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This guitar is built for rock and roll. Unique petit offset body, set neck construction,slender nut and neck profile and all access to the fretboard. Combined with Tonespros locking hardware hardware and Gemini Bottombuckers you have a recipe for serious tone.

Looking for some extra low-end? Allow us to introduce you to the MONDATA BARITONE VII!

Dennis Fano has really hit the ball out of the park with this one. Designed around the same body shape and construction as our best selling MONDATA VIII & XVIII models, the MONDATA BARITONE VII features a 28" scale for optimal string tension, German carve, chambered mahogany body, maple set neck with our comfortably chunky C+ profile and raised center block.

Under the hood we have both our 'Novanta' P90 in the neck, 'Brevetto' PAF style humbucker in the bridge position and mini-switches for phase / coil-split options making the MONDATA BARITONE VII as versatile as it is beautiful.

Other features include our signature full width fretboard inlays, Rivolta 3-aside headstock, 24 medium jumbo frets, and gold plexi appointments.

The Blackstar Sonnet 120 has one primary purpose: to deliver natural-sounding acoustic guitar amplification. And it succeeds brilliantly, retaining every ounce of your instrument’s tone, while revealing the unique nuances of your playing. This top-shelf acoustic combo is particularly adept at capturing percussive accents, tapped harmonics, and other unconventional playing techniques. Ideal for solo performers, the Sonnet 120 incorporates separate microphone and instrument inputs, along with a line input and Bluetooth. Player-friendly tone-shaping, including perfectly tailored 3-band EQs, an acoustic-optimized highpass filter, and an unobtrusive, yet highly effective anti-feedback system are also at your disposal. You also get four onboard reverbs, which add the perfect amount of studio-quality sheen to your performance. Dual effects loops, USB and XLR D.I. outputs and an adjustable tilt-back stand round out the Sonnet 120’s robust feature set. Powerful, light, and compact, the Sonnet 120 is pro quality all the way.

The Sonnet 60 is the ideal grab-and-go acoustic combo. This light weight, compact and feature laden 60 Watt, 1x6.5 + tweeter combo is perfect for all your acoustic gigging needs. With microphone and instrument channels with independent EQ and REVERB levels, stunning studio quality reverbs: HALL and PLATE, High Pass Filter, Brilliance control, USB audio out, XLR D.I. mix output, MP3/Line in, Bluetooth audio, footswitch socket for audio mute and REVERB on/off and Tilt-back stand for ultimate sound projection.

The new 2020 META Series MBM-1 Signature Guitar is our lower price point instrument that delivers a whole new playing and ownership experience for the Manson Guitar Works player. Produced under licence with Cort, it has been extensively modified and developed to reflect more closely the guitars that Matthew Bellamy plays on stage with MUSE.

The body shape is 100% MB signature and available in the ever-popular Satin Black or a new Starlight Silver finish. A new humbucking neck pickup offers a fuller neck voicing to more closely match the raw and powerful sounding bridge humbucker pickup. A kill-button allows stutter style effects.

Hardware is chrome finished and feature laden with staggered locking tuners for quick string changes and the elimination of a traditional string tree.

The basswood body combines light weight with a neutral tonal balance. The bolt-on neck design features a hard maple construction with a jotoba fingerboard. The satin finish neck feels played in from day one and features a compound radius and a soft V profile.

The Fender ’64 Princeton Reverb tube guitar amplifier brings back the classic vibe and tone of the iconic original amp in one of its rarest vintages! Guitarists at Sweetwater revere the 1965 Princeton, of course; but it’s the much rarer ’64 model that really gets us excited. Now, Fender brings back all the magic with a meticulous American Hand Wired Series reissue of the legendary ’64 Princeton Reverb. The Princeton Reverb is, quite simply, one of the most beloved — and versatile — guitar amps ever made. It delivers classic, sparkling Fender tone, plus reverb and tremolo. It’s the ideal size and weight for gigging guitarists who want a moderately powered amp that can plow through the mix onstage or in the studio. And it’s the perfect pedal platform for today’s guitarists.

