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Frequency Modulated Fuzz, offering plenty of control to hack around some interesting, wacky, spaceship, laserguns type of sounds. How does it work? the frequency of the note at the input will move back and forth the center/reference point of the VCO, the result is mixed together so both frequencies (signal and VCO) will interact and will force the output of the incoming frequency to vary it's frequency (the total amount of of modulation will be the difference of both signals). Orbit is only powered via a 9v DC adapter (center negative as most pedals - boss, digitech, etc) there are no options for battery usage. This six knob version offers more options from the previous version (5 knob version), like wider range of the gate knob allowing more quicker decay or more sustain, the voices are independent so the vco and fuzz tones have their own volume knobs so you can set them to taste (instead of the universal mix knob) and a dry knob was added to offer the option to add more control and get more subtle tones, the toggle is set to the upper position.

The Noise Box is an envelope following harmonic frequency generator. (Confused yet???) Frequencies generated are harmonically related to the input, and controlled by the Frequency knob, the Sense knob, and the Chaos knob.

The new Micro squeezes the lovely sample-rate-reductions of the BugCrusher line into the most compact form yet - just 120 x 65 x 40mm (about the size of MXR pedals). A single dial sets the Rate for sounds from fizzly-fuzz highs to distruct-o-gurgle lows. There's no need for level controls - the signal going in is neither amplified nor attenuated. The Micro works well on low level signals (such as guitar) or line level signals (perfect for mixing desk - and the output is in-phase with the input). Bypass is now done electronically with a strong stomp switch and silent operation. The Micro runs off either an internal 9v battery or standard Boss-style DC Jack (2.1mm centre negative 9v).

The Nebula IV Analog Phaser has four stages of swirly, analog goodness designed to instantly transport you back to 1974. In addition to the standard "Rate" control of classic four-stage phasers, they've incorporated a "Depth" control and a "Level" knob. No need to worry about a volume drop or boost. The Nebula IV can be adjusted to taste.

The Mojo Hand Fx Recoil Delay features 550ms of sweet analog voiced digital delay. Along with traditional controls for Mix, Repeat, and Delay Time, the Recoil also features a full range tone knob that easily covers everything from clean and clear to warm and dark.

"The Maestro Boomerang is not only a wide range wah wah pedal but also a volume pedal. It's deemed as one of the best wah pedals ever built."

MU-TRON III+® translates the envelope or "volume profile" of every musical passage, ...automatically... into an easily-controlled, vowel-like sound, as you play. Use MU-TRON III+® to create a variety of synthesizer sounds with most electrified instruments: guitar, bass, keyboards, drums, flute, saxophone, brasses, .... even microphone. The sharper your attack and the more percussive your instrument, the wilder your sound will be. Besides providing that inverted "snap" (perfect for funky bass), MU-TRON III+® also functions as an automatic "wah" pedal. Full instructions are included, but you decide how far you want to go.

The CS-3 Compression Sustainer pedal compresses louder signals while boosting lower signals, providing smooth sustain without degrading the original sound quality. This is the perfect pedal for guitarists and bassists who want to sound their best.

Tom Petty and the Heartbreakers have just celebrated their Thirtieth Year together, and to commemorate the career of Mike Campbell, we have built a guitar that honors his career.

Very few guitar players have created a following and the respect among their fans and peers as much as Mike Campbell. Mike's incomparable style and songwriting over the years has left its mark in Rock & Roll History and Duesenberg has the privilege of being a part of it.

The appearance of the Mike Campbell Signature TV Guitar says it all, with its vintage Hot Rod style, along with our traditional Duesenberg tone, this Doozy will be hard to beat... "Buckle Up"

This is it, folks; the fabled “green box” that’s been igniting creativity, passion and sheer awe since Line 6 first released its digitally modeled marvels on the world in 2000. Containing 16 models based* on legendary echo and delay boxes from the storied Maestro® EP-1 Echoplex to the awesome T.C. Electronic® 2290, the DL4 has in turn become a classic in its own right, as popular with guitarists as it is with singers, drummers, bassists, keyboardists, and anyone who wants a pure 24-bit true stereo signal path in the service of delays that run the gamut from gritty and psychedelic to pristine and heavenly.

You’d be insane to pack an original Roland® RE-101 Space Echo or Electro-Harmonix® Deluxe Memory Man into the back of your van for a club tour, but the DL4 packs models of those sounds and many more into a rugged, road-tested steel housing that can run for up to 30 hours on four “C” batteries or with the optional PX-2G power adaptor. Models of classic delay boxes—and the sweet choruses and vibratos that accompany many of them—are just the beginning; the DL4 also boasts innovative sounds like its “Auto-Volume Echo,” which combines a volume swell with a tweakable tape-style echo; or the outstanding “Reverse Delay,” which allows you to play stunning backwards guitar solos on the fly.

You also get those U2-style “Rhythmic Delays” in several metric flavors, super-cool “Ping-Pong Delay” effects, and outrageous stereo panned repeats. Look, if it ain’t in the DL4, it probably doesn’t exist . . . until you create it. What’s more, with its onboard 14-second looper, the DL4 is both the perfect practice tool and the ultimate creative canvas for crafting overdubs and creating textures, with its ½ speed and reverse modes ideal for sonic adventurers and arrangement-minded recordists alike.

