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The Foxgear JEENIE Analog Guitar Interface is the first completely Analog Simula-tor that includes Amplifier, Cabinet and Microphone simulations which will enhance your pedalboard. Absolutely the perfect pedal for home practice or re-cording. All you have to do you is connect your favorite pedals in front of the JEENIE or maybe a backing track from your phone in the Aux Input, and enjoy the highest sound quality out of your Rig with to either your favorite Headphones, or active speakers system.

XYZ WAVES, like his brother the Rainbow, is our dedicated platform for Modu-lation algorithms in a very easy-to-use and unique format. We chose 5 of our best modulation algorithms for guitarists and bass players. XYZ Waves has 3 multifunction controls which depending on the program se-lected, give you unprecedented control and versatility in a super compact size pedal. As with all of Foxgear effects, the XYZ Waves is true bypass and signal path is 100% Analog, It doesn’t convert your signal to digital, keeping your tone intact. The “conventional “Chorus, Phase and Tremolo Algorithms are coupled with a Reverb (the X-knob controls the Reverb amount) while the “unconventional” al-gorithms like Envelope filter or the stunning Polypitch expand your creativity as never before. The XYZ WAVES, givesyou all the facility and sound quality of bigger and more expensive multi effect units in a pedal board friendly size, cool look, and without breaking the bank!

A more affordable Soloist model, the SLX DX still features neck-through construction, with a poplar body and a maple neck topped with a 24-fret laurel fingerboard. Like many of the other shred-focused guitars in this new lineup, the fretboard has a modern 12-16-inch compound radius, allowing for comfy chord construction nearer the nut, and easy bending up by the higher end of things.

The guitar is loaded with two Duncan-designed humbuckers, both high-output ceramic models for easy entry into high-gain territory. Other appointments include a Floyd Rose double-locking tremolo and a gloss silver-to-black burst finish.

Megadeth’s Dave Ellefson sees this new signature model, built with a poplar body and a through-body maple neck. In terms of electronics, there’s a set of EMG J (bridge) and P (neck) pickups, controlled by a three-way switch, volume, bass and treble controls.

This Pro Series guitar is based off the shred staples of the 80s, coming with a DiMarzio Super Distortion in the bridge for high-gain tones and a DiMarzio PAF in the neck for more subdued sounds.

Its construction consists of an alder body with a bolt-on graphite-reinforced neck, finished with hand-rubbed satin urethane so as not to hinder your hand movement. There is, unsurprisingly, a Floyd Rose tremolo, as well as an eye-catching sparkly red finish.

The ‘extreme’ in this guitar’s model name seems to apply to two of its characteristics: how sparkly its finish is, and how many frets it has. Coming in shiny, sparkly blue finish, a through-the-body three-piece maple neck is topped with a whopping 27-fret ebony fretboard, running a 12-16 inch radius for comfortable bending. Unsurprisingly, the lower cutaway is a little more extreme to allow for full access to all of the 27 frets.

Other appointments include a DiMarzio Super Distortion in the bridge, and a DiMarzio Air Norton S in the neck, alongside a Floyd Rose tremolo and a reversed six-in-line headstock.

This shred-focused S-type’s alder body sports a flame maple top, as well as two Fishman Fluence Modern humbuckers. There aren’t any options for coil-splitting, but voices one and two are selected with a push-pull tone knob.

Other appointments include an Original Locking Floyd Rose tremolo, die-cast Gotoh tuners, and a five-piece maple and wenge neck, topped with a 24-fret ebony fingerboard. Notably, this guitar features neck-through construction. If the flame maple isn’t your thing, the SL2 also comes as the SL2P, topped with a poplar burl instead.

This guitar also features a three-piece bolt-on maple and a wenge neck, with a compound 12-16-inch radius ebony fretboard. Notably, of course, it’s a seven-string – supported by an Evertune bridge and Gotoh locking tuners.

Its basswood body is loaded with two Fishman Fluence Open Core PRF-CO7 humbuckers, with two voices each and a number of coil-splitting options on tap thanks to the push-pull tone knob and the five-way blade switch.

