Gear
edited Ortofon Concorde Pro
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Output voltage at 1000Hz, 5cm/sec. - 5 mV Channel balance at 1kHz - 1,5 dB Channel separation at 1kHz - 20 dB Channel separation at 15 kHz - 15 dB Frequency range at -3dB - 20-20.000 Hz Frequency response - 20-18.000 Hz +3/-2 dB Tracking ability at 315 Hz at recommended tracking force - 70 μm Compliance, dynamic lateral - 7 μm/m N Stylus type - Spherical Stylus tip radius - R 18 μm Tracking force range - 3,0-5,0 g (30-50 mN) Tracking force recommended - 4,0 g (40 mN)
Tracking angle - 20° Internal impedance, DC resistance - 750 Ohm Internal inductance - 450 mH Recommended load resistance - 47 kOhm Recommended load capacitance - 200-600 pF Concorde weight - 18,5 g OM cartridge weight - 5,0 g
edited Sony MXP-290
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Compact mixer with 8-channel inputs and 2-channel outputs. Balanced mic/line inputs as well as unbalanced line inputs. 48V phantom power switchable on microphone inputs. Balanced monitor inputs. Individual master faders for left and right outputs. Built-in 3-band EQ with low-cut filter. Two aux sends and returns (aux 1 is pre/post fader). Pre-fader listen function (PFL). EIA 19" rack-mountable (with optional MXBK-200 rack kit). Suitable for simple audio-for-video applications. Internal Preview Switcher, controllable from Sony Editors via parallel mixer interface.
Features: Suitable for video editing application in broadcast and video post production Video editor control over VCA gain, preview switcher and monitor output mute via parallel 15-pin and 25-pin connectors Local switchable-channel to disable editor control Wide range of inputs: 8 channels of balanced MIC or LINE, unbalanced line (6 channels) and phono (2 channels) 30dB trim on microphone and balanced line inputs DC 48V external power switch on microphone channel 3-band EQ, 2 AUX sends and PFL on each channel Two sub-inputs with level and panpot control Two external monitor inputs and switch Separate L and R master faders Two 15-segment VU meters 1 kHz test tone oscillator Talkback microphone, talkback output and "talk to master" switch Headphone amplifier Inputs: 8 channels MIC powering: DC 48V LINE: Phono PHONO: Phono SUB: Phono Frequency response: 20Hz to 20kHz +0.5dB/-1.5dB Peak indicator: Yes High: 10kHz ± 12dB Mid: 2.8kHz ± 14dB Low: 100Hz ± 12dB Filter: Low cut Built-in oscillator: 1kHz Metering: 2VU (LED) Outputs: LINE (x2), balanced LINE(balanced): XLR-3-32 type LINE(unbalanced): Phono AUX: Phono MONITOR: Phono PHONE: Phono TB: Phono PFL: Phono Power requirements: AC 110 to 120V (UC) Power consumption: 24W MIC/LINE: XLR-3-31 type MONITOR IN: Phono
edited Mackie 1642-VLZ Pro
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A compact rack mixer with studio-level performance and versatility! The Mackie 1642-VLZ PRO Mixer is a perfect mixer for bands, home recording, DJs, video/post/broadcast, and club installations! It has 16 channels (8 mic/line, 2 mic/stereo line, and 2 stereo line) and numerous high-end features: 10 studio-grade XDR mic pre-amps; 8 TRS channel inserts; advanced DC-pulse transformer RF rejection; 60mm long-wearing, log-taper faders; 4 aux sends and 4 stereo aux returns; 3-band active EQ with sweepable mids on mono channels; 4-band active EQ on stereo line channels; 18dB/octave, 75Hz Lo-Cut filters on mic channels; balanced inputs and outputs (except inserts). Features Ultralow noise, high headroom 16 channels 8 mic/line, 2 stereo mic/line, 2 stereo line 10 XDR Extended Dynamic Range premium mic preamps 48V phantom power 8 TRS channel inserts Advanced DC pulse transformer RF rejection 60mm faders 4 aux sends, level, and pan controls plus -20dB and OL LEDs on each channel 4 stereo aux returns, 8 direct outs 3-band active EQ with sweepable midrange on mono channels 4-band active EQ on stereo channels 18dB/octave 75Hz Lo-Cut filters on mic channels Control Room/Phones multi-input source matrix Balanced inputs & outputs (except inserts) Steel chassis, sealed rotary controls Rackmountable