Like all Line 6 stompbox Modelers, the DL4 boasts a simple and sturdy front panel design, with four footswitches for saving and recalling your sounds, and six knobs for selecting models and tweaking parameters, with distinct assignments for each knob depending on the delay model you’ve chosen. Paired with the optional EX-1 expression pedal, which lets you morph between two radically different settings for each of your sounds, the DL4 is truly the ultimate delay pedal, making the history of echo and delay available to your creative future.

The Tube Screamer might be the most popular and famous overdrive pedal ever made. Made popular by SRV and countless others, the TS-808 (and its derivatives) have become legendary. When we designed the Plush® Cream™, we sought to produce a pedal with the 3-knob simplicity of this classic pedal, while refining the overall design to modern boutique standards. In addition to the selected Integrated circuit, we carefully chose each resistor and capacitor to voice the Cream™ to be quiet, smooth yet articulate, and dynamic. It responds well to both picking strength and guitar volume, and, best of all, it feels like a tube amp. The gain control takes you from a mild edge to the hardest scream. The tone control takes you from a warm "woman tone" to a screaming lead tone with just the right amount of sparkle. Choose your tone, then set your level with the output control and rock on!

My goal was to create a pedal that captured the best parts of two of my favorite overdrive pedals, the OCD version 3 and the Zen.

At the lower gain setting the Tree Of Life captures the dynamic, touch sensitive, Zen like tones that will work well with almost any style of music. Move to the higher gain setting and this pedal moves into an OCD style responsive, thick overdriven sound.

The mosfet semiconductors and the Bat41 diodes used for the clipping section of this circuit give you harmonically rich overtones no matter where you have the gain set.

FEATURES

3PDT True Bypass switch High Quality US made PCB construction Neutrik Audio Jacks Powder Coated Enclosure Uses 2.1 mm Boss style power jack (power supply not included), no internal 9V battery clip Hand-wired, boutique quality, made in USA

http://vickaudio.com/shop/index.php?route=product/product&product_id=62

For over 80 years, Epiphone archtops have been the first-call for musicians looking for timeless sound and classic style in one guitar. During swing's golden age in the 1930s, New York City was the music capitol of the world and it was also the capitol of the archtop guitar world, too. Artisan luthiers and old world craftsmen were plentiful and many instruments from that era are now serious collector's items, including classic Epiphone designs like the Emperor Regent, De Luxe, and Olympia. But while most New York City’s archtop builders retired from the business or ran for cover when rock and roll hit, Epiphone never stopped refining the classic designs that made Epi Stathopoulo the king of archtop manufacturers. Epi was determined to make distinguished and great sounding archtops with quality materials that were affordable to working musicians. He insisted that a great guitar belonged on stage, not on a wall in a glass case. So, Epi’s Epiphone showroom on West 14th Street in Lower Manhattan put the leading guitarists of the day like Les Paul and George Van Eps in the shop window to show the world that an Epiphone was an affordable work of art.

Epiphone's timeless Emperor Regent still sets the standard for jumbo jazz boxes and is still one of the largest, measuring 17" across the lower bout for unmatched full-range, big jazz tone.

Like its famous sister the Epiphone Broadway, the Emperor Regent is a direct descendent from Epiphone’s early archtop days and the "war" between then-fierce-rival Gibson and the Stathopoulo brothers.

The Epiphone Broadway is backed by our famous Epiphone Lifetime Limited Warranty featuring Gibson 24/7/360 Customer Service and guarantees the instrument against defects in materials or workmanship. Try one at your favorite Authorized Epiphone Dealer soon.

Epiphone's website.

The OMCPA1 Plus acoustic-electric cutaway model is Martin's orchestra body size, with solid East Indian rosewood back and sides and a Sitka spruce top. This instrument integrates state-of-the art electronics with striking aesthetic features, player comfort and an exceptionally sweet tone.

Martin

It's been a decade since the Whammy™ was introduced and now it has a permanent place on every professional's pedalboard. This is what has made the Whammy® a legend. Hit after hit, performance after performance, the Whammy™ not only adds to your playing, it creates new sounds, feelings and textures.

The Whammy™ is simple -- Take your guitar's sound and pitch shift it using a special algorithm, then control that pitch with an expression pedal. So easy and so expressive that it takes your playing to a new world of quirky squeals, monster dive bombs lower than any whammy bar and bends that can only be found on other instruments. It's no wonder why this single pedal is legendary.

Digitech.

The Junior Glide is the Koll version of the single P-90 classic. Our Junior features the finest-grade seasoned mahogany body and set neck, rosewood fingerboard with pearl dots, and a wrap-around Schaller Signum bridge/tailpiece. The pickup: a single Arcane KP-90, specially designed by Rob Timmons of Arcane and Saul Koll. No frills or fancy stuff, this is a stripped down hot rod. With this guitar there's nothing between your fingers and massive tone.

The Junior Glide Special has the same features as the Junior Glide, but with a bound neck and a second KP-90 pickup at the neck position.

• Koll Guitars