This multi-scale Dinky varies between a 26.5-inch scale length at the lowest string and a 25.5-inch scale length at the highest. The guitar totals 24 fanned frets, embedded in an ebony fretboard on a three-piece maple and wenge bolt-on neck.

Two Fishman Modern PRF-MH7 pickups offer a host of tonal options, too, with two voices per pickup and a number of coil-splitting options available via the 5-way selector switch.

With a similar finish to the new Pro Series Dinky, this shred-focused axe comes with a sandblasted ash body, a bolt-on maple neck with an ebony fretboard (with a 12-16-inch compound radius and 24 frets) and a Floyd Rose 1000 Series locking tremolo.

In terms of electronics, there are two Seymour Duncan humbuckers – a JB TB-4 in the bridge and a 59 SH-1N in the neck. These are controlled by master volume and tone controls, as well as a five-position blade switch, with the middle 3 positions allowing for coil-splitting and inner-coil selections.

This guitar comes with a series of high-end appointments, really living up to the Pro in its name. First of all, there’s the finish (which might look slightly familiar), consisting of sandblasted ash stained black and grain-filled with an icy white. Its bolt-on neck is a three-piece construction of wenge and maple, while the ebony fretboard sports a modern compound 12-16-inch radius.

A six-saddle hardtail bridge sits behind two Fishman Fluence Open Core humbuckers, which have a variety of voices available, varying between classic-wound vintage and high-output active sounds.

A signature model for Iron Maiden’s Adrian Smith, this S-type’s features are all geared toward modern metal playability and sturdiness. The guitar’s neck is quartersawn maple, finished in hand-rubbed urethane for a slick feel. The ebony fretboard comes with a 12-16-inch compound radius for easy bends up high.

In terms of electronics, the guitar is loaded with a DiMarzio Super Distortion in the bridge and Samarium Cobalt noiseless single coils in the middle and neck. For some shred-focused tremolo action, the bridge is a double-locking Floyd Rose unit. If a maple ‘board is more your style, then the USA Signature Adrian Smith San Dimas SDM also allows for just that.

The bass offering from the new line of Minions comes in at a 28.6-inch scale length, with a tried-and-tested combo of a P-style neck pickup and a J-style bridge pickup. It’s built with a poplar body and maple neck, coming with a 12-inch radius amaranth fretboard. Unless you opt for the Concert Bass Minion JS1XM, which offers a maple ‘board instead.

Jackson’s offset-V shape gets a minion version with the RR Minion JS1X. With the same hardware and electronics as its Dinky counterpart, this guitar’s maple neck sports graphite reinforcement rods, a satin finish, and a 12-inch radius Amaranth fretboard. Again, there’s the option for a maple ‘board with the RR Minion JS1XM.

A minuscule axe with a monstrous bite, the Jackson® JS Series Dinky™ Minion JS1X is ideal for aspiring little shredders or grownup road dogs who need an easy-traveling instrument loaded with all the features they love.

Offering a 2/3 scale length (22.5”), the Dinky Minion JS1X features a poplar body, speedy bolt-on maple neck with graphite-reinforcement rods and a 12”-radius amaranth fingerboard with 24 jumbo frets and sharkfin inlays. A rear-angled Jackson pointed 6-in-line headstock allows for evenly distributed tension, while a sculpted heel paves the way for easy upper fret playing.

A pair of Jackson high-output humbucking pickups with ceramic magnets crank out clear tone with plenty of girth. The neck position delivers bright highs while the bridge adds plenty of crunchy distortion. Its versatile voice can be shaped with a three-way toggle switch and single volume and tone controls, while a string-through-body hardtail bridge with block saddles improves intonation and sustain.

Making a statement in both sound and style, the Dinky Minion JS1X comes in several finishes including Gloss Black, Metallic Blue Burst, Neon Green and Pavo Purple with black hardware.