The new flagship of the ever popular and venerated X Series, the X700 Duality combines boutique quality materials, the highest quality hardware components, Seymour Duncan pickups, visual pizazz and world class craftsmanship to provide an instrument that not only looks chic and daring but plays exceptionally fast and is versatile enough to cover virtually any musical genre and style.

A classic shaped American Alder SSS body, finished in Albatross white and adorned with John Washington’s signature sailor tattoos, makes the Salty Dog immediately stand out from the crowd, but this guitar does way more than just look good. A one piece hard rock Maple neck, shaped into a classic Vintage ‘soft C’ profile, adds to the exceptional comfort and positive feel of this highly versatile guitar, while a 22 medium profile fret Maple fingerboard completes the ensemble to make an incredibly sounding, and playing instrument.

Easing the voyage from calm seas to mountainous waves are are a trio of Joe Doe custom designed Single Coil pickups with vintage magnets in the bridge, and hotter bars in the middle and neck; all easily manipulated via the single master Volume, two Tone controls, and five-way pickup selector switch. The tough and reliable Wilkinson WVC Distressed Vibrato bridge is made from hard dependable steel, while Wilkinson WJ55 E-Z-Lok machine heads provide simple and effective tuning action, which when combined with the smooth and friction free Graphtech nut, give a reliable and dependable tuning stability. Also included is a Joe Doe luxury hardshell case with case candy, and a Certificate of authenticity. Each guitar is also individually set-up by the Vintage ProShop team.

A semi-hollow, double bound American Alder body gives the Joe Doe Lucky Buck a distinctive and classic style, and with its unique “Saguaro” cactus F-hole, the sweet country sound is sure to ring out. A one piece hard rock Maple neck, shaped into a classic Vintage ‘soft C’ profile, adds to this comfort and positive feel of this highly versatile guitar, while a 22 medium profile fret Lignum Rosa™ 10" radius fingerboard completes the ensemble to make an incredibly sounding, and playing instrument.

Custom designed Joe Doe neck P90 style pickup and a hotter-than-a-branding-iron bridge pickup provide a versatile array of vintage tones - P90 grit and growl all the way through to sweet country chime - which can be further manipulated via the single Tone and Volume controls, and the classic three way pickup selector switch, to create an individual tone. The ultra-reliable WTB 3 saddle design provides a tried and tested way to deliver perfect intonation and tone transfer, while Wilkinson WJ55 E-Z-Lok machine heads provide simple, effective action, which when combined with the smooth and friction free Graphtech nut, give a reliable and dependable tuning stability. Also included is a Joe Doe luxury hardshell case with case candy, and a Certificate of authenticity. Each guitar is also individually set-up by the Vintage ProShop team.

With a light and resonant, double cut Alder body, the traditionally styled Joe Doe Jailbird feels tight and comfortable. A Hard rock Maple neck, detailed with ‘Surf City’ inlays and Blake’s logo on the back, and shaped into a classic Vintage ‘soft C’ profile, adds to this comfort and positive feel . A 22 medium profile fret Hard Rock Maple fingerboard with abalone dots completes the ensemble to make an incredibly sounding, and playing, guitar.

Pickups are a trio of Joe Doe custom designed Lipstick single coils to give you a set of vintage tones to work from (for best results, mix with a dash of spring reverb), and these are easily manipulated via the single master Volume, two Tone controls, and five-way pickup selector switch - all mounted on a custom designed ‘fin’ pick guard.

The reliable Wilkinson WVC Vibrato bridge keeps things in tune, while Wilkinson WJ55 E-Z-Lok machine heads provide simple, effective action, which when combined with the smooth and friction free Graphtech nut, provide reliable and effective tuning stability. Also included is a Joe Doe luxury hardshell case with case candy, and a Certificate of authenticity included. Each guitar is also individually set-up by the Vintage ProShop team. Hold the guitar flat and look along the body to witness Blake’s divine carving skills - it’s got the profile of a longboard! Choka!

With a super resonant, double cut American Alder body, the Joe Doe Lucky Betty feels tight, comfortable, and instantly playable. A Hard rock Maple neck, shaped into a classic Vintage ‘soft C’ profile, adds to this comfort and positive feel, while a 22 medium profile fret Lignum Rosa™ 10" radius fingerboard completes the ensemble to make an incredibly sounding, and playing, guitar.

