satoriforsale's Activity

Upon Epiphone moving its manufacturing operations to Japan, the Rivoli was discontinued and replaced with the bolt-neck EA-260 as part of the EA-Series line of instruments.

In 1969, Epiphone had abandoned manufacturing of instruments in America and started importing Epiphone-branded instruments from the Matsumoku company in 1970. These instruments were not based on previous Epiphone or Gibson designs, but were merely re-branded Matsumoku guitars already in existence.

The EA-260 was among these first imported Epiphone instruments. It had a maple laminate body, maple bolt-on neck and two doublecoil pickups. In 1976 the entire EA-Series was replaced by the ET-Series guitars and ET-Series Basses.

Models:

Model 5120/E (1970-1971) Model EA-260 (1972-1976)

Body:

Double cutaway body Select hardwood top, sides and back

Neck:

Bolt-on 3-piece adjustable neck Rosewood fingerboard with offset dot inlays 20 frets 15.75" body width 1.875" body depth 30.5" scale

Binding:

2-ply neck 3-ply top Single-ply back

Electronics:

Double-coil pickup with staple pole pieces 2 Vol. 2 Tone 3-way selector switch

Hardware:

Chrome hardware Deluxe tuners Adjustable "precision" bridge with mute Trapeze tailpiece Raised black pickguard with foil "E" emblem Black witch hat knobs

Colors:

Cherry Red

“Dependability, flexibility, and durability make a great guitar. What makes an amazing pedal? That special sauce that Keeley puts into each of their circuits. The Cosmic Country phaser takes the sound I hear in my mind, and blows it through each speaker it comes in contact with.” – Daniel Donato

Swirling Sonic Bliss with Three Musical Modes!

What sound fits the coming of a new phase? The sound that fits in my mind is the tone-throbbing swirls of dancing equalizers. Two, four or six stages of phasing give you the most musical sound for orbiting around a tonal center of gravity. The slippery slope of the low frequency oscillator in the phaser gives you that wave like sound to the tonal trajectory. Phasers create peaks and valleys in the spectrum of your guitar’s output. As those little “bands of EQ” wander through your sound, they create filter sweeps that are very appealing to the ear. Little twinkles of light slip into the deep and dark depths of space. You can further control how deep those EQ settings are, by way of the Depth control. Low and Slow is always the way to go, but if you need to go Fast and Deep, we’ll help you power through it. The Rate control gives you all kinds of range over the hertz. Feel free to sit and spin as fast and deep as you need. As for Feedback, we all need a bit of it. Feedback sends some of the output back to an earlier stage near the input. Lush waves of tone fold back inwards to get recycled for the next turning of a phase. After 18 years of building over 100 different pedals, this phaser is the perfect celebration of tone-crafting. Set for stunning, the tone of the Keeley Phaser is one you’ll enjoy for many, many years.

Dive into the hidden world of electromagnetic sound. This induction microphone converts electromagnetic fields into audible sound. Listen into the otherwise inaudible inner workings of any electronic device to uncover an endless array of sampling, sound design and experimental audio possibilities. Features a 3.5mm mini jack connector.

Demo: https://youtu.be/bm856Qy1d28

The new V847-C, an evolution of the legendary VOX wah sound

Based on the specs of the original VOX wah from the 1960s, the V847 has faithfully transmitted the legendary sound to the present day. Through careful experimentation, the traditional VOX wah has evolved into the V847-C wah pedal, with a tone that enhances today’s rock music. It delivers a wah sound with great presence that will stand out when playing anything from chords to solos.

While carrying on the tradition of VOX wah pedals, the V847-C wah pedal’s numerous customizations make it the perfect modern VOX wah.

Delivers a powerful sound with an improved frequency sweep

The frequency range of the wah (frequencies in which the wah can be varied) has been set lower, with the gain boosted and the Q-value (the sharpness of the wah’s peak) adjusted to deliver a powerful sound with a low center of gravity.

Warmer tone

The input impedance has been adjusted to make the sound not merely more powerful but also tastefully warm.

True bypass

The true bypass design means that the signal does not pass through the circuit when the unit is switched off, ensuring that its tonal character is unaffected.

Improved rubber feet for a better feel when switching on/off

The V847-C uses a softer material than the rubber feet on previous models. You’ll be able to turn the wah effect on/off more smoothly while you play your guitar.

Made In Japan model

A true “Made In Japan” product manufactured in Japan.

Front and bottom plates feature illustrations featuring traditional Japanese artwork.

Input Impedance 210 kOhm

Inputs 1 x 1/4″ Input Jack, 1 x AC Power Supply Jack

Outputs: 1 x 1/4″ Output Jack (to amplifier)

Power Supply: 1 x 9V DC Battery or AC adapter (optional and sold separately)

Dimensions (w x d x h) 102 x 253 x 80 mm / 4.02 x 9.96 x 3.15 inches

Weight: 1.3 kg / 2.87 lbs (excluding battery)