The San Dimas sandblasted ash body is coupled with a bolt-on maple neck featuring a pair of graphite-reinforcement rods to resist bending and warping under environmental stresses. The speed neck profile is designed for lightning fast playing and completely unhindered position shifts, while the comfortably rolled fingerboard edges provide the broken-in feel of an instrument with plenty of playing miles on it, and plenty more to go. Perfect for faster tempos, the 12"-16" compound radius ebony fingerboard hosts 22 jumbo frets and white dot inlays. For regularly touring musicians, a heel-mount truss rod adjust thumbwheel is a must, allowing for quick and convenient neck relief tweaks.

This axe features an HH pickup configuration and comes loaded with DiMarzio® Super Distortion® DP100 bridge and DiMarzio PAF Pro® DP151 neck pickups. The bridge pickup is an ideal blend of full lows, defined mids and soaring highs that can handle lead or rhythm playing, while the neck pickup rips with intense mid and high frequencies that pairs well with a high-gain amp.

Explore this instrument’s versatile voice with a three-way pickup blade switch, tone control and a volume control that conceals a push/pull coil split for even more tonal variations on tap. With the Floyd Rose® 1000 Series double-locking tremolo bridge system, you can also dive to rumbling depths or add a well-placed rising harmonic without sacrificing your tuning.

Destined for center stage­­, the Pro San Dimas Style 1 HH FR E Ash comes in a grain-filled shocking Neon Pink Ash finish with pink pickup bobbins, black hardware and a licensed Fender® Strat® headstock.

The So-Cal Style 1 ash body features a 25.5” scale length and a bolt-on maple neck with graphite-reinforcement rods that provide superior support against bending and extreme environmental fluctuations. A 12”-16” compound radius maple fingerboard with comfortable rolled edges, 22 jumbo frets and black dot inlays provides the ideal surface for brazen riffing and precise chording, while a heel-mount truss rod adjustment wheel allows for quick and easy neck relief tweaks on the fly.

A Seymour Duncan® JB™ TB-4 bridge pickup is a well-versed, high output humbucker ideal for crunchy rock ‘n’ roll or blistering metal attitude, while the DiMarzio® Area 67™ DP419CR single-coil neck pickup shines with bright and shimmering clean tones.

The single white Strat®-style skirt volume knob (labeled as "Tone") houses a push/push selector for switching between the bridge and neck pickups, while a top-mount Floyd Rose® 1000 Series double-locking tremolo bridge system keeps this axe in tune through endless dive bombs and the most brutal riffs.

As if it’s been through 20 years of touring, the Henrik Danhage Limited Edition Signature Pro-Mod So-Cal Style 1 sports a heavy White Relic finish topped with a 3-ply white pickguard, reverse licensed Fender® Strat headstock and relic’d neck, fingerboard and chrome hardware.

The second new Brian Setzer signature sports a somewhat more stripped-back approach, with only a three-position pickup toggle switch and master volume control with treble bleed circuit to control the two TV Jones Brian Setzer signature Filter’Trons. Other construction points include a laminated maple body and vintage V-profiled maple neck.

The first of two new Brian Setzer Signatures for 2020, this guitar features a maple neck, a flame maple body and an ebony fretboard. Modern appointments include a compound 9.5-12-inch radius across the fretboard, as well as hotter output from Setzer’s signature set of TV Jones pickups. The volume controls for each pickup also sport dice knobs, and instead of a tone control, there’s a three-way tone selector switch.

This Double-cut Silver Falcon sports a hollow laminated maple body loaded with High Sensitive Filter’Trons for a touch-responsive vintage sound. The guitar also retains classic Silver Falcon features such as the pearloid thumbnail inlays, an anchored Adjusto-Matic bridge, and a string-through Bigsby tailpiece.

This semi-hollow sports a chambered spruce centre block for extra resonance, as well as a slightly smaller body and a lower-set neck for a more ergonomic playing experience. Two Black Top Broad’Trons offer punchy humbucker tones, making the most of the resonant, open body.

