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Limited Edition - Unlimited Modulation 40 years ago, in a tiny town in Denmark, two brothers planted a sonic seed - and the SCF STEREO CHORUS FLANGER was born! A chorus pedal so great and so far ahead of its time - that it single-handedly shaped the destiny of TC ELECTRONIC.

In celebration of our 40th anniversary - and to honor this legendary piece of kit - we've created a special limited run of the Corona Chorus (only 2,000 units), which sees the Corona take on the sleek, iconic look of the original SCF pedal.

To make sure the it doesn't just look the part, we've meticulously recreated the lush, all-enveloping chorus, pitch-mod and flanger tones of the original, now available as TonePrints, ready to beam to your Corona Chorus - absolutely free of charge!

Choose Your Chorus Whether you go for the music-defining SCF setting or the ultra rich Tri-Chorus, you’re always ensured expansive tonal options from glassy shimmers to mind-boggling swirls of sound. In fact, we’d buy two and have ‘em both on at the same time to combine the SCF sounds with the rich Tri-Chorus tones.

Chorus, Don't Bore Us Corona Chorus has a set of tonecontrols that allow you to craft a wide variety of chorus sounds -the Speed knob lets you dial in anything from slow 80’s chorusing to fast leslie-like sounds, while the Depth knob sets how intense the sound is going to be. The Tone knob allows you dial in the chorus exactly how you like it- from dark and vintage to pristine TC shimmer to a sound that really punches through the mix. Fun guaranteed!

Searching for screaming, over-the-top distortion? Look no further.

Rocktron is well known for outrageous distortion tones, and the Third Angel Distortion stompbox is no exception, delivering ultraheavy tone without mercy.

Control knobs for the Third Angel Distortion include Level, which controls the output volume of the box, and Bass/Treble knobs handle EQ. Deceive controls the amount of gain, and Unrighteous controls the distortion waveform symmetry and definition.

Comes in a rugged metal chassis with retro-style, laser-etched artwork; features true-bypass operation; and includes a black velvet carrying bag.

Searching for screaming, over-the-top distortion? Look no further.

Rocktron is well known for outrageous distortion tones, and the Third Angel Distortion stompbox is no exception, delivering ultraheavy tone without mercy.

Control knobs for the Third Angel Distortion include Level, which controls the output volume of the box, and Bass/Treble knobs handle EQ. Deceive controls the amount of gain, and Unrighteous controls the distortion waveform symmetry and definition.

Comes in a rugged metal chassis with retro-style, laser-etched artwork; features true-bypass operation; and includes a black velvet carrying bag.

A pedal board-friendly flanger that's fully adjustable, offering tons of flange options.

With the Rocktron Reaction Flanger, vintage flange voicing will reap rewards when you perform or record. The flange voicing is controllable and adjustable, and one might say, voiced just right.

Part of the Reaction Series pedals that are built into a rugged metal slim form factor chassis, this flanger will take up as little space as possible on your pedal board, but offer a big flange sound. The Reaction Flanger is a TRUE BYPASS pedal; when you turn it off, it is out of your signal path.

The Reaction Flange Level control allows you to dial in just the right mix of Flange to your signal.The Depth control gives you control over the intensity of the flange.

The Rate knob controls the speed of the flange.The F.Back ("feedback") control varies the regeneration of the modulated output.Stop searching for a sturdy, reliable flanger that gives you great sound. You just found it! All you have to do now is put it in that empty space on your pedal board and flange the night away. You'll love the reaction.

The footswitch on the Reaction Flanger controls On/Off status as shown by the LED indicator. Reaction stomp boxes run on a 9V Alkaline battery, or may also be powered by Rocktron's DC OnTap Universal Power Supply adaptor.

A pedal board-friendly flanger that's fully adjustable, offering tons of flange options.

With the Rocktron Reaction Flanger, vintage flange voicing will reap rewards when you perform or record. The flange voicing is controllable and adjustable, and one might say, voiced just right.

