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The Detonator S.P. distortion/power boost unit starts with the basic "Pignose Sound" and ultimately produces a pedal capable of some of the most rich, intense and hellacious distortion tones possible. There's more: when the playing situation calls for you to step out, the Detonator S.P. explodes with an extra power boost to get that sound over the top - this one will shatter windows, scare the animals, and wake up the neighbors!

THE BLACK HAZE IS AN ANALOG FUZZY OVERDRIVE PEDAL IN THE NEW 'BLUE LABEL' PEDALS SERIE, WITH A DARK AND RICH CHARACTER SUITABLE FOR BASS AS WELL AS FOR GUITAR.

Dark and fuzzy drive The Black Haze is a fuzzy, drive pedal with some darkness to it to make it interesting and irresistible. The Black Haze features dual drive engines and low-range compensation that offers great sustain, lots of gain and beautiful harmonics without losing the bottom. Use the controls to tweak your sound, and pick your favorite character between Thin, Normal and Deep, where Deep makes it interesting and dark while Thin and Normal tightens up your tone and makes it stand out more.

This is the drive pedal for you if you look for something slightly different. It's a new flavor of drive on the EBS table.

Features include: Drive, Tone and Volume controls Deep, Normal and Thin character switch Brand new compact housing design with recessed jacks to reduce space on your pedalboard Runs on 9V DC The Black Haze is developed by EBS with input from several Swedish top session guitarists.

THE BLACK HAZE IS AN ANALOG FUZZY OVERDRIVE PEDAL IN THE NEW 'BLUE LABEL' PEDALS SERIE, WITH A DARK AND RICH CHARACTER SUITABLE FOR BASS AS WELL AS FOR GUITAR.

Dark and fuzzy drive The Black Haze is a fuzzy, drive pedal with some darkness to it to make it interesting and irresistible. The Black Haze features dual drive engines and low-range compensation that offers great sustain, lots of gain and beautiful harmonics without losing the bottom. Use the controls to tweak your sound, and pick your favorite character between Thin, Normal and Deep, where Deep makes it interesting and dark while Thin and Normal tightens up your tone and makes it stand out more.

This is the drive pedal for you if you look for something slightly different. It's a new flavor of drive on the EBS table.

Features include:

• Drive, Tone and Volume controls
• Deep, Normal and Thin character switch
• Brand new compact housing design with recessed jacks to reduce space on your pedalboard
• Runs on 9V DC
• The Black Haze is developed by EBS with input from several Swedish top session guitarists.

Classic Fuzz Face tones! The Chase Tone '68 Red Velvet Reissue brings back the classic Chase Tone 1968 Red Velvet Fuzz, Kyle Chase's most requested design!

The '68 Red Velvet serves up thick sustaining tones that instantly clean up into thick, glassy, punchy cleans!

What sets the Chase Tone Fuzz Fella apart from other fuzzes is its amazing feel.

The pedal feels like a cranked amp that blooms with every note and responds to your touch with great dynamics!

Imagine a balance of Eric Johnson, 1968-era Hendrix, Jeff Beck and early-Zep Jimmy Page: all with the twist of the Bias knob!

This may be the most harmonically thick and sustaining Fuzz you’ll ever play: sounding like you always thought a Fuzz Face should!

Fuzz Fella Controls: Volume : Turning Clockwise increases sustain. You'll find big low-end punch and treble bite when cranked.

Fuzz : Maximizing this control increases the total amount of fuzz.

Mids : Magically boosts Mids and Output when turned clockwise.

Feel : Updated Bias knob. Every setting is musical and changes the feel and texture.

Bass : Bass gain adjustment for humbuckers (or eliminating oscillation caused by wah pedals).

Chase Tone '68 Red Velvet Reissue Fuzz features: • Brings back the classic Chase Tone 1968 Red Velvet Fuzz.

• Packed with classic 1960s Fuzz Face tones!

• Huge wall of fuzz sound with thick sustain and glassy cleans!

• External mini-trim knobs allow you to fine-tune to your rig.

• Power: 9V DC.

• Current Draw: Less than 100mA.

• Dimensions: 4.5" X 2.5" X 1.5".

The Filter Fuzz is the Hiwatt Custom Shop's tone-obsessed take on your favourite Classic '60s Fuzz. Designed through collaboration of two Hiwatt Custom Shop heavyweights, the Filter Fuzz aims to offer old-school all-analog sensibility with extended gain and frequency-range. A historical nod to the '69 sounds produced on the album Grand Funk; this 'free-love' moment between a Musicraft Messenger guitar and a Heathkit Fuzz has been the tone-chasing inspiration for our filter section.

Specs:

• Input: 1/4" Mono Input
• Output: 1/4" Mono Input
• Master Volume: Adjusts the output volume. Unity comes relatively early, with massive boost capability following.
• Fuzz: Clockwise increases saturation and sustain. This control has been optimized in the interest of even linear response, beginning with subtle (allowing the volume boost and tone controls to be utilized and shine independent of the distortion) and topping out unwieldy.
• 3-Way Rotary Filter Switch: Three hand-selected low-cut filters, optionally engaged using the filter bypass footswitch. Can be utilized to emphasize a mid-pushed, parked-wah, punchy, lo-fi vibe. Interacts heavily with the Master volume and Fuzz controls. This filter can have extreme impact through interaction with other controls, sometimes causing spitting, zippery, gated, and octave-like responses. Also offers a perceptual boost which can be used to kick just above unity or push leads to the forefront.
• Thick: Carefully curated to optimize low-frequency response. Clockwise emphasizes low frequencies, Counterclockwise cuts low frequencies and allows mid-range and top-end clarity to shine through. This EQ control comes pre-gain, acting as a one-size-fits-all tone-shaper from thundering, wooly, subby clockwise to forward, bright and biting counter-clockwise.