A single Joe Doe designed humbucker can take you from 0 to around 8k in the twist of the volume pot, and can be further manipulated via the single Tone control and variable coil tap to provide a huge range of tones from soulful to scorching hot. A reliable Wilkinson WVC Vibrato bridge keeps things in tune, while Wilkinson WJ55 E-Z-Lok machine heads provide simple, effective action, which when combined with the smooth and friction free Graphtech nut, provide reliable and effective tuning stability. Custom “Lucky Betty” graphics, go faster binding, and a good luck message from Betty’s husband, Big Al, finish off what is a unique and great guitar. Also included is a Joe Doe luxury hardshell case with case candy, and a Certificate of authenticity. Each guitar is also individually set-up by the Vintage ProShop team.

John Henry Burke, prison warden at the Ohio State Penitentiary from 1959 to 1977, believed music was the key to help his prisoners reform and rehabilitate. Burke allowed prisoners to keep radios and turntables in their cells, as well as make musical instruments in the workshop. Every year Burke would open the doors of his prison to welcome in families to watch their loved ones perform songs they had written on instruments they had made.

However in 1967, incarcerated arsonist Wilbur Reams started a prison riot by playing blistering guitar licks through a distorted amplifier. Burke reacted by putting a ban on what notes the prisoner could play, saying; “Anything north of the 12th fret of a guitar is looking for trouble. We’re just gonna stick to simple blues and country.” Burke continued to battle with Reams’ over his incendiary guitar playing until May 3rd, 1973, when Reams suddenly escaped via the prisons’ sewer system. In a cruel ironic twist, Reams had dug his way to freedom using tools stolen from the very workshop that Burke had set up to put his prisoners on the path to redemption.

oe Doe Guitars are unique instruments with real character. Joe Doe Guitars understand how the power of a good story can transform something ordinary into something extraordinary. This is the rock and roll story of the Punkaster:

‘Punkaster’ owned, destroyed and hastily reconstructed by Brandon Hicks As soon as he learnt to walk, Brandon Hicks displayed a frightening talent for destruction; burning down the family condo age 5, breaking too many bones to keep count and even shattering his front teeth trying to catch a speeding baseball in his mouth. Having exhausted the patience of his parents and small town residents of Bone Lake, Wisconsin, teenager Hicks was exiled in 1977 and left to travel across America. Drifting from state to state, more wrecking ball than tumbleweed, Hicks eventually found his spiritual home in Times Square, New York, 1979. Hicks worked a ticket booth at the Wide Eye Peep Show by day and played with his band FistMeetsFace at night. After only a few explosive shows, FistMeetsFace became the must see act on the New York punk scene where each performance would include a smashed guitar, a puddle of blood and, following the after show party, another broken heart.

Body: A car crash of a guitar body made from numerous pieces of American Alder. Remember, some things are more than the sum of their parts, just like Brandon’s 35 second song “Riot In My Brain” with its inspired use of police sirens, dogs barking and an exploding jet engine. Bridge: The superior Wilkinson WVC Vibrato bridge enables pig waggling, string diving and note gargling. Treat it like your worst enemy and it will still come back in tune. Pickups: Trio of Joe Doe designed Single Coils, transplanted from various guitars that Brandon has destroyed over the years. The tones range from subtle to spiky… wait subtle? Not in Brandon’s vocabulary. Controls: Master Volume and Master tone, with a sneaky five-way pickup selector switch, embedded in an unmistakeable mismatched dual style pickguard. Machine heads: Wilkinson WJ55 E-Z Lok machine heads provide simple, effective action. Maybe the most dependable thing in Brandon’s life. Neck: Hard rock Maple with mismatched tuners and mismatched dots. Your sweaty palm will love the classic Vintage ‘soft C’ profile and the comfort it brings. Plus, flip it over and you’ll get a glimpse into Brandon’s personal life - contact details for emergency lawyers and phone numbers for old girlfriends. Fingerboard: Hard Rock Maple, with custom mismatched position markers and Kate’s Cellfone number. She runs a music products company now, has twin boys and a plumber for a husband. To think, back in the day, she used to scale the PA system to dive into the crowd at Brandon’s gigs… Frets: 22 Medium profile frets. Brandon never needed to go higher than the 10th one. Nut: 43mm Graphite nut, smooth and friction free. Unlike Brandon’s life. Headstock: Unique Vintage “Joe Doe” Punkaster headstock design. Case: Joe Doe luxury hardshell case with case candy. Certificate: Certificate of authenticity included. ProShop Set-Up: Each guitar is individually set-up by the Vintage ProShop team.