Part of the Reaction Series pedals that are built into a rugged metal slim form factor chassis, this flanger will take up as little space as possible on your pedal board, but offer a big flange sound. The Reaction Flanger is a TRUE BYPASS pedal; when you turn it off, it is out of your signal path.

The Reaction Flange Level control allows you to dial in just the right mix of Flange to your signal.The Depth control gives you control over the intensity of the flange.

The Rate knob controls the speed of the flange.The F.Back ("feedback") control varies the regeneration of the modulated output.Stop searching for a sturdy, reliable flanger that gives you great sound. You just found it! All you have to do now is put it in that empty space on your pedal board and flange the night away. You'll love the reaction.

The footswitch on the Reaction Flanger controls On/Off status as shown by the LED indicator. Reaction stomp boxes run on a 9V Alkaline battery, or may also be powered by Rocktron's DC OnTap Universal Power Supply adaptor.

A distortion for those players that like their tone super heavy.

Some like it heavier than others, and the Rocktron Reaction Distortion II pedal takes it to that higher level of heavy. This is distortion and gain with a unique voice that is controllable and adjustable.

Gain is the hallmark of the Reaction Distortion II. A highly adjustable and dynamic EQ allow you to dial in that specific tone. The main EQ consists of a dual BASS and TREBLE control. Rocktron has provided a high range of sweep on these two controls.Next, take a look at what is possible with the FOCUS control to cut through on stage and shine through even the muddiest live mix. The FOCUS control brings you and your instrument front and center. The awesome FOCUS control adjusts the symmetry of the distortion, causing the sound to "jump" out of your amp.

Other control knobs for the Reaction Distortion II include DRIVE, which controls the amount of distortion drive you desire. LEVEL controls the output volume of the Reaction Distortion II. BASS (outer control) provides low-end frequency sweep. TREBLE (inner control) handles the high-frequency sweep. Like all Rocktron Reaction Series pedals, the Reaction Distortion II is built into a rugged metal slim form factor chassis, taking up as little space as possible on your pedal board. The Reaction Distortion II is a TRUE BYPASS pedal: when you turn it off, it is out of your signal path!

The footswitch for the Reaction Distortion II controls On/Off status as shown by the LED indicator. Reaction stomp boxes run on a 9V Alkaline battery, or may also be powered by Rocktron's DC OnTap Universal Power Supply adaptor.

A distortion for those players that like their tone super heavy.

Some like it heavier than others, and the Rocktron Reaction Distortion II pedal takes it to that higher level of heavy. This is distortion and gain with a unique voice that is controllable and adjustable.

Gain is the hallmark of the Reaction Distortion II. A highly adjustable and dynamic EQ allow you to dial in that specific tone. The main EQ consists of a dual BASS and TREBLE control. Rocktron has provided a high range of sweep on these two controls.Next, take a look at what is possible with the FOCUS control to cut through on stage and shine through even the muddiest live mix. The FOCUS control brings you and your instrument front and center. The awesome FOCUS control adjusts the symmetry of the distortion, causing the sound to "jump" out of your amp.

Other control knobs for the Reaction Distortion II include DRIVE, which controls the amount of distortion drive you desire. LEVEL controls the output volume of the Reaction Distortion II. BASS (outer control) provides low-end frequency sweep. TREBLE (inner control) handles the high-frequency sweep. Like all Rocktron Reaction Series pedals, the Reaction Distortion II is built into a rugged metal slim form factor chassis, taking up as little space as possible on your pedal board. The Reaction Distortion II is a TRUE BYPASS pedal: when you turn it off, it is out of your signal path!

The footswitch for the Reaction Distortion II controls On/Off status as shown by the LED indicator. Reaction stomp boxes run on a 9V Alkaline battery, or may also be powered by Rocktron's DC OnTap Universal Power Supply adaptor.

Wicked distortion with sweepable mids and harmonic enhancement.

The Metal Embrace Distortion effects pedal offers controls for bass, treble, and sweepable mid, plus waveform symmetry (which adds harmonics).

Within the controls, the Metal Embrace knob controls the amount of distortion drive. The Symmetry knob controls the amount of negative excursion of the resulting distorted waveform which enhances harmonic overtones. The Level knob controls the output volume of the Metal Embrace pedal. Other controls include 3-band EQ and mid cut/boost.

