Myles Kennedy

From the interview:

"But with that it was different because I had the band. I recorded Zia’s drums and Marty’s [Meisner's] bass parts. With this I was all by myself so I was left to my own devices. And I’ve worked with EZ Drummer for the last 10 or 12 years so I’m pretty familiar in that whole realm as far as programming drums. "

From the interview:

"I do have an OX. I didn't use it that much, I actually use that right now as a power soak more than anything so I can crank up my old Fenders. On the demos, really the only guitar sound I kept gravitating towards was UA’s ‘55 Deluxe plugin. And it’s an amazing plugin, it sounds just like an old [Fender] Deluxe.

"So what was interesting was I listened to the demos and I really liked the way that kind of amp sounds with these songs, so I went on a hunt for that particular era of Deluxes. I think it’s the 5E3 circuit. It’s very simple but it’s such an incredible sound. There’s a reason Billy Gibbons uses those and so many guys gravitate towards those amps.

“So I found one of those, my buddy Bobby at River City Guitars, I said, “Hey man I’m looking for one of these amps, can you round one up for me?” He found one that was in a studio over in Seattle and it’s pretty much the sound of this record.”