troyrk's Activity

Twin momentary switches that are normally closed configuration. The jack is a Stereo/TRS connection.

Requires a stereo patch cable.

The Tap Tempo is the ultra compact pedal that gives you the ability to control taps on delay and/or tremelo pedals as well as additional controls on multieffects units.

This works with pedals that accept an external tempo and/or expression pedal such as the Eventide RC series, JHS, Electro-Harmonix, Cusack, Chase etc.

This pedal has the soft touch switch for easy tapping.

The Micro Momentary Soft Footswitch is the ultra compact pedal that gives you the ability to control taps on delay and/or tremelo pedals as well as additional controls on multieffects units.

This switch is a normally closed .

This pedal has the soft touch switch for easy tapping.

The micro momentary footswitch is the ultra compact pedal that gives you the ability to control.

This switch is normally open.

Twin soft touch clickless momentary switches that are normally open configuration.

The jack is a Stereo/TRS connection.

Requires a stereo patch cable.

Dual soft touch “clickless” momentary switches that are normally closed footswitches in configuration.

The jack is a Stereo/TRS connection.

Requires a stereo patch cable.

Dual momentary switches that are normally open configuration. The jack is a Stereo/TRS connection.

Requires a stereo patch cable.

Dual momentary switches that are normally closed footswitches in configuration. The jack is a Stereo/TRS connection.

Requires a stereo patch cable.

The Harmonic Percolator is a distortion pedal that was made in Milwaukee, Wisconsin in the 1970's. It used a silicon and a germanium transistor in a design that passes even order harmonics while suppressing odd order harmonics. These even order harmonics are more pleasing to the ear than odd order harmonics. The Harmonic Percolator also responds well with multiple notes. The left slider is the input gain or distortion control and the right one is the output control. The input is on the left and the output is to the right when looking down on it. This is opposite pedals of today but in its time this made sense. Left to Right - the same way you read.

Van Damme guitar and bass instrument cable with professional Neutrik Silent stage connectors for durability and long life.

If you rely on your cable then don’t skimp on quality. This is used by touring professionals and recording studios around the world

ATTENTION!

Silent jacks are for use with instrument (guitar) applications only. Damage may occur if connected to amplifier output.

Please note that the signal isn’t muted with some types of active guitars which are equipped with tip-ring-sleeve jacks that tap to activate the guitar power supply.

The silentPLUG automatically mutes (shorts) an instrument (guitar) cable to avoid pops and squeals when changing the instrument (guitar) under load. The integrated silent switch (pat. pending) is based on REED-technology and guarantees a lifetime beyond 10 ‘000 mating cycles. The new PX silentPLUG features a rugged metal shell enhanced with a rubber cushion overlay for improved shock protection.

Van Damme Pro Grade Classic XKE Instrument Cable is a relatively low capacitance unbalanced audio cable for use with guitars, keyboards and other unbalanced output devices. It offers an excellent tonal quality with the high frequencies being bright and shiny and low frequencies round and warm. Its tight construction and dual screens of conductive thermoplastic and close lapped copper spiral ensure noise free handling and excellent noise rejection making this cable ideal for on stage use. The cable outer jacket made from a soft composite material making the cable extremely flexible whilst still retaining superb wear characteristics.

The Loopi Solderless Patch Cable Kit is perfect for DIY wiring your pedalboard. The kit includes 10 angled plugs plus our ultra flexible cable. The patch kit makes it so easy to make patch cables to your own lengths solder free anywhere any time. These plugs offer a simple and very reliable solderless connection for reliability night in and night out of gigging. Our solderless kits are ideal for fitting into the tight areas of your pedalboard that a soldered connection simply cannot provide.

Our high quality cable consists of a 99.95% pure silver plated copper 20 AWG conductor and a 98% braided shield. A capacitance of 30 pF/ft significantly reduces signal loss on pedal boards and enables the best possible tone of any similar product out there. Its outer diameter of 4mm means the cable is extremely flexible and a perfect match for any pedal board or rack system.

