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Two classic fuzz tones in one glorious, must-have pedal. The Hartman SFZ Dual Fuzz brings together two classic fuzz circuits in a single pedal. Starting with a pair of meticulously crafted recreations of the original fuzz face circuit, the SFZ stacks two stages of fuzz end-to-end using gain-selected Germanium and Silicon transistor pairs: a N.O.S. (new old-stock) Germanium stage followed by a current-production Silicon transistor stage. Each fuzz stage has its own Fuzz and Volume controls, heavy-duty true-bypass footswitch, and LED indicator. Stages may be selected individually or combined as a pair for greater tonal coloration and gain. The bias and texture of the Germanium and Silicon fuzz circuits can be adjusted separately via dedicated internal bias trim pots.

All transistors are selected and auditioned for optimal leakage, gain and tone. The result is a pedal that responds exceptionally well to player dynamics, and changes in guitar volume. Users can explore further tonal variations by mixing carbon-zinc and alkaline battery types for different fuzz tones. Alternatively, the SFZ can be powered via its external 18VDC power jack (external supply not included). Features Two 9V batteries included 18VDC power jack (supply not included) Dedicated internal bias control for Silicon and Germanium circuits Gain-select NOS Germanium and Silicon transistors Heavy duty true-bypass switching Dual LED Indicators One Year Manufacturer' Warranty

Trem pedal like never before.

One of the greatest effects in the history of amplified music is the tremelo effect. It can invoke dirty little juke joints in the Midwest, swampy bayous in the deep South, psychedelical mind trips in the West or any number of other regional feels and climates. The Z-Vex Super Seek Trem offers a programmability and sound quality that surpasses the iconic amplifiers fo the 50s and 60s that defined this sound.

The step sequence feature along with tap tempo, MIDI IN/THRU for sync, expression pedal ports, glissando control between steps for groove and swing, a hold feature, the ability to choose between 1-16 steps in the sequencer to accommodate any time signature and much more.

Trem pedal like never before.

One of the greatest effects in the history of amplified music is the tremelo effect. It can invoke dirty little juke joints in the Midwest, swampy bayous in the deep South, psychedelical mind trips in the West or any number of other regional feels and climates. The Z-Vex Super Seek Trem offers a programmability and sound quality that surpasses the iconic amplifiers fo the 50s and 60s that defined this sound.

The step sequence feature along with tap tempo, MIDI IN/THRU for sync, expression pedal ports, glissando control between steps for groove and swing, a hold feature, the ability to choose between 1-16 steps in the sequencer to accommodate any time signature and much more.

High gain distortion pedal with 100% analog design and true bypass circuitry.

XVIVE's V2 is a high gain distortion micro pedal with easy tone, volume and gain control. It offers you a wide gain range, from light crunch to total saturation, wth excellent dynamic response. Durable all-metal housing.

High gain distortion pedal with 100% analog design and true bypass circuitry.

XVIVE's V2 is a high gain distortion micro pedal with easy tone, volume and gain control. It offers you a wide gain range, from light crunch to total saturation, wth excellent dynamic response. Durable all-metal housing.

100% analog tone shaper with true-bypass circuitry

XVive's V15 Tone Shaper Equalizer is a two-band EQ in a micro pedal, all-metal package. It has two multi-pole sharp cutoff filters, provides up to 6dB gain, and works with bass or guitar. With the V15 you can maximize the tone flexibility of your instrument with its Lows/Highs/Level Control and excellent dynamic response.

100% analog tone shaper with true-bypass circuitry

XVive's V15 Tone Shaper Equalizer is a two-band EQ in a micro pedal, all-metal package. It has two multi-pole sharp cutoff filters, provides up to 6dB gain, and works with bass or guitar. With the V15 you can maximize the tone flexibility of your instrument with its Lows/Highs/Level Control and excellent dynamic response.

Big spring reverb in a small foot pedal.

Since the dawn of time, musicians have tried to cram a giant spring reverb in a little tiny enclosure. Malekko Heavy Industrial Corporation has worked tirelessly like watchmakers for many years on this project alone - spiraling springs into enclosures only to have them pop out like a peanut can full of snakes. But now they have the Malekko Spring Chicken.

No longer using Lexan overlays, the SC enclosure is locally powder coated and screened. The Spring Chicken has the legendary "dwell mod" already in place. This little buddy is a very nice sounding spring reverb emulator, and although Malekko may not have invented this IC, they made it sound fantastic. It's one of those pedals that's hard to stop playing around with. "CLUCK" is the wet/dry reverb mix amount, and "DWELL" is the reverb feedback amount.

Big spring reverb in a small foot pedal.