This single cut comes with a one-piece compensated wraparound tailpiece, and a much simpler electronics layout. While many of the Jet-style guitars have individual pickup volumes, a master tone and a master volume, this guitar has just a master tone and volume controlling its Broad’Tron (bridge) and P90 (neck).

With similar construction to the G9500, this acoustic also sports a basswood body and a C-profile neck. But, as you can see, there’s the major addition of a Deltoluxe pickup resting across the soundhole for your amplification needs.

This parlour acoustic guitar is faithful to the Gretsch “Rex” parlour guitars of the 1930s, ‘40s and ‘50s, with a non-cutaway basswood body, X-bracing and a top-loaded walnut bridge. Sticking to the classic stylings, there are open-gear ‘50s style tuner heads, and an aged white pickguard with a stylish ‘G’ decal.

Aside from the angular bridge, this guitar comes with the notable addition of two Broad’Tron pickups. These have, according to Gretsch, enough output to push your tone into “thick, aggressive overdrive while maintaining astounding definition and note balance suitable for the most pristine clean tone.”

Nick 13 of rock trio Tiger Army draws musical influence from classic rock ‘n‘ roll and country as much as he does ‘70s punk, and so this signature guitar comes with a host of features that strike a balance between spiky distortion and more traditional sparkle. In terms of pickups, there are two Black Top Filter’Trons loaded into a chambered mahogany body. Like the other new Jets for 2020, there’s a lower-set neck joint for easier access to all 22 frets.

This signature Falcon-style guitar comes in collaboration with Black Crowes founding member Rich Robinson. Its construction features a 3-ply maple body with solid spruce top and 1959-style trestle bracing with a spruce block under the bridge, and oversized F-holes for explosive sonic projection and maximum feedback control. The body is loaded with a TV Jones Classic humbucker in the bridge, and a Broad’Tron BT65 in the neck for a range of punchy tones on tap.

A signature model for founding guitarist and producer for celebrated Christian rock band Hillsong UNITED, the G6136T-MGC comes in a bright white finish that should be familiar to fans of the Gretsch White Falcon. The fully hollow body build features a highly resonant solid Sitka spruce top, vintage 1959-style trestle bracing and laminated maple back and sides, leading to, as Gretsch puts it, “that classic big-body sound with incredible projection and rich, balanced tone.” Helping that tone project are two TV Jones TV Classic Filter’Trons, finished in gold along with the rest of the guitar’s hardware.

This semi-hollow comes with a striking black-and-gold aesthetic, down to the Bigsby tailpiece and potentiometer knobs. Despite being semi-hollow, it’s got a smaller body than you might expect, and kicks out a variety of tones thanks to a combination of a soapbar P90 and a Broad’Tron humbucker in the neck and bridge respectively.

No nonsense, Electromatic® Jet™ FT models are the perfect real, pure and powerful Gretsch® instruments. They're your next-step Gretsch—bold, dynamic and articulate, and crafted with essential Gretsch sound, style and playability.

Pure Jet Power In its 65 year existence the Gretsch Jet has been the hallmark sound for iconic players. The all-new G5230T Electromatic Jet FT Single-Cut with Bigsby® captures that essential Jet power and fidelity at an incredible price.

Chambered Mahogany Bodies — Loud and Clear Classic Jet tone begins with a chambered mahogany body with maple top that produces full lows and mids with an exceptionally smooth and present high end. The result is a deep acoustic foundation that is robust, yet balanced.

Black Top Filter'Tron™ Pickups – Quintessential Power and Clarity Black Top Filter'Tron pickups amplify and accentuate the Electromatic Jet FT's chambered body to produce a wide, balanced and transparent tone. Loud and punchy, this Jet sounds out with remarkable definition at any level of gain. Together, the body and pickups thunder with full, responsive lows and mids with a high end that sparkles without spikes.

Total Tonal Control The Electromatic Jet FT is equipped with essential features that give you complete tonal control. The combination of individual pickup volume controls, master tone and master volume with treble bleed circuit provides intuitive global control over your pickup and tone settings.