a very smooth and gradual response. Tame : A mix between a very fast dynamic EQ and a transient shaper. It means that it is NOT dependant on the input signal level and, contrary to a multiband processor, there are no crossovers involved while still only affecting (very) high frequency spikes. Zero-latency.

Chopa is a tremolo and chopper effects. Easy to use with easy on eyes GUI design. Simple and effective! Chop your vocal, add tremolo effect to your guitars or add movement to your boring synths!

Fade knob controls fade in/out between chopped signals. Possible to get smooth fades between chopped signals or edgy cutting sound. Chop knob will set the time of between chopped signals. Dry knob will add dry signal to your chopped signal. So, possible to mix your sound to find best effect for your taste.

DoDoD is a DOD 250 style overdrive/booster pedal. Gain and Level controls allow you to control the amount of distortion and body, just like the original. Bringing back the legendary analog Overdrive Preamp, with history and experience behind it. Not reissue version, fully with vintage tone and accurate component models!

Gain – Gain control as original pedal. Level – Modeled volume control.

Zupaa! Classic and rare Zupaa Fuzz. This device is pretty thick & fat-sounding by design, so we tried to stick as close to the original schematic as possible. Re-designed circuit with fully matched real life components. Matched OC75 transistor models from real component.

FEATURES Volume – Gain control as original pedal Filter – Character of fuzz

Russian model of famous muff pedal. Its particularly grungy sound has made it a huge hit with rock guitarists, as well as many bassists, and has made it one of the more sought-after vintage pedals today. All of the original magic taken from original unit. True muff sound gated little bit to reduce noise. Now the result is better than best!

FEATURES Sustain – Gain control as original pedal Tone – Tone control Volume – Clean volume control

Good Old Times… Shape your digital samples with SPre and give warmth and depth!

Vintage to Modern Bring back vintage color from famous sampler Pitch down & up Sequence your filter Use static filter for automation or simple usage Dynamic filter to follow your peaks and add LPF Mix static and dynamic filters

FEATURES FREQ. – Variable cut-off frequency Q – Variable cut-off frequency Q Factor ATTACK – Setting for attack time of Dynamic filter RELEASE – Setting for release time of Dynamic filter MODE – Variable mode select knob between Static and Dynamic filters MIX – Mix for Direct Sample and SPre preamp OUT – Clean output SEQ – Sequencer for filter. When you engage Sequencer, dynamic filter will be deactive. Attack will be fixed and Release will set Sequencer speed. Also, you can follow speed by indicator. PITCH – Will set pitch of sample (DOWN/UP)

BlackShow The best F type head amp in a box! Fully emulated circuit with best modeled components. BlackShow ams is revered for their big, sparkly clean tone. As you turn the amp up the cleans turn smoothly into that classic grind. With lots of neutral clean headroom, the amp makes a great platform for pedals as well. This amp is a great player, and you will be hard-pressed to find a modern amp of similar quality without spending thousands more. No cabinet simulation. You are free to use with your favourite cabinet simulator or IRs.

FEATURES Volume – Gain & Volume control as original amp EQ Controls – Fully captured from original circuit. High band & Low band Bright – Tone switch to change character

JAMP The best M-45 type head amp in a box! Fully emulated circuit with best modeled components. Unique two gain stage, High and Normal. It’s Jazz to Metal, Blues to Indie! No matter which style you play, just put plugin to channel and rock! No cabinet simulation. You are free to use with your favourite cabinet simulator or IRs.

FEATURES High Channel – High freq. optimized gain stage and drive section Normal Channel – Full range optimized gain stage and drive section EQ Controls – Fully captured from original circuit. High band, Mid band & Low band Output – Clean output section to set volume

Gunner is a Marshall Guv’nor style overdrive pedal. Guv’nor was created in the late 80s to replicate the drive tones of M-Type famous amps. Allows you to control the gain, level, EQ.

Drive – Drive control as original pedal. Level – Modeled volume control. Bass – Controls bass eq like original amp eq. Mid – Controls mid eq like original amp eq. Treb. – Controls bass eq like original amp eq.