Comes in a rugged metal chassis with retro-style, laser-etched artwork; features true-bypass operation; and includes a black velvet carrying bag.

Wicked distortion with sweepable mids and harmonic enhancement.

The Metal Embrace Distortion effects pedal offers controls for bass, treble, and sweepable mid, plus waveform symmetry (which adds harmonics).

Within the controls, the Metal Embrace knob controls the amount of distortion drive. The Symmetry knob controls the amount of negative excursion of the resulting distorted waveform which enhances harmonic overtones. The Level knob controls the output volume of the Metal Embrace pedal. Other controls include 3-band EQ and mid cut/boost.

Comes in a rugged metal chassis with retro-style, laser-etched artwork; features true-bypass operation; and includes a black velvet carrying bag.

Create a myriad of amazing delay tones with this all-analog beauty.

The Violetta Delay, the first in the Original Chrome Series, offers a myriad of stunning features: 1000m/sec of delay time “ from the hip shaking slap back rockabilly passion of Scotty Moore to the breath taking delay drenched sonic landscapes of post rock ambience.

Dial in a single repeat or select infinite repeats and disappear into a wonderland of self-oscillation runaway.

Utilize the expression pedal output to control the repeats with your foot (use the Moog EP-2 exp pedal).

Dial in every extreme of modulation “ from the shimmering beauty of a gentle lilting mod through to the pitch shifting echoplexian wow and flutter of an old tape echo.

Violetta has been voiced in the same manner as the great tape echos “ the repeats roll the top end off as they decay. Increasing the delay length will add some analog fur to the sound (like the original BBD analog delays).

Run Violetta from your usual 9v DC wallwart or choose to go sans wallwart and use the internal lithium Ion battery “ no need for a special charger “ she™ll charge whilst you power her from your 9v wallwart supply!

Create a myriad of amazing delay tones with this all-analog beauty.

The Violetta Delay, the first in the Original Chrome Series, offers a myriad of stunning features: 1000m/sec of delay time “ from the hip shaking slap back rockabilly passion of Scotty Moore to the breath taking delay drenched sonic landscapes of post rock ambience.

Dial in a single repeat or select infinite repeats and disappear into a wonderland of self-oscillation runaway.

Utilize the expression pedal output to control the repeats with your foot (use the Moog EP-2 exp pedal).

Dial in every extreme of modulation “ from the shimmering beauty of a gentle lilting mod through to the pitch shifting echoplexian wow and flutter of an old tape echo.

Violetta has been voiced in the same manner as the great tape echos “ the repeats roll the top end off as they decay. Increasing the delay length will add some analog fur to the sound (like the original BBD analog delays).

Run Violetta from your usual 9v DC wallwart or choose to go sans wallwart and use the internal lithium Ion battery “ no need for a special charger “ she™ll charge whilst you power her from your 9v wallwart supply!

A punishing distortion born and built for Metal with tons of gain.

Sister midnight, the wild child¦. the sister you'd outwardly scorn but inwardly covet. A high gain Metal priestess of the first order. The black sheep of the family, rumored to be in league with you know who...

Seven years in conception and finally realized in 2011, Ivy's siblings: the Seven Sisters, are a revolutionary new concept in the realm of guitar effects pedals. The world's first rechargeable guitar pedals - the Sisters feature a Lithium Ion cell (like that found in your cell phone or digital camera) and internal charging circuitry. Simply connect Ivy to a regular guitar pedal power supply, charge her for four hours and Voila! 220 hours of actual use!

Two simple controls allow access to a myriad of gargantuan metal tones - Volume controls¦the Volume! Gain controls¦the Gain!

The tiny sisters have the Worlds smallest pedal board foot print - simply meaning they take up less space on a guitarists pedal board than any other available battery powered pedal.

Finally, the Sisters offer professional level features at an entry level price - putting all the goodies within the reach of any players budget.

A punishing distortion born and built for Metal with tons of gain.

