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First product from Steinberg was the MIDI sequencer Steinberg Pro 16 for the Commodore 64.

The C128 is a significantly expanded successor to the C64, with nearly full compatibility. The newer machine has 128 kB of RAM in two 64 kB banks, and an 80-column color video output. It has a redesigned case and keyboard. Also included is a Zilog Z80 CPU which allows the C128 to run CP/M, as an alternative to the usual Commodore BASIC environment. The presence of the Z80 and the huge CP/M software library it brings, coupled with the C64's software library, gives the C128 one of the broadest ranges of available software among its competitors.

Multi-Pattern Condenser Microphone

Features: Switchable Supercardioid, Omni and Figure-8 pickup patterns Dual 19mm capsule design Switchable high-pass filter and 10dB pad Gold-plated XLR connectors

The Tube MP Studio V3 delivers warmth and fatness to any audio source while maintaining an exceptionally low-noise signal path. While its primary function is as a microphone preamp with +48V phantom power, variable gain and phase reverse switching, the Tube MP is also an exceptionally versatile tube driven direct box for any instrument source.

The Tube MP Studio V3 uses ART's proven V3™ (Variable Valve Voicing) Technology to instantly contour the tone to any source. V3™ presets were created and fine-tuned by some of the industry's top studio and live-sound engineers and allow instant access to a multitude of preamp settings designed for guitars (electric and acoustic), keyboards, bass guitars, drums, vocals and more. Additionally, the Tube MP Studio V3 employs OPL™ (Output Protection Limiting) technology to protect the next component in your signal path from clipping and overloads.

The Tube MP Studio V3 offers exceptional sound quality and superior performance to that typically found in "on-board" preamps found in today's low-cost mixers, multi-track recorders and audio cards making it an ideal tone-shaping tool for any application.

The MD-301mkII is an budget conscious, durable MD recorder. It was designed for maximum flexibility and reliability.

The balanced XLR and unbalanced RCA ports will offer easy integration with PAs or studios of any level. Digital SPDIF optical I/O is provided for digital transfers. An additional SPDIF optical in on the front panel allows easy connection of portable units without crawling into the back of the rack.

A PS/2 keyboard port on the front panel allows you to plug an inexpensive PC keyboard in for easier track naming, TOC editing functions and remote control.

When simple recording of long material is required, the MD-301mkII can be flipped to a 148 minute mono recording mode. This allows almost two and a half hours of uninterrupted recording on a single MiniDisc!

The DA-20mkII is an affordable DAT recorder which capitalizes on the key advantages of the DAT format.

The DA-20mkII offers analog I/O on unbalanced RCAs. Digital I/O is provided on SPDIF coax. All standard DAT recording modes are supported: 32kHz long play, 44.1kHz CD-compatible, and 48kHz DAT standard.

The DA-20mkII can override SCMS code limitations. SCMS (Serial Copy Management System) was designed for consumer DAT recorders to thwart pirating of copy written material. Of course, SCMS doesn't consider who owns the copyright. So if your recorder cannot override SCMS codes, you may also be prevented from copying material that is public domain, or material that you own. Since the DA-20mkII can override these codes, this won't be a concern.

Frontier Design Group’s new TranzPort™ represents a revolutionary way to interact with your Windows® or Mac® digital audio workstation (DAW). Instead of being stuck in front of your computer to compose, record, and produce music/audio, TranzPort gives you the freedom to control DAW functions from anywhere in your studio, because let's face it, wires suck.

TranzPort is easy to set up and use. Right out of the box, it’s compatible with popular DAW software such as Pro Tools®, Sonar™, Logic®, Cubase®, Digital Performer® and others. You can arm tracks, use transport controls, set markers, control pans, punch in/out, start loops, and more from TranzPort’s simple and intuitive interface. TranzPort is a bi-directional controller, so it also provides feedback to you on signal levels, timecode position, track names and more, via a backlit LCD display and LED indicators. Unlike infrared remotes, you don’t need line-of-sight between the TranzPort and your computer. TranzPort uses high frequency radio waves (RF) to send and receive control data, and uses advanced coding and frequency-hopping techniques to operate without causing interference, even in the presence of other wireless devices.

TranzPort is small and lightweight, runs on standard AA batteries, is mountable to a mic stand (using optional adaptor), and even has a footswitch input. As a very affordable alternative to keyboard/mouse DAW control, TranzPort offers control tools that will speed up your workflow.

TASCAM and Frontier Design Group have partnered together to create the first major innovation in USB-based audio. Start with a fully 24-bit front end, with two XLR inputs, two balanced 1/4" TRS inputs, two unbalanced 1/4" inputs (switchable to Hi-Z), and S/PDIF I/O. Four channels of audio in and two out simultaneously via USB. No opening your computer, no sound card to install - it's USB, so you can even hot-plug it.

You'll spend a lot less time mousing your mix with the US-428. It's got real tactile controls for the most-used functions in your DAW applications. Transport, mute/solo and locate keys, unlimited banks of eight faders, an EQ module that supports control of up to four bands of fully parametric EQ, plus four aux sends and a panpot. It's even got 32 channels of MIDI I/O. Use one for your keys and modules, and the other for MTC, to lock your MTC-capable tape tracks to your computer.