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When you're looking for that smooth dipped-chord or note sound, look no further than the Bigsby B5 vibrato. One of the original vibrato units on the market, the B5 is the tried-and-true choice for T-style guitars from all makers. You'll love the smooth action and great sound of the Bigsby in action. Sweetwater's guitar players rank the Bigsby as one of the most iconic vibrato sounds in history. From slight vibratos to dipped chords, the B5 is the perfect choice for any flat-top guitar. You've seen this "horseshoe" unit on instruments from Fender, Gibson, Gretsch, and more. When you want that Bigsby sound, don't settle for second best, get the original Bigsby B5 vibrato.

RATIO Machine Heads are a high performance transmission for your guitar. The core tension of every string is different, each requiring a unique gear ratio to deliver tuning perfection. RATIO’s patented gear technology delivers premium tuning performance every time by giving each string its own specific tuning gear.

With Black TUSQ XL you will hear more richness from every note you play. Engineered from the same material as our highly esteemed TUSQ, it has all the tonal benefits, bringing out the hidden harmonics by transferring your strings vibrations efficiently to the guitar. Black TUSQ XL is consistent from piece to piece, and within each piece, to offer you harmonically rich tones without the problems associated with natural materials.

Hanging Guitar Stand for Electric, Acoustic, and Bass Guitars, with Specially-formulated Foam Covering, Folding Design, and 33 lbs. Capacity

Description: The HERCULES Guitar Stand GS414B PLUS features the Auto Grip System (AGS) yoke, Instant Height Adjustment Clutch and Specially Formulated Foam (SFF) rubber on all contact points.

Features: The built-in Auto Grip System safely locks the instrument in place. The AGS yoke is designed to accommodate more guitar neck sizes from 40 mm – 52 mm (1.57” - 2.05”) including classic, acoustic, electric and bass guitars. The attached N.I.N.A. (Narrow Instrument Neck Adjustment, HA301) are specially designed to increase the thickness of AGS arms to accommodate narrow neck instruments from min. 28 mm (1.10”) like banjos and mandolins. The Instant Height Adjustment Clutch with Locking Pin adjusts stand height quickly, easily and securely. The Foot Pads maximize the friction against ground surface to provide strongest support to the instrument.

KZ ZS10 Pro X 4BA+1DD Hybrid Technology Wired Earbuds, ZS10 Pro X is equipped with 4 Black&Gold balanced armature and a High-performance dynamic driver, which enhances the performance of mid-high frequency details, improves highs extension, crisp treble, smooth mids, heavy bass, clear and bright, and highly restored the music. Compared with ZS10 Pro, ZS10 Pro X has upgraded the drive unit and silver-plated cable; ZS10 PRO X adopts the specially developed 50024sX2 BA combination & 10mm Dynamic unit, which has more powerful bass performance and treble extension ability. The upgraded high-purity silver-plated cable effectively reduces signal transmission loss and improves music quality. ZS10 Pro X is designed with an alloy material cover and a skin-friendly resin cavity design. It has an elegant and durable appearance. It is equipped with a 3.5mm jack and a 0.75mm detachable design. After pairing with the KZ AZ09 Pro, it immediately becomes a wireless Bluetooth earphone (AZ09 Pro needs to be purchased separately). The ergonomic and comfortable design combines the structure of the human auricle to make you comfortable to wear for a long time. The in-ear silicone ear tips are soft and can effectively reduce noise. The ZS10 Pro X comes with three different sizes of earplugs (S/M/L). Fits your ears and is perfect for gaming sports, travel, and entertainment.

●Delay time is adjustable from 1 to 2700 milliseconds. The current delay time is accurately shown on the 4-digit 7-segment LED display. ●Delay time can be displayed in milliseconds (mSec) or beats per minute (BPM). The BPM display is not simply a “rough estimate.” BPM delay times are displayed with metronome accuracy. ●The delay time can be precisely set according to the tempo tapped on the TAP footswitch. ●The A/B preset memory allows two different delay times settings to be memorized and recalled via the footswitch as needed. ●With the specified delay time as a quarter-note reference, seven delay time variations ranging from half notes to sixteenth-note can be directly selected via the BEAT SPLIT selector. Rhythm-based delay time settings that previously required tedious calculations can now be made in an instant. ●Both the VITALIZER® that prevents degradation of the direct signal and the mixer that combines the direct signal with the delay signal are analog circuits that have been designed and built to the highest possible sonic standards. ●A momentary, non-latching type footswitch can be connected to the EXT.TAP jack to allow remote tap delay operation. When this function is used the A/B – TAP footswitch on the CHRONO DELAY unit is dedicated to A/B preset switching, so that tap delay and A/B preset switching operation are simultaneously available via separate footswitches. ●The DLY-4 CHRONO DELAY features a simple interface that allows fast, intuitive control.

This Cry Baby Wah features the legendary Fasel® inductor, a focused high end, and an aggressive wah sound.

This pedal can be powered by a Dunlop ECB003 9-volt adapter, or the DC Brick™, Iso-Brick™, and Mini Iso-Brick™ power supplies (not included).