Sister midnight, the wild child¦. the sister you'd outwardly scorn but inwardly covet. A high gain Metal priestess of the first order. The black sheep of the family, rumored to be in league with you know who...

Seven years in conception and finally realized in 2011, Ivy's siblings: the Seven Sisters, are a revolutionary new concept in the realm of guitar effects pedals. The world's first rechargeable guitar pedals - the Sisters feature a Lithium Ion cell (like that found in your cell phone or digital camera) and internal charging circuitry. Simply connect Ivy to a regular guitar pedal power supply, charge her for four hours and Voila! 220 hours of actual use!

Two simple controls allow access to a myriad of gargantuan metal tones - Volume controls¦the Volume! Gain controls¦the Gain!

The tiny sisters have the Worlds smallest pedal board foot print - simply meaning they take up less space on a guitarists pedal board than any other available battery powered pedal.

Finally, the Sisters offer professional level features at an entry level price - putting all the goodies within the reach of any players budget.

Orange's first pedal since the 1960s featuring amazing gain and EQ controls.

For years, Orange Amps has been hounded by their customers and retailers to make a pedal. It may have taken a while to join the pedal party but it had to be right, and for 2015, Orange has finally settled on a design of which they are rightly proud. Introducing Orange Amps' first pedal since the 1960s “ the Custom Shop Bax Bangeetar Guitar Pre-EQ.

As a traditional stompbox the Bax Bangeetar is in a class of its own, boasting a unique gain structure and extensive EQ controls. Dial in a huge range of overdriven and distorted tones, delivered with a feel and responsiveness rarely found in pedals. Beyond that, though, this preamp pedal is an invaluable tool, allowing you to tailor your tone to any setup with absolute precision via its parametric mid controls.

Find and eliminate problem frequencies in certain guitars and amps, shape broad mid ˜scoops™ or boost anywhere on the mid spectrum to suit any style. Plug straight into the front of an amp as a standalone drive pedal, or plug into the effects return to make the donor amp ˜disappear™! Whatever your rig, the possibilities are virtually limitless.

For even more flexibility, the second output takes your sound and passes it through the CabSim circuit, recreating the frequency response of a mic™d Orange 4x12 cab, ideal for direct recording or even connecting to a PA. Whether on stage or in the studio, the nature and scope of its controls mean there isn™t a situation where the Bax Bangeeter wouldn™t be welcome.

WIDE GAIN RANGE
The Bax Bangeetar is an entirely new design, not based on anything Orange have made previously. The gain structure covers a massive breadth of overdrive and distortion without ever sounding compromised, however you set it. At the minimum, the Bax Bangeetar is an awesome clean boost or low gain driver, highly receptive to different guitar and pickup combinations. As the gain increases, you™ll go from classic Orange crunch and vintage rhythm tones, through to soaring leads and right up to genuinely insane levels of distortion. As in, bonkers levels. The Boost switch offers a ˜clean boost™ after the gain stage when the pedal is engaged to help your leads jump out of the mix in a live setting.

NO DIODE CLIPPING
As soon as you plug into the Bax Bangeetar, you™ll quickly notice that all the sounds contained within remain articulate and tight across the gain range, without any hint of wooliness. In fact, it doesn™t feel like a pedal at all. Orange has achieved all of this without the use of the back-to-back diode clipping techniques found in most pedals. This box distorts and behaves just like their amps, with natural-sounding and controllable breakup, and delivers serious punch with no stifling compression.

BAXANDALL EQ WITH FULL PARAMETRIC MID CONTROLS
Inspired by some of the highly-sought after consoles of the 1960s but with a number of modern tweaks, the Bax Bangeetar' powerful EQ really separates it from other drive pedals. With an open treble response and controlled low end, the fun properly starts with the mid controls.

The midrange is perhaps the most important area for guitar players, not only because this is generally the space they occupy in a band mix, but also because of how the midrange drastically affects the tonal and distortion characteristics of a guitar/amp setup. Despite this, they've found that most overdrive/distortion pedals have very limited control over this range. Not so with the Bax Bangeetar' fully parametric mid controls. The ˜Freq™ knob selects the center frequency you wish to affect. The ˜Q™ controls the bandwidth, sweeping from narrow to wide, allowing you to fine-tune a precise or broad frequency range. The ˜Mid™ knob can then be set to cut or boost those frequencies, for exact command over your tone.