Limited Edition 1 of 100 'Punkaster' is an original Vintage® guitar, designed and created by Joe Doe Guitars and the UK Vintage design team.

The Ernie Ball VPJR Tuner is the perfect combination 2-in-1 pedal offering precise volume control with an enhanced definition digital tuner. The pedal features a fast and accurate chromatic tuner with graphic volume display that is visually attractive and easy to operate. The large display automatically switches between tuner and volume modes depending on the signal level, allowing the player to tune at minimal volume. However, other "always on" configurations are accessible via a double tap on the touch screen. The tuner can also be calibrated to a variety of ideal reference pitches. The pedal's compact, rugged design consists of an aluminum housing, and features a stronger, more durable PVC coated Kevlar cord ensuring consistent tension throughout the foot sweep.

The first in the Mako series, the D1 is a powerful multi-function delay with five, studio grade, high-fidelity, custom tuned programs. The programs are Digital, Mod, Vintage, Dual and Reverse. Each can be tuned and tweaked with modulation, tone, age, and subdivisions. The attack knob adds another dynamic to each program, opening up a new world for creating soundscapes. The D1 boasts stereo in and out, midi control and on-board presets. A workhorse of a delay that is just as ready for the road as it is the studio.

Programs Each program can be fully customized to your taste and playing style with the Tweak knob. Flip the toggle switch to Mod to bring in a tasteful modulation to your delay trails. Tone will brighten or darken your delay trails. Age will add some grit and wear reminiscent of vintage delay units. Subdivisions can be easily changed between quarter, eighth and dotted eighth.

Digital - The Digital delay program offers a clean and crystal-clear delay that is perfect for rhythmic guitar parts where ultra-defined echoes are desired.

Mod - The Mod delay progam has unique modulation LFOs applied to the repeats that are random and run at multiple rates to create unpredictable pitch modulation. This results in very unique sounding repeats perfect for warping minds and scattering trains of thought.

Vintage – The Vintage program allows for analog delay inspired tones to be achieved with complex filtering applied to the repeats. Use the tone knob at low settings for darker filtering and at higher settings to roll off low end.

Dual - The Dual program employs two delays in parallel, each with different time divisions. When connected in mono, the two delays are added together. When connected in stereo, one set of repeats is sent to the left output and one set is sent to the right. The division switch has unique functionality in Dual mode. We’ll break it down for you below:

In the quarter note position, the D1 offers 1/4 note and 1/4 triplet repeats. In the eighth note position, the D1 offers 1/8 note and 1/4 triplet repeats. In the dotted eighth note position, the D1 offers 1/4 note and .1/8 repeats. Reverse - The Reverse program reads the delay memory backwards creating a unique delay repeat character known as reverse delay.

Presets The D1 is capable of saving up to nine on-board presets and up to 128 are accessible via midi. Onboard presets are accessible with the bank switch. Cycle between presets in each bank by pressing bypass and tap at the same time. You will see the tap LED change from Red to Green to Blue. Any adjustments made in a preset will change the tap LED to purple to show that you have edited the preset. Refer to the manual for accessing and saving presets via midi.

Attack The Attack knob will soften the attack of the echoes. Dreamy and ethereal soundscapes can be created with higher repeat and attack settings.

Bypass and Tempo Modes The D1 has three different bypass modes. True bypass, DSP+True Bypass (trails), and DSP Bypass. The D1 offers global and preset tempo modes. Global mode keeps the tempo the same when changing presets. Preset tempo will use the delay time that was stored when the preset was saved. Refer to the manual for more info on switching modes.

