paoloaliberti's Reviews

Simply Amazing !

The GLM™ 1.0 Genelec Loudspeaker Manager is a monitor control networking system that manages connectivity to all 8200 Series monitors and 7200 Series subwoofers on the network – up to 30 – from cabling and labelling to complete definitions.

The GLM software features adjustment of levels, distance delays and flexible room response compensation equalization as well as Symmetrical Placement EQ™ with the state-of-the-art and robust AutoCal™ automated calibration system. Standard system configurations are provided as well as provision for customised user setups. All parameters and settings are stored in system setup files or saved in each individual monitor or subwoofer if the GLM network needs to be disconnected.

my first compressor with sidechain

ince its introduction, the 3630 Compressor™ has become the most popular dynamics processor ever made. The reason is easy to understand: it provides two independent full-featured compressor/ limiters in one rack space while offering excellent sonic quality for any application from studio recording to live sound or broadcast. The 3630 offers Ratio, Threshold, Attack and Decay controls to customize its compression response for even the toughest signals. You can also choose between RMS and Peak compression styles, plus Hard and Soft Knee dynamic curves for every application from subtle gain control to in-your-face punch. As an independent dual-channel compressor, the 3630 offers separate controls for two different source signals. Plus, two fully independent gates with threshold and rate controls allow you to easily and efficiently stifle unwanted ambient noise. Other advanced dynamics processing features such as precise signal metering, a sidechain for keying or ducking effects and stereo linkable operation make the 3630 the most powerful compressor in its class.

With this computer I started making music in the early 90 ...

The Atari ST is a home computer that was announced at Winter CES in January 1985[1][2] and subsequently released by Atari Corporation in June 1985. Development machines were distributed around May 1985[3] and it was available commercially from that summer into the early 1990s. The "ST" officially stands for "Sixteen/Thirty-two",[4] which referred to the Motorola 68000's 16-bit external bus and 32-bit internals. Due to its graphical user interface, it was jokingly referred to as the "Jackintosh", a reference to Jack Tramiel[citation needed].

The Atari ST is part of the 16/32 bit generation of home computers, based on the Motorola 68000 CPU, typically with 512 kB of RAM or more, a graphical user interface, and 3½" microfloppy disks as storage. It was similar to the Apple Macintosh, and its simple design allowed the ST to precede the Commodore Amiga's commercial release by almost two months.[5][6] The Atari ST was also the first personal computer to come with a bit-mapped color GUI,[7] using a version of Digital Research's GEM released that February.[8]

The ST was primarily a competitor to the Macintosh, Amiga, and in certain markets the Acorn Archimedes. Where the Amiga has a graphics accelerator and sample-based synthesis[9] based sound, the ST has a simple frame buffer and a 3 voice synthesizer chip but with a slightly faster CPU, and has a high-resolution monochrome display mode, ideal for business and CAD. In some markets, particularly Germany, the machine gained a strong foothold as a small business machine for CAD and Desktop publishing work. The Atari ST also enjoyed some market popularity in Canada.[citation needed]

The ST was also the first home computer with integrated MIDI support. Thanks to its built-in MIDI, it enjoyed success for running music-sequencer software and as a controller of musical instruments among amateurs and professionals alike, being used in concert by bands and performers such as Jean Michel Jarre, Madonna, Eurythmics, Tangerine Dream, Fatboy Slim, and 1990s UK dance acts Utah Saints[10] & 808 State, as well as naming German digital hardcore band Atari Teenage Riot.

the best way to make a quality mp3 ...

Codec Toolbox is the result of a partnership with Fraunhofer, who originally created the mp3 and AAC formats that the majority of people listen to today online or on their iPod / mp3 player. Over many years Fraunhofer have perfected these codecs and they are presented to you in the Codec Toolbox to ensure your music sounds as good online as it does in the studio.