ULTRA TRANSPARENT BUFFERED BYPASS
œIs it ˜true bypass™?

No. It' better than that.

˜True bypass™ is well-intentioned but is not without limitations. Orange's supremely linear buffer circuit is designed for the growing number of discerning players who realise the positive effects that a studio-quality buffer can have on their overall tone. And when they say ˜transparent™, they really mean it. Whether you need to drive a pedal board or just need a little help getting a pure signal to your amp, their buffered bypass ensures no degradation and no loss of clarity or high end. Placed first in your chain, you™ll sound better, even when the pedal is off!

INTERNAL CHARGE PUMP
Key to the design is Bax Bangeetar' charge pump which doubles the internal voltage to 18V from a 9V source. This is not only crucial to the bypass circuit, but also means this pedal has a wider dynamic range and more output, with even greater definition and headroom than a conventional 9V pedal. The Bax Bangeetar can run on a single standard 9V battery, or an external regulated AC-DC adapter.

CABSIM OUTPUT
The second output takes the Bax Bangeetar' preamp and passes it through our CabSim circuit, faithfully emulating the sound of a mic™d Orange 40th Anniversary PPC412 4—12 cabinet, loaded Celestion G12H 30 speakers. Connect the CabSim output to a recording console to capture huge Orange tones in the studio, or to a powered monitor or PA for a versatile live setup. Both the regular and CabSim outputs can be used independently or simultaneously.

Orange's first pedal since the 1960s featuring amazing gain and EQ controls.

For years, Orange Amps has been hounded by their customers and retailers to make a pedal. It may have taken a while to join the pedal party but it had to be right, and for 2015, Orange has finally settled on a design of which they are rightly proud. Introducing Orange Amps' first pedal since the 1960s “ the Custom Shop Bax Bangeetar Guitar Pre-EQ.

As a traditional stompbox the Bax Bangeetar is in a class of its own, boasting a unique gain structure and extensive EQ controls. Dial in a huge range of overdriven and distorted tones, delivered with a feel and responsiveness rarely found in pedals. Beyond that, though, this preamp pedal is an invaluable tool, allowing you to tailor your tone to any setup with absolute precision via its parametric mid controls.

Find and eliminate problem frequencies in certain guitars and amps, shape broad mid ˜scoops™ or boost anywhere on the mid spectrum to suit any style. Plug straight into the front of an amp as a standalone drive pedal, or plug into the effects return to make the donor amp ˜disappear™! Whatever your rig, the possibilities are virtually limitless.

For even more flexibility, the second output takes your sound and passes it through the CabSim circuit, recreating the frequency response of a mic™d Orange 4x12 cab, ideal for direct recording or even connecting to a PA. Whether on stage or in the studio, the nature and scope of its controls mean there isn™t a situation where the Bax Bangeeter wouldn™t be welcome.

WIDE GAIN RANGE
The Bax Bangeetar is an entirely new design, not based on anything Orange have made previously. The gain structure covers a massive breadth of overdrive and distortion without ever sounding compromised, however you set it. At the minimum, the Bax Bangeetar is an awesome clean boost or low gain driver, highly receptive to different guitar and pickup combinations. As the gain increases, you™ll go from classic Orange crunch and vintage rhythm tones, through to soaring leads and right up to genuinely insane levels of distortion. As in, bonkers levels. The Boost switch offers a ˜clean boost™ after the gain stage when the pedal is engaged to help your leads jump out of the mix in a live setting.

NO DIODE CLIPPING
As soon as you plug into the Bax Bangeetar, you™ll quickly notice that all the sounds contained within remain articulate and tight across the gain range, without any hint of wooliness. In fact, it doesn™t feel like a pedal at all. Orange has achieved all of this without the use of the back-to-back diode clipping techniques found in most pedals. This box distorts and behaves just like their amps, with natural-sounding and controllable breakup, and delivers serious punch with no stifling compression.