Since the dawn of time, musicians have tried to cram a giant spring reverb in a little tiny enclosure. Malekko Heavy Industrial Corporation has worked tirelessly like watchmakers for many years on this project alone - spiraling springs into enclosures only to have them pop out like a peanut can full of snakes. But now they have the Malekko Spring Chicken.

No longer using Lexan overlays, the SC enclosure is locally powder coated and screened. The Spring Chicken has the legendary "dwell mod" already in place. This little buddy is a very nice sounding spring reverb emulator, and although Malekko may not have invented this IC, they made it sound fantastic. It's one of those pedals that's hard to stop playing around with. "CLUCK" is the wet/dry reverb mix amount, and "DWELL" is the reverb feedback amount.

Drive pedal with punch.

Overdrive pedal with Punch, Frequency and Smooth functions. True Bypass. Runs on 9v battery or external power. The Facepunch is a discreet transistor designed frequency selective boost pedal (unity to +20db) that has triode overload type of response to it. Perfectly matched to drive the front end of any tube amplifier to push it into extreme gainland via the signal level of the Punch control and the Frequency control to tighten or add back missing thickness in your tone along with a final Smooth control to adjust the very top end edginess.

Drive pedal with punch.

Overdrive pedal with Punch, Frequency and Smooth functions. True Bypass. Runs on 9v battery or external power. The Facepunch is a discreet transistor designed frequency selective boost pedal (unity to +20db) that has triode overload type of response to it. Perfectly matched to drive the front end of any tube amplifier to push it into extreme gainland via the signal level of the Punch control and the Frequency control to tighten or add back missing thickness in your tone along with a final Smooth control to adjust the very top end edginess.

Distortion with detailed bass control.

The Vulture has a great, throaty distortion with a nice bite to it but the low end and low midrange can be shaped in many ways, thanks to the low-boost and fat-boost knobs. This allows the player to dial in almost stupid amounts of lows, but the distortion stays tight, not muddy.

T-Rex could have left it at a "bass" knob only, but the low-boost adds a lot of what we all love about 4x12 cabs. That is not necessarily what you need if you are looking for more "body" in the sound though. The fat-boost is designed to add weight and punch to the sound, giving the top strings a lot of depth and presence. The Vulture provides a great, throaty distortion with a nice bite to it but the low end and low midrange can be shaped in many ways, thanks to the low-boost and fat-boost knobs. This allows the player to dial in pronounced lows, but the distortion stays tight, not muddy.

The secret to the Vulture is to adjust the boost and tone knobs for optimal sound when the gain is adjusted, just like on an amp. The Vulture is a carrion bird, one that feasts upon the fetid remains of the dead. Own the desert with tone, body, depth and presence at any volume.

Distortion with detailed bass control.

The Vulture has a great, throaty distortion with a nice bite to it but the low end and low midrange can be shaped in many ways, thanks to the low-boost and fat-boost knobs. This allows the player to dial in almost stupid amounts of lows, but the distortion stays tight, not muddy.

T-Rex could have left it at a "bass" knob only, but the low-boost adds a lot of what we all love about 4x12 cabs. That is not necessarily what you need if you are looking for more "body" in the sound though. The fat-boost is designed to add weight and punch to the sound, giving the top strings a lot of depth and presence. The Vulture provides a great, throaty distortion with a nice bite to it but the low end and low midrange can be shaped in many ways, thanks to the low-boost and fat-boost knobs. This allows the player to dial in pronounced lows, but the distortion stays tight, not muddy.

The secret to the Vulture is to adjust the boost and tone knobs for optimal sound when the gain is adjusted, just like on an amp. The Vulture is a carrion bird, one that feasts upon the fetid remains of the dead. Own the desert with tone, body, depth and presence at any volume.

Classic distortion tones at your disposal.

XVive's V1 Classic Rock Guitar Effects pedal delivers Original XVIVE tone and features a scooped mid-distortion, round and smooth overdrive tone, a wide gain range and excellent dynamic response. The V1 Classic Rock has a 100% analog, simple-to-use design with True Bypass circuitry in a compact, but durable all-metal micro pacakge.

Classic distortion tones at your disposal.

XVive's V1 Classic Rock Guitar Effects pedal delivers Original XVIVE tone and features a scooped mid-distortion, round and smooth overdrive tone, a wide gain range and excellent dynamic response. The V1 Classic Rock has a 100% analog, simple-to-use design with True Bypass circuitry in a compact, but durable all-metal micro pacakge.

This tiny pedal packs a huge explosion of sound.

Perhaps one of the most useful pedals you never knew you needed on your pedal board. At only 1.5 x 3.5?, some may wonder how Throne Room packed so much explosive power into such a tiny little box. They have created a monster that will push any tube amp to the brink of explosion. In fact, this little thing has so much power the first one they built caught on fire. Seriously.