Providence PEC-2 Programmable Effects Controller offers unprecedented control over your effect system. Program the effect combinations you need for your sound utilizing up to 8 independent effect units connected to the PEC-2 loops and then recall them via fast, simple footswitch and MIDI control.

The PEC-2 can store up to 84 different “programs” which should be more than you’ll ever need. But the PEC-2 is more than just an effect “switcher” and it provides a range of features that can significantly enhance your capabilities and versatility on stage or in the studio.

Filter, regulate, isolate, and protect!

Pedal Power® 2 Plus does it, and does it well, because any less will degrade your pedal’s performance. Players everywhere upgrade to Pedal Power 2 Plus because it powers what conventional power supplies can’t. Pedal Power 2 Plus is hand made in the U.S.A., comes complete with cables, detachable AC power cord, a 5-year warranty, and simply makes you sound better!

Filter, regulate, isolate, and protect!

Pedal Power® 2 PLUS does it, and does it well, because any less will degrade your pedal’s performance. Players everywhere upgrade to Pedal Power 2 Plus because it powers what conventional power supplies can’t. Pedal Power 2 Plus is hand made in the U.S.A., comes complete with cables, detachable AC power cord, a 5-year warranty, and simply makes you sound better!

Pedal Power 2 PLUS is the most dependable and widely used guitar effects power supply in the industry, delivering legendary performance to a wide variety of devices from sensitive vintage battery-powered stomp boxes to modern DSP effects. The 2 PLUS is equipped with eight galvanically isolated 9V outputs, including six outputs switchable to 12V, two 250mA outs for more power-hungry effects, and two outputs featuring a SAG function that simulates the output of a low battery. 18V and 24V operation is also available by combining outputs with available special cabling. A handy onboard 200-watt courtesy outlet is included for powering an additional device such as an AC-powered effect, wireless system, or another power supply. Pedal Power 2 PLUS is ideal for small to medium pedalboards or as a supplemental power supply in a larger rig.

ELEMENTS OF A GREAT POWER SUPPLY

Isolation Ground loops cause hum and the solution is to break the unwanted ground path. Isolation is the best way to do it. Unlike many power supplies, Pedal Power isolates every output. This eliminates tone-robbing interaction between other effects. Pedal Power powers everything from vintage overdrives to modern digital marvels in a way other power supplies simply can’t.

Proprietary Balanced Transformer Typical transformers, like those used in a wall wart, create large magnetic fields that cause hum in any audio path near it. Pedal Power uses custom-designed, ultra-low noise toroidal transformers with separate balanced windings for every output allowing even the most sensitive pedals to be dead quiet.

Linear Power What’s good for charging a cell phone is NOT good for your pedals. While digital switching power supplies are small and inexpensive, they also generate noise. Pedal Power uses an audiophile quality linear supply for consistently stable, clean, pure power.

The Peterson VSS-C StroboStomp Classic Tuner pedal with DI is THE ONLY true bypass, active DI-equipped tuning pedal with computer connectivity. All of this is housed in a small package that is an apt heir to the throne of the now world-famous Conn ST-11 analog tuner!

The Peterson VSS-C StroboStomp Classic Tuner is the most fully-featured pedal tuner made by anyone to date. A high-contrast LCD screen makes this tuner the perfect choice for both indoor and outdoor use as well as for anywhere that lighting conditions are less than ideal. Integrated, fold out, steel mounting lugs at the unit’s bottom rubberized plate keep it in place on your pedal board without unsightly tape or messy adhesives. Its ultra-robust die-cast chassis and Switchcraft brand input/output jacks assure a quality tuning even after the roughest of voyages. Also, its unique quick- release battery-access door steers you far away from having to deal with delicate, easily broken, battery lead wires. Battery changes are a breeze!

The professional-quality active DI on board is mutable and lets you select one of three stages of signal attenuation—all while remaining 100% true bypass. Finally, the tuner’s side mounted USB jack makes your unit future-proof and custom tailored to be exactly what you need it to be by allowing Mac or PC connectivity for updates and unit user programming/modifications.

Soulful Semi-Hollow With Coil Splitting. The ES-335 is Epiphone's version of the historic ES-335 that has been wowing guitar players all over the world for over six decades. From its inaugural appearance in 1958, the Gibson™ ES-335 set an unmatched standard. Our Epiphone ES-335 is no exception. It is simply one of the best deals today for guitar players who want the classic sound of an ES-335 at an accessible price. The ES-335 is crafted with a layered maple top, back, and sides coupled with a solid maple tone block to create the amazing sustain, warmth, and resonant tone that players crave in a semi-hollow instrument. Epiphone's Alnico Classic PRO™ Humbuckers™ delivers a wide range of vintage sounds, and the push/pull coil tap Volume controls provide even more sonic flexibility. The rounded C neck profile is extremely comfortable and easy to play, and the headstock features the 60s style Kalamazoo shape.