BAXANDALL EQ WITH FULL PARAMETRIC MID CONTROLS
Inspired by some of the highly-sought after consoles of the 1960s but with a number of modern tweaks, the Bax Bangeetar' powerful EQ really separates it from other drive pedals. With an open treble response and controlled low end, the fun properly starts with the mid controls.

The midrange is perhaps the most important area for guitar players, not only because this is generally the space they occupy in a band mix, but also because of how the midrange drastically affects the tonal and distortion characteristics of a guitar/amp setup. Despite this, they've found that most overdrive/distortion pedals have very limited control over this range. Not so with the Bax Bangeetar' fully parametric mid controls. The ˜Freq™ knob selects the center frequency you wish to affect. The ˜Q™ controls the bandwidth, sweeping from narrow to wide, allowing you to fine-tune a precise or broad frequency range. The ˜Mid™ knob can then be set to cut or boost those frequencies, for exact command over your tone.

ULTRA TRANSPARENT BUFFERED BYPASS
œIs it ˜true bypass™?

No. It' better than that.

˜True bypass™ is well-intentioned but is not without limitations. Orange's supremely linear buffer circuit is designed for the growing number of discerning players who realise the positive effects that a studio-quality buffer can have on their overall tone. And when they say ˜transparent™, they really mean it. Whether you need to drive a pedal board or just need a little help getting a pure signal to your amp, their buffered bypass ensures no degradation and no loss of clarity or high end. Placed first in your chain, you™ll sound better, even when the pedal is off!

INTERNAL CHARGE PUMP
Key to the design is Bax Bangeetar' charge pump which doubles the internal voltage to 18V from a 9V source. This is not only crucial to the bypass circuit, but also means this pedal has a wider dynamic range and more output, with even greater definition and headroom than a conventional 9V pedal. The Bax Bangeetar can run on a single standard 9V battery, or an external regulated AC-DC adapter.

CABSIM OUTPUT
The second output takes the Bax Bangeetar' preamp and passes it through our CabSim circuit, faithfully emulating the sound of a mic™d Orange 40th Anniversary PPC412 4—12 cabinet, loaded Celestion G12H 30 speakers. Connect the CabSim output to a recording console to capture huge Orange tones in the studio, or to a powered monitor or PA for a versatile live setup. Both the regular and CabSim outputs can be used independently or simultaneously.

A distortion pedal that is small in stature, but big in tone.

Get all your classic distortion tones from the ModTone Mini-Mod MTM-DS distortion effects pedal. The MTM-DS is versatile and a virtual workhorse that can be adapted to all rock genres.

Easy-to-use Level, Tone and Gain knobs allow you to customize a tone of your Mini-Mod distortion pedal that is anywhere from super grainy, to mega warm, to just a little bit of grit. The tiny all-metal body fits easily into the palm of your hand, or easily onto even the most crowded pedal board.

A distortion pedal that is small in stature, but big in tone.

Get all your classic distortion tones from the ModTone Mini-Mod MTM-DS distortion effects pedal. The MTM-DS is versatile and a virtual workhorse that can be adapted to all rock genres.

Easy-to-use Level, Tone and Gain knobs allow you to customize a tone of your Mini-Mod distortion pedal that is anywhere from super grainy, to mega warm, to just a little bit of grit. The tiny all-metal body fits easily into the palm of your hand, or easily onto even the most crowded pedal board.

Get that rich chorus sound for less with the ModTone mini-Mod MTM-CH Chorus guitar effect pedal. Since the first guitarist ran his signal through a rotating speaker, the quest for the perfect chorus effect has been toiled. The Mini-Mod chorus will liven your sound with a rich, wet, sautéed smorgasbord of modulated tone. Level, Rate and Depth knobs allow you to adjust to create killer tones for rhythms, strumming or rock leads.

The sealed metal body is small enough to fit into the palm of your hand, or on even the most crowded pedal board. You'll sound like you paid hundreds, but you'll pay substantially less.