OverDiver is a SD1 style overdrive pedal. OverDiver produces the warm, natural distortion of an overdriven tube amplifier while maintaining the subtle nuances of a player’s picking technique just like the original. Subtle and smooth overdrive pedals, perfect for blues and rock. Even, booster for metal tones!

Drive – Drive control as original pedal. Level – Modeled volume control. Tone – Provides precise adjustment of drive sound.

SSQ is a SSL console EQ emulation. Put legendary console EQ in your rack with the SSQ. Since the early ’80s, producers have loved the E Type consoles for their huge sound and distinctive character. A big part of the sound came from the E Type channel strip, and you get the same circuits in the module.

Famous line-amp re-designed and added to SSQ. Brown Knob is the sound of early-’80s E Type consoles, with 15dB cut/boost and musical response. The perfect way for project studios to get the sound of a world-famous console. Versatile 4 band channel EQ with fully parametric LMF and HMF and HPF/LPF. Oversampling for better processing.

Transature is a console transformer simulator with pre-drive circuits. Custom circuits before transformer. One clean driver stage to drive transformer to get only transformer saturation.

1. Clean driver stage with no character. Will drive transformer and you will get only transformer’s saturation.
2. Tube driver stage before transformer. Tube driver stage will drive transformer and get both stages’ saturation.
3. Transistor driver stage before transformer. Transistor driver stage will drive transformer and get both stages’ saturation.
4. OpAmp driver stage before transformer. OpAmp driver stage will drive transformer and get both stages’ saturation.

Lovend is a harmonic bass enhancer.

Selectable frequencies and continuous boost. Great for materials for weak low-end. You will get low bump directly when you load plugin. Then, you can select your frequency and boost according to your need. Recommending 140, 160, 180 settings to fatten up snares! Low settings are best for kicks, basses, low-end synths and final mixes.

XQ is a Baxandall equaliser with Left/Right & Mid/Side processing. High class mixing-mastering-grade analog EQ. The sound & behavior of the hardware have been fully captured in the plugin version.

World-Class High-Fidelity tone control equalizer. Broad Q Shelving for a natural, open character. Link mode. Output Trim.

Amper is a mid/high gain guitar amp for metal. But, Amper is little different than other metal amps. There are 2 different drive section. Sections are not parallel. Connected series. Volume 1 controlling pre-gain tube distortion before main pre-amp which is controlling by Volume 2. Think like you have distortion pedal before your amp. But this drive modeled from tube amp distortion. Mid gain range to boost main pre-amp. Tone control section based Sol**** amps. Also, there is pre-tone shaper before preamp. Carefully designed for metal guitar to keep amp from annoying frequencies.

Dynasaur is a dynamic equalizer with RMS & PEAK mode. Dynasaur is the best helper to tame your annoying frequencies. Dynamically ride your EQ or shape your sound with pure static EQ. Use it as de-esser, multi-band compressor or peak rider! Don’t miss unique feature! All bands have RMS or PEAK mode to get best result! For example, low-end has more energy and less peaks/dynamics but high-end or mids have less energy and more peaks/dynamics. While taming your lows, use RMS mode for better control. And you can use PEAK mode with mids or highs to catch peaks! It’s totally up to your material. You sound, your choice!

5 band dynamic equalizer with 2 shelves and 3 peaks. Adjustable Attack (1ms to 50ms) & Release times (30ms to 3sec). Adjustable Ratio (1:2 to 1:20). 60 dB Threshold range. Static boost/gain recover +/- 24dB. Low Shelf : 20Hz to 1kHz. Low Mid : 400Hz to 3kHz. Mid : 1kHz to 8kHz. High Mid : 3kHz to 15kHz. High Shelf : 8kHz to 20kHz. Bandwidth (Mids) : 5 Oct to 0.4 Oct. Bandwidth (Low & High) : 5 Oct to 0.4 Oct (Instead regular bandwidth control, it will set energy for low-end and high end). Gain : +/- 24dB (As static eq or gain recover). Mode : RMS & PEAK (RMS will detect your frequencies’ RMS level and set your gain reduction according to RMS. PEAK detects peak levels to set your gain reduction). Readout for better parameter tracking.