As distinct in size and shape as it is tonally unique, the new SJ-100 is true to its origins in both brilliant tone and reasonable price. An American original with simple appointments, this great Gibson flat-top is an attractive, high-quality guitar that embodies the power and prowess of the Super Jumbo line. The SJ-100 is the fitting cousin of the legendary SJ-200—the “King of the Flat-Tops”—based on the same distinctive shape and proportions, but with more modest, historic appointments that appeal to many players. Handcrafted from solid tone woods, the spruce top and mahogany back and sides produce superb tone, deep bass and projection, with a sophisticated look in your choice of Vintage Sunburst or Antique Natural hand-sprayed nitrocellulose lacquer. The unique, vintage Super Jumbo bridge is inspired by the originals from 1941 and found on only a few models from that time. The simple terraced pick guard in fire stripe nitrocellulose is a replica of the first SJ-100s from 1939. Equipped with a Baggs Element pickup, the SJ-100 is ready to respond to whatever performance circumstances demand.

Mahogany is an all-time classic acoustic guitar tonewood for a reason, and the Taylor 322e serves up all the warmth, midrange focus and balance that players have come to love about this wood. Constructed with all-solid mahogany in our compact, accommodating Grand Concert body shape, the 322e's dry, punchy voice remains consistent across the frequency spectrum, while the V-Class bracing inside enhances the volume, sustain and overall harmony between notes. Ideal for recording scenarios as well as live play, the 322e delivers a tight, articulate musical character that fingerstyle players—in addition to strummers and flatpickers—will especially love.

Introduced in 1936, the J-35 was Gibson's answer to a call for a quality, handcrafted guitar with unrivaled tone and an incredible price. The 2013 J-35 is the modern equivalent of that original round-shoulder flat-top with Gibson's historically celebrated, full-bodied acoustic tone. Reborn for the same reasons that brought the original to the market, the J-35 is handcrafted with solid tone woods and all the acclaimed skill of Gibson Acoustic’s luthiers of Bozeman, Montana. The spruce top and mahogany back and sides produce the warm, expressive tone sought after by renowned artists, acoustic connoisseurs, record producers and sound engineers. The short-scale neck with dovetail neck-to-body joint, attached with traditional hot hide glue, provides for smooth tonal response and easy playing. An Antique Natural finish hand-sprayed with Gibson's signature nitrocellulose lacquer preserves the natural grain and lends a clean, modern look, while enhancing the guitar’s resonance. A unique fire stripe pick guard, multi-ply top binding and soundhole rosette, and a Gibson script and banner logo make it easy to distinguish the J-35 in the family of round-shoulder dreadnoughts. Equipped with a Baggs Element pickup, the J-35 is a go-to favorite for vocal accompaniment on stage or in the studio.

Introduced in 1936, the J-35 was Gibson's answer to a call for a quality, handcrafted guitar with unrivaled tone and an incredible price. The J-35 Reissue is the modern equivalent of that original round-shoulder flat-top with Gibson's historically celebrated, full-bodied acoustic tone. Reborn for the same reasons that brought the original to the market, the J-35 is handcrafted with solid tone woods and all the acclaimed skill of Gibson Acoustic’s luthiers of Bozeman, Montana. The spruce top and mahogany back and sides produce the warm, expressive tone sought after by renowned artists, acoustic connoisseurs, record producers and sound engineers. The short-scale neck with dovetail neck-to-body joint, attached with traditional hot hide glue, provides for smooth tonal response and easy playing. An Antique Natural finish hand-sprayed with Gibson's signature nitrocellulose lacquer preserves the natural grain and lends a clean, modern look, while enhancing the guitar’s resonance. A unique fire stripe pick guard, multi-ply top binding and soundhole rosette, and a Gibson script and banner logo make it easy to distinguish the J-35 in the family of round-shoulder dreadnoughts. Equipped with a Baggs Element pickup, the J-35 is a go-to favorite for vocal accompaniment on stage or in the studio.

Introduced in 1936, the J-35 was Gibson's answer to a call for a quality, handcrafted guitar with unrivaled tone and an incredible price. The 2013 J-35 is the modern equivalent of that original round-shoulder flat-top with Gibson's historically celebrated, full-bodied acoustic tone. Reborn for the same reasons that brought the original to the market, the J-35 is handcrafted with solid tone woods and all the acclaimed skill of Gibson Acoustic’s luthiers of Bozeman, Montana. The spruce top and mahogany back and sides produce the warm, expressive tone sought after by renowned artists, acoustic connoisseurs, record producers and sound engineers. The short-scale neck with dovetail neck-to-body joint, attached with traditional hot hide glue, provides for smooth tonal response and easy playing. An Antique Natural finish hand-sprayed with Gibson's signature nitrocellulose lacquer preserves the natural grain and lends a clean, modern look, while enhancing the guitar’s resonance. A unique fire stripe pick guard, multi-ply top binding and soundhole rosette, and a Gibson script and banner logo make it easy to distinguish the J-35 in the family of round-shoulder dreadnoughts. Equipped with a Baggs Element pickup, the J-35 is a go-to favorite for vocal accompaniment on stage or in the studio.

Chamin Correa, internationally renowned artist, is currently seen as the best Requinto of America. That is why a line of guitars is produced which bears his name, "Correa Chamin Guitars," and has a wide variety of high quality models supervised by him personally.