Put this pedal at the end of your chain and you'll get the exact same thing but LOUDER! A lot louder. Earplugs possibly recommended for your neighbors. Perfect for naturally overdriving a tube amp, to stand out in solos, to use as a line driver, or to remedy conservative church sound techs who prefer the electrics a bit too low in the mix - if you know what we mean! Just step on this thing and enjoy about 35dB of an atomic boost however you like!

Throw this nuke before your overdrives or distortions and make them sound like they'll melt at any moment. Also get more clipping tones out of your overdrives and distortions. They may sound like a whole new pedal!

This tiny pedal packs a huge explosion of sound.

Perhaps one of the most useful pedals you never knew you needed on your pedal board. At only 1.5 x 3.5?, some may wonder how Throne Room packed so much explosive power into such a tiny little box. They have created a monster that will push any tube amp to the brink of explosion. In fact, this little thing has so much power the first one they built caught on fire. Seriously.

Put this pedal at the end of your chain and you'll get the exact same thing but LOUDER! A lot louder. Earplugs possibly recommended for your neighbors. Perfect for naturally overdriving a tube amp, to stand out in solos, to use as a line driver, or to remedy conservative church sound techs who prefer the electrics a bit too low in the mix - if you know what we mean! Just step on this thing and enjoy about 35dB of an atomic boost however you like!

Throw this nuke before your overdrives or distortions and make them sound like they'll melt at any moment. Also get more clipping tones out of your overdrives and distortions. They may sound like a whole new pedal!

An awesome distortion with tons of range and versatility.

The Black Metal is a 100% pure analog high-gain distortion pedal that summons everything from classic to modern metal. The High and Low EQ knobs, coupled with Egnater's signature Tight switch, allow the Black Metal to handle lower tunings while staying tight and defined. The built-in gate provides essential noise and feedback control for tight rhythm playing. The Black Metal also features a foot-switchable midrange section with Depth and Level controls. This midrange feature provides complete reign over the vital mid frequencies. The Black Metal features a solid zinc housing designed to withstand the abuse of the road.

The "fast gate" offers two sensitivity settings to accommodate your playing style. Whether you are a hard hitting, aggressive player or a lighter player, the gate will adjust to your style.

The footswitchable MID side of the pedal (borrowed from our acclaimed Egnater Armageddon amp), will radically alter the critical midrange from severely scooped for heavy rhythm to a boosted midrange for more cut, especially for solos. Of course, this feature is footswitchable so you can preset two very different sounds to recall "on the fly".

The unique low battery indicator warns you when you battery is getting low.

An awesome distortion with tons of range and versatility.

The Black Metal is a 100% pure analog high-gain distortion pedal that summons everything from classic to modern metal. The High and Low EQ knobs, coupled with Egnater's signature Tight switch, allow the Black Metal to handle lower tunings while staying tight and defined. The built-in gate provides essential noise and feedback control for tight rhythm playing. The Black Metal also features a foot-switchable midrange section with Depth and Level controls. This midrange feature provides complete reign over the vital mid frequencies. The Black Metal features a solid zinc housing designed to withstand the abuse of the road.

The "fast gate" offers two sensitivity settings to accommodate your playing style. Whether you are a hard hitting, aggressive player or a lighter player, the gate will adjust to your style.

The footswitchable MID side of the pedal (borrowed from our acclaimed Egnater Armageddon amp), will radically alter the critical midrange from severely scooped for heavy rhythm to a boosted midrange for more cut, especially for solos. Of course, this feature is footswitchable so you can preset two very different sounds to recall "on the fly".

The unique low battery indicator warns you when you battery is getting low.

Hand picked components and extreme care make all the difference in this distortion.

Today the evolution continues with the Malekko EKKO 616 MKII effects pedal, a full featured yet compact delay with external modulation controls, an optional buffer, internal level pot and 650ms of pure analog bliss! Not content to leave well enough alone, Malekko decided to go through every aspect of the acclaimed EKKO 616 to see how it could be improved. Every detail was scrutinized, data sheets compared, parts swapped and hours of listening followed.

The E616 MKII's specially voiced repeats allow a larger bandwidth to pass than most traditional analog delays. Turn the mix pot all the way up and the repeats will be near unity with the dry signal. The regeneration pot will take you from a simple slapback to a nice gentle decay of a few repeats, then take off into outer space with just a turn of the pot! Engage the modulation button and the EKKO 616 MKII takes on a whole new personality, from subtle chorusing or beautiful vibrato to way beyond. Choose between true bypass or buffered bypass. The EKKO 616 MKII's revised buffer circuit is smooth and transparent, even with many pedals on your board. Tired of annoying volume drops? An internal trimpot (labeled "gain") will allow you to set the EKKO 616 MKII's level to your specific setup. All of these changes add up to a cleaner, richer, sweeter, more flexible and musical analog delay.