Momentary Functions: Press and hold the bypass switch to ramp up the repeats of the delay. Release to set the feedback back to the knob location.

A world-class delay with lots of sounds

One thing’s for sure, the Harmony Silhouette is a sleek-looking instrument. This American-made rocker boasts an offset alder body that’s sure to garner second glances, while gold-foil Alnico III mini humbuckers churn out a whole range of dazzling, vintage-inflected tonal textures. The Silhouette is built to inspire — its hand-filling C-shaped neck with just-right 25-inch scale and glassy 12-inch-radius ebony fingerboard ensures playability that equals its jaw-dropping appearance and alluring sound. A classic nitrocellulose lacquer finish over its alder body and flame maple top and Harmony's iconic Custom Cupcake knobs round out this upscale axe’s features. The Silhouette includes an ultra-padded MONO Vertigo soft case that makes gigging around town a piece of cake.

We are announcing the release of our brand new Tommy Emmanuel C-03R-TE Custom. It all started 20 Years ago when Jean Larrivée built a very special custom C-10 12 Fret neck guitar for Tommy. Over the decades it has found it's way into the studio and on many of his recorded albums. Today, we are releasing a tribute to his guitar with the all-new C-03R-TE Custom designed by Jean and Tommy. Key features included with this new model are the Florentine cutaway, 12 fret neck joint, Sitka Spruce over East Indian Rosewood, and hand signed signature label. We are proud to have Tommy's support and look forward to getting these into the hands of players.

This one stole the show at NAMM 2020! Yes, this is the only Larrivee T10 in existence! More and more builders are designing smaller, compact guitars that can deliver all the tone and complexity of the larger, more traditional sized guitars. But nobody can bring out the soul of a small guitar like Jean Larrivee. Coming in just under the size of a parlor, this little guitar has some serious mojo! With exceptional inlay design and a gorgeous purfling, this guitar is a stunner. Jean Larrivee has been a luthier for an astounding 50 years and knows how to build a guitar. This one is no exception. A masterpiece!

Until now, you could get more from your pedals by adding a tap tempo footswitch or an expression pedal. Truthfully, what was called an expression pedal was more of a control pedal that would have the exact same effect as turning a knob with your foot. Very handy obviously, but not too creative. With the introduction of the Spinner, here comes the first expression pedal worthy of the name.

The traditional expression pedal came along because of a simple fact, which is that it’s extremely difficult to change your settings with both hands already busy playing the guitar. Many of us have already found themselves waiting impatiently for the next silence in the song to finally get a chance to turn a knob. In those situations, a control pedal is a precious tool, and effect manufacturers have been catering to that demand from the Uni-Vibe and its pedal in 1969 to Line 6’s Helix and its three control pedals. But until now, no one had designed a pedal that really extended the possibilities of the main effect, allowing you to express yourself artistically.

The idea came to us while working on the Sliver pedal, looking for ways to make the simple tremolo effect more lively and exciting. It took us months of research to come up with the magnetic system, and we had to track down a local French craftsman to build the made-to- measure metallic part. Here’s how the Spinner works: the metallic boomerang-like metallic star with three blades is mounted on a screw inspired by a skateboard. It has a magnet under each blade which gets detected by the Sensor to send your rotation rate to the circuit. Therefore, the effect gets affected every time your kick the star in a manner that you have previously chosen thanks to the switch on the back of the pedal (placed there for it not to get in the way of your kicks!)

You can choose to make the effect faster until the Spinner stops turning, at which point the rate goes back to the one that has been entered through the regular tap tempo footswitch. On the contrary, the effect can be slowed down following the same pattern. Finally, a killswitch mode makes a stuttering sound synchronized with the rate of the Spinner. In the first two modes, you can even kick the star when your main pedal is switched off, and the Spinner will trigger the effect for a limited time until it stops turning. Holding a chord at the end of a bridge and looking to give it a dramatic intensity? A nice dose of harmonic tremolo kicking in at full speed and then stopping suddenly should do the trick! Since the rotation of the Spinner is the source of expression, you can stop the effect or go back to the original speed just by stopping the star with your foot. We’ve also designed a magnet that you can use to make the Spinner slow down earlier: its effect is now shorter, and you don’t even need to stop it with your foot anymore. There are no knobs on the surface to avoid accidents, but you’ll find three trimpots inside in order to control the speed threshold that activates the effect if it was turned off, the threshold that deactivates that effect and the acceleration or deceleration rate of the effect. For now, the Spinner is compatible with the Sliver tremolo pedal and the Ages harmonic tremolo pedal, taking their possibilities so far that it becomes inseparable. But you know how Anasounds work, we’re already working on more compatible pedals to come, since there’s a strong possibility that you’re gonna want to use the Spinner with every pedal you own once you get hip to its magic!