Harqules is a 4-band vintage equalizer.

Renowned for its colorful, smooth high-end response, and friendly! True Component & Circuit Modeling

Re-drawing and designing original circuit carefully and emulated original fingerprint of gear with our technology. Carefully designed transformers and op-amps. Fully emulated line-amps,filters,eq. HP-LP: Legendary active high-pass and low-pass filter with 12 dB/Octave shape. BANDS: Four-bands with variable gain and sweepable frequency. Auto-adjust Q with its own special design. Very musical with even with highest boost. BELL: Controls low band’s shape bell to shelf.

NCAR is a 8 Stereo I/O summing mixer plugin.

Strip Functions:

Preamp. 3 Band Fixed Equalizer ( 110Hz – 1.6kHz – 10kHz). Output. VU Meter (L+R Sum). Editable Track Name Entry. Bypass. Channel Mute. Master Functions:

Output. VU Meter. Editable Track Name Entry (L/R). Routing Steps (SUM mode): Put NCAR to Bus channel. Send your individual tracks or bus tracks to NCAR track. Select input channels which you want to use (See track explanation). Now, you are able to hear 8 Stereo Inputs from NCAR’s 1 Stereo Out. Routing Steps (IND mode):

Put NCAR to Bus channel. Send your individual tracks or bus tracks to NCAR track. Select input channels which you want to use (See track explanation). Send NCAR’s outputs to new or existing tracks. Now, you are able to hear each channel’s outputs from routed tracks.

Track Explanation SUM mode:

Inputs: Track 1 : Input 1-2 Track 2 : Input 3-4 Track 3 : Input 5-6 Track 4 : Input 7-8 Track 5 : Input 9-10 Track 6 : Input 11-12 Track 7 : Input 13-14 Track 8 : Input 15-16 Outputs:

Track 1 : Output 1-2 Track Explanation IND mode:

Inputs:

Track 1 : Input 1-2 Track 2 : Input 3-4 Track 3 : Input 5-6 Track 4 : Input 7-8 Track 5 : Input 9-10 Track 6 : Input 11-12 Track 7 : Input 13-14 Track 8 : Input 15-16 Outputs:

Track 1 : Output 1-2 Track 2 : Output 3-4 Track 3 : Output 5-6 Track 4 : Output 7-8 Track 5 : Output 9-10 Track 6 : Output 11-12 Track 7 : Output 13-14 Track 8 : Output 15-16

MASBAX It’s 3Band, Dual-Mono / Stereo / Mid-Side processing EQ. So smooth and transparent – High, Mid, and Low Boost/Cut amounts: +/- 0.5, 1, 1.5, 2, 2.5, 3, 3.5, 4, 5, 6 – Mid band has two type of bandwidth. Broad boost and narrow cut. – Six High Frequency Selections: 9kHz, 13kHz, 16kHz, 20kHz, 27kHz, and 40kHz – Six Mid Frequency Selections: 200Hz, 400Hz, 800Hz, 2kHz, 4kHz, and 7kHz – Six Low Frequency Selections: 20Hz, 30Hz, 40Hz, 60Hz, 85Hz, and 120Hz

Preamp modeler. Included 11 preamp (mic and line). All of them have their own character, transient response and dynamic. But freq. responses are fully linear. Cause it’s digital world and we can do what we want Also it has filters from V76 circuit. Possible to use with all preamp models.

TUBA! Tube mic/line amp with 2 band EQ. Not 1:1 model of famous console. DIY version of original hardware with mods. Features: LEVEL : Input drive. Fully compensated to avoid gain changes. GAIN : Input drive gain range. MIC/LINE : Selectable mic preamp or line amp for different characters and colors. LF : Low frequency with broad shelf around 100 Hz. HF : High frequency with broad shelf around 8 kHz. 0/180 : Phase switch PAD : 20 dB pad without affecting gain level. It will increase headroom. OUTPUT : Clean output