Hand picked components and extreme care make all the difference in this distortion.

Today the evolution continues with the Malekko EKKO 616 MKII effects pedal, a full featured yet compact delay with external modulation controls, an optional buffer, internal level pot and 650ms of pure analog bliss! Not content to leave well enough alone, Malekko decided to go through every aspect of the acclaimed EKKO 616 to see how it could be improved. Every detail was scrutinized, data sheets compared, parts swapped and hours of listening followed.

The E616 MKII's specially voiced repeats allow a larger bandwidth to pass than most traditional analog delays. Turn the mix pot all the way up and the repeats will be near unity with the dry signal. The regeneration pot will take you from a simple slapback to a nice gentle decay of a few repeats, then take off into outer space with just a turn of the pot! Engage the modulation button and the EKKO 616 MKII takes on a whole new personality, from subtle chorusing or beautiful vibrato to way beyond. Choose between true bypass or buffered bypass. The EKKO 616 MKII's revised buffer circuit is smooth and transparent, even with many pedals on your board. Tired of annoying volume drops? An internal trimpot (labeled "gain") will allow you to set the EKKO 616 MKII's level to your specific setup. All of these changes add up to a cleaner, richer, sweeter, more flexible and musical analog delay.

The Burnley is a distortion pedal with a 100% analog circuit which delivers hot crunch to high-gain annihilation-with added tonal magnitude-thanks to a custom transformer designed by legendary audio pioneer Mr Rupert Neve. Flip the Fat/Tight switch, twist the gain, tone and level controls and transform your mortal guitar tone into fire-breathing pandemonium. This one features an attractive decorative wood finish.

Masterminds Reinhold Bogner and Mr. Rupert Neve have teamed up to produce superb audio-effects pedals that serve up rich, buttery tones, ultra-dynamic response and a stunning, three-dimensional sound quality inspired by the classic mixing consoles of the 1960's.

Mr. Rupert Neve is a living legend renowned for having designed professional recording equipment and early large-format mixing consoles which feature outstanding sound thanks to his custom transformer-coupled inputs and outputs. Countless iconic rock and roll records were cut with Mr. Neve's equipment including such classics as "Rumours" by Fleetwood Mac, "Damn the Torpedoes" by Tom Petty and the Heartbreakers, and Nirvana's "Nevermind" to name just a few.

Mr. Neve has received the Lifetime Achievement Technical Grammy Award, is an inducted member of the Mix Hall of Fame, has been named man of the century by Studio Sound Magazine and was selected by his peers as the number one audio personality of the 20th century, and continues to design into the 21st century…

Disclaimer: This Bogner pedal features an audio transformer designed by Mr. Rupert Neve of Rupert Neve Designs. The word/name Neve is a registered trademark of AMS Neve Ltd. and is in no way affiliated with this product.

The Burnley is a distortion pedal with a 100% analog circuit which delivers hot crunch to high-gain annihilation-with added tonal magnitude-thanks to a custom transformer designed by legendary audio pioneer Mr Rupert Neve. Flip the Fat/Tight switch, twist the gain, tone and level controls and transform your mortal guitar tone into fire-breathing pandemonium. This one features an attractive decorative wood finish.

Masterminds Reinhold Bogner and Mr. Rupert Neve have teamed up to produce superb audio-effects pedals that serve up rich, buttery tones, ultra-dynamic response and a stunning, three-dimensional sound quality inspired by the classic mixing consoles of the 1960's.

Mr. Rupert Neve is a living legend renowned for having designed professional recording equipment and early large-format mixing consoles which feature outstanding sound thanks to his custom transformer-coupled inputs and outputs. Countless iconic rock and roll records were cut with Mr. Neve's equipment including such classics as "Rumours" by Fleetwood Mac, "Damn the Torpedoes" by Tom Petty and the Heartbreakers, and Nirvana's "Nevermind" to name just a few.

Mr. Neve has received the Lifetime Achievement Technical Grammy Award, is an inducted member of the Mix Hall of Fame, has been named man of the century by Studio Sound Magazine and was selected by his peers as the number one audio personality of the 20th century, and continues to design into the 21st century…

Disclaimer: This Bogner pedal features an audio transformer designed by Mr. Rupert Neve of Rupert Neve Designs. The word/name Neve is a registered trademark of AMS Neve Ltd. and is in no way affiliated with this product.