Hombre, Suhr’s take on the classic Brownface tones that have inspired John Suhr since his early days as a guitarist. The intention was clear: create a modern take on these classic designs while preserving the vintage heritage.

The purity of the signal path is part of Hombre’s beauty. It results in a playing experience that is incredibly dynamic and touch-sensitive. A simple turn of the volume and tone controls will put a shocking range of sound at your fingertips.

Clean tones are classic, gorgeous and bell-like, but make no mistake, this amp is a dirty little combo. It wants to be pushed into sweet overdrive, conjuring tones from the 1970s era of Texas blues-rock.

The onboard Dynamic Tube Bias tremolo imparts an unmistakably rich, sought after sound, that simply can’t be imitated. Hombre is driven by a ~20-watt 6V6 power section and features a lightweight cabinet loaded with a 12″ Celestion V-Type speaker.

As a part of our desire to explore new territories of sound, we are proud to introduce the Heartbreaker NEO. Presented in 3 different configurations. The NEO series retain the Macmull vintage sound and add our latest discoveries, allowing us to think outside the classic design boundaries. The new body route with its ground plate let us control the relationships even further than before, allowing for a clearer electronics response and improved wood vibration. Look inside the backplate and you’ll find a filtering metal board (specially formulated) allowing greater clarity and attack, especially crucial when using Humbackers or P90's due to their wider sound range. Humbuckers are now inserted with a unique sound-enhancing technique. Attached to the body top and giving the impression of a semi-hollow guitar, these are not chambered but specially designed pickup cavities that eliminate the need for the common “service ears” or pickup rings.

This design looks clean and prestigious and contributes to the overall pickup sound. Innovation starts from within, and we design our guitar from the ground up. That said, there is a new design for the potentiometer/pickup switch layout and gorgeous new pickguard enhancing the overall look that fits our trademark headstock.

The SY-1000 is a breakthrough creation machine that transforms your guitar or bass rig with limitless sound design options. This powerhouse music tool opens a bold new chapter in the legacy of BOSS guitar synth innovation, fusing decades of R&D with our latest software and hardware advancements. Backed by a cutting-edge sound engine, high-octane DSP, and evolved GK technology, the SY-1000 delivers the finest performance and most organic playing experience to date.

Three simultaneous instruments and premium processing let you craft any sound you can imagine—intense analog-style leads, warm pads, moving synth textures, modeled electric and acoustic tones, or all at once. And with freely configurable footswitches, outputs, and external controls, you can maximize the hardware for any workflow. Sonically vast and deeply expressive, the SY-1000 is an infinite well of inspiration, energizing your musical vision with endless possibilities.

This is the 35 version of the 32 and 25 models having the same warmth and focused projection. But because of the the extra definition of the AAAA grade soundboard wood, there is extra clarity and class in the tone. The O is deep, very resonant and has lots of overtones, the F has a more obvious focus and projection, while the S with either Adirondack or a sitka spruce top is superb as a pickers guitar.

The ML1 Pro Modern is a dual-humbucker guitar that combines classic design with a modern edge, and, as the name suggests, it was the first Chapman guitar. Punchy pickups, a vibrant finish and a simple, comfortable playability. To celebrate 10 years since the release of the ML1, Chapman have unveiled the ML1 Pro X – a pristine take on the ML1 formula. They’ve truly pulled out all the stops with this one!

Dean Guitars is honored to present the Kerry King V Signature Guitar. Kerry King, Slayer's founding guitarist, is one of the most instantly recognizable and revered musicians in the industry. Over the past 40-years his brutal dominating riffs wrote the history of Heavy Metal, making Kerry one of the most respected guitarists on the planet.

