moondancer's Reviews
3 reviews Back to moondancer's Equipboard
91
Looptrotter Monster
Looptrotter's debut product is a snarling beast of a processor that's one of a kind. Like the paint job, the effect won't be to everyone's taste, and it won't get used on every source — but if you work in rock, pop, electro or any one of a whole range of urban genres, I can't imagine you not finding a use for it and being happy with the results! This thing is dripping with a dirty, distorted character that's quite literally music to my ears. Balancing that with the more mundane yet useful features, such as matched components on each channel and detented, I have absolutely no hesitation in recommending that you audition this processor.
91
Tone-Blending Mic Preamplifier
he award-winning 710 Twin-Finity™ is a radical UA mic preamp design that combines both the classic retro warmth of tubes with the transient bite of solid-state, all in a 2U, half-rack unit. The 710 was created specifically to add the tonal versatility and sonic inspiration missing from generic audio interface preamps.
Tone blending is continually variable between 100% tube and 100% solid-state, offering a practically infinite range of unique preamp tones, plus the ability to easily dial-in your own signature sound. There are lots of sensibly priced solid-state and tube preamplifiers out there, but the 710 Twin-Finity is the only one that offers the best of both worlds — as well as everything in-between — all in one box, and within reach of any serious project studio’s budget. Includes a 19" rack-kit for mounting one or two units.
91
P-67 Vacuum Tube Microphone
The Peluso P-67 is styled after the vintage Neumann U-67. Produced from 1960 to 1971 the legendary U-67 is a key part of the classic sound of albums of the late 60s and early 70s. The shape of the dual mesh head grille and glass EF style pentode vacuum tube are part of what enables the P-67 to very accurately achieve the sonic qualities of a U-67. The P-67's capsule has dual 34 mm gold-sputtered diaphragms. The P-67 features two switches on the microphone body. A low frequency roll-off switch decreases the low-end gain and can counter the proximity effect of close range vocals. A -10dB pad switch for lower gain can be used with close range brass, guitar cabinets, drums or other high level sources. The P-67 is a highly functional and versatile microphone. Professional engineers know the "67", ask anyone.


