Yuki Kajiura

Spotted in interview in the background.

Kajiura uses a G4 Power Mac and records and mixes in Pro Tools. Hermain keyboard is an Ensoniq SR-76, her main synth is a Korg Triton andher main sampler is an old Akai 3000. She uses Digital Performer as asequencer. When playing sampled instruments and editing, she records athome, generally working with anywhere between 30 and 64 tracks, thenheads to local studios to record live musicians and singers.

Kajiura uses a G4 Power Mac and records and mixes in Pro Tools. Hermain keyboard is an Ensoniq SR-76, her main synth is a Korg Triton andher main sampler is an old Akai 3000. She uses Digital Performer as asequencer. When playing sampled instruments and editing, she records athome, generally working with anywhere between 30 and 64 tracks, thenheads to local studios to record live musicians and singers.

From the February 2015 issue of Sound & Recording Magazine, which featured an interview with Yuki Kajiura. A MOTU MIDI Timepiece AV USB can be seen in the third photo, in the top space of the rack.

From the February 2015 issue of Sound & Recording Magazine, which featured an interview with Yuki Kajiura. A MOTU MIDI Express XT USB can be seen in the third photo, second from top of rack.

From the February 2015 issue of Sound & Recording Magazine, which featured an interview with Yuki Kajiura. A MOTU 828 MkII Firewire can be seen in the third photo, third from top of rack.

From the February 2015 issue of Sound & Recording Magazine, which featured an interview with Yuki Kajiura. A Tascam CD-RW700 can be seen in the third photo, sixth from the top of the rack.

From the February 2015 issue of Sound & Recording Magazine, which featured an interview with Yuki Kajiura. It can be seen in the third photo.

From the February 2015 issue of Sound & Recording Magazine, which featured an interview with Yuki Kajiura. It can be seen in the third photo.

From the February 2015 issue of Sound & Recording Magazine, which featured an interview with Yuki Kajiura. It can be seen in the fourth photo.