Get that rich chorus sound for less with the ModTone mini-Mod MTM-CH Chorus guitar effect pedal. Since the first guitarist ran his signal through a rotating speaker, the quest for the perfect chorus effect has been toiled. The Mini-Mod chorus will liven your sound with a rich, wet, sautéed smorgasbord of modulated tone. Level, Rate and Depth knobs allow you to adjust to create killer tones for rhythms, strumming or rock leads.

The sealed metal body is small enough to fit into the palm of your hand, or on even the most crowded pedal board. You'll sound like you paid hundreds, but you'll pay substantially less.

A spring reverb emulator that fits in the palm of your hand.

Back in the 2000²s, Malekko hatched an idea for a pedal that was so radical, so risky, so dangerous, so crazy, that the so-called Powers That Be became too scared and tried to squash it, much like the eggless omelet. That pedal was the visionary Spring Chicken spring reverb emulator pedal, a pedal of great renown who's short run was mourned by many.

The Spring Chicken's demise was brought on by the release of the equally ground-breaking CHICKLET, a hatchling of supreme capabilities, combining small size, simple controls, and tons of sweet spring reverb dwell. Unfortunately, a meteorite caused the Chicklet's extinction, and once again, reverb lovers were shell-shocked¦

Only now, in the worst reverb drought of Malekko history, have the Fowl Gods allowed the re-birth of the mighty Malekko reverb to rise like the Phoenix and bless mankind with a new superlative mini spring reverb emulator pedal: SPRING.

SPRING is Malekko's Oregon-built Chicklet successor, boasting a super small size, very low noise, and a near bottomless depth of spring reverb sound due to it's dwell circuit. This tiny reverb pedal is an evolutionary strut in spring reverb emulation and sounds HUGE! All the great sound of a reverb tank in a small little pedal!

Runs off a ˜standard' 9VDC neg tip regulated power supply (not included). Current draw is 85mA. Enclosure size approx. 3.6³x 1.5³x 1.2³.

A spring reverb emulator that fits in the palm of your hand.

Back in the 2000²s, Malekko hatched an idea for a pedal that was so radical, so risky, so dangerous, so crazy, that the so-called Powers That Be became too scared and tried to squash it, much like the eggless omelet. That pedal was the visionary Spring Chicken spring reverb emulator pedal, a pedal of great renown who's short run was mourned by many.

The Spring Chicken's demise was brought on by the release of the equally ground-breaking CHICKLET, a hatchling of supreme capabilities, combining small size, simple controls, and tons of sweet spring reverb dwell. Unfortunately, a meteorite caused the Chicklet's extinction, and once again, reverb lovers were shell-shocked¦

Only now, in the worst reverb drought of Malekko history, have the Fowl Gods allowed the re-birth of the mighty Malekko reverb to rise like the Phoenix and bless mankind with a new superlative mini spring reverb emulator pedal: SPRING.

SPRING is Malekko's Oregon-built Chicklet successor, boasting a super small size, very low noise, and a near bottomless depth of spring reverb sound due to it's dwell circuit. This tiny reverb pedal is an evolutionary strut in spring reverb emulation and sounds HUGE! All the great sound of a reverb tank in a small little pedal!

Runs off a ˜standard' 9VDC neg tip regulated power supply (not included). Current draw is 85mA. Enclosure size approx. 3.6³x 1.5³x 1.2³.

A powerful chorus with three of the most mind-bending modes ever made.

The Seafoam Plus Chorus will forever change the way you think about chorus. Keeley has developed a new type of chorus that, until now, has only been available in expensive DAWs and in studios. Not only is it tuned for guitar, but there are voices and modes created specifically for bass players including flanging and tremolo. Lastly, this tri-mode chorus pedal offers internal switching for vintage and modern tones, further doubling the amount of sounds you can get.

In the Seafoam Plus Chorus you get the automatic doubler that Keeley developed in the revolutionary 30ms Double Tracker. The ADT chorus is what Keeley calls True Chorus, because it creates a second and third voice, similar to singers in a choir. Not only do they sing at different times, they sing at different pitches.