The Dean USA Kerry King V Signature Guitar is the pinnacle of craftsmanship, completely handmade in the Dean USA Custom Shop in Tampa, FL. Created as an all-new, unique Dean design, with a remarkable level of precision, the Dean USA Custom Shop team paired an instrument-grade mahogany body with a North American maple top, painted in a stunning satin black finish with a gloss red Kerry King sigil. A 3-piece maple neck-thru design with a Kerry King Spec. 24.75 scale length, and a C neck shape. 24 jumbo fret, Ebony Fingerboard with detailed hand-crafted pearl, stone & ebony custom inlays accompanied with ultra-vibrant LED fret markers along the side. The electronics feature the amazing Sustainiac neck pickup and an EMG 81 with PA2 Preamp Booster pickup at the bridge. Completing this iconic guitar is Kerry's own signature Kahler KFK Tremolo system.

Limited to only 50 pieces, the Dean USA Kerry King V Signature Guitar comes with a customized Hardshell case, and a custom leather- bound Certificate of Authenticity signed by Kerry himself. A legacy instrument worthy of being held and played by you.

The RevivalTREM is the first ever pedal to faithfully recreate power tube bias tremolo, the sought-after effect found in a handful of classic amps from the late ‘50s and early ‘60s. More than just a tremolo pedal, the RevivalTREM also delivers a deliciously chewy and rich Brown Fender-style overdrive tone that interact with the bias tremolo effect just like the real thing.

In celebration of this historic milestone, we are releasing two very significant versions of the Starplayer TV. In the Collector’s Series, the 25th Anniversary Limited Edition, is finished in a striking Gold Leaf and Silver Leaf accents on the sides and neck as well as on the inside of the guitar. All topped off with elegant silver plated hardware.

The Context is a reverb pedal inspired by 1980’s rack mount reverbs. It has 8 algorithms, including room, hall, cathedral, gated reverb, reverse reverb, plate, spring, and a granular reverb. Version 2 adds stereo input/output, USB MIDI, fully assignable expression pedal, 3 new modes, delay plus reverb in all modes, separate high and low frequency damping controls, modulation, dynamic reverb, and infinite hold.

The Room, Hall, Cathedral, Gated, and Plate reverb algorithms are updated versions of the Context version 1 reverbs, but now delay is available in all modes. They also have separate low and high damping controls with more range.

The modulation knob changes the amount and character of the internal reverb modulation. It gives you a mix of different modulation types from 1980’s and early 90’s reverbs, including chorus modulation, random modulation that keeps the pitch stable, and deep modulated reverbs. Holding down the shift button adjusts the modulation rate.

Reverse reverb fades in louder and brighter over time, giving the impression of playing backwards. Modulation adds a wash of normal reverb.

The spring reverb is not a model of any specific spring reverb. Instead, we designed a spring reverb algorithm using the techniques and algorithms that were used in 1980’s reverbs, but with a lot more processing power available. It gives you the chirp, drip, and feel of a spring reverb with a slight twist. You can adjust the length of the decay, high and low frequency damping. The modulation is tremolo with adjustable intensity and speed.

Grain mode is a granular reverb inspired by the Ursa Major SST-282 Space Station. The SST-282 was released in 1978 and used multiple delay taps with modulation to create reverb effects. The Context can create ghostly reverb effects, slowly sweeping resonances, and at higher modulation settings is a multi-voice granular processor that creates clouds of detuned sound fragments for entirely new reverb sounds.

When the shift button is held down, the top row of knobs adjust delay parameters. The low and high damping knobs adjust dynamics for ducking reverb or an expander for more reverb on louder notes, with adjustable threshold and recovery time. Holding down the foot switches gives you two different types of infinite sustain.

One preset available on the left footswitch, 127 via MIDI or our remote footswitch. Expression pedal/CV can be assigned to any combination of parameters. We will also have a web-based editor for tweaking and managing your presets.

Designed and assembled in USA. The Context 2 requires a 9 V 250 mA center negative power supply (not included).