The Loopi Pedals XLR to Stereo jack cable is made with Van Damme cable and professional Neutrik XLR and jack stage connectors.

If you rely on your cable then don’t skimp on quality. This is used by touring professionals and recording studios around the world

Features:

Van Damme Pro Grade Classic XKE Pro-patch cable Neutrik 3 pin XLR plug Neutrik TRS 6.5mm jack plug Low noise and high flexibility for on stage use Ultra pure oxygen free copper for outstanding sonic integrity Van Damme Pro Grade Classic XKE Pro-patch cable has been specifically designed as a 4.85 mm overall diameter cable to suit Neutrik and Switchcraft bantam jacks, and other applications requiring a lower OD cable. Its braided screen and tightly packed construction ensure that the smaller size in no way compromises the mechanical and sonic integrity.

The Loopi Pedals XLR to Stereo jack cable is made with Van Damme cable and professional Neutrik XLR and jack stage connectors.

If you rely on your cable then don’t skimp on quality. This is used by touring professionals and recording studios around the world

Features:

Van Damme Tour Grade Classic XKE Microphone cable Neutrik 3 pin XLR plug Neutrik jack plug Low noise and high flexibility for on stage use Ultra pure oxygen free copper for outstanding sonic integrity Van Damme Classic XKE Microphone is our standard balanced / stereo cable. As well as being elegant the inner cores of this cable are silver plated OFC (oxygen free copper) giving an awesome tonal quality. The thermoplastic outer screen together with the close lapped OFC wire inner screen, ensure excellent noise rejection and durability. These elements combined make this the professional choice for any Balanced/Stereo cable

2 Core and Screen relates to the amount of carrier signals inside the cable, in this case three. This is a balanced/stereo cable. The 2 cores are the signal carriers and the screen is the ground/shield.

Loopi Pedals XLR to RCA cable made with Van Damme cable and professional Neutrik XLR and Amphenol RCA stage connectors for durability and long life

If you rely on your cable then don’t skimp on quality. This is used by touring professionals and recording studios around the world

Features:

Van Damme Tour Grade Classic XKE Microphone cable Low noise and high flexibility for on stage use Ultra pure oxygen free copper for outstanding sonic integrity Neutrik 3 pin XLR plug Van Damme Classic XKE Microphone is our standard balanced / stereo cable. As well as being elegant the inner cores of this cable are silver plated OFC (oxygen free copper) giving an awesome tonal quality. The thermoplastic outer screen together with the close lapped OFC wire inner screen, ensure excellent noise rejection and durability. These elements combined make this the professional choice for any Balanced/Stereo cable

2 Core and Screen relates to the amount of carrier signals inside the cable, in this case three. This is a balanced/stereo cable. The 2 cores are the signal carriers and the screen is the ground/shield.

Loopi Pedals Microphone XLR patch cable made with Van Damme pro-patch cable and professional Neutrik XLR stage connectors for durability and long life

If you rely on your cable then don’t skimp on quality. This is used by touring professionals and recording studios around the world

Features:

Van Damme Pro Grade Classic XKE Pro-patch cable Low noise and high flexibility for on stage use Ultra pure oxygen free copper for outstanding sonic integrity Neutrik 3 pin XLR plug Van Damme Pro Grade Classic XKE Pro-patch cable has been specifically designed as a 4.85 mm overall diameter cable to suit Neutrik and Switchcraft bantam jacks, and other applications requiring a lower OD cable. Its braided screen and tightly packed construction ensure that the smaller size in no way compromises the mechanical and sonic integrity.

Loopi Pedals Microphone XLR cable made with Van Damme cable and professional Neutrik XLR stage connectors for durability and long life

If you rely on your cable then don’t skimp on quality. This is used by touring professionals and recording studios around the world

Features:

Van Damme Tour Grade Classic XKE Microphone cable Low noise and high flexibility for on stage use Ultra pure oxygen free copper for outstanding sonic integrity Neutrik NC3MXX Male 3 pin XLR plug Van Damme Classic XKE Microphone is our standard balanced / stereo cable. As well as being elegant the inner cores of this cable are silver plated OFC (oxygen free copper) giving an awesome tonal quality. The thermoplastic outer screen together with the close lapped OFC wire inner screen, ensure excellent noise rejection and durability. These elements combined make this the professional choice for any Balanced/Stereo cable

2 Core and Screen relates to the amount of carrier signals inside the cable, in this case three. This is a balanced/stereo cable. The 2 cores are the signal carriers and the screen is the ground/shield.

A microphone switching pedal for use with dynamic microphones with 2 XLR inputs going to 1 XLR output.

The button is momentary, so holding the button down mutes input 1 and routes signal from input 2 to the output. Releasing the button routes the signal back to input 1.

LED’s are powered via 9v DC input centre negative (no battery).

NOTE: This pedal shouldn’t be used with phantom powered systems or mics as it will cause a loud pop when switching.

An A/B microphone switch for dynamic microphones with 1x XLR input and 2x XLR outputs, to switch between Technican and FOH, split for different microphone channels, split for different zones.

The momentary button will switch from output 1 to output 2 when the switch is held down.

Great for musicians using loopers, talk back systems, studio musicians or lead singers.

LED’s are powered via 9v DC input centre negative (no battery).

NOTE: This pedal shouldn’t be used with phantom powered systems or mics as it will cause a loud pop when switching.

The Volume Preset pedal is used to switch between a bypassed volume and a preset lower level. The knob works just like the volume knob on your guitar.

This is great for presetting a lower volume, for example for rhythm playing, and switching to your bypass level for lead parts or overdriving your amp.

The pedal includes a treble bleed circuit to get more uniform guitar tone from 1 to 10.

You can either put it in front of all your pedals to work as a master volume for your guitar, just in front of your drive pedals to work as another gain stage or in your effects loop at the end to work as a master volume.

This pedal is completely passive and needs no power to operate. The only power needed is for the LED.

The Volume Dial pedal is used to control the input level and adjust with your foot using the oversized knob.

The pot value is 250k which is ideal for most setups and includes a treble bleed to keep the volume smooth through the range.

Specially designed to be used with our range of Grey Series or Battery-Free pedals - a Passive Mute Switch. As all our pedals (with the exception of the Vintage TBs) include internal Buffer/Line Drivers, the Play/Mute Switch can be connected between the output of the last pedal in line and the amp input to facilitate a complete shutdown of signal when required.

The Mute switch is also suitable to be used at the output of other Buffered pedals - it may not be suitable to be used with true bypass or unbuffered pedals and such use is not recommended.

There is no internal Buffer/Line Driver in this unit - the 9Vdc power supply (Tip-ve) is only required to illuminate the LEDs and the Play/Mute function will still operate if the power supply is disconnected.

Other noise gates have a release knob compromise to adjust the release response in an attempt to best match the release to your playing style. If you set a fast release to remove noise, the instant you stop playing, the long sustained notes will either get an undesirable cutoff or will chop off the signal with a very ugly modulated release as the signal decays. The Decimator provides a fully adaptive release response, which tracks the envelope of the signal and instantly changes the release from super fast to a long, smooth release for sustained notes. The new Decimator X™ technology uses time vector integration and eliminates any modulation of the note. This allows long sustained notes to providing amazingly smooth response. Why adjust a fixed release time when you can have a full adaptive response that tracks exactly what you’re playing all in a super small package that delivers transparent performance. Also, the DECI-MATE won’t alter your tone. The DECI-MATE is a full analog design without any digital artifacts or aliasing for the most transparent noise reduction available. Made in the USA.

The Micro Volume Dial pedal is used to control the input level and adjust with your foot using the oversized knob.

The pot value is 250k which is ideal for most setups and includes a treble bleed to keep the volume smooth through the range.