Seafoam Mode: lush, wide and very musical. It gives you the lush sounds and tone of a vintage BBD analog chorus unit. This is where you’ll find a typical chorus feature. The Seafoam Mode of the pedal has an LFO, the regularly cycling part you hear in most every other chorus unit. It provides a classic tone that you expect and which has become part of many classic tunes. Set the rate for slow and the depth for wide, and enjoy a really spacious sounding chorus. Roll the Mix Control all of the way up for Vibrato. With the Space control acting as a Tone Control in this mode, you can go from bright to vintage warmth, dialing in the perfect chorus.

Dual Chorus Mode: Keeley created a frequency crossover-based dual-chorus engine. Imagine a dividing line that is centered on your high E-string. Control the depth of chorus independently for highs and lows. Craft the ultimate “Come As You Are” Nirvana of chorus tones. Create a very deep, throbbing chorus on the low end, and a near perfect calm on the top end. Or make the high-end and shimmer and waver while keeping the low end fixed!

ChoralFlangelo

OK, it goes twice as deep. The Seafoam Plus Chorus is a Bass Chorus, Flanger and Tremolo too! Pop off the back, flick a switch, and it’s a bass guitar player’s dream. The Space Controls gives you controls or Regeneration, High-pass filtering to keep things tight, and a haunting Tremolo you have to hear to believe!

Vintage at Heart

Want a softer tone? Chorus that’s silky smooth and warm? No problem. Internal switching puts it in “Vintage Mode.” The Keeley Seafoam Plus Chorus ships in “Modern Mode” for ultra wide, lush, and high-fidelity chorus. Either way, enjoy sounds that are downright frighteningly good. Makes you wonder, “Is that my fingers playing that tone?”

A powerful chorus with three of the most mind-bending modes ever made.

The Seafoam Plus Chorus will forever change the way you think about chorus. Keeley has developed a new type of chorus that, until now, has only been available in expensive DAWs and in studios. Not only is it tuned for guitar, but there are voices and modes created specifically for bass players including flanging and tremolo. Lastly, this tri-mode chorus pedal offers internal switching for vintage and modern tones, further doubling the amount of sounds you can get.

In the Seafoam Plus Chorus you get the automatic doubler that Keeley developed in the revolutionary 30ms Double Tracker. The ADT chorus is what Keeley calls True Chorus, because it creates a second and third voice, similar to singers in a choir. Not only do they sing at different times, they sing at different pitches.

Seafoam Mode: lush, wide and very musical. It gives you the lush sounds and tone of a vintage BBD analog chorus unit. This is where you’ll find a typical chorus feature. The Seafoam Mode of the pedal has an LFO, the regularly cycling part you hear in most every other chorus unit. It provides a classic tone that you expect and which has become part of many classic tunes. Set the rate for slow and the depth for wide, and enjoy a really spacious sounding chorus. Roll the Mix Control all of the way up for Vibrato. With the Space control acting as a Tone Control in this mode, you can go from bright to vintage warmth, dialing in the perfect chorus.

Dual Chorus Mode: Keeley created a frequency crossover-based dual-chorus engine. Imagine a dividing line that is centered on your high E-string. Control the depth of chorus independently for highs and lows. Craft the ultimate “Come As You Are” Nirvana of chorus tones. Create a very deep, throbbing chorus on the low end, and a near perfect calm on the top end. Or make the high-end and shimmer and waver while keeping the low end fixed!

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OK, it goes twice as deep. The Seafoam Plus Chorus is a Bass Chorus, Flanger and Tremolo too! Pop off the back, flick a switch, and it’s a bass guitar player’s dream. The Space Controls gives you controls or Regeneration, High-pass filtering to keep things tight, and a haunting Tremolo you have to hear to believe!

Vintage at Heart

Want a softer tone? Chorus that’s silky smooth and warm? No problem. Internal switching puts it in “Vintage Mode.” The Keeley Seafoam Plus Chorus ships in “Modern Mode” for ultra wide, lush, and high-fidelity chorus. Either way, enjoy sounds that are downright frighteningly good. Makes you wonder, “Is that my fingers playing that tone?”