The Filter Fuzz is the Hiwatt Custom Shop's tone-obsessed take on your favourite classic Silicon '60s Fuzz. Designed through collaboration of two Hiwatt Custom Shop heavyweights, the Filter Fuzz aims to offer old-school all-analog sensibility with extended gain and frequency-range. A historical nod to the '69 sounds produced on the album Grand Funk; this 'free-love' moment between a Musicraft Messenger guitar and a Heathkit Fuzz has been the tone-chasing inspiration for our filter section.

Specifications Switching: True-Bypass Power Requirements: 9V DC 250mA, can be powered either by 2.1mm center-negative barrel power supply or 9V Battery. Custom Matte-Black Aluminum Housing

Master Volume Adjusts the output volume. Unity comes relatively early, with massive boost capability following.

Fuzz Clockwise increases saturation and sustain. This control has been optimized in the interest of even linear response, beginning with subtle (allowing the volume boost and tone controls to be utilized and shine independent of the distortion) and topping out unwieldy.

3-Way Rotary Filter Switch Three hand-selected low-cut filters, optionally engaged using the filter bypass footswitch. Can be utilized to emphasize a mid-pushed, parked-wah, punchy, lo-fi vibe. Interacts heavily with the Master volume and Fuzz controls. This filter can have extreme impact through interaction with other controls, sometimes causing spitting, zippery, gated, and octave-like responses. Also offers a perceptual boost which can be used to kick just above unity or push leads to the forefront.

Thick Carefully curated to optimize low-frequency response. Clockwise emphasizes low frequencies, Counterclockwise cuts low frequencies and allows mid-range and top-end clarity to shine through. This EQ control comes pre-gain, acting as a one-size-fits-all tone-shaper from thundering, wooly, subby clockwise to forward, bright and biting counter-clockwise.

Filter Bypass Effect Bypass

The Filter Fuzz is the Hiwatt Custom Shop's tone-obsessed take on your favourite Classic '60s Fuzz. Designed through collaboration of two Hiwatt Custom Shop heavyweights, the Filter Fuzz aims to offer old-school all-analog sensibility with extended gain and frequency-range. A historical nod to the '69 sounds produced on the album Grand Funk; this 'free-love' moment between a Musicraft Messenger guitar and a Heathkit Fuzz has been the tone-chasing inspiration for our filter section.

Specs

input: 1/4" Mono Input output: 1/4" Mono Input Master Volume: Adjusts the output volume. Unity comes relatively early, with massive boost capability following. Fuzz: Clockwise increases saturation and sustain. This control has been optimized in the interest of even linear response, beginning with subtle (allowing the volume boost and tone controls to be utilized and shine independent of the distortion) and topping out unwieldy. 3-Way Rotary Filter Switch: Three hand-selected low-cut filters, optionally engaged using the filter bypass footswitch. Can be utilized to emphasize a mid-pushed, parked-wah, punchy, lo-fi vibe. Interacts heavily with the Master volume and Fuzz controls. This filter can have extreme impact through interaction with other controls, sometimes causing spitting, zippery, gated, and octave-like responses. Also offers a perceptual boost which can be used to kick just above unity or push leads to the forefront. Thick: Carefully curated to optimize low-frequency response. Clockwise emphasizes low frequencies, Counterclockwise cuts low frequencies and allows mid-range and top-end clarity to shine through. This EQ control comes pre-gain, acting as a one-size-fits-all tone-shaper from thundering, wooly, subby clockwise to forward, bright and biting counter-clockwise. Filter Bypass Effect Bypass Internal Bias Trim Pot: Clockwise increases volume and clarity of the circuit, Counterclockwise emphasizes spitting, gating. height: 85mm (~4") width: 106mm (~5") depth: 235mm (~10") weight: 0.85 Kg (~2 lbs)

The Filter Fuzz is the Hiwatt Custom Shop's tone-obsessed take on your favourite Classic '60s Fuzz. Designed through collaboration of two Hiwatt Custom Shop heavyweights, the Filter Fuzz aims to offer old-school all-analog sensibility with extended gain and frequency-range. A historical nod to the '69 sounds produced on the album Grand Funk; this 'free-love' moment between a Musicraft Messenger guitar and a Heathkit Fuzz has been the tone-chasing inspiration for our filter section.

Specs:

• Input: 1/4" Mono Input
• Output: 1/4" Mono Input
• Master Volume: Adjusts the output volume. Unity comes relatively early, with massive boost capability following.
• Fuzz: Clockwise increases saturation and sustain. This control has been optimized in the interest of even linear response, beginning with subtle (allowing the volume boost and tone controls to be utilized and shine independent of the distortion) and topping out unwieldy.
• 3-Way Rotary Filter Switch: Three hand-selected low-cut filters, optionally engaged using the filter bypass footswitch. Can be utilized to emphasize a mid-pushed, parked-wah, punchy, lo-fi vibe. Interacts heavily with the Master volume and Fuzz controls. This filter can have extreme impact through interaction with other controls, sometimes causing spitting, zippery, gated, and octave-like responses. Also offers a perceptual boost which can be used to kick just above unity or push leads to the forefront.
• Thick: Carefully curated to optimize low-frequency response. Clockwise emphasizes low frequencies, Counterclockwise cuts low frequencies and allows mid-range and top-end clarity to shine through. This EQ control comes pre-gain, acting as a one-size-fits-all tone-shaper from thundering, wooly, subby clockwise to forward, bright